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Daniel Boyd (1066 KP) rated the PlayStation 4 version of Vampyr in Video Games
Oct 23, 2018 (Updated Oct 23, 2018)
Atrocious Combat (3 more)
Piss-poor Voice Acting
Shabby Graphics
Soooooooo Boring
One Of The Worst Games Of The Generation
When I picked up Vampyr, I really wanted to like it. This was one of those underdog games that come out a couple of times per generation. When it was first announced and shown, it was met with groans and cringes, then when it released back in June it was received surprisingly fairly well, getting 6's and 7's across various websites.
I eventually got around to picking it up a couple of weekends ago. For the life of me, I do not understand what the reviewers that scored this game a 6 or a 7 were thinking. This game is utter garbage.
In previous things that I've written, I've spoken about the bar consistently being raised in modern gaming and how there is no longer any place for sub par mediocrity in the landscape any more. Well, this is a prime example of a game that does not belong in 2018, It would even have been dated if it had dropped in 2008. Frankly, it doesn't belong in this generation. I have played PS2 and even PS1 games with better gameplay than this trash.
When I first booted up the game, it was pretty slow to start. It seemed pretty dialogue heavy, yet the voice acting was pretty poor. I powered through it, telling myself that there are other games that start off slow and awkward and end up being great once you get stuck in. Then I was introduced to the combat. My God. I genuinely couldn't believe how stiff and awkward and dated it felt. It is so easy and monotonous as well, to the point that any fun drains almost instantly. I can confidently say that it is by far the worst combat I have experienced out of any game I have played in 2018.
The gimmick that the game's marketing seemed to be pushing leading up to it's release, was that every character in the game is important and has an extensive backstory, from main characters to randomers on the street. My question is; why should I give a shit? The vast majority of these characters have nothing important or relevant to say and the vocal performances are so dire, you find yourself button mashing the square button to skip through all of the required dialogue that you are forced to sit through.
The plan was to fly through Vampyr this week and be finished for when Red Dead Redemption 2 is released on Friday. Two and a bit hours into Vampyr, I decided that it wasn't even worth doing that and life is too short.
Overall, the most impressive thing about this game is how much Dontnod Entertainment managed to fuck up a fairly interesting premise. Do yourself a favour and avoid this game like the plague. The only reason that it isn't getting a 1 is because The Amazing Spiderman 2 also came out this generation.
I eventually got around to picking it up a couple of weekends ago. For the life of me, I do not understand what the reviewers that scored this game a 6 or a 7 were thinking. This game is utter garbage.
In previous things that I've written, I've spoken about the bar consistently being raised in modern gaming and how there is no longer any place for sub par mediocrity in the landscape any more. Well, this is a prime example of a game that does not belong in 2018, It would even have been dated if it had dropped in 2008. Frankly, it doesn't belong in this generation. I have played PS2 and even PS1 games with better gameplay than this trash.
When I first booted up the game, it was pretty slow to start. It seemed pretty dialogue heavy, yet the voice acting was pretty poor. I powered through it, telling myself that there are other games that start off slow and awkward and end up being great once you get stuck in. Then I was introduced to the combat. My God. I genuinely couldn't believe how stiff and awkward and dated it felt. It is so easy and monotonous as well, to the point that any fun drains almost instantly. I can confidently say that it is by far the worst combat I have experienced out of any game I have played in 2018.
The gimmick that the game's marketing seemed to be pushing leading up to it's release, was that every character in the game is important and has an extensive backstory, from main characters to randomers on the street. My question is; why should I give a shit? The vast majority of these characters have nothing important or relevant to say and the vocal performances are so dire, you find yourself button mashing the square button to skip through all of the required dialogue that you are forced to sit through.
The plan was to fly through Vampyr this week and be finished for when Red Dead Redemption 2 is released on Friday. Two and a bit hours into Vampyr, I decided that it wasn't even worth doing that and life is too short.
Overall, the most impressive thing about this game is how much Dontnod Entertainment managed to fuck up a fairly interesting premise. Do yourself a favour and avoid this game like the plague. The only reason that it isn't getting a 1 is because The Amazing Spiderman 2 also came out this generation.
Phil Leader (619 KP) rated Always Forever in Books
Nov 8, 2019
All technology is all but dead and the ancient powers stalk the land. With civlization in ruins only the Brothers and Sisters of Dragons can stop the world sliding into chaos. But they are broken, a spent force after the many trials they have endured. All may be lost after all.
