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Mark @ Carstairs Considers (2357 KP) rated Murder of a Mail-Order Bride in Books
Aug 8, 2022
After Marriage Comes Murder
Long time bachelor Al Little has found a bride thanks to the internet, and he is thrilled that Svetlana is coming to town. Lizzie Hale, owner of the romance bookstore in Tinker’s Cover, Ohio, gets roped into helping make sure their first meeting and their wedding is perfectly romantic. But when Svetlana turns up dead in the middle of the reception, the question becomes, who would want to kill a new comer to town?
This is a strong second book. The plot kept me engaged the entire time. I did guess a couple of plot points early, but there were so many more I didn’t see coming, including the ending. The book is focused on the new characters central to this mystery, and they are all strong. We do have a small core cast of characters who are back, and they are fun. I also enjoy watching Lizzie’s romantic life, which is a great romantic comedy sub-plot. If you are looking for a slight twist on a cozy mystery set up, this is a series you will love.
This is a strong second book. The plot kept me engaged the entire time. I did guess a couple of plot points early, but there were so many more I didn’t see coming, including the ending. The book is focused on the new characters central to this mystery, and they are all strong. We do have a small core cast of characters who are back, and they are fun. I also enjoy watching Lizzie’s romantic life, which is a great romantic comedy sub-plot. If you are looking for a slight twist on a cozy mystery set up, this is a series you will love.

Morgan Spurlock recommended Scanners (1981) in Movies (curated)

Whatchareadin (174 KP) rated A Cupboard Full of Coats in Books
May 10, 2018
2.5 starts
A single mother living alone raising her teen-aged daughter. Then she meets this man who she falls in love with almost immediately. Four months later, the mother is dead and the boyfriend is in jail.
This story starts 14 years later, the boyfriend has just gotten out of jail and his best friend is standing on the doorstep ready to explain to the daughter how her death was all his fault.
Jinx(the daughter) and Lemon(the best friend) spend the weekend going over the past. What happened in those four short months and what has happened to them since. It's a roller coaster ride of emotions and growth.
I enjoyed this book as the story was very compelling, but the writing style was such that you didn't know whether you were in the past, or the present, the transitions were not always so smooth. Plus without reading the book description you didn't even know the name of the main character until chapter 2 or later.
A single mother living alone raising her teen-aged daughter. Then she meets this man who she falls in love with almost immediately. Four months later, the mother is dead and the boyfriend is in jail.
This story starts 14 years later, the boyfriend has just gotten out of jail and his best friend is standing on the doorstep ready to explain to the daughter how her death was all his fault.
Jinx(the daughter) and Lemon(the best friend) spend the weekend going over the past. What happened in those four short months and what has happened to them since. It's a roller coaster ride of emotions and growth.
I enjoyed this book as the story was very compelling, but the writing style was such that you didn't know whether you were in the past, or the present, the transitions were not always so smooth. Plus without reading the book description you didn't even know the name of the main character until chapter 2 or later.

Night School: Wake up to the power of sleep
Book
Almost a third of your whole life is spent asleep. Night School uncovers the scientific truth about...

The Doctor Will See You Now
Book
The junior doctor ...back on the wards After a year on the streets treating outreach patients, Max...

Movie Metropolis (309 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 10, 2019
Schrodinger's Film
There is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/

Billie Wichkan (118 KP) rated Eighteen Below (Fabian Risk, #3) in Books
May 22, 2019
ON A HOT SUMMER'S DAY.
A car speeds through the streets of Helsingborg. When it reaches the harbour, the driver keeps going, straight into the cold, dark sea.
A BODY IN THE WATER.
But it is not a suicide. The autopsy reveals that this man has been dead for some time. He was murdered two months ago, and his body has been deep frozen.
TURNS EVERTHING COLDER.
As more bodies are discovered, Fabian Risk must hunt a killer with a mission: to preserve his victims, and create the perfect death...
This is a very good action thriller that involves a puzzling story-line and creepy villains.
While it seems that there are 2 completely different, unlinked cases going on in this book, you get the impression that is not the case at all; but how they're linked is what keeps you guessing.
Very action-packed indeed and the more so the further you read. I greatly enjoyed it.
The writing and plot are superb.
If you love Jo Nesbo- this is for you.
Recommend reading!!
Thanks to Head of Zeus and Netgalley for this ARC.
A car speeds through the streets of Helsingborg. When it reaches the harbour, the driver keeps going, straight into the cold, dark sea.
A BODY IN THE WATER.
But it is not a suicide. The autopsy reveals that this man has been dead for some time. He was murdered two months ago, and his body has been deep frozen.
TURNS EVERTHING COLDER.
As more bodies are discovered, Fabian Risk must hunt a killer with a mission: to preserve his victims, and create the perfect death...
This is a very good action thriller that involves a puzzling story-line and creepy villains.
While it seems that there are 2 completely different, unlinked cases going on in this book, you get the impression that is not the case at all; but how they're linked is what keeps you guessing.
Very action-packed indeed and the more so the further you read. I greatly enjoyed it.
The writing and plot are superb.
If you love Jo Nesbo- this is for you.
Recommend reading!!
Thanks to Head of Zeus and Netgalley for this ARC.

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