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365Flicks (235 KP) rated The Hollow (2016) in Movies
Nov 20, 2019
Often all it takes for me to put a flick on is to see a name of an Actor that I have loved in other movies, this can often make me more forgiving and open to watch the next flick that comes along. When I received The Hollow for the intentions of reviewing. I was smacked in the face by two such names, William Sadler (Shawshank, Die Hard 2) and William Forsythe (Things to Do in Denver When Your Dead, The Rock). Neither actor is setting the world on fire as of late but as a movie fan you know your about to get some solid performances. I was not wrong.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.
The Hollow is yet another Small Town backwoods crime drama genre in a long line of VOD releases. The difference being that The Hollow has a certain amount of Backwoods charm to it that usually tends to fall flat upon replication, This is in no small part due to the performances driving the Flick. Writer, Director and Star Miles Doleac plays corrupt as balls Deputy Sheriff Ray Everett. In a town that seems to have been forgotten by the outside world Ray is able to function as a truly horrendous unlikable character, But fear not because just about everyone in this down is a bonafide Asshole. The movie kicks into gear fairly quickly when we witness a triple murder down by Make-Out Creek (Thats what they call places like that right). One of the victims being an under-age girl we witnessed barely 10 minutes ago giving Officer Ray some pretty bad head (Like a said he is a proper shit bag)… The FBI comes swarming into town when it is revealed one of the other victims is the daughter of a US Congressman. The game of small town cover up vs government stooges begins.
I’m not going to dive to deep into this flick because it is your standard by the numbers Crime/Drama. I said towards the start of this write-up that sometimes all it takes is a couple of names that you recognize as regular Jobbers who tend to put in solid performances and that is certainly one of the things this movie has going for it. Forsythe, Sadler and Jeff Fahey all being shining lights for me. Not to be out shone in his own movie though Doleac manages to portray a truly horrendous shit bag with no redeeming quality’s at all pretty expertly and that is where your Movie can live or die. Take nothing away from the supporting cast either they were all great just that most characters were fairly one dimensional.
Personally I feel like The Hollow is a good enough movie with some solid performances that you would be kept entertained. The script is not exactly Tarantino levels, while it does at times feel like thats what Doleac was going for, but as I said at the start when you sit down to this movie, you know what your getting.
Its a solid Recommend from 365HQ in a sea of by the numbers Crime/Dramas The Hollow has some pretty great performances and for the directors second Feature Film its a solid effort.
Kristy H (1252 KP) rated Dead Woman Walking in Books
Nov 5, 2020 (Updated Nov 8, 2020)
Jessica Lane treats her sister, Isabel (known to most as Sister Mary Magdalena, as her sister has been serving in a convent for many years) to a hot air balloon ride for her 40th birthday. But things go awry when Jessica--from the balloon--sees a man murder a young woman. From the ground, he spots her face clearly. Then the balloon crashes, and there is only one survivor. The man knows she can identify him, and he won't stop until the threat to his safety is eliminated. So Jessica runs, unsure of who she can trust, or where she can go, all the while knowing that her beloved sister is dead.
Wow, what a book. I don't want to say more about the plot for risk of spoilers or ruining any of the awesome "whoa" moments you encounter while reading this one. The story flashes back and forth in time as Jessica tells us about the day of the accident and then various pieces of the past. It's a combination of suspenseful, confusing, and spellbinding that will grip you from the very beginning. You're immediately roped in as the balloon crashes and then left wondering about the sisters' past, which is only unveiled in small nuggets.
I found this book to be extremely tense. As in, my body was actually tight while reading. I was rigidly turning pages, wondering what was going to happen next and if Jessica was going to get to safety. Bolton made me suspicious of everything and everyone--I felt like our protagonist: I could trust no one.
One of the best parts of this novel is that in addition to our "Fugitive"-esque plot, we have a fascinating police case weaved in. This really keeps the book moving as the plot continues to thicken. Not only is Jessica being pursued, but we're learning more and more about the case she was researching in the years and months before the crash. In addition, the final layer is the snippets about the sisters and their tangled family past. Somehow, Bolton twists them all together nearly effortlessly. You have to be able to keep track of when everything occurs (the chapters are just marked as "XX amount of time before" the crash), but you get used to it.
