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James Patterson's BookShots. Short, fast-paced, high-impact entertainment. From the world's...

Mark @ Carstairs Considers (2332 KP) rated Nowhere to Go and All Day to Get There in Books
Jun 21, 2021
Short Trips with the Loudermilks
This is a collection of two short stories featuring retirees and full time RVers Joe and Dottie Loudermilk. In “A Mother Always Knows,” a quick trip into a convenience store results in the couple being on the scene of an armed robbery. “Better Dead Than Wed” find them getting involved in an abusive relationship during a late-night rest stop.
Both of these stories are fast reads – I finished the collection in about half an hour. But both stories are fun and held my interest the entire way through. I was caught off guard by some of the twists along the way. I laughed along the way, sometimes at Joe and Dottie’s reactions to each other and sometimes at the situations they found themselves in. The characters also appeared in two full length novels. Whether you already know them or are just meeting them here for the first time, you’ll enjoy these two quick road trips.
Both of these stories are fast reads – I finished the collection in about half an hour. But both stories are fun and held my interest the entire way through. I was caught off guard by some of the twists along the way. I laughed along the way, sometimes at Joe and Dottie’s reactions to each other and sometimes at the situations they found themselves in. The characters also appeared in two full length novels. Whether you already know them or are just meeting them here for the first time, you’ll enjoy these two quick road trips.

Asiza Tait (139 KP) rated Child 44 in Books
Feb 1, 2018
We all agreed that it was a very intense book and for those of us who weren’t fully aware of what it was like to live in Stalinist Russia during that time our eyes were surely opened!
This book takes you through the transformation of Leo Demidov from a complete ‘company man’ of the Russian State to a real person listening to his own sense of right and wrong. We meet him as a no nonsense officer of the MGB willing and able to follow through on his orders and completely committed to succeeding. We also get glimpses of his insecurity because no one is safe under the scrutiny of the State. He is very aware of this and the long running jealousy of Vasily is a constant reminder of how much someone hates him and desperately wishes and works towards his downfall. From the beginning the life of Leo is shown for the stark reality it is. There is no happy family man here, or even a happy career man, it is purely survival in a very structured and dangerous place.
The relationship between Leo and his wife Raisa is another that is deep, raw and completely honest. Their relationship ebbs and flows according to the State plan, but the book takes a serious turn when Leo is faced with the decision of denouncing his wife. Seeing into their marriage is like facing a needed surgery, the inevitable pain is necessary to start the way to healing. Raisa is the stronger character in my view, never losing her sense of humanity but knowing how to hide herself in order to survive.
Leo’s decision starts a chain of events that leads to him discovering that murders are occurring the breadth of Russia, and since there is no crime in Russia he is the only one trying to convince anyone of the scary reality that a serial child killer/s is on the loose. His commitment to this brings further scrutiny on him and he feels the full force of the authorities and experiences a complete reversal of circumstances. Where he was the one arresting people and transporting them to the most notorious prison Lubyanka, he is now the one in the prisoners' seat.
There are twists and turns in this book that will knock the breath out of you. A seriously brilliant book.
On a personal note I found this book hit too close to home in regards to my own upbringing in the Jehovah’s Witnesses. Where Leo is hitting his head against a stone wall in trying to convince people of the danger they are ignoring, it reminded me very strongly of how difficult it is to convince or motivate the Governing Body of Jehovah’s Witnesses and the Congregation Elders that the right thing to do when an accusation of child abuse comes to them is to immediately call the authorities. They instead stick to their own procedures in the face of irrefutable evidence and demonstrated experience that their procedures are dead wrong and need to be changed, they still refuse to listen and insist that their way of doing things is right and everyone else must be wrong. They desperately work to keep their image clean just like the Russian Government insists that the State is always right. Thankfully there is an army of people worldwide working incredibly hard to expose there hurtful practices and in so doing protect the public from being sucked into this so called religion.
This book takes you through the transformation of Leo Demidov from a complete ‘company man’ of the Russian State to a real person listening to his own sense of right and wrong. We meet him as a no nonsense officer of the MGB willing and able to follow through on his orders and completely committed to succeeding. We also get glimpses of his insecurity because no one is safe under the scrutiny of the State. He is very aware of this and the long running jealousy of Vasily is a constant reminder of how much someone hates him and desperately wishes and works towards his downfall. From the beginning the life of Leo is shown for the stark reality it is. There is no happy family man here, or even a happy career man, it is purely survival in a very structured and dangerous place.
