Search

Search only in certain items:

Rent: The Complete Book and Lyrics of the Broadway Musical
Rent: The Complete Book and Lyrics of the Broadway Musical
Jonathan Larson | 1996 | LGBTQ+, Music & Dance
4
7.3 (3 Ratings)
Book Rating
AIDs Representation (1 more)
LGBTQIA+ Representation
Hated All The Characters (0 more)
Great Representation, Horrible Characters
I have never seen the musical Rent nor have I ever seen the movie (though I heard it is not as good and different from the musical). Therefore, my rating is based solely on this book and because of that, I may not be able to understand or enjoy it as much as I would have if I had watched the movie or musical first.

First off, I loved that the book (or rather, musical) was set during the AIDS crisis and showed LGBTQIA+ representation. I think that is fantastic because (a.) we are lacking in our current day representation of LGBTQIA+ characters (though, we are slowly beginning to have this become the norm.) and (b.) the AIDS crisis was not a good time in history. The American government was not doing much to help with this crisis and seemed to sort of sweep it aside. Now, I was not alive during the beginning of this crisis and therefore have learned from sources and not with my own experiences, but not much was being done and this was mostly because this was originally considered a “gay disease” and, sadly, people in the past have not treated the LGBTQIA+ community with the respect they deserve. Instead, because this was considered a “gay disease” it was considered unimportant and therefore the AIDS epidemic was ignored. Luckily, today we have better people who are trying their best to find a cure.

Second, while I extremely enjoyed the representation and awareness this book (or musical) brought I did not enjoy most of the characters. While I do believe that characters should have flaws (after all no one is perfect and that is part of what make us human) I did not appreciate the way the characters in the book seemed to make excuses. Especially the fact that they used others difficulties to try and better themselves. Not to mention, most of the characters seemed to accentuate their poorness and use it as a way to better themselves. One scene that really got to me was when Mark was starting to film a homeless person. He did save them from the police but even they said “My life’s not for you to make a name for yourself on” and “Hey artist you gotta dollar? I thought not,” (Pg.38). It literally stated that these people who claim themselves to be “artists” use this as an excuse to exploit others.

Another huge part of what I did not appreciate about this book would be the harmful relationship that most of the characters seem to be in. Most of these relationships seemed too toxic and seemed to revolve around awful and sometimes disgusting circumstances.

Maureen (Cheater) + Joanne = 💔

Maureen and Joanne were repeatedly arguing, breaking it off, then getting back together. Now, that alone already seems like it’s not a healthy foundation for any relationship but then we find out that Maureen is a HUGE cheater. Mark himself told Joanne that she used to cheat on him when they were together and even had a bit of evidence that she was doing it again.

Roger (Past Drug Addict) + Mimi (Drug User) = 💔

Now, Roger is one of the many characters in this musical to have AIDS and because he is a past drug user we can infer that he got AIDS from drugs, or from his ex-girlfriend. Anyway, his goal before he dies from AIDS is to write one last song so that his life could mean something. To make sure that his life was worth it (to have glory), and I actually admire him for that. Lots of people would give up and I think it’s amazing that he wants to continue to try to make his life worth living. However, Mimi comes in and started to spark a flame (or light a candle) with Roger. There’s just one problem. Mimi is a drug user. Plus, it seems like she is trying to get Roger to get back on drugs. Definitely not something a healthy and loving relationship would have.

Benny (At least 30yrs.) + Mimi (Younger than 19) = 💔

Now, this has to be the most disgusting relationship in the book. While I don’t mind couples having age differences I am one-hundred percent NOT behind underage people dating men who are at least thirty, if not forty, years old. This was revealed when we got told that Mimi use to date Benny before she met Roger. Mimi was nineteen when she met Roger and if she had a prior relationship with Benny she was most likely eighteen or under.

Finally, I wasn’t very happy with the ending of the book. Mimi’s sort-of “death” scene just wasn’t my thing. It seemed to be that the situation as a whole seemed too excessive. She was dead, then she was back, then she was dead again, and she managed to come back because Angel told her too. While Mimi is a main character and main character deaths are extremely sad this story was supposed to make people more aware of AIDS and it just seemed to be too fanciful for me. This is an extremely deadly disease and just because someone told you that it was not your time to die yet does not mean that you are not going to yet pass. However, this is fiction and this does happen.

Would I Recommend? No. I really enjoyed the representation this showed within the LGBTQIA+ community and the awareness it would bring to people about the AIDS crisis, but I thought the story itself was bad. The characters, in my opinion, were not written well and I especially did not enjoy their actions or choices.
  