Carrying on the tone of the first two books of the trilogy this is a dark and edgy read, often difficult as the protagonists are pushed to breaking point and beyond. Chadbourn's writing is very evocative and descriptive of the locations and the characters - perhaps because they have every flaw exposed - seem very human.
The ending makes the trilogy worthwhile, but to an extent maybe this is half a book too far; some plot elements become a little repetitive as do the threat from the creatures of legend that are hunting for the heroes. Ultimately the story just about justifies this and it definitely doesn't let down the series but maybe there's just a bit of faerie fatigue.
If you like your fantasy dark and your heroes really put through the wringer this series will appeal but it is not for the faint hearted.
Carrying on the tone of the first two books of the trilogy this is a dark and edgy read, often difficult as the protagonists are pushed to breaking point and beyond. Chadbourn's writing is very evocative and descriptive of the locations and the characters - perhaps because they have every flaw exposed - seem very human.
The ending makes the trilogy worthwhile, but to an extent maybe this is half a book too far; some plot elements become a little repetitive as do the threat from the creatures of legend that are hunting for the heroes. Ultimately the story just about justifies this and it definitely doesn't let down the series but maybe there's just a bit of faerie fatigue.
If you like your fantasy dark and your heroes really put through the wringer this series will appeal but it is not for the faint hearted.
Nothing But the Night (Basic Instincts #2)
10.0
Rate It
Book
Be careful what you look for in the night. Three months after the death of his brother, Marc...
Contemporary MM Romance Mystery Thriller Suspense
JT (287 KP) rated A Lonely Place to Die (2011) in Movies
Mar 10, 2020
Set against the sweeping landscape of the Scottish Highlands it would seem like a perfect place as any to stage a cat mouse style thriller – and that is exactly what we get. When a group of climbers out on excursion discover a young girl buried alive with only a tube for air they take the decision to rescue her, which just became their biggest mistake.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
It’s a fast paced edge of the seat ride which never stops for a second to catch its breath. George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents.
There is something truly unnerving about setting a thriller in such a picaresque backdrop, it worked for The Decent and certainly for Deliverance. Here Gilby does more than enough to raise the tension, from an opening that will surely shake the viewer up it only takes a strangle hold on them further.
The acting is if I’m honest below par from a majority of the party, George shines there is no question of that, but it’s the inclusion of protagonist Sean Harris as Mr. Kidd that really gives the film a chilling edge.
He’s a dead pan actor, that has the look of a complete bastard, cold callous and methodical. When he recalls a past tale during the climax of the film its a reminder that he takes his business very seriously.
George puts in a worthy performance, gripped by fear she runs on adrenalin in order to try and outwit her villainous opponents
For the last act the film moves from the heights of the forest to a small Scottish town deep in a local festival and while you may feel that some of the tension might be lost, think again.
The inclusion of a few bounty hunters adds to the action and elaborates on the plot further, and it races to a pulsating finish. It’s a commendable effort from Gilbey whose last outing Rise of the Footsoldier was also met with great acclaim.
While it may be consigned to the group labelled B-Moives, this has enough to keep even the seasoned film fan strapped to their chairs.
Kristy H (1252 KP) rated The Other Mother in Books
Apr 10, 2018
Twisty psychological thriller
When Daphne flees her home, taking very little but her six-month-old daughter, Chloe, she isn't sure what to expect. She's leaving everything behind (including her controlling husband) to work for one of her favorite authors, Schuyler, as an archivist. She'll be living in the shadow of a mental hospital, which Schulyer's late father ran for many years. Daphne hopes this will be a new start and a way to escape both her husband and the dark moods, diagnosed as postpartum mood disorder, she felt when Chloe was born. She'll also miss her friend, Laurel, with whom she formed a tight bond after meeting in a mother's group.
Get ready: this book is a crazy, bewildering ride. It will also always have the distinction of being the novel I was reading on an airplane trip to San Diego when one of my five-year-old daughters threw up. Twice. So it will be memorable in several ways. :)
If you're looking for an easy, linear psychological thriller, this one may not be for you. This novel is confusing and crazy and makes you question everything you're reading. But it's an exciting, twisty thriller and a great, fast read (and a welcome distraction from vomiting children). Most of it is told in current-day descriptions from Daphne, along with excerpts from her journal from her postpartum mothers group. As Daphne meets her new boss, Schuyler, and becomes fascinated with a patient of her father's, Edith, we also eventually hear from Edith and excerpts from Edith's journal, too. The entire result is a wonderful, twisted, tale that has you frantically turning pages, trying to work things out and figure out who is who and what the heck is going on.
