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Kristy H (1252 KP) rated Hang the Moon in Books
May 27, 2021
A hopeful and winning romance
This companion to WRITTEN IN THE STARS focuses on Darcy's brother Brendon, creator of the dating app OTP and a hopeless romantic. Brendon feels stressed out when the latest research numbers show that perhaps not everyone using dating apps believes as deeply in true love as he does. This includes, Annie, Darcy's best friend and Brendon's long ago crush. Annie arrives in Seattle to surprise Darcy, who just happens to be on a little getaway with her girlfriend, Elle. So Brendon steps up, delivering the keys to Darcy's place and... a series of dates designed to show Annie romance still exists. As for Annie, well she doesn't protest too much. After all, despite swearing off love, she discovers that Darcy's brother has grown up into a pretty handsome and funny guy. She's enjoying their time together. But she's only in Seattle for a few weeks, so Brendon has his work cut out for him.
"You couldn't be disappointed when someone stopped caring if you never expected them to in the first place."
I really enjoyed WRITTEN IN THE STARS and Darcy and Elle's story, so I was excited to read the next book in the series. I liked Brendon's tale, but not quite as much as Darcy and Elle's, mostly because I'm from the LGBTQIA community, and it was so refreshing to have a f/f story in Darcy and Elle. Still, Brendon is such a cutie, and his unyielding faith in love is pretty sweet.
Annie is a good addition to the group--she shows up a bit in book one. She is, of course, the complete opposite of Brendon: completely apathetic about love. But when she arrives in Seattle for a two-week vacation, with some life-changing news for Darcy, and her best friend isn't there, she can't help but enjoy her time with Brendon. Brendon resolves to use his favorite romantic films as a blueprint to woo Annie, but it turns into a comedy of errors, with nothing really turning out the way he planned.
"'Let's say that I needed to prove to someone that romance isn't dead.'"
Many of their interactions are humorous and the banter witty and funny, though I felt the "optimist" versus "pessimist," "will she stay or will she go" storyline was rehashed a bit much, as the plot gets hung up and stagnates for a bit until things pick up again. But, Brendon's sweet personality and Annie's willingness to give new things a try carry the book, along with its overall humor. It's nice to get some appearances from Darcy and Elle, though it severely lacks enough Margo (thank goodness she's the focus of book three).
Overall, this is a cute romance featuring winning leads. It's repetitive in places, but also flirty and fun. 3.5 stars, rounded up here.
"You couldn't be disappointed when someone stopped caring if you never expected them to in the first place."
I really enjoyed WRITTEN IN THE STARS and Darcy and Elle's story, so I was excited to read the next book in the series. I liked Brendon's tale, but not quite as much as Darcy and Elle's, mostly because I'm from the LGBTQIA community, and it was so refreshing to have a f/f story in Darcy and Elle. Still, Brendon is such a cutie, and his unyielding faith in love is pretty sweet.
Annie is a good addition to the group--she shows up a bit in book one. She is, of course, the complete opposite of Brendon: completely apathetic about love. But when she arrives in Seattle for a two-week vacation, with some life-changing news for Darcy, and her best friend isn't there, she can't help but enjoy her time with Brendon. Brendon resolves to use his favorite romantic films as a blueprint to woo Annie, but it turns into a comedy of errors, with nothing really turning out the way he planned.
"'Let's say that I needed to prove to someone that romance isn't dead.'"
Many of their interactions are humorous and the banter witty and funny, though I felt the "optimist" versus "pessimist," "will she stay or will she go" storyline was rehashed a bit much, as the plot gets hung up and stagnates for a bit until things pick up again. But, Brendon's sweet personality and Annie's willingness to give new things a try carry the book, along with its overall humor. It's nice to get some appearances from Darcy and Elle, though it severely lacks enough Margo (thank goodness she's the focus of book three).
Overall, this is a cute romance featuring winning leads. It's repetitive in places, but also flirty and fun. 3.5 stars, rounded up here.
Sassy Brit (97 KP) rated Her Husband's Lover in Books
Jun 5, 2019
As I read “Her Husband’s Lover: A gripping psychological thriller with the most unforgettable twist yet” by Julia Crouch, I found myself swept up in a bloody battle for revenge. But is the wife of the dead husband really the innocent victim of abuse? Or is the girl who was having an affair with the wife’s husband just looking for a quick, get-rich scheme because she’s realised the wife is very rich?
