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Grand Theft Auto: Chinatown Wars
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***ATTENTION*** IF YOU PURCHASED GTA: CHINATOWN WARS HD, PLEASE CHECK YOUR ITUNES PURCHASE HISTORY...
Her Sister's Lie
7.0
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Book
In this riveting psychological thriller, the international bestselling author of The Bones of You...
mystery thriller
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Pandemic (The Extinction Files #1)
8.0
Rate It
Book
Around the world, a deadly outbreak spreads. The CDC and WHO race to stop it, but they soon learn...
Amanda (96 KP) rated The Night Olivia Fell in Books
Mar 11, 2019
Each chapter of this story is told from two views, Olivia and Abi (Olivia’s mother). The story starts off intense and grabbing when Abi gets news that her daughter has fallen from a bridge and is now considered brain dead – but she is being kept alive because she is also pregnant. That plot thickens…
Olivia is a typical teenager. She gets good grades and is active in school sports and volunteers – most of the time she does so, so that her mother ‘stays happy and stays off her back’. It’s disheartening to hear, but as you read the story, you understand Abi’s need to ‘keep Olivia’ safe and know a need to know where she is, who she is with, and what she is doing. Although, there is such thing as a little too protective, but I won’t go into that, that’s not the point.
Olivia has a boyfriend, whom I swear has male PMS and wants sex (and Olivia is giving it to him, though she’s feeling the pressure) and a best friend who at one point was mad at her and got the whole class to stop speaking to her. So, these two characters are not exactly on a list of people to like or even tolerate.
Abi tries to find the truth behind how Olivia fell and how she became pregnant. A lot of secrets are revealed.
The more I read the story, the more I felt like this was turning into a morbid ‘Parent Trap’ story. I say this, because, during a college trip, Olivia meets a girl named Kendall, who could very well BE her twin.
So, I’m like, great, a twin separation story – Nope, I was wrong, which is not a bad thing.
I think I would have enjoyed this story a bit better if not for realizing who was responsible for Olivia ‘falling’. To me, it felt predictable. I also had some issues with some dialogue coming from teenagers.
“You made me look like a fool!” – Do ANY teenagers today say ‘fool’? That’s me being a bit nit picky, but I had to add it, just cause.
All in all, it was a decent story and I stayed interested, even through some of the ‘predictable’ scenes and the outcome of the story. I will say, I did make a few guesses, and I was only right once or twice. I’m not sure if that’s a upper, but I thought it was a good story, nonetheless.
Olivia is a typical teenager. She gets good grades and is active in school sports and volunteers – most of the time she does so, so that her mother ‘stays happy and stays off her back’. It’s disheartening to hear, but as you read the story, you understand Abi’s need to ‘keep Olivia’ safe and know a need to know where she is, who she is with, and what she is doing. Although, there is such thing as a little too protective, but I won’t go into that, that’s not the point.
Olivia has a boyfriend, whom I swear has male PMS and wants sex (and Olivia is giving it to him, though she’s feeling the pressure) and a best friend who at one point was mad at her and got the whole class to stop speaking to her. So, these two characters are not exactly on a list of people to like or even tolerate.
Abi tries to find the truth behind how Olivia fell and how she became pregnant. A lot of secrets are revealed.
The more I read the story, the more I felt like this was turning into a morbid ‘Parent Trap’ story. I say this, because, during a college trip, Olivia meets a girl named Kendall, who could very well BE her twin.
So, I’m like, great, a twin separation story – Nope, I was wrong, which is not a bad thing.
I think I would have enjoyed this story a bit better if not for realizing who was responsible for Olivia ‘falling’. To me, it felt predictable. I also had some issues with some dialogue coming from teenagers.
“You made me look like a fool!” – Do ANY teenagers today say ‘fool’? That’s me being a bit nit picky, but I had to add it, just cause.
All in all, it was a decent story and I stayed interested, even through some of the ‘predictable’ scenes and the outcome of the story. I will say, I did make a few guesses, and I was only right once or twice. I’m not sure if that’s a upper, but I thought it was a good story, nonetheless.
One August Night
Book
'Excellent as ever. Victoria Hislop at her best.' Reader review 'Within a few pages I was back in...
Gareth von Kallenbach (980 KP) rated Max Payne (2008) in Movies
Aug 14, 2019
Against the gritty, snow covered, and crime ridden streets of New York, one man is waging a battle for redemption and revenge. The man in Detective Max Payne (Mark Wahlberg), and following the murder of his wife and infant son, Payne has seen his life and career spin down an ever deepening black hole to the point where he is relegated to a basement office working on cold cases.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.