I don't want to reveal too much, as it's best going in without too many preconceived notions. The novel has a bit of gothic in it, as many of Goodman's do, with the mental hospital looming in the background. The idea of postpartum depression and motherhood is a theme running throughout, as well.
Overall, even though I was sometimes frustrated as I tried to work through this one, I wound up enjoying it. I was impressed at how things came together and enjoyed the wild ride I was on. I've loved Goodman since The Lake of Dead Languages and find myself looking forward to each new novel she releases. This one was different, but I was quite caught up in its characters and dark themes. Definitely worth a read.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review (thank you!).
Get ready: this book is a crazy, bewildering ride. It will also always have the distinction of being the novel I was reading on an airplane trip to San Diego when one of my five-year-old daughters threw up. Twice. So it will be memorable in several ways. :)
If you're looking for an easy, linear psychological thriller, this one may not be for you. This novel is confusing and crazy and makes you question everything you're reading. But it's an exciting, twisty thriller and a great, fast read (and a welcome distraction from vomiting children). Most of it is told in current-day descriptions from Daphne, along with excerpts from her journal from her postpartum mothers group. As Daphne meets her new boss, Schuyler, and becomes fascinated with a patient of her father's, Edith, we also eventually hear from Edith and excerpts from Edith's journal, too. The entire result is a wonderful, twisted, tale that has you frantically turning pages, trying to work things out and figure out who is who and what the heck is going on.
I don't want to reveal too much, as it's best going in without too many preconceived notions. The novel has a bit of gothic in it, as many of Goodman's do, with the mental hospital looming in the background. The idea of postpartum depression and motherhood is a theme running throughout, as well.
Overall, even though I was sometimes frustrated as I tried to work through this one, I wound up enjoying it. I was impressed at how things came together and enjoyed the wild ride I was on. I've loved Goodman since The Lake of Dead Languages and find myself looking forward to each new novel she releases. This one was different, but I was quite caught up in its characters and dark themes. Definitely worth a read.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review (thank you!).
Whatchareadin (174 KP) rated The Underwriting in Books
Apr 9, 2019
Hook is the hottest new dating app. It's location based and as long as two users match each other they can "hook" up in a matter of minutes.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Jost Hart, Hook's creator, believes it's time to follow in the steps of Facebook and other apps and take his public. He enlist Todd Kent with L.Cecil to help with the IPO. Todd barely knows Josh, having just met him briefly at a strip club months before, but is grateful for the opportunity seeing the potential in the app since he is one of it's users.
Kelly Jacobsen is also a Hook user, one of about 500 million. She has just accepted a position at L.Cecil after interning there over the summer. Now, back at Stanford, she reaches out to Tara Taylor, her mentor during the internship, letting her know of the decision. Tara is very excited for Kelly, this along with being named as part of the IPO team for Hook is really making her week. But after making this decision and spending a night out with friends, the next day, Kelly is found dead, with a drug overdose as the explanation. Her friends and family are baffled by this as this is something she would never do.
The death of a young co-ed and the introduction of a new company going public. Could these events be related in any way? Could Hook somehow be involved with Kelly's untimely demise? As the buzz for the IPO grows so does the speculation of the security of the app and it's users.
With so many changes happening so quickly, what will be the outcome? This book is filled with sex, lies, and billions of dollars, never a great combination when dealing with murder!
When first reading this book I was shocked at the number of different characters introduced so quickly. The book was fast paced from the start. ou meet the team of L.Cecil bankers in charge of the underwriting. From the guy at the top, to the little-a analyst who is crunching all of the numbers. You meet the guys in Silicon Valley from the creator of the app, to the engineers, that help to keep it running.
Everyone has their own agenda in this deal. To be bigger, better, and more powerful than before. And with billions of dollars on the table, the deal would do just that. This was an intriguing book, that thoroughly kept my attention. After reading one night I had very vivid dream about the book. I was sitting at the table with everyone, trying to make the deal work. It was a bit crazy for me. There are parts of this book that leave you with your mouth hanging open as you can't believe what you just read.