Louisa Williams has really been through a tough time losing both her husband Sam and her two kids, so when her husband’s lover, Sophie appears on the scene (even in the hospital as Lou is trying to recover from some serious injuries) Louisa is frightened by this girl’s tenacity. Could she be dangerous?
Having tracked Louisa down, Sophie reveals she is expecting Sam’s baby and that as the father of her baby they are entitled to part of their estate! Well as you can imagine, Louisa is not having any of this, and cannot believe this young girl’s audacity! Who the hell does this Sophie think she is, coming into her life at a time Louisa is so unhappy and vulnerable?
While I was reading I could eventually see where this was going and the reality of what was the truth, and who was lying became a meaty part of the plot, which I devoured like the carnivorous meat-eating diner I am. Unlike the new guy, vegan-loving, hapless Adam of whom Louisa shacks up with, and unfortunately also gets wrapped up in the whole Lou and Sophie saga.
Julia Crouch has written a very exciting novel, and I really did not know what was going to happen at the end until it hit me! It’s a dark, twisty tale with some chilling scenes. I could not put it down. I would recommend this to anyone who likes sinister, domestic thrillers that have a surprising final conclusion you won’t see coming! Wish I’d got to this one earlier!
Louisa Williams has really been through a tough time losing both her husband Sam and her two kids, so when her husband’s lover, Sophie appears on the scene (even in the hospital as Lou is trying to recover from some serious injuries) Louisa is frightened by this girl’s tenacity. Could she be dangerous?
Having tracked Louisa down, Sophie reveals she is expecting Sam’s baby and that as the father of her baby they are entitled to part of their estate! Well as you can imagine, Louisa is not having any of this, and cannot believe this young girl’s audacity! Who the hell does this Sophie think she is, coming into her life at a time Louisa is so unhappy and vulnerable?
While I was reading I could eventually see where this was going and the reality of what was the truth, and who was lying became a meaty part of the plot, which I devoured like the carnivorous meat-eating diner I am. Unlike the new guy, vegan-loving, hapless Adam of whom Louisa shacks up with, and unfortunately also gets wrapped up in the whole Lou and Sophie saga.
Julia Crouch has written a very exciting novel, and I really did not know what was going to happen at the end until it hit me! It’s a dark, twisty tale with some chilling scenes. I could not put it down. I would recommend this to anyone who likes sinister, domestic thrillers that have a surprising final conclusion you won’t see coming! Wish I’d got to this one earlier!
You Can't Get Much Closer Than This: Combat with Company H, 317th Infantry Regiment, 80th Division
Book
In 1943, Andrew Z. Adkins, Jr. joined the 80th Infantry Division, then undergoing its final training...
The Master and Margarita
Richard Pevear, Larissa Volokhonsky and Mikhail Afanasevich Bulgakov
7.0
Rate It
Book
Mikhail Bulgakov's The Master and Margarita is a fiercely satirical fantasy that remained...
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Call of Duty: Black Ops III in Video Games
Jun 19, 2019
The latest in the incredibly popular Call of Duty Series has arrived and Call of Duty: Black Ops 3 is a nice mix of old and new that goes a long way to combating those who say that each game is basically the same thing with new maps.
Set in a future where combat technology is now imbedded into soldiers, allowing them to hack systems, control machines, and release all manner of electronic warfare, Black Ops 3 is a very ambitious entry into the series. The game also has a great feature that allows players to customize their appearance, weapons, and special features in the campaign instead of just relegating that feature to the multiplayer portion.
As if that was not enough, the game also allows up to four human players to play through the campaign as one unit, which is great for those with new players in the Call of Duty universe in tow.
The campaign is a mixed bag as at times the story is convoluted and the virtual reality based campaigns towards the end become frustrating as well as at times overly difficult.
Graphically the game shines and it is clear that the artists spent considerable love and effort on the game. Just walking around the ready room before missions alone lets one see the incredible level of detail in the game. The levels are pretty impressive as well from secret laboratories in Singapore to high rise locales in Egypt; the future is truly captivating and terrifying as envisioned by Treyarch.