Onward (2020)
Onward (2020)
2020 | Adventure, Animation, Comedy
Fun...but..."lesser" PIxar
I am a big fan of the PIXAR films. I am a big fan of Chris Pratt and Tom Holland. I am a big fan of Fantasy films (wizards, elves, dwarves and so on...) So when I heard there was going to be a Pixar flick featuring the voice talents of Pratt and Holland about characters in a Fantasy world, I was excited to check it out.

I should have lowered my expectations.

Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.

Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.

It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.

You get the drift.

I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.

Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).

I would put ONWARD in the LESSER category.

Letter Grade: B (even a "lesser" Pixar film is still above average)

7 stars (out of 10) and you can take that to the Bank (ofMarquis)
  
Wrecking Ball (Hard to Love, #1)
Wrecking Ball (Hard to Love, #1)
8
8.0 (1 Ratings)
Book Rating
This starts with Camilla in court (i think?) as she is told she has lost everything she owns after her dead husband started a ponzi scheme that lost a lot of people a lot of money. She is public enemy number one and nobody wants to hire her so she ends up living with her parents and going through agencies in the hopes of finding a job. She's finally offered one looking after a young boy who has a celebrity uncle and must live with them for the duration of the contract. Sparks fly between Cam and Calvin from the start but as they grow closer, animosity turns to attraction.

I actually really enjoyed this. It was definitely a slow burn romance but you could see there was a spark there from pretty early on. Probably from when Cal turned up at her evening job asking her to take the nanny job and wanting to drive her home afterwards since it was so late. That there put him down as being a gentleman in my books and I was smitten. I devoured it from that point on, willing them to finally do something about their attraction.

Of course, there's the dilemma that tears our couple apart and even I was getting emotional at that part. Geez, they were so good together and something like that was going to end up tearing them apart. All came right in the end, though, thank God, or I would be an emotional wreck right now.

I may have to read the next book in the series because it focuses on Cam's best friend and apparent man-hater, Amber, so that should be fun.
  
    iLap

    iLap

    Business and Productivity

    (0 Ratings) Rate It

    App

    A new business option opens up for companies that sell their products using the sales force. The...

40x40

JT (287 KP) rated Insidious (2010) in Movies

Mar 10, 2020  
Insidious (2010)
Insidious (2010)
2010 | Horror
6
7.3 (23 Ratings)
Movie Rating
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.

Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.

When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.

Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.

After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.

It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.

The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.

The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.

At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
  
The Night Olivia Fell
The Night Olivia Fell
Christina McDonald | 2019 | Mystery, Thriller
9
9.3 (8 Ratings)
Book Rating
Each chapter of this story is told from two views, Olivia and Abi (Olivia’s mother). The story starts off intense and grabbing when Abi gets news that her daughter has fallen from a bridge and is now considered brain dead – but she is being kept alive because she is also pregnant. That plot thickens…

Olivia is a typical teenager. She gets good grades and is active in school sports and volunteers – most of the time she does so, so that her mother ‘stays happy and stays off her back’. It’s disheartening to hear, but as you read the story, you understand Abi’s need to ‘keep Olivia’ safe and know a need to know where she is, who she is with, and what she is doing. Although, there is such thing as a little too protective, but I won’t go into that, that’s not the point.

Olivia has a boyfriend, whom I swear has male PMS and wants sex (and Olivia is giving it to him, though she’s feeling the pressure) and a best friend who at one point was mad at her and got the whole class to stop speaking to her. So, these two characters are not exactly on a list of people to like or even tolerate.

Abi tries to find the truth behind how Olivia fell and how she became pregnant. A lot of secrets are revealed.

The more I read the story, the more I felt like this was turning into a morbid ‘Parent Trap’ story. I say this, because, during a college trip, Olivia meets a girl named Kendall, who could very well BE her twin.

So, I’m like, great, a twin separation story – Nope, I was wrong, which is not a bad thing.

I think I would have enjoyed this story a bit better if not for realizing who was responsible for Olivia ‘falling’. To me, it felt predictable. I also had some issues with some dialogue coming from teenagers.

“You made me look like a fool!” – Do ANY teenagers today say ‘fool’? That’s me being a bit nit picky, but I had to add it, just cause.

All in all, it was a decent story and I stayed interested, even through some of the ‘predictable’ scenes and the outcome of the story. I will say, I did make a few guesses, and I was only right once or twice. I’m not sure if that’s a upper, but I thought it was a good story, nonetheless.