Fred (860 KP) rated Case Closed in TV
May 27, 2019
If you can overlook the silly & useless premise, this is one great anime
Every review you'll see of this show or book, will tell you the back story of "Case Closed". They'll tell you how the teenage Shinichi Kudo (a genius detective) is given an experimental pill by some thugs and is transformed into a child again. He calls himself Conan Edogawa & wherever he goes, a crime happens & he solves the crime. He keeps his predicament to himself & an inventor friend of his. The inventor gives him Bond type gadgets that help him get by, since he's a child again. One of these gadgets, a bow-tie, changes his voice, so he can sound exactly like anyone. When he solves the crime, he knocks out an adult with a dart hidden in his watch, hides behind the sleeping adult, talks through his bow-tie to sound like the adult & tells everyone within earshot who the criminal is.
Now, I love anime & I love this show. But, this is maybe the silliest premise ever in an anime. And it's an utterly useless premise. Having Conan as a child serves no purpose in the show at all. He still acts like an adult & most of the time, he's just hanging out with his girlfriend (who doesn't know Conan is her boyfriend) & her father (who is a detective & a very bad one at that). This little "kid" is allowed to walk around the crime scene (usually a dead body) like it's perfectly normal. He sometimes gives the clues he finds out loud. Most of the time, the adults take his advice, other times, they yell at him to shut up, even though he has given clues that have solved the crimes before hand. It just doesn't make any sense. If he's going to act like an adult, just make his character an adult. The side-story of the thugs who changed him is hardly (if ever) brought up again. It's pointless.
Luckily, most of the detective stories themselves are great enough to overlook the premise. Well, almost overlook them. Whenever I see Conan crouching behind a chair, speaking into his tie, I cringe at how silly it is.) The characters are realistic & the stories are very dark sometimes. Definitely not for kids (another reason the premise is stupid). The animation itself is top notch & each character stands out, so you can tell them apart when trying to figure out "who did it". I do recommend this show to anime fans & people who like detective shows. I would have given it a 10, but the premise is just too ridiculous. Still, knocking it 2 points is not bad.
Now, I love anime & I love this show. But, this is maybe the silliest premise ever in an anime. And it's an utterly useless premise. Having Conan as a child serves no purpose in the show at all. He still acts like an adult & most of the time, he's just hanging out with his girlfriend (who doesn't know Conan is her boyfriend) & her father (who is a detective & a very bad one at that). This little "kid" is allowed to walk around the crime scene (usually a dead body) like it's perfectly normal. He sometimes gives the clues he finds out loud. Most of the time, the adults take his advice, other times, they yell at him to shut up, even though he has given clues that have solved the crimes before hand. It just doesn't make any sense. If he's going to act like an adult, just make his character an adult. The side-story of the thugs who changed him is hardly (if ever) brought up again. It's pointless.
Luckily, most of the detective stories themselves are great enough to overlook the premise. Well, almost overlook them. Whenever I see Conan crouching behind a chair, speaking into his tie, I cringe at how silly it is.) The characters are realistic & the stories are very dark sometimes. Definitely not for kids (another reason the premise is stupid). The animation itself is top notch & each character stands out, so you can tell them apart when trying to figure out "who did it". I do recommend this show to anime fans & people who like detective shows. I would have given it a 10, but the premise is just too ridiculous. Still, knocking it 2 points is not bad.
Butterfly child (6 KP) rated Killing Floor: (Jack Reacher 1) in Books
Feb 26, 2018
OK characterisation (1 more)
Good mystery build up
Intriguiging lead character.
I wasn't sure about this book when I first started it. I had heard great things about it, but I like to make my own mind up. Although it had some action from the start, it was still quite slow but once I got into it, I really enjoyed it. A really good read, I passed onto my mum to read too! We quite like reading the same books sometimes so we can discuss it after reading. Its quite a nice mum/daughter activity.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
I know the Jack Reacher series is quite old, and now has to movies but I guess I was quite late to the party. I have managed to avoid hearing much about the series, other than lots of positive comments about the books. So I was quite excited to get started.
The debut Jack Reacher novel kicks off with a good mystery and an intriguing character. I did find it was quite slow, and even though Jack is meant to be a bit of a mystery, I finished the book still not really feeling connected to the character, and for me, when reading its about feeling connected to the characters and the books which makes me carry on reading a series.
Although, I didn't fully connected with Jack Reacher, I did like the story and some of the background characters.