The campaign despite the issues I had with it is not really the selling point of the series, as the multiplayer is where the game truly shines. With multiple formats of online play available as well as numerous maps and the ability to once again customize your weapon loadouts and killstreak rewards, comes a new class system. This allows players to play as a unique character with a special weapon or ability that becomes available to them after a certain amount of time.
While lots of fun, the old Call of Duty imbalances are there which become highly annoying. For instance, you unload a magazine into the chest of an oncoming enemy point blank. You hear the hits taking place, and while being hit, they can stop, draw a bow, and shoot you dead, all the while taking a barrage of machine gun fire. This sort of thing becomes highly frustrating as does the never ending barrage of hackers with their aim bots and other annoyances.
The Zombie mode of the game is a true classic With Jeff Goldblum and other Hollywood stars providing their voices and likenesses to a retro-locale where players can battle the undead.
In all, the game is a nice step forward as if the story of the campaign matched the customization it would really be something epic. But fans of the series know what to expect and Black Ops 3 gives them what they love about the series as well as some new features to push the series forward.
http://sknr.net/2015/11/21/call-of-duty-black-ops-3/
Set in a future where combat technology is now imbedded into soldiers, allowing them to hack systems, control machines, and release all manner of electronic warfare, Black Ops 3 is a very ambitious entry into the series. The game also has a great feature that allows players to customize their appearance, weapons, and special features in the campaign instead of just relegating that feature to the multiplayer portion.
As if that was not enough, the game also allows up to four human players to play through the campaign as one unit, which is great for those with new players in the Call of Duty universe in tow.
The campaign is a mixed bag as at times the story is convoluted and the virtual reality based campaigns towards the end become frustrating as well as at times overly difficult.
Graphically the game shines and it is clear that the artists spent considerable love and effort on the game. Just walking around the ready room before missions alone lets one see the incredible level of detail in the game. The levels are pretty impressive as well from secret laboratories in Singapore to high rise locales in Egypt; the future is truly captivating and terrifying as envisioned by Treyarch.
The campaign despite the issues I had with it is not really the selling point of the series, as the multiplayer is where the game truly shines. With multiple formats of online play available as well as numerous maps and the ability to once again customize your weapon loadouts and killstreak rewards, comes a new class system. This allows players to play as a unique character with a special weapon or ability that becomes available to them after a certain amount of time.
While lots of fun, the old Call of Duty imbalances are there which become highly annoying. For instance, you unload a magazine into the chest of an oncoming enemy point blank. You hear the hits taking place, and while being hit, they can stop, draw a bow, and shoot you dead, all the while taking a barrage of machine gun fire. This sort of thing becomes highly frustrating as does the never ending barrage of hackers with their aim bots and other annoyances.
The Zombie mode of the game is a true classic With Jeff Goldblum and other Hollywood stars providing their voices and likenesses to a retro-locale where players can battle the undead.
In all, the game is a nice step forward as if the story of the campaign matched the customization it would really be something epic. But fans of the series know what to expect and Black Ops 3 gives them what they love about the series as well as some new features to push the series forward.
http://sknr.net/2015/11/21/call-of-duty-black-ops-3/
When it is a director’s second, or sophomore movie, if you like, there is a lot of unfair pressure that finds people comparing the new work to the first one. Especially if that first work has set you up as the saviour of a particular genre, as was the case with Jordan Peele. Get Out was an excellent film for its type – a breath of fresh air, so they say, that subverted what a modern horror movie is and can be.
I actually don’t think Get Out deserves all the praise it gets, to be honest. Because Peele is not on his own in resurrecting dead ideas of what disturbs us, and I prefer both his main sophomore competitors: Ari Aster and Robert Eggers, of Hereditary/Midsommar and The Witch/The Lighthouse fame respectively. The Wasteland has already well documented this triumvirate of chillers, and perhaps only the man who produces the best third film will win the argument…
Not that Get Out isn’t great, in its way. It is. It has a lot to say in terms of social commentary, and plays very satisfyingly for tone, pace and momentum. It also has some wonderful performances at its heart. Which is the main thing that it shares with the less impressive, but equally ambitious Us.