The relationship between Leo and his wife Raisa is another that is deep, raw and completely honest. Their relationship ebbs and flows according to the State plan, but the book takes a serious turn when Leo is faced with the decision of denouncing his wife. Seeing into their marriage is like facing a needed surgery, the inevitable pain is necessary to start the way to healing. Raisa is the stronger character in my view, never losing her sense of humanity but knowing how to hide herself in order to survive.
Leo’s decision starts a chain of events that leads to him discovering that murders are occurring the breadth of Russia, and since there is no crime in Russia he is the only one trying to convince anyone of the scary reality that a serial child killer/s is on the loose. His commitment to this brings further scrutiny on him and he feels the full force of the authorities and experiences a complete reversal of circumstances. Where he was the one arresting people and transporting them to the most notorious prison Lubyanka, he is now the one in the prisoners' seat.
There are twists and turns in this book that will knock the breath out of you. A seriously brilliant book.
On a personal note I found this book hit too close to home in regards to my own upbringing in the Jehovah’s Witnesses. Where Leo is hitting his head against a stone wall in trying to convince people of the danger they are ignoring, it reminded me very strongly of how difficult it is to convince or motivate the Governing Body of Jehovah’s Witnesses and the Congregation Elders that the right thing to do when an accusation of child abuse comes to them is to immediately call the authorities. They instead stick to their own procedures in the face of irrefutable evidence and demonstrated experience that their procedures are dead wrong and need to be changed, they still refuse to listen and insist that their way of doing things is right and everyone else must be wrong. They desperately work to keep their image clean just like the Russian Government insists that the State is always right. Thankfully there is an army of people worldwide working incredibly hard to expose there hurtful practices and in so doing protect the public from being sucked into this so called religion.

Gareth von Kallenbach (980 KP) rated Transporter 3 (2008) in Movies
Aug 14, 2019
Frank Martin (Jason Statham), the finest driver for hire in the world is back in “Transporter 3”. This time out Frank is forced to deliver a captive girl named Valentina (Natalya Rudakova), to Odessa from his home in Marseilles .
Frank has been recruited against his will by a scheming individual named Johnson (Robert Knepper), who plans to force the Leader of the Ukrainian government to sign a treaty that will allow for dumping of toxic chemicals.
Johnson has a very vital package from Frank to deliver and thanks to an explosive device attached to Frank and Valentina, he has the reluctant services that make a very in demand individual.
As if matters were not complicated enough for Frank, there is a band of thugs hot on his trail as he and Valentina race through the scenic landscapes of Europe.
Frank is determined to find a way to remove the explosive device attached to his wrist, and Valentina is more resigned to her fate as she sees that no matter what, they are both soon to be dead and should live what little life they have left as best as they can.
Along the way, Frank unleashes some of the signature action sequences of the series which as always include outrageous fight scenes that are as well choreographed as anything Jackie Chan has ever unleashed. Frank is a whirring dervish of action and destruction which bellies his soft spoken man of few words persona.
The film also has plenty of car chases to go with the fight sequences and while they are getting more and more over the top with each new segment of the series, still offer excitement. One such scene involves Frank racing through town on a bike to keep pace with his car after being separated from it. Since Frank or Valentina will go boom should they move beyond a certain distance from the tricked out Audi, you can imagine the extreme steps Frank takes to keep this from happening.
While the action of the film is good, I have to say that it is starting to wear thin after the two previous films. The original “Transporter” was a very fresh film as it blended over the top action and well choreographed fight sequences with a European drama to create a unique hybrid of American and European cinema.
The sequel, “Transporter 2”, relied heavily upon the outrageous stunts and less on plots yet still satisfied thanks to the non-stop action and charisma of Statham.
This time out the dialogue is so stunted and bland that you never see any chemistry between the lead characters develop and it seems a very forced pairing. It was reported that Natalya Rudakova was spotted going to work by Producer Luc Besson who cast her in the film even though she had no acting experience and while she does a good job, they just do not seem to fit with one another in a way that makes the audience care or believe in their situation.