While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.
In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.
Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.
While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.
Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.
The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.
The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.
While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.
In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.
Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.
While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.
Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.
The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.
The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
Heather Cranmer (2721 KP) rated Grace Doll in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl).
Wow, wow, wow! I finished this book in less than 12 hours!! Yes, it was so good. Okay, yeah, I had won this book from a blog comp some time last year, and it had just been sitting on my shelf for awhile. I'm so glad that I decided to read it.
Grace Doll is Rufus Solomon's creation. He is a big movie director who has made her what she is. She should be thankful, right? Not so because Rufus has taken away her freedom. She has no family to turn to. One night, Rufus decides to give Grace the gift of immortality, a gift that Grace doesn't want. Luckily, Grace's friends help her escape from the clutches of Rufus, but Rufus is always just around the corner.
I think the title of Grace Doll is a cute one. I would say it more than suits the book because it's about Grace.
The cover of Grace Doll is what first caught my attention when I saw this book. I liked the way it was designed. Plus, it fits in with the book as the chair Grace is sitting in is mentioned in the book. I also like the way the photo of Grace is within a film strip.
The world building was a little bit weak. I found it hard to believe that a side effect of the whole eternal youth thing was that Grace would go crazy sexually from the touch of a man she was attracted to. That was what really bothered me. Also, I like the way there are photographs of Grace throughout the book, but, the girl in the photos is not drop dead gorgeous like as described in the book. Apparently, wherever Grace went, men and women alike would stare at her because of her beauty. The photos of the girl in the book look just like a plain looking girl. There's nothing special. I mean, the girl is cute, but she's not drop dead beautiful. Another thing that annoyed me about the world building was the fact that Grace kept saying how she was stuck in the mind set of a 17 year old girl. However, the treatment she had allowed her to keep her beautiful, youthful appearance. It didn't mess with her mind. You would think that after she's been alive for over 80 years, she'd act a bit more grown up than a 17 year old girl. There's also the dreaded insta-love happening. It's called lust, not love!!! You can't just instantly fall in love with someone you've just met. You have to get to know them first!
I absolutely thought the pacing was fantabulous! I would've read the book in one sitting if I wouldn't have had to cook dinner. I totally devoured this book, and I found myself wanting to know what was going to happen in the next chapter even before I finished the chapter I was on.
I did love all the characters in this book! I felt so bad for how Rufus treated Grace. I was constantly wishing bad things to happen to Rufus. I did like how Grace and Brenden didn't trust each other to begin with and how the author played that out between them. I did wish we got to know a bit more about Jonathon though.
The dialogue was interesting and worked for the ages of the characters for the most part. There were some times that I was thinking that Brenden spoke like an older person, not like someone who is 18 years old. However, the dialogue between the characters did flow quite well. I did enjoy reading the book from both Grace's and Brenden's point of view. It was interesting to see what each character was thinking and feeling. As for swear words, I only counted one, and it wasn't a bad one either.
Grace Doll by Jennifer Laurens is a fun and fast read that will leave its readers feeling breathless and wanting more but in a good way. The world building does take away some from the book, but overall, this book is highly enjoyable.
I'd recommend this book to everyone aged 15+ that's looking for something lighthearted and interesting to read.
Wow, wow, wow! I finished this book in less than 12 hours!! Yes, it was so good. Okay, yeah, I had won this book from a blog comp some time last year, and it had just been sitting on my shelf for awhile. I'm so glad that I decided to read it.
Grace Doll is Rufus Solomon's creation. He is a big movie director who has made her what she is. She should be thankful, right? Not so because Rufus has taken away her freedom. She has no family to turn to. One night, Rufus decides to give Grace the gift of immortality, a gift that Grace doesn't want. Luckily, Grace's friends help her escape from the clutches of Rufus, but Rufus is always just around the corner.
I think the title of Grace Doll is a cute one. I would say it more than suits the book because it's about Grace.
The cover of Grace Doll is what first caught my attention when I saw this book. I liked the way it was designed. Plus, it fits in with the book as the chair Grace is sitting in is mentioned in the book. I also like the way the photo of Grace is within a film strip.