I totally guessed one of the big shocking aspects of the novel early on, but I was still second guessing myself the whole time, and it didn't diminish my enjoyment of it whatsoever, plus there was still so much that completely surprised me. To the extent that I wish I had time to go back and read it again and figure out how I missed so many things! Seriously. This book made me go "wow!" multiple times. It captivated me the entire time I was reading it. There was one final twist too many for complete plausibility at the end to get 10 stars, but I still highly recommend this one. A wonderful, spellbinding thriller that cements for me how much I love Bolton's work.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Wow, what a book. I don't want to say more about the plot for risk of spoilers or ruining any of the awesome "whoa" moments you encounter while reading this one. The story flashes back and forth in time as Jessica tells us about the day of the accident and then various pieces of the past. It's a combination of suspenseful, confusing, and spellbinding that will grip you from the very beginning. You're immediately roped in as the balloon crashes and then left wondering about the sisters' past, which is only unveiled in small nuggets.
I found this book to be extremely tense. As in, my body was actually tight while reading. I was rigidly turning pages, wondering what was going to happen next and if Jessica was going to get to safety. Bolton made me suspicious of everything and everyone--I felt like our protagonist: I could trust no one.
One of the best parts of this novel is that in addition to our "Fugitive"-esque plot, we have a fascinating police case weaved in. This really keeps the book moving as the plot continues to thicken. Not only is Jessica being pursued, but we're learning more and more about the case she was researching in the years and months before the crash. In addition, the final layer is the snippets about the sisters and their tangled family past. Somehow, Bolton twists them all together nearly effortlessly. You have to be able to keep track of when everything occurs (the chapters are just marked as "XX amount of time before" the crash), but you get used to it.
I totally guessed one of the big shocking aspects of the novel early on, but I was still second guessing myself the whole time, and it didn't diminish my enjoyment of it whatsoever, plus there was still so much that completely surprised me. To the extent that I wish I had time to go back and read it again and figure out how I missed so many things! Seriously. This book made me go "wow!" multiple times. It captivated me the entire time I was reading it. There was one final twist too many for complete plausibility at the end to get 10 stars, but I still highly recommend this one. A wonderful, spellbinding thriller that cements for me how much I love Bolton's work.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
BankofMarquis (1832 KP) rated Nope (2022) in Movies
Jul 26, 2022
Original...Tense...and Entertaining
Producer/Writer/Director Jordan Peele has managed to accomplish something with his latest horror film - he has managed to make a completely original film both in concept and in execution.
To tell too much about the story of NOPE would be to spoil it - and letting this unique film unfold in front of you is a large part of the journey - but, to sum up…Hollywood Horse Wrangler, Otis Haywood Sr. (the great Keith David, THE THING), his son, Otis Haywood, Jr. - or as he is called in this film OJ (the incomparable Oscar-winner Daniel Kaluuya) and his daughter, Emerald (Keke Palmer of Disney Channel fame, amongst others) encounter some strange phenomena. Their investigation will draw in their neighbor, former child star Ricky “Jupe” Park (Steven Yeun, THE WALKING DEAD), a tech from the local IT Hardware store, Angel Torres (Brandon Perea, THE OA) and a wildlife cinematographer, Antlers Holst, who specializes in getting the “impossible” shot (Michael Wincott, THE CROW).
It’s a wildly entertaining, grip-your-armchair type of film that unfolds on the screen in clever ways (without getting “too” weird) - all with the pragmatic sensibilities of Peele, the former member of the comedy duo KEYE & PEELE. Jordan has grown into a filmmaker that must not be missed and in NOPE he showcases his skill with strong effect, being in complete control of the artistic point of view while delivering a highly entertaining thriller.
Of course, it helps that you have a performer as interesting to watch as Kaluuya - one of the finest performers in film today. He plays the taciturn OJ with complete “taciturn-ness” (if that is a word) and, in his skilled body, this performance works very, very well. He says more with a glance or a shrug than most people can say with a 1,000 words and he draws you into the screen and into his thoughts with tremendous intimacy.
