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Kirk Bage (1775 KP) rated Mother! (2017) in Movies
Mar 3, 2020
Pretentious. Is a word that sends shivers down my spine much more than any pseudo horror movie. It conveys the idea that the creator of a work is out of control, resorting to shock value over intelligent content. If the creator meant it all, then it is not pretentious, only dangerous.
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Aronofsky is a difficult beast, because you can’t escape the fact he might deserve to be called pretentious. Such a fierce and singular film-maker, whose hit rate for getting it right is about 1/2. Yet, you can’t deny he has a go! His films are visceral nightmares, even when he pares it down to an earthly tale like The Wrestler. He wants you to feel before thinking. Black Swan pissed people off for this reason too; lucky for him, on that occasion, it mostly worked.
At the artist’s behest, mother! is to be spelled with a small case m, and an exclamation mark. I mean, that is an indicator of this man’s intent. It annoys me, let’s make no bones about it. It also excites me, because he has to live up to it! Opening every critical door available, because if you set yourself up to make that kind of statement, then the work better back it up.
The metaphor is thinly veiled; fooling some at the start that we might be watching a latter day Rosemary’s Baby, or, at the least, an invasion film with clever horror undertones. The mood is marvelously tense in the first hour, as we observe two massively capable actors doing their jobs effortlessly. So watchable are Lawrence and Bardem, that you begin to create your own movie in your mind around what is actually happening. Your own imagination is the star of the first half of this strange film.
It almost isn’t a spoiler anymore, so I will say, that Bardem is God and Lawrence is Gaia, mother earth. Take that onboard from the start and the whole may be more “enjoyble”. Although, Aronofsky doesn’t want you to enjoy it, he wants you to react… remember that! Because in the last hour he will force you to do so, and you probably won’t want to.
As with Requiem For a Dream, you may find yourself applauding the technical skill over the storytelling. With this film as evidence, I am now convinced that his trick is to throw the kitchen sink at you in the hope you will join the dots and find something worth talking about, without him having to bother. If I provide enough spectacle, he muses, they might label me a genius someday. Well, they might. But I won’t.
Yes, it almost makes sense if you crowbar it to, but, come on, it isn’t enough! At least David Lynch makes the weirdness so abstract to defy meaning. Aronofsky is creating dreamscapes that pretend to have relevance and wind up hollow, for the simple fact that we are not fools.
Does the last act violence offend me then? No, not at all. It simply isn’t a powerful enough film to do that. Despite some fine scenes in isolation, the whole of mother! is dead in the water as the work of art it wants to be. My lasting thought of it all is… why is Michelle Pfeiffer not doing more? She is an indestructible gem…
Kyera (8 KP) rated World War Z: An Oral History of the Zombie Wars in Books
Feb 1, 2018
This novel is the oral history of the zombie war - as told by soldiers, civilians, doctors, and those who had a hand in decision-making. Some were people who created containment or attack plans, while others were in the government coordinating the military, corralling the people, and planning for the future of their countries.
You learn about the experiences of everyday people just prior to the outbreak. This is a time when no one knows what is happening. People are dying, becoming infected, and turning into violent cannibals. Is it some strange new disease that modern medicine has yet to find a cure to, or something worse?
Then, the stories become more dire, strained, broken; as the population begins to figure out the absolute devastation that this event will wreak. Suddenly, the stories are just people trying to survive or those attempting to combat the enemy. No one knows how to halt the impending storm. The absolute destruction such an enemy poses.
Unlike humans and their armies, the undead need no respite. The undead don't feel pain, hunger, anguish, or lose moral. And as the military's forces dwindle in battles, the zombies swell in ranks. Each loss to you is a welcome addition to their force. An enemy that is unknown cannot easily be beaten.
Will the human race even survive long enough to worry about rebuilding, destroying every trace of the plague, or even what brought it to the world to begin with?
The novel was a unique take on the zombie/war genre and interestingly written. I did find my attention wandering at times and would have to reread sections. Although I prefer reading physical books, this novel has an incredible voice cast for its audio-counterpart. Their talents brought this book to an entirely new level, giving each character a unique voice and story (and I'm not just saying that because there was a different person voicing each one.) I've never read a book before (or listened to one) that had such a diverse cast to bring the book to life.
If you like historical fiction or zombie novels, than you're likely going to enjoy this. If zombies and historical/realistic fiction (regardless of the fact that zombies are involved) are not your style, than you may not enjoy this.
How would you react if the dead began to rise, attack, and devour your neighbors, overrunning your town - could you survive?
You learn about the experiences of everyday people just prior to the outbreak. This is a time when no one knows what is happening. People are dying, becoming infected, and turning into violent cannibals. Is it some strange new disease that modern medicine has yet to find a cure to, or something worse?
Then, the stories become more dire, strained, broken; as the population begins to figure out the absolute devastation that this event will wreak. Suddenly, the stories are just people trying to survive or those attempting to combat the enemy. No one knows how to halt the impending storm. The absolute destruction such an enemy poses.
Unlike humans and their armies, the undead need no respite. The undead don