The world building was a little bit weak. I found it hard to believe that a side effect of the whole eternal youth thing was that Grace would go crazy sexually from the touch of a man she was attracted to. That was what really bothered me. Also, I like the way there are photographs of Grace throughout the book, but, the girl in the photos is not drop dead gorgeous like as described in the book. Apparently, wherever Grace went, men and women alike would stare at her because of her beauty. The photos of the girl in the book look just like a plain looking girl. There's nothing special. I mean, the girl is cute, but she's not drop dead beautiful. Another thing that annoyed me about the world building was the fact that Grace kept saying how she was stuck in the mind set of a 17 year old girl. However, the treatment she had allowed her to keep her beautiful, youthful appearance. It didn't mess with her mind. You would think that after she's been alive for over 80 years, she'd act a bit more grown up than a 17 year old girl. There's also the dreaded insta-love happening. It's called lust, not love!!! You can't just instantly fall in love with someone you've just met. You have to get to know them first!
I absolutely thought the pacing was fantabulous! I would've read the book in one sitting if I wouldn't have had to cook dinner. I totally devoured this book, and I found myself wanting to know what was going to happen in the next chapter even before I finished the chapter I was on.
I did love all the characters in this book! I felt so bad for how Rufus treated Grace. I was constantly wishing bad things to happen to Rufus. I did like how Grace and Brenden didn't trust each other to begin with and how the author played that out between them. I did wish we got to know a bit more about Jonathon though.
The dialogue was interesting and worked for the ages of the characters for the most part. There were some times that I was thinking that Brenden spoke like an older person, not like someone who is 18 years old. However, the dialogue between the characters did flow quite well. I did enjoy reading the book from both Grace's and Brenden's point of view. It was interesting to see what each character was thinking and feeling. As for swear words, I only counted one, and it wasn't a bad one either.
Grace Doll by Jennifer Laurens is a fun and fast read that will leave its readers feeling breathless and wanting more but in a good way. The world building does take away some from the book, but overall, this book is highly enjoyable.
I'd recommend this book to everyone aged 15+ that's looking for something lighthearted and interesting to read.
Chris Sawin (602 KP) rated All the Boys Love Mandy Lane (2006) in Movies
Jun 18, 2019
Mandy Lane (Amber Heard) becomes the most desirable girl in high school over one fateful summer; she's definitely not like the other girls her age though. While most guys want to do everything imaginable to her, she's turned them all down. The only guy she really gives the time of day is her best friend, Emmet (Michael Welch). That is until a certain incident at a pool party comes between them. Now nine months later, Mandy has distanced herself from Emmet and has a group of new friends. These friends have decided to invite Mandy to a ranch out in the middle of nowhere for a few days and the guys who tag along hope to accomplish what, up to this point, has been impossible. But when people begin to turn up missing, they soon realize that they're not alone and someone is taking their obsession with Mandy Lane a little too far.
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
All the Boys Love Mandy Lane was like an urban myth for the longest period of time. The film debuted at the Toronto International Film Festival in 2006 and released in the UK in 2008. It seemed to be released in every country other than the US shortly thereafter and it took another excruciating five years since it didn’t debut stateside until October of 2013. For a film that was originally shot in 2006, taking seven years to finally see distribution is bizarre and disheartening. The horror film originally caught the eye of The Weinstein Company immediately after debuting at TIFF, but the Weinstein brothers couldn’t come to a decision regarding its release (Harvey wanted a wide theatrical distribution while Bob thought the “artsy” film deserved more of a limited release). Rights to the film were eventually sold to a German company called Senator Entertainment US, who released the film in Germany and Austria and had the intention of premiering the film in the US. But the US branch of Senator Entertainment US went under in 2009 and rights to the film were dead in the water until The Weinstein Company reacquired distribution rights in 2013. The film was released on demand on September 6th with a limited theatrical run October 11th the same year.
The crew for the film consisted of college students freshly graduated from the American Film Institute. Producer Chad Feehan had the film as his thesis during college as work on the project initially began in 2003. Written by Jacob Forman and directed by Jonathan Levine (50/50, Warm Bodies), the film garnered an unbelievable amount of positive buzz online that accumulated into this massive pile of insurmountable expectations. Reading about the film for so long and hearing about how good it was from the biggest of horror sites probably inadvertently hurt the film more than it escalated interest for it.