The plot of the film is decent enough for an action film but lacks any real twists or turns which causes the film to unfold with few surprises. While the finale is acceptable, I wanted a better payoff as the series has yet to top the oil fight scene in the first film in my opinion.
In then end the film is a mixed bag that will appeal to fans of the series but even they will have to admit that the tread is starting to wear thin on the tires of this series.
Frank has been recruited against his will by a scheming individual named Johnson (Robert Knepper), who plans to force the Leader of the Ukrainian government to sign a treaty that will allow for dumping of toxic chemicals.
Johnson has a very vital package from Frank to deliver and thanks to an explosive device attached to Frank and Valentina, he has the reluctant services that make a very in demand individual.
As if matters were not complicated enough for Frank, there is a band of thugs hot on his trail as he and Valentina race through the scenic landscapes of Europe.
Frank is determined to find a way to remove the explosive device attached to his wrist, and Valentina is more resigned to her fate as she sees that no matter what, they are both soon to be dead and should live what little life they have left as best as they can.
Along the way, Frank unleashes some of the signature action sequences of the series which as always include outrageous fight scenes that are as well choreographed as anything Jackie Chan has ever unleashed. Frank is a whirring dervish of action and destruction which bellies his soft spoken man of few words persona.
The film also has plenty of car chases to go with the fight sequences and while they are getting more and more over the top with each new segment of the series, still offer excitement. One such scene involves Frank racing through town on a bike to keep pace with his car after being separated from it. Since Frank or Valentina will go boom should they move beyond a certain distance from the tricked out Audi, you can imagine the extreme steps Frank takes to keep this from happening.
While the action of the film is good, I have to say that it is starting to wear thin after the two previous films. The original “Transporter” was a very fresh film as it blended over the top action and well choreographed fight sequences with a European drama to create a unique hybrid of American and European cinema.
The sequel, “Transporter 2”, relied heavily upon the outrageous stunts and less on plots yet still satisfied thanks to the non-stop action and charisma of Statham.
This time out the dialogue is so stunted and bland that you never see any chemistry between the lead characters develop and it seems a very forced pairing. It was reported that Natalya Rudakova was spotted going to work by Producer Luc Besson who cast her in the film even though she had no acting experience and while she does a good job, they just do not seem to fit with one another in a way that makes the audience care or believe in their situation.
The plot of the film is decent enough for an action film but lacks any real twists or turns which causes the film to unfold with few surprises. While the finale is acceptable, I wanted a better payoff as the series has yet to top the oil fight scene in the first film in my opinion.
In then end the film is a mixed bag that will appeal to fans of the series but even they will have to admit that the tread is starting to wear thin on the tires of this series.

Ivana A. | Diary of Difference (1171 KP) rated Once Upon a River in Books
Oct 2, 2020
’A river no more begins at its source than a story begins with the first page.’’
Once Upon a River by Diane Setterfield is a story that had the perfect plot potential to be amazing, but it didn’t deliver at all. As a huge fan of storytelling, this was a big disappointment for me, the biggest one so far in 2019.
‘’There are stories that may be told aloud, and stories that must be told in whispers, and there are stories that are never told at all.’’
The story happens in a small city, on the river Thames. It features the pub Swan, where people gather every night, and everyone knows each other, and they all tell stories all night and enjoy their company.
If you have ever been to England, it is so easy to imagine the setting of a pub, warm place, crowded with people laughing and talking loudly, glasses clinking and people singing random songs in the background. A lot of positive noise and enchanting atmosphere.
And one night, the usual setting is being disturbed, when a man enters the pub with a little girl in his arms, and then passes away. The girl appears to not be breathing for a while, and everyone thinks she is dead, but suddenly, she is breathing again. And the man that is with her is not her father.
As the town is used to, they make stories of it. How it happened, who is the father, does she have a family, why was she drowning in the river… The plot entangles when the family is to be found of the little girl, but a few people claim she is their relative.
‘’Something happens and then something else happens and then all sorts of other things happen, expected and unexpected, unusual and ordinary.’’
The storytelling and the writing of the author was beautiful. At times. The beginning was a paradise for book lovers. The best first chapters I read this year. But after the plot opening, everything started going downhill.