Keke Palmer, by contrast, is the exact opposite. Her Emerald is flamboyant, chatty, up-beat and beset by inner demons made manifest by drugs, alcohol and smoke. It is a movie-saving performance by Palmer as she brings the heart and the energy to the proceedings while Kaluuya is the quiet brains and the soul.
Perea, Yeun, David and (especially) Wincott all add to the tapestry of the events and bring something interesting and worth looking at (and into) during the course of this film.
Peele ratchets the tension throughout this film like an expert and the Special Effects are used in exactly the right way that they needed to be used and showcased throughout the film - filling you with awe when that is called for and having you think to yourself “you’ve got to be kidding me” when that is exactly what the characters are thinking.
A masterful, original concept of a film by Peele - one that is not for everyone - but those that are into this type of thing are going to be in for a unique and original film filled with unique characters and more than one jump along the way.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
To tell too much about the story of NOPE would be to spoil it - and letting this unique film unfold in front of you is a large part of the journey - but, to sum up…Hollywood Horse Wrangler, Otis Haywood Sr. (the great Keith David, THE THING), his son, Otis Haywood, Jr. - or as he is called in this film OJ (the incomparable Oscar-winner Daniel Kaluuya) and his daughter, Emerald (Keke Palmer of Disney Channel fame, amongst others) encounter some strange phenomena. Their investigation will draw in their neighbor, former child star Ricky “Jupe” Park (Steven Yeun, THE WALKING DEAD), a tech from the local IT Hardware store, Angel Torres (Brandon Perea, THE OA) and a wildlife cinematographer, Antlers Holst, who specializes in getting the “impossible” shot (Michael Wincott, THE CROW).
It’s a wildly entertaining, grip-your-armchair type of film that unfolds on the screen in clever ways (without getting “too” weird) - all with the pragmatic sensibilities of Peele, the former member of the comedy duo KEYE & PEELE. Jordan has grown into a filmmaker that must not be missed and in NOPE he showcases his skill with strong effect, being in complete control of the artistic point of view while delivering a highly entertaining thriller.
Of course, it helps that you have a performer as interesting to watch as Kaluuya - one of the finest performers in film today. He plays the taciturn OJ with complete “taciturn-ness” (if that is a word) and, in his skilled body, this performance works very, very well. He says more with a glance or a shrug than most people can say with a 1,000 words and he draws you into the screen and into his thoughts with tremendous intimacy.
Keke Palmer, by contrast, is the exact opposite. Her Emerald is flamboyant, chatty, up-beat and beset by inner demons made manifest by drugs, alcohol and smoke. It is a movie-saving performance by Palmer as she brings the heart and the energy to the proceedings while Kaluuya is the quiet brains and the soul.
Perea, Yeun, David and (especially) Wincott all add to the tapestry of the events and bring something interesting and worth looking at (and into) during the course of this film.
Peele ratchets the tension throughout this film like an expert and the Special Effects are used in exactly the right way that they needed to be used and showcased throughout the film - filling you with awe when that is called for and having you think to yourself “you’ve got to be kidding me” when that is exactly what the characters are thinking.
A masterful, original concept of a film by Peele - one that is not for everyone - but those that are into this type of thing are going to be in for a unique and original film filled with unique characters and more than one jump along the way.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Midge (525 KP) rated Wedding Wipeout in Books
Dec 10, 2018
A Brilliant and Witty Mystery!
I really enjoyed Wedding Wipeout far more than I was expecting to. The story-line is brilliant and the mystery is so good that you want to keep on reading.
Rabbi Kappelmacher is planning to retire and is training his assistant, Rabbi Steinmetz, to follow in his footsteps, however, things get interesting when a visitor arrives. Former assistant Rabbi, Marshall Green, is now a lawyer with a case to solve.
One of his firm’s clients has died under suspicious circumstances. An elderly woman, Florence Eisenstein had just married the man she had been dating for the last several months, Alfred Shingle. The morning after her wedding, she is found dead in her bed.