All the Boys Love Mandy Lane takes a Dazed and Confused approach to the first half of the film. Similar to how Wolf Creek had you swimming through 45-minutes of character development before the actual horror began (or how Hatchet was silly for the same amount of time before diving into awesome practical gore effects), All the Boys Love Mandy Lane is mostly high school kids getting into typical teenager shenanigans; drinking alcohol, doing drugs, and having sex. The second half of the film is pure horror and is essentially a slasher film. The horror is teased at first with little glimpses of terror before diving right back into high school mode, but the film is able to intensify its sense of dread to the point where it’s eventually beautifully horrific in every scene.
For a film that is made by first time filmmakers for less than $1 million, All the Boys Love Mandy Lane has beautiful cinematography. Vivid colors jump off the screen and seem even lusher once the film begins to cover itself in mud and dirt. Cinematographer Darren Genet has an eye for dynamic angles and utilizing when to focus and blur menacing figures in the background (or foreground) for maximum impact. The film also has a tendency to overlap shots in order to create an entirely new, which can probably be contributed to the talent of film editor Josh Noyes (The Wackness). These impressive filming techniques shine brightest when Bird (Edwin Hodge) is on-screen; when he goes to start the generator after the power goes out, when he confronts the killer, and the car chase. Like other successful film genres, horror can often become formulaic not only when it comes to its writing or how its acted but how it’s shot. It’s always a breath of fresh air when you can say a film is unique in some capacity; especially horror.
With Michael Welch mostly being associated with portraying popular high school student Mike Newton in the Twilight franchise, your expectations for a memorable performance from Welch in All the Boys Love Mandy Lane are probably fairly low. Around the time Mandy Lane was in peak hype mode, Welch was in the abysmal Day of the Dead remake. Directed by Steve Miner (Halloween H20) and also starring Nick Cannon, Day of the Dead is an atrocious remake (but maybe 2018’s remake Day of the Dead: Bloodline is worse). However, Welch’s portrayal of Emmet in Mandy Lane is exceptional. His performance, especially during the closing moments of the film, is captivating. He has this American Psycho quality to his psychotic behavior that is hauntingly mesmerizing.
All the Boys Love Mandy Lane puts a different spin on the slasher film that would have had way more of an impact had it originally been released ten years ago instead of five. The film does require patience from the audience as the film takes a slow and steady approach to its eventual slasher nature. While the outcome is likely fairly predictable, watching how everything unfolds in Mandy Lane is where it shines. The ending is the film’s crown jewel and even though the killer is revealed its open ending suits the film’s already ambiguous nature. Now that All the Boys Love Mandy Lane is readily available at your fingertips, its originality seemed much more promising when it felt like it was the holy grail of horror films (kind of like The Poughkeepsie Tapes). The film’s consistency to offer a slasher that cuts in a different direction than most horror films along with Michael Welch’s brilliantly unbalanced performance makes All the Boys Love Mandy Lane a worthwhile experience.
All the Boys Love Mandy Lane is currently free to stream on Amazon if you have Starz with Prime Video Channels. It’s also currently available to rent via Amazon Video ($2.99), Vudu ($2.99), and iTunes ($3.99). The film is can be purchased on DVD ($9.91) and Multi-Format Blu-ray ($12.99) on Amazon and is even cheaper on eBay (the Blu-ray is available for $8.99 and the DVD is $7.98, both have free shipping).
Chris Sawin (602 KP) rated Biutiful (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
At times, it's difficult to summarize your thoughts about a specific film. It isn't because the film is necessarily so good or bad that it's beyond words, but because you're unsure how to feel about said film until the credits finally roll. Biutiful is such a film.
The film revolves around Uxbal, portrayed by Javier Bardem (No Country For Old Men) sporting a mullet, so expectations are already high. Uxbal has just been diagnosed with terminal prostate cancer, but isn't ready to leave this world. His two children are still young and Uxbal feels that their mother, who's more interested in partaking in promiscuous behavior while dealing with a bipolar disorder, isn't fit to take care of their children. Meanwhile Uxbal supports his family by partnering with both the Chinese and African street merchants that are in the country illegally. Together they sell pirated movies and cheap knockoffs of clothing and accessories made by Chinese men, women, and children that live in a warehouse used as a sweatshop. To top it off, Uxbal has the ability to communicate with the dead and is called upon to help people who have recently passed to let go and move on to the other side. Although hesitant at first, Uxbal has every intention of getting his affairs in order, reconciling his marriage, and making sure his children have someone to take care of them after he's gone. Unfortunately, things don't always go as planned.