It felt like being on this roller coaster, excited, going slowly upwards, slowly reaching the top, ready to fall so fast, ready for an adventure, only for them to tell you that there is a fault, and you have to get back and exit the ride without even making the adventure out of it.
I wanted to love it. The writing at parts was great, and I am including a lot of quotes throughout the review, because I loved those parts. But the chapters and characters were too many, and things were happening too fast and without a purpose, that it was hard for me to pick up the pace. I had to leave the book and pick it up again, and it took me three months to complete it. A hard book to swallow and process.
Once Upon a River by Diane Setterfield is a story that had the perfect plot potential to be amazing, but it didn’t deliver at all. As a huge fan of storytelling, this was a big disappointment for me, the biggest one so far in 2019.
‘’There are stories that may be told aloud, and stories that must be told in whispers, and there are stories that are never told at all.’’
The story happens in a small city, on the river Thames. It features the pub Swan, where people gather every night, and everyone knows each other, and they all tell stories all night and enjoy their company.
If you have ever been to England, it is so easy to imagine the setting of a pub, warm place, crowded with people laughing and talking loudly, glasses clinking and people singing random songs in the background. A lot of positive noise and enchanting atmosphere.
And one night, the usual setting is being disturbed, when a man enters the pub with a little girl in his arms, and then passes away. The girl appears to not be breathing for a while, and everyone thinks she is dead, but suddenly, she is breathing again. And the man that is with her is not her father.
As the town is used to, they make stories of it. How it happened, who is the father, does she have a family, why was she drowning in the river… The plot entangles when the family is to be found of the little girl, but a few people claim she is their relative.
‘’Something happens and then something else happens and then all sorts of other things happen, expected and unexpected, unusual and ordinary.’’
The storytelling and the writing of the author was beautiful. At times. The beginning was a paradise for book lovers. The best first chapters I read this year. But after the plot opening, everything started going downhill.
It felt like being on this roller coaster, excited, going slowly upwards, slowly reaching the top, ready to fall so fast, ready for an adventure, only for them to tell you that there is a fault, and you have to get back and exit the ride without even making the adventure out of it.
I wanted to love it. The writing at parts was great, and I am including a lot of quotes throughout the review, because I loved those parts. But the chapters and characters were too many, and things were happening too fast and without a purpose, that it was hard for me to pick up the pace. I had to leave the book and pick it up again, and it took me three months to complete it. A hard book to swallow and process.

Zuky the BookBum (15 KP) rated Two Days Gone (Ryan DeMarco Mystery #1) in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/two-days-gone-by-randall-silvis
NOW AVAILABLE!
<i><b>But doesnt every guilty man hide his deeds behind his words and hide his thoughts behind his smile?</i></b>
This was perfectly set up to be a great novel, but unfortunately, like so many novel nowadays, it instead failed to excite and thrill me, and in the end, turned into an extremely mediocre read.
It wasnt until around 70% of the way through this book that I realised how dislikable DeMarco, our supposed hero, was. His anger and grief was completely understandable after the loss of his wife and child, but I felt he was unnecessarily unkind to his peers and overly passive aggressive in general. <spoiler>Plus can we talk about how much of a shitty cop he was? Getting into a car with a bleeding out dead body to chase an armed, highly fragile man and not alerting anyone? <b>Murdering</b> the main suspect on a case just because he could? Only in fiction.</spoiler>However, out of our two main characters, I was happy to read more about DeMarco than Thomas. I found Thomas PoV to be slow and a little pointless. Again, I understood his anguish and shame etc, but I guess I just couldnt connect to his character and summon up the right emotions to care about his story that much.
This was a slow read for me, but I kept pushing through it because: 1) it wasnt <i>that</i> bad and 2) I was led to believe, by some other reviews, that an amazing twist was going to be revealed. <i>Unfortunately,</i> we got the amazing twist and my reaction was more of an oh than a whoa!! <spoiler>I guess I wanted to the book to feel more realistic, I wanted some innate human darkness to be the cause of the murders, I didnt want a book about revenge.</spoiler> The plot, overall, wasnt too bad, there were some exciting moments, but for the most part this could only just hold my interest.