She and her sister, Lorraine, were to be the heirs to their father’s egg cream fortune. Their father’s will, however, stipulated that if either of them married her allowance would cease and the proceeds would immediately pass to the other sister. So why, after so many years of unmarried contentment, did Florence decide to marry and also announce to her family that she had found a way to break the will? A will that, as far as Green was aware, was unbreakable. And why did she say that she was disinheriting her nephew, with whom she was on good terms?
Though Wedding Wipeout appears to be a typical mystery novel and is rather reminiscent of Agatha Christies's Poirot, it's actually quite a refreshing take on the mystery genre. Rabbi Kappelmacher and his sidekick, Rabbi Steinmetz have a very entertaining partnership whilst visiting with suspects and eyewitnesses. I particularly liked the wit and dry humour that was evident throughout the book, although I think that some of the humour and certainly some of the references, may have been lost on me, not being Jewish.
Green believes Florence may have been murdered, even though her own doctor ruled it an accidental death. Using his wit and rabbinic reasoning, Kappelmacher unravels all of the misleading information, red herrings and lies to reveal the truth, whilst Steinmetz tries to keep pace with him.
Wedding Wipeout was a wonderful read. I greatly look forward to reading more books by Jacob M Appel.
Thanks to LibraryThing and the author for a copy of Wedding Wipeout, via Members Giveaway.
Rabbi Kappelmacher is planning to retire and is training his assistant, Rabbi Steinmetz, to follow in his footsteps, however, things get interesting when a visitor arrives. Former assistant Rabbi, Marshall Green, is now a lawyer with a case to solve.
One of his firm’s clients has died under suspicious circumstances. An elderly woman, Florence Eisenstein had just married the man she had been dating for the last several months, Alfred Shingle. The morning after her wedding, she is found dead in her bed.
She and her sister, Lorraine, were to be the heirs to their father’s egg cream fortune. Their father’s will, however, stipulated that if either of them married her allowance would cease and the proceeds would immediately pass to the other sister. So why, after so many years of unmarried contentment, did Florence decide to marry and also announce to her family that she had found a way to break the will? A will that, as far as Green was aware, was unbreakable. And why did she say that she was disinheriting her nephew, with whom she was on good terms?
Though Wedding Wipeout appears to be a typical mystery novel and is rather reminiscent of Agatha Christies's Poirot, it's actually quite a refreshing take on the mystery genre. Rabbi Kappelmacher and his sidekick, Rabbi Steinmetz have a very entertaining partnership whilst visiting with suspects and eyewitnesses. I particularly liked the wit and dry humour that was evident throughout the book, although I think that some of the humour and certainly some of the references, may have been lost on me, not being Jewish.
Green believes Florence may have been murdered, even though her own doctor ruled it an accidental death. Using his wit and rabbinic reasoning, Kappelmacher unravels all of the misleading information, red herrings and lies to reveal the truth, whilst Steinmetz tries to keep pace with him.
Wedding Wipeout was a wonderful read. I greatly look forward to reading more books by Jacob M Appel.
Thanks to LibraryThing and the author for a copy of Wedding Wipeout, via Members Giveaway.
Kim Pook (101 KP) rated Love you to death (2019) in Movies
Jun 2, 2022
Police arrive at a house in 2013, The door is unlocked so they enter to find a dead body on the bed. We are shown a montage of pictures of a sick teen girl called Esme and her mum, it seems they had been raising a lot of money because of her illness.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Janeeny (200 KP) rated Hazel and Holly in Books
May 9, 2019
I received and ARC of this book from Netgalley in return for an honest review
Holly and Hazel are two Witch sisters living in an idyllic little community called the Grove where Witches and Warlocks practice elemental magic.
However Hazel is unsettled in their comfortable little lives, as their estranged father has turned to the dark magic of Necromancy and trapped their dead mothers soul.
Hazel needs to muster all the strength she can, both magical and emotional to travel outside the safety of their little community to find their father and free their mother. With a little help from her sister Holly, a couple of Warlock brothers and a Cellar Gnome, of course.