Biutiful, its spelling having a simple yet somewhat brilliant explanation, features a lot of symbolism that will go over viewers heads. It also is incredibly similar to Iñárritu's previous works such as 21 Grams and Babel in both style and tone, but is the director's first film to be presented in Spanish. The drama is beyond bleak and practically hopeless. The out of tune soundtrack, the rocks Uxbal gives to his children, and people clutching to the ceiling will leave many scratching their heads. Many ideas seem to be hinted at, but are never fully fleshed out like reflections and shadows moving out of sync from their source. However, the film is driven by Bardem's emotionally draining, physical, and all around powerful performance.
The scene that really makes the entire film worthwhile is the scene in the Chinese warehouse right before Uxbal visits his brother's strip club. It's the most effective, long-lasting, and memorable scene in the film. In the same breath though, what was up with the sound? It was like it was purposely terrible at certain points in the film. At times, it seemed significant to showcase the sound of the characters' heartbeats, but just felt sloppy the one or two other times it occurred. There were also quite a few memorable quotes in the film including, "It's dangerous to trust a man who's hungry."
Biutiful is an unusual drama that is both confusing at times and ridiculously intriguing at others. A vigorously passionate performance by Javier Bardem may not be enough to save what is otherwise a sometimes mindboggling and hellacious journey through the eyes of what seems like the most unlucky man in the world. Even in comparison to his other works, Biutiful seems even more bleak and dreary than Iñárritu's other works. What's bizarre is that the film does give you a strange sense of hope. No matter how bad you think your life currently is or was, this film proves that it can always be worse even if the presentation is more than a little mentally and emotionally exhausting. It's also interesting to note that even though the film leans more to the bizarre side while being downright depressing, it does make a long-lasting impression and sticks with you as you contemplate scenes and occurrences in the film days after you've seen it.
The film revolves around Uxbal, portrayed by Javier Bardem (No Country For Old Men) sporting a mullet, so expectations are already high. Uxbal has just been diagnosed with terminal prostate cancer, but isn't ready to leave this world. His two children are still young and Uxbal feels that their mother, who's more interested in partaking in promiscuous behavior while dealing with a bipolar disorder, isn't fit to take care of their children. Meanwhile Uxbal supports his family by partnering with both the Chinese and African street merchants that are in the country illegally. Together they sell pirated movies and cheap knockoffs of clothing and accessories made by Chinese men, women, and children that live in a warehouse used as a sweatshop. To top it off, Uxbal has the ability to communicate with the dead and is called upon to help people who have recently passed to let go and move on to the other side. Although hesitant at first, Uxbal has every intention of getting his affairs in order, reconciling his marriage, and making sure his children have someone to take care of them after he's gone. Unfortunately, things don't always go as planned.
Biutiful, its spelling having a simple yet somewhat brilliant explanation, features a lot of symbolism that will go over viewers heads. It also is incredibly similar to Iñárritu's previous works such as 21 Grams and Babel in both style and tone, but is the director's first film to be presented in Spanish. The drama is beyond bleak and practically hopeless. The out of tune soundtrack, the rocks Uxbal gives to his children, and people clutching to the ceiling will leave many scratching their heads. Many ideas seem to be hinted at, but are never fully fleshed out like reflections and shadows moving out of sync from their source. However, the film is driven by Bardem's emotionally draining, physical, and all around powerful performance.
The scene that really makes the entire film worthwhile is the scene in the Chinese warehouse right before Uxbal visits his brother's strip club. It's the most effective, long-lasting, and memorable scene in the film. In the same breath though, what was up with the sound? It was like it was purposely terrible at certain points in the film. At times, it seemed significant to showcase the sound of the characters' heartbeats, but just felt sloppy the one or two other times it occurred. There were also quite a few memorable quotes in the film including, "It's dangerous to trust a man who's hungry."
Biutiful is an unusual drama that is both confusing at times and ridiculously intriguing at others. A vigorously passionate performance by Javier Bardem may not be enough to save what is otherwise a sometimes mindboggling and hellacious journey through the eyes of what seems like the most unlucky man in the world. Even in comparison to his other works, Biutiful seems even more bleak and dreary than Iñárritu's other works. What's bizarre is that the film does give you a strange sense of hope. No matter how bad you think your life currently is or was, this film proves that it can always be worse even if the presentation is more than a little mentally and emotionally exhausting. It's also interesting to note that even though the film leans more to the bizarre side while being downright depressing, it does make a long-lasting impression and sticks with you as you contemplate scenes and occurrences in the film days after you've seen it.