<i>Two Days Gone</i> didnt grab my attention well enough for me to rate it anything higher than 3 stars. It was an average story, with average characters and an average plot twist. Its a shame because had high hopes for this one, but nevermind, you win some, you lose some. I see Amazon have specified this as a Ryan DeMarco novel so Im assuming we may be seeing a series come out from Silvis, but I wont be keeping up with it.
Thanks to Netgalley and Sourcebooks Landmark for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE!
<i><b>But doesnt every guilty man hide his deeds behind his words and hide his thoughts behind his smile?</i></b>
This was perfectly set up to be a great novel, but unfortunately, like so many novel nowadays, it instead failed to excite and thrill me, and in the end, turned into an extremely mediocre read.
It wasnt until around 70% of the way through this book that I realised how dislikable DeMarco, our supposed hero, was. His anger and grief was completely understandable after the loss of his wife and child, but I felt he was unnecessarily unkind to his peers and overly passive aggressive in general. <spoiler>Plus can we talk about how much of a shitty cop he was? Getting into a car with a bleeding out dead body to chase an armed, highly fragile man and not alerting anyone? <b>Murdering</b> the main suspect on a case just because he could? Only in fiction.</spoiler>However, out of our two main characters, I was happy to read more about DeMarco than Thomas. I found Thomas PoV to be slow and a little pointless. Again, I understood his anguish and shame etc, but I guess I just couldnt connect to his character and summon up the right emotions to care about his story that much.
This was a slow read for me, but I kept pushing through it because: 1) it wasnt <i>that</i> bad and 2) I was led to believe, by some other reviews, that an amazing twist was going to be revealed. <i>Unfortunately,</i> we got the amazing twist and my reaction was more of an oh than a whoa!! <spoiler>I guess I wanted to the book to feel more realistic, I wanted some innate human darkness to be the cause of the murders, I didnt want a book about revenge.</spoiler> The plot, overall, wasnt too bad, there were some exciting moments, but for the most part this could only just hold my interest.
<i>Two Days Gone</i> didnt grab my attention well enough for me to rate it anything higher than 3 stars. It was an average story, with average characters and an average plot twist. Its a shame because had high hopes for this one, but nevermind, you win some, you lose some. I see Amazon have specified this as a Ryan DeMarco novel so Im assuming we may be seeing a series come out from Silvis, but I wont be keeping up with it.
Thanks to Netgalley and Sourcebooks Landmark for giving me the opportunity to read this in exchange for an honest review.

ClareR (5864 KP) rated Dear Edward in Books
Mar 8, 2020
A sad, yet life affirming novel.
Dear Edward is a beautiful book, and I suppose I should give a ‘you’ll need a handkerchief’ warning from the off.
It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.
In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.
Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.
Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.
The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.
I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.
So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.
It tells the story of twelve year old Edward Adler and his survival of a plane crash that left 119 people dead, including his parents and his older brother. The story moves back and forth in time, where we learn more about some of those people who were on board the plane, and Edwards life post-crash.
In the present day, Edwards grief is all-consuming. He can’t bring himself to eat, or sleep in the room that was always meant to be for his Uncle John and Aunt Laceys baby - she is unable to carry a baby beyond a few weeks, so the bedroom feels like a symbol of her serial losses.
Shay, the girl who lives next door with her mother, seems to be the person who holds Edward together. He sleeps on the floor of her bedroom for a long time, until Shays mother decides that it’s no longer appropriate. So Shay helps Edward prepare the basement of his aunt and uncles house as his bedroom.
Edward has to go through so many huge changes after the crash, and I really felt so much sadness for him. Even just going to school after always being homeschooled must have been a huge hurdle for him to get over, but there were also all of the other firsts that he had to overcome.
The title of the book refers to the letters that Edward and Shay find. The letters have been written by the friends and families of the plane crash victims, and Edwards uncle has hidden them from him. And with good reason. These are the letters of the grieving. They all seem to want something of Edward: to live a certain way, to take up a hobby, to do a certain job. There is no way he can do all of these things, and as 15 year olds, he and Shay realise this. As a 12 year old, he never would have, and it would have no doubt overwhelmed him.
I absolutely loved this book. It drew me in to the story of Edward, and I honestly felt bereft at the end of it. It’s undeniably sad, but it’s also life affirming, and I really liked how something so tragic could ultimately have such a positive outcome.