I like fiction, and I am a fan of Harry Potter and sci-fi and lots of things that dispel belief, but I like it in that context when you are expecting magic and some things to not make sense. The idea of why Jack was in Margate, Georgia and his connection the dead body felt a little strange. It added a level of something to the story but I am not sure why. This was my only issue with it, and I have only read the first book, so maybe more will be explained as the series goes on. I am giving it the benefit of the doubt, as overall I did really enjoy the book.
It's an 'ok' start to a series, and Jack Reachers mysterious life kept me intrigued enough to want to carry on with the series and pass it onto my mum. I am excited to move onto book 2.
Kara Skinner (332 KP) rated Dreamz in Books
Jun 12, 2019
Genre: Science Fiction, Dystopian
Word Count: 12,470
Average Goodreads Rating: 4.54/5 stars
My rating: 3/5 stars
To be honest, I automatically started to dislike this book because “Dreams” is spelled with a Z. And while it was okay, it was not as good as it could have been.
Wunder has been dreaming about a man for as long as she can remember, always the same man. The dreams leave her aroused to no end at night. Unfortunately, this man doesn’t exist in her life, at least not yet. But her love life is nonexistent and thanks to her being half zombie, that’s not going to change any time soon.
Little does she know that her dream man exists and his name is Pete. Not only does he exist, but he’s been dreaming about her as well. Pete is also half zombie and lives in the next town over with his uncle. When he moves to Wunder’s town to recover from a huge zombie attack, will they finally get to meet in real life?
You can get this book for free on Smashwords.
I have such mixed feelings about this book. On one hand, it’s a cool story with some damn good world-building. The explanation behind a half zombie, half human is actually logical, or as logical as anything to do with zombies is. This also sets up a lot of potential plotlines for the other books in the series, all of them sounding interesting. And the Resilient Infected Police, or RIP, have a fantastic name.
Also, I can always appreciate a bad-ass girl who knows how to kick some ass, zombie or otherwise.
But learn to fricking edit.
Aside from the grammatical and punctuational atrocities that made my eyes widen in horror while I was reading this, there are so many strange things in this story that aren’t even rookie mistakes. This story is as loose as your post Taco Bell shit.
Never mind the crazy summaries and excessive telling instead of showing. I’ve seen that so many times by now, I’m almost immune to that. What I haven’t seen is a fucking tree fetish.
Yes, ladies and gents, you read that right. Either Wunder loves trees a little too much, or the author does. Why else would Wunder interrupt her retelling of a very hot and kinky sex dream to describe at length the tree she’s tied to, when she first saw it, and how beautiful she thinks it is.
Damn, Wunder, get back to how your sexy dream man is dominating you. I don’t have patience for this arousal-killing nature shit.
Also, A. R. Von got so distracted with setting the stage for future plot lines that she totally forgot to dazzle the reader with the current plot. There was an awful lot of talk about how Pete’s town attracts zombies a lot more than normal towns do, and about the life test they have to take every month to make sure the people aren’t dead, although I feel like the rotting flesh would give it away. (Also how does a person keep their zombie side secret when being blood tested monthly for proof of life? Asking for a friend).
But the current plot of restless RIP agents going to save a town from a hoard of zombies while having kinky dreams is sadly neglected. The exchange between Wunder and her friend feels more like a free write than a final draft and the epic battle is slow-paced and anti-climactic.
Then at the end, Pete asks his uncle about Wunder, and Pete is able to tell him all about Wunder’s famous reputation of being an all-around badass, which brings up the question: how does Pete, who lives with his uncle and works with his uncle in the RIP not know even a little bit about Wunder’s existence when his uncle is able to recognize her on sight and gush about how awesome she is?
But I do like Pete and Wunder. Wunder is a bad-ass and Pete is sexy as hell. The chemistry between them is great. While there’s only a promise of a love connection in this book, I do believe they have a very juicy love story ahead of them.
Unfortunately the story needs massive editing and the dialogue and action often feels forced. I’m tempted to read the next book in the series, just to see how the love story plays out, but I doubt I will because I have a feeling the other stories are as unedited as this one was. But if you still want to check it out, you can get it for free on Smashwords.
Word Count: 12,470
Average Goodreads Rating: 4.54/5 stars
My rating: 3/5 stars
To be honest, I automatically started to dislike this book because “Dreams” is spelled with a Z. And while it was okay, it was not as good as it could have been.
