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Onward (2020)
Onward (2020)
2020 | Adventure, Animation, Comedy
Fun...but..."lesser" PIxar
I am a big fan of the PIXAR films. I am a big fan of Chris Pratt and Tom Holland. I am a big fan of Fantasy films (wizards, elves, dwarves and so on...) So when I heard there was going to be a Pixar flick featuring the voice talents of Pratt and Holland about characters in a Fantasy world, I was excited to check it out.

I should have lowered my expectations.

Don't get me wrong, ONWARD is a good film. It is whimsical, fantastic and fun. It just could have been better.

Set in a time where Elves, Faeries, Unicorns and Wizards exist, but they exist as "regular" people, going to jobs, going to school, living their lives...ONWARD tells the tale of 2 brothers (Pratt and Holland) who go on a magical quest to bring back their dead father - at least for one night.

It's a fun romp, but it's not a REALLY fun romp. And that's the issue with this film. It is all lower case - where the film could have been UPPER CASE (if you know what I mean). Holland and Pratt are good together, they are not GREAT together (like Tom Hanks and Tim Allen in TOY STORY or Billy Crystal and John Goodman in MONSTER'S INC.). Julia Louis-Dreyfuss is off-beat as their mother, but she isn't over-the-top WACKY as the mother. Octavio Spencer is "octane" as a former mythical creature that aids the boys - but she's not HIGH-OCTANE.

You get the drift.

I lay the fault of this on Director Dam Scanlon who's other Pixar Directorial effort, MONSTER'S UNIVERSITY suffered from a similar malaise. It was fun...not AWESOME FUN. The pacing of the film doesn't really help as there is no strong push to the goal in this film. I caught myself stirring in my seat as the film progressed...never a good sign.

Don't get me wrong, it is still a good film - the kids will like it. I just have come to expect more from PIXAR. I put Pixar films on 2 levels - GREAT Pixar films (the TOY STORY films, UP, WALL-E) and LESSER Pixar films (MONSTER'S UNIVERSITY, CARS 2, BRAVE).

I would put ONWARD in the LESSER category.

Letter Grade: B (even a "lesser" Pixar film is still above average)

7 stars (out of 10) and you can take that to the Bank (ofMarquis)
  
Wrecking Ball (Hard to Love, #1)
Wrecking Ball (Hard to Love, #1)
8
8.0 (1 Ratings)
Book Rating
This starts with Camilla in court (i think?) as she is told she has lost everything she owns after her dead husband started a ponzi scheme that lost a lot of people a lot of money. She is public enemy number one and nobody wants to hire her so she ends up living with her parents and going through agencies in the hopes of finding a job. She's finally offered one looking after a young boy who has a celebrity uncle and must live with them for the duration of the contract. Sparks fly between Cam and Calvin from the start but as they grow closer, animosity turns to attraction.

I actually really enjoyed this. It was definitely a slow burn romance but you could see there was a spark there from pretty early on. Probably from when Cal turned up at her evening job asking her to take the nanny job and wanting to drive her home afterwards since it was so late. That there put him down as being a gentleman in my books and I was smitten. I devoured it from that point on, willing them to finally do something about their attraction.

Of course, there's the dilemma that tears our couple apart and even I was getting emotional at that part. Geez, they were so good together and something like that was going to end up tearing them apart. All came right in the end, though, thank God, or I would be an emotional wreck right now.

I may have to read the next book in the series because it focuses on Cam's best friend and apparent man-hater, Amber, so that should be fun.
  
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JT (287 KP) rated Insidious (2010) in Movies

Mar 10, 2020  
Insidious (2010)
Insidious (2010)
2010 | Horror
6
7.3 (23 Ratings)
Movie Rating
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.

Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.

When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.

Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.

After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.

It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.

The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.

The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.

At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
  
The Night Olivia Fell
The Night Olivia Fell
Christina McDonald | 2019 | Mystery, Thriller
9
9.3 (8 Ratings)
Book Rating
Each chapter of this story is told from two views, Olivia and Abi (Olivia’s mother). The story starts off intense and grabbing when Abi gets news that her daughter has fallen from a bridge and is now considered brain dead – but she is being kept alive because she is also pregnant. That plot thickens…

Olivia is a typical teenager. She gets good grades and is active in school sports and volunteers – most of the time she does so, so that her mother ‘stays happy and stays off her back’. It’s disheartening to hear, but as you read the story, you understand Abi’s need to ‘keep Olivia’ safe and know a need to know where she is, who she is with, and what she is doing. Although, there is such thing as a little too protective, but I won’t go into that, that’s not the point.

Olivia has a boyfriend, whom I swear has male PMS and wants sex (and Olivia is giving it to him, though she’s feeling the pressure) and a best friend who at one point was mad at her and got the whole class to stop speaking to her. So, these two characters are not exactly on a list of people to like or even tolerate.

Abi tries to find the truth behind how Olivia fell and how she became pregnant. A lot of secrets are revealed.

The more I read the story, the more I felt like this was turning into a morbid ‘Parent Trap’ story. I say this, because, during a college trip, Olivia meets a girl named Kendall, who could very well BE her twin.

So, I’m like, great, a twin separation story – Nope, I was wrong, which is not a bad thing.

I think I would have enjoyed this story a bit better if not for realizing who was responsible for Olivia ‘falling’. To me, it felt predictable. I also had some issues with some dialogue coming from teenagers.

“You made me look like a fool!” – Do ANY teenagers today say ‘fool’? That’s me being a bit nit picky, but I had to add it, just cause.

All in all, it was a decent story and I stayed interested, even through some of the ‘predictable’ scenes and the outcome of the story. I will say, I did make a few guesses, and I was only right once or twice. I’m not sure if that’s a upper, but I thought it was a good story, nonetheless.
  
Max Payne (2008)
Max Payne (2008)
2008 | Action, Drama, Mystery
7
5.5 (4 Ratings)
Movie Rating
Against the gritty, snow covered, and crime ridden streets of New York, one man is waging a battle for redemption and revenge. The man in Detective Max Payne (Mark Wahlberg), and following the murder of his wife and infant son, Payne has seen his life and career spin down an ever deepening black hole to the point where he is relegated to a basement office working on cold cases.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.

While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.

In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.

Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.

While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.

Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.

The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.

The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.