So if you pick this book up, read the back, then put it down again thinking that it’ll be too depressing, I’d just like to encourage you to give it a go. It’s a book well worth reading.

Phillip McSween (751 KP) rated Weekend at Bernie's (1989) in Movies
May 1, 2018
Could Have Been Better
Two friends show up at their boss Bernie's beachhouse for a weekend retreat only to find Bernie dead. To maintain innocence, they decide to go through with the weekend while hiding Bernie in plain sight for all to see.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.

Kyera (8 KP) rated The Progeny (Descendants of the House of Bathory #1) in Books
Feb 1, 2018
What do you do when an ancestor's actions threaten your very existence? You disappear. Emily, or at least that's what her name is now, must begin a quiet, hidden, new life in Maine. It's one of those small towns with a couple of hundred residents, some shops/eating establishments, an unexplained interest to tourists and not much else. The sign must say Greenville, population: a handful of moose.
The beginning just reminds me of home, with the gorgeous trees, lake, the phrase "wicked cool" and Emily's Red Sox cap. The action quickly takes over the plot, as Emily must flee Maine with a man she doesn't know if she can trust.... from a guy who had been following her for years with one goal - to kill her. With her memories gone Emily, or Audra as she finds out, doesn't know who she can trust. Is Luka the one who wants her dead? Or did Rolan lie and he's the real threat?
The unique plot is intriguing and the mystery won't let you put the book down. Danger lurks around every corner and Audra must rediscover what she forced herself to forget, at all costs.
The characters are intriguing and develop over the course of the novel. The Progeny are secretive and with good reason, any knowledge they have of their brethren can be taken upon their deaths. Their minds put countless others at risk unless they keep themselves isolated. While her comrades are decently well described, they don't quite feel like fully realized people. We need to now more of their dreams and fears, history, relationships and motivation.
The "big-bads" are sort of a generic evil villain type that I wished was developed more. What turned him into a zealot? What <i>is</i> his history with Audra's mother? How did he rise in the Court? I know Audra lost her memories, so we're in the dark like her but it just makes the novel feel less realized than it could.
The one relationship that feels authentic is between Audra and Luka. Even though she's not initially sure she can trust him and questions herlself throughout the novel - she still can't imagine going through everything without him/ I'm glad to learn that it isn't one long-running deception. The end of the novel is still completely unexpected in regards to the two of them.
Claudia and Piotrek are so close but he feels like such a mystery. We get to experience some of Claudia's emotions, like her confusion and hurt at being left or her anger about Ivan's death. Piotrek just seems flat in comparison. He's very protective of Claudia and painted a picture once. For all we know, he could have been an artist and it was just one of his many works. Its just as likely that it was the one and only time he attempted to be creative. I wish Piotrek was more develop as I"m very interested to learn more about him.
Audra travels to a number of foreign locations and they are described well enough that you can imagine them beautifully. They may not be the most glamorous villas or rich cities but you want to learn more about them nonetheless.
The book ends with a lot of revelations and so many more questions. Traitors are unmasked. Confessed or accused killers may not have been the murderers after all. Lovers are in peril. And time is running out. I know I can't wait to read the next book and find out what happens.
The beginning just reminds me of home, with the gorgeous trees, lake, the phrase "wicked cool" and Emily's Red Sox cap. The action quickly takes over the plot, as Emily must flee Maine with a man she doesn't know if she can trust.... from a guy who had been following her for years with one goal - to kill her. With her memories gone Emily, or Audra as she finds out, doesn't know who she can trust. Is Luka the one who wants her dead? Or did Rolan lie and he's the real threat?
The unique plot is intriguing and the mystery won't let you put the book down. Danger lurks around every corner and Audra must rediscover what she forced herself to forget, at all costs.
The characters are intriguing and develop over the course of the novel. The Progeny are secretive and with good reason, any knowledge they have of their brethren can be taken upon their deaths. Their minds put countless others at risk unless they keep themselves isolated. While her comrades are decently well described, they don't quite feel like fully realized people. We need to now more of their dreams and fears, history, relationships and motivation.