Wunder has been dreaming about a man for as long as she can remember, always the same man. The dreams leave her aroused to no end at night. Unfortunately, this man doesn’t exist in her life, at least not yet. But her love life is nonexistent and thanks to her being half zombie, that’s not going to change any time soon.
Little does she know that her dream man exists and his name is Pete. Not only does he exist, but he’s been dreaming about her as well. Pete is also half zombie and lives in the next town over with his uncle. When he moves to Wunder’s town to recover from a huge zombie attack, will they finally get to meet in real life?
You can get this book for free on Smashwords.
I have such mixed feelings about this book. On one hand, it’s a cool story with some damn good world-building. The explanation behind a half zombie, half human is actually logical, or as logical as anything to do with zombies is. This also sets up a lot of potential plotlines for the other books in the series, all of them sounding interesting. And the Resilient Infected Police, or RIP, have a fantastic name.
Also, I can always appreciate a bad-ass girl who knows how to kick some ass, zombie or otherwise.
But learn to fricking edit.
Aside from the grammatical and punctuational atrocities that made my eyes widen in horror while I was reading this, there are so many strange things in this story that aren’t even rookie mistakes. This story is as loose as your post Taco Bell shit.
Never mind the crazy summaries and excessive telling instead of showing. I’ve seen that so many times by now, I’m almost immune to that. What I haven’t seen is a fucking tree fetish.
Yes, ladies and gents, you read that right. Either Wunder loves trees a little too much, or the author does. Why else would Wunder interrupt her retelling of a very hot and kinky sex dream to describe at length the tree she’s tied to, when she first saw it, and how beautiful she thinks it is.
Damn, Wunder, get back to how your sexy dream man is dominating you. I don’t have patience for this arousal-killing nature shit.
Also, A. R. Von got so distracted with setting the stage for future plot lines that she totally forgot to dazzle the reader with the current plot. There was an awful lot of talk about how Pete’s town attracts zombies a lot more than normal towns do, and about the life test they have to take every month to make sure the people aren’t dead, although I feel like the rotting flesh would give it away. (Also how does a person keep their zombie side secret when being blood tested monthly for proof of life? Asking for a friend).
But the current plot of restless RIP agents going to save a town from a hoard of zombies while having kinky dreams is sadly neglected. The exchange between Wunder and her friend feels more like a free write than a final draft and the epic battle is slow-paced and anti-climactic.
Then at the end, Pete asks his uncle about Wunder, and Pete is able to tell him all about Wunder’s famous reputation of being an all-around badass, which brings up the question: how does Pete, who lives with his uncle and works with his uncle in the RIP not know even a little bit about Wunder’s existence when his uncle is able to recognize her on sight and gush about how awesome she is?
But I do like Pete and Wunder. Wunder is a bad-ass and Pete is sexy as hell. The chemistry between them is great. While there’s only a promise of a love connection in this book, I do believe they have a very juicy love story ahead of them.
Unfortunately the story needs massive editing and the dialogue and action often feels forced. I’m tempted to read the next book in the series, just to see how the love story plays out, but I doubt I will because I have a feeling the other stories are as unedited as this one was. But if you still want to check it out, you can get it for free on Smashwords.
Phil Leader (619 KP) rated The Last Child of Leif in Books
Nov 18, 2019
Did you hear about the child who ran away to join the circus? How about if that child was a crown prince called Valiant who escapes the murder of his father, barely escaping with his mother and faithful swordsman Sebastian?
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written
That's an extremely simplistic rendering of the start of this book, but one that is quite illustrative of the way that the whole story unfolds. What starts as something very simple evolves into something a whole lot more complicated.
Valiant does indeed end up hiding in a travelling circus as its traction engines slowly pull it across an alternate 19th Century Eastern Europe. But this is no ordinary circus and among it's various performers and other attractions much skill and knowledge is hidden. As the journey continues it becomes clear that forces want Valiant dead and really will stop at nothing to achieve this.
With a story this complex and with the very big cast of characters it would be easy for the reader to get confused, but Pridmore is very careful to introduce everything and everybody gradually, giving each time and space so the reader becomes familiar. The characterisation is outstanding, everybody in the circus is very much their own person and very well realised and each character develops throughout the book, sometimes with some surprising revelations.
The plot itself is really good, building at each turn, becoming gradually more complex and more expansive as each chapter passes. The threats appear credible and the efforts to repel them are completely in line with how the characters have been developed up to that point.
Overall this is an utterly compelling read that has been very well written