Elisabeth Moss, who is racking up some very nice credits in recent years, is very watchable and sympathetic as the heroine of the tale forced into a survival situation. But it is the consistently superlative Lupito Nyong’o who shines most. Her ability to hold a moment is extraordinary! She has a chameleon quality as an actress, which when you see and understand the theme of this film is indispensable.
In the pivotal and most memorable early scene, her sheer presence and incredible voice fill the screen with dread and eerieness to an almost unbearable degree. It is a wow moment that lasts about 5 minutes. In that part of the film I was prepared to see something very special indeed. Sadly, the tension built so superbly is not maintained for long. In fact it is somewhat thrown away, and diluted by predictable tropes and simple chase scenes, rather than more moments of unique suspense, as it needed.
Note that I am not saying anything about the plot or the premise in any way here – on this occasion, even to explain the basic idea would be to spoil the experience from the start. Peele wants you to discover his themes as The “white” family are discovering them, to increase the creepiness and anxiety of it all. This works to a degree, but all too soon, I found, it becomes a mere slasher chase film, with little extra to say. Anything great about it happens in the first half hour. After that it is still watchable, just not amazing. Even the conclusion is a little flat, which is a rookie mistake if ever there was one.
I think Peele will have learned a lot from this film. Mostly that he can’t just create magic by willing it to exist. He has to hold the reigns a little tighter to create something of equal meaning to Get Out again. Perhaps it is a scripting issue as much as a directing issue, but he wrote it too, so there is no escaping the blame! Saying this, he still retains a lot of potential to go on and fix the things that didn’t work next time. And if he manages to string a good run together then this film will be very interesting to look back on as a cult movie that just misses the mark.
One thing I do like is how he uses images and names and colours etc. to create a larger puzzle within the film. The idea being that every detail is part of a bigger meaning. When reading about the film afterwards, I was surprised and thrilled to learn there were so many intentional nods to a theme and mythology beyond what I had already grasped. Something that is also true of Aster and Eggers, as if this approach is what the new Horror movement is based on – enough background detail to be able to revisit many times and geek out over later on fan forums.
The first thing to debate, and perhaps the last, is the title. Now that does deserve a round of applause. Let’s talk about that privately later… See this movie for Moss and especially Nyong’o, and that one astonishing scene early on. Otherwise it’s a take it or leave it kind of thing.
I actually don’t think Get Out deserves all the praise it gets, to be honest. Because Peele is not on his own in resurrecting dead ideas of what disturbs us, and I prefer both his main sophomore competitors: Ari Aster and Robert Eggers, of Hereditary/Midsommar and The Witch/The Lighthouse fame respectively. The Wasteland has already well documented this triumvirate of chillers, and perhaps only the man who produces the best third film will win the argument…
Not that Get Out isn’t great, in its way. It is. It has a lot to say in terms of social commentary, and plays very satisfyingly for tone, pace and momentum. It also has some wonderful performances at its heart. Which is the main thing that it shares with the less impressive, but equally ambitious Us.
Elisabeth Moss, who is racking up some very nice credits in recent years, is very watchable and sympathetic as the heroine of the tale forced into a survival situation. But it is the consistently superlative Lupito Nyong’o who shines most. Her ability to hold a moment is extraordinary! She has a chameleon quality as an actress, which when you see and understand the theme of this film is indispensable.
In the pivotal and most memorable early scene, her sheer presence and incredible voice fill the screen with dread and eerieness to an almost unbearable degree. It is a wow moment that lasts about 5 minutes. In that part of the film I was prepared to see something very special indeed. Sadly, the tension built so superbly is not maintained for long. In fact it is somewhat thrown away, and diluted by predictable tropes and simple chase scenes, rather than more moments of unique suspense, as it needed.
Note that I am not saying anything about the plot or the premise in any way here – on this occasion, even to explain the basic idea would be to spoil the experience from the start. Peele wants you to discover his themes as The “white” family are discovering them, to increase the creepiness and anxiety of it all. This works to a degree, but all too soon, I found, it becomes a mere slasher chase film, with little extra to say. Anything great about it happens in the first half hour. After that it is still watchable, just not amazing. Even the conclusion is a little flat, which is a rookie mistake if ever there was one.