This was a really enjoyable read, Hazel and Holly were both very well thought out characters that you couldnt help getting involved in their adventure. At one point whilst doing some housework I actually found myself thinking I wonder how Holly and Hazel are getting on? So I was definitely engaged. So it came as no surprise to me, whilst reading the authors notes, to learn that this was originally a flash fiction story that the author then expanded and serialised on her blog. Its that style of writing, that feeling of anticipation you get for the next part of the book that I feel keeps the reader engaged and wanting to read more.
Unfortunately Ash and Willow (Holly and Hazels parents) werent really substantial enough for my liking, despite the fact that the whole story revolves around the acts of these two characters there wasnt a lot of depth in them. However this doesnt detract from the story as Hazel and Holly (and also Hemlock and Hawthorn the two warlock brothers) are big enough characters in their own right to carry the story.
There is a promise of potentially more to come from these Sisters, I look forward to it.
Holly and Hazel are two Witch sisters living in an idyllic little community called the Grove where Witches and Warlocks practice elemental magic.
However Hazel is unsettled in their comfortable little lives, as their estranged father has turned to the dark magic of Necromancy and trapped their dead mothers soul.
Hazel needs to muster all the strength she can, both magical and emotional to travel outside the safety of their little community to find their father and free their mother. With a little help from her sister Holly, a couple of Warlock brothers and a Cellar Gnome, of course.
This was a really enjoyable read, Hazel and Holly were both very well thought out characters that you couldnt help getting involved in their adventure. At one point whilst doing some housework I actually found myself thinking I wonder how Holly and Hazel are getting on? So I was definitely engaged. So it came as no surprise to me, whilst reading the authors notes, to learn that this was originally a flash fiction story that the author then expanded and serialised on her blog. Its that style of writing, that feeling of anticipation you get for the next part of the book that I feel keeps the reader engaged and wanting to read more.
Unfortunately Ash and Willow (Holly and Hazels parents) werent really substantial enough for my liking, despite the fact that the whole story revolves around the acts of these two characters there wasnt a lot of depth in them. However this doesnt detract from the story as Hazel and Holly (and also Hemlock and Hawthorn the two warlock brothers) are big enough characters in their own right to carry the story.
There is a promise of potentially more to come from these Sisters, I look forward to it.
Daniel Boyd (1066 KP) created a post
Dec 19, 2018 (Updated Dec 19, 2018)
Debbiereadsbook (1421 KP) rated Mr April (Calendar Men #4) in Books
May 14, 2018
good, but not as good as March
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
Will thought the charity shoot was a good thing, til his boyfriend, Geoffrey got all jealous of nothing. So Will dumps him and takes himself out to dinner. And has an instant and powerful reaction to Baz, his server. Baz is a swan shifter, and they mate for life so Baz needs to be careful with Will. Then Geoffrey turns up dead and both men are prime suspects.
Book 4 in the Calendar Men series, but you don't need to have read the other first. It will give you a better picture of what has happened on the photo shoot, but very little of the shoot appears here.
I liked this, a lot. Not as much as March, but I did like it. I just didn't love it and *insert whiny voice* I don't know why!
It carries drama of a different nature to the other books, but I liked that here. It also has shifters of a different breed: swans and coyotes. I did not see whodunnit until it was revealed in the book!
The heat level between Baz and Will is hot and steamy, but also deep and emotional, especially when Baz is talking about life mates and things.
I just LIKED it, but I didn't love it.
BUT!! Still a four star read and I'm interested how the rest of the year will play out.
4 GOOD solid stars
**same worded review will appear elsewhere**
Will thought the charity shoot was a good thing, til his boyfriend, Geoffrey got all jealous of nothing. So Will dumps him and takes himself out to dinner. And has an instant and powerful reaction to Baz, his server. Baz is a swan shifter, and they mate for life so Baz needs to be careful with Will. Then Geoffrey turns up dead and both men are prime suspects.
Book 4 in the Calendar Men series, but you don't need to have read the other first. It will give you a better picture of what has happened on the photo shoot, but very little of the shoot appears here.
I liked this, a lot. Not as much as March, but I did like it. I just didn't love it and *insert whiny voice* I don't know why!