The "big-bads" are sort of a generic evil villain type that I wished was developed more. What turned him into a zealot? What <i>is</i> his history with Audra's mother? How did he rise in the Court? I know Audra lost her memories, so we're in the dark like her but it just makes the novel feel less realized than it could.
The one relationship that feels authentic is between Audra and Luka. Even though she's not initially sure she can trust him and questions herlself throughout the novel - she still can't imagine going through everything without him/ I'm glad to learn that it isn't one long-running deception. The end of the novel is still completely unexpected in regards to the two of them.
Claudia and Piotrek are so close but he feels like such a mystery. We get to experience some of Claudia's emotions, like her confusion and hurt at being left or her anger about Ivan's death. Piotrek just seems flat in comparison. He's very protective of Claudia and painted a picture once. For all we know, he could have been an artist and it was just one of his many works. Its just as likely that it was the one and only time he attempted to be creative. I wish Piotrek was more develop as I"m very interested to learn more about him.
Audra travels to a number of foreign locations and they are described well enough that you can imagine them beautifully. They may not be the most glamorous villas or rich cities but you want to learn more about them nonetheless.
The book ends with a lot of revelations and so many more questions. Traitors are unmasked. Confessed or accused killers may not have been the murderers after all. Lovers are in peril. And time is running out. I know I can't wait to read the next book and find out what happens.

Billie Wichkan (118 KP) rated Only Daughter in Books
May 22, 2019
Kat experiences every mothers worst nightmare when her little girl is found dead. And then the police add the word suicide. But Kat refuses to believe them.
Even when they show her the familiar looping handwriting and smudged ink on the note Grace left behind. She knows her bubbly, bright daughter would never take her own life.
But as she searches Graces perfume-scented room, filled with smiling photos, she uncovers secrets her daughter had been hiding. Secrets that make her wonder how well she really knew the woman her only child was becoming.
Kats determined to find out what really happened to Grace on the night she died, even if it means confronting her own troubled past. But as she gets closer to the terrible truth, Kat is faced with an unthinkable question: there was no way she could have protected Grace or was there?
This book was filled with so many twists, turns, and shocks that had me hanging off of every page.
This is the story of Kat, wife, mother, sociopath. Her teenage daughter has just been found dead at the bottom of a quarry, and the police are calling it a suicide.
The writing is superb in this compelling story and the characters are totally believable and seem so believable as they have their faults and secrets also.
There were jaw dropping twists and I truly felt like I was on this emotional roller coaster with Kat.
The opening of this book is just heartbreaking and I cannot imagine anything worse than the loss of my child and some of the story description of events was just so emotional.
This story is an emotional look at the relationships between mother and child, wife and husband; very heart wrenching at times but what a ride it was!
Only Daughter is a riveting read filled with twists and turns at every corner that I couldn't put down. I'm looking forward to reading more from this author in the future.
Thank you NetGalley and Bookouture for an ARC. This did not influence my review. All opinions are my own.
Even when they show her the familiar looping handwriting and smudged ink on the note Grace left behind. She knows her bubbly, bright daughter would never take her own life.
But as she searches Graces perfume-scented room, filled with smiling photos, she uncovers secrets her daughter had been hiding. Secrets that make her wonder how well she really knew the woman her only child was becoming.
Kats determined to find out what really happened to Grace on the night she died, even if it means confronting her own troubled past. But as she gets closer to the terrible truth, Kat is faced with an unthinkable question: there was no way she could have protected Grace or was there?
This book was filled with so many twists, turns, and shocks that had me hanging off of every page.
This is the story of Kat, wife, mother, sociopath. Her teenage daughter has just been found dead at the bottom of a quarry, and the police are calling it a suicide.
The writing is superb in this compelling story and the characters are totally believable and seem so believable as they have their faults and secrets also.
There were jaw dropping twists and I truly felt like I was on this emotional roller coaster with Kat.
The opening of this book is just heartbreaking and I cannot imagine anything worse than the loss of my child and some of the story description of events was just so emotional.
This story is an emotional look at the relationships between mother and child, wife and husband; very heart wrenching at times but what a ride it was!
Only Daughter is a riveting read filled with twists and turns at every corner that I couldn't put down. I'm looking forward to reading more from this author in the future.
Thank you NetGalley and Bookouture for an ARC. This did not influence my review. All opinions are my own.