I think Peele will have learned a lot from this film. Mostly that he can’t just create magic by willing it to exist. He has to hold the reigns a little tighter to create something of equal meaning to Get Out again. Perhaps it is a scripting issue as much as a directing issue, but he wrote it too, so there is no escaping the blame! Saying this, he still retains a lot of potential to go on and fix the things that didn’t work next time. And if he manages to string a good run together then this film will be very interesting to look back on as a cult movie that just misses the mark.
One thing I do like is how he uses images and names and colours etc. to create a larger puzzle within the film. The idea being that every detail is part of a bigger meaning. When reading about the film afterwards, I was surprised and thrilled to learn there were so many intentional nods to a theme and mythology beyond what I had already grasped. Something that is also true of Aster and Eggers, as if this approach is what the new Horror movement is based on – enough background detail to be able to revisit many times and geek out over later on fan forums.
The first thing to debate, and perhaps the last, is the title. Now that does deserve a round of applause. Let’s talk about that privately later… See this movie for Moss and especially Nyong’o, and that one astonishing scene early on. Otherwise it’s a take it or leave it kind of thing.
Pool Break 3D Billiards 8 Ball, 9 Ball, Snooker
Games and Lifestyle
App
Pool Break is a suite of games featuring several variations of 3D Pool, Billiards, Snooker, and the...
Pool Break Lite 3D Billiards 8 Ball Snooker Carrom
Games and Sports
9.0
Rate It
App
Pool Break Lite is a free suite of games featuring several variations of 3D Pool, Billiards,...
Darren (1599 KP) rated 8 Mile (2002) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 8 Mile starts as we head to Detroit to follow Jimmy B-Rabbit Smith (Eminem) as along with his friends David ‘Future’ Porter (Phifer) Cheddar Bob (Jones), Sol George (Miller) are trying to make an impact in the raping world, this world is dominated by the black community though he does have the skills.
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
The world is filled with gangs that are out for control, Jimmy must deal with his mother Stephanie (Basinger) and her problems as well as meeting a new love in Alex (Murphy), we follow as he is desperate to get out of the town which has held back man before.
Thoughts on 8 Mile
Characters – Jimmy B-Rabbit Smith is a young man who aspires to be a rapper, he is from the wrong side of town in Detroit, where he is given a chance to prove himself in the underground rap battle world, where any wrong move could be his last move with the gangs around him. He has the close friends that will watch his back, while working a dead-end job for any money he can get. Stephanie Smith is the mother of Rabbit, she is dating an aggressive man around he sons age and struggling to pay the rent to keep the roof over her daughter’s head. She does try to do the best things but has her own personal demons holding her back. David is the closest friend to Jimmy, he offers him the chance he wants to reach the next level but also needs to be the one to stop him making the mistakes in his life. Alex is the new romance in Jimmy’s life, she dreams of leaving too, to become a model which helps the to connect on a level unlike what Jimmy is used to.
Performances – Eminem is strong in this leading role, there are a few moments where he does look lost, one second too long for fight sequences, but the emotional levels he shows good. Kim Basinger is good in her role which shows that we have the most experience from her. Mekhi Phifer continued his rise in the early 2000s with this performance where he shows his ability to blend into any film. the whole cast performers well through the film with talent that went onto bigger things.
Story – The story shows the struggles of a young man trying to break into the world of rapping in the mean streets of Detroit, he is from the wrong side of the town and the gangs are always dangerous. Seeing the struggles for everyday life is very interesting to see unfold, however I was expecting something different with more rap battles. If you are a fan of the underground rap scene this will be a story that you want to watch.
Music – The music in the film starts with a battle rap and I was expecting more as the song Lose yourself did win Best Oscar Song.
Settings – The film shows us just how difficult growing up in Detroit can be, we feel the tension and feeling of abandonment the city is feeling.
Scene of the Movie – Battle rap.
That Moment That Annoyed Me – Not enough rapping.
Final Thoughts – This is a look at the mean streets of Detroit in the battle rap world where every corner could be dangerous.
Overall: The rap world unfolded.
https://moviesreview101.com/2019/02/27/abc-film-challenge-oscar-nomination-8-mile-2002/
BankofMarquis (1832 KP) rated Glass Onion: A Knives Out Mystery (2022) in Movies
Dec 31, 2022
Not "just" a Murder Mystery
Move over, James Bond, Daniel Craig has another series to star in.
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)