It carries drama of a different nature to the other books, but I liked that here. It also has shifters of a different breed: swans and coyotes. I did not see whodunnit until it was revealed in the book!
The heat level between Baz and Will is hot and steamy, but also deep and emotional, especially when Baz is talking about life mates and things.
I just LIKED it, but I didn't love it.
BUT!! Still a four star read and I'm interested how the rest of the year will play out.
4 GOOD solid stars
**same worded review will appear elsewhere**
TacoDave (3826 KP) rated Anna and the Apocalypse (2018) in Movies
Dec 10, 2018 (Updated Dec 10, 2018)
Acting (3 more)
Music
Pacing
Humor
"Anna and the Apocalypse" is Fantasticly Strange
I didn't expect a lot when I saw "Anna and the Apocalypse" yesterday. I knew a little about it. I knew it was a Zombie/Christmas musical that was supposed to be "Shaun of the Dead Meets La La Land," and I knew it was popular at film festivals last year, but I didn't have any other real feel for what I was in for.
Luckily, I *loved* this movie. The first 30 minutes or so just follow several high schoolers as their school prepares for a Christmas performance. The way they randomly break into song, then look at each other weirdly when the song ends and continue with their day was amusing. The songwriting was great - the singing too! - and, except for one song, I wanted to own the soundtrack.
The rest of the movie follows a group of parents and students trapped in a school with zombies outside and, concurrently, a small group of high schoolers who are trying to make their way to the school to see if their loved ones are still alive. Heads explode. Bodies are mangled. People get bitten. And there is quite a bit of gore.
Yet, at the same time, the movie is light and hilarious. It walks a fine balance between horror/comedy/Christmas/musical, and succeeds almost completely.
If you like horror movies mixed with comedy and you are a fan of musicals, this one is a no-brainer. Pun intended.
Luckily, I *loved* this movie. The first 30 minutes or so just follow several high schoolers as their school prepares for a Christmas performance. The way they randomly break into song, then look at each other weirdly when the song ends and continue with their day was amusing. The songwriting was great - the singing too! - and, except for one song, I wanted to own the soundtrack.
The rest of the movie follows a group of parents and students trapped in a school with zombies outside and, concurrently, a small group of high schoolers who are trying to make their way to the school to see if their loved ones are still alive. Heads explode. Bodies are mangled. People get bitten. And there is quite a bit of gore.
Yet, at the same time, the movie is light and hilarious. It walks a fine balance between horror/comedy/Christmas/musical, and succeeds almost completely.
If you like horror movies mixed with comedy and you are a fan of musicals, this one is a no-brainer. Pun intended.
LoganCrews (2861 KP) rated Dr Seuss' The Lorax (2012) in Movies
Jul 4, 2021
Everyone who claims the weird Once-ler fandom from 2012 died don't realize that it simply morphed into all those people who want to fuck that TikTok Willy Wonka dude tbh. Another aimless round of empty visual inertia from Illumination which painfully crawls at hardly 87 minutes in length. How you all feel about 𝘔𝘪𝘯𝘪𝘰𝘯𝘴 (which I think is just mediocre) is how I feel about this - an endurance test to see how long the human brain can tolerate such abominable annoyances without snapping like a twig. I fucking loathe those dumbass fish that wouldn't shut the fuck up or those sickly-sweet bears. Somehow not even the worst Seuss adaptation from this company though, the Lorax's design and choice of DeVito for voice actor is essentially a dead-ringer. Not to mention how impressed I am with Ed Helms' multifaceted voice performance and some stuff in the last thirty minutes is kind of half-decent too. It also doesn't exactly have the wrong aesthetic, either - but it's in service of such thorough vapidity, I mean what an aggressive non-story going on here. Plus - surprise - it's totally performative; you know those marketing execs would have happily chopped down a million of those forests to make some Illumination-brand Lorax plushies. Tried so hard to be 'in the now' that it features side-banged fedora hipster twinks with emo hair and ends with nasty-ass amounts of early-2010s autotune you'd already forgotten existed. Not only a fundamental misunderstanding of Seuss but a pathetic excuse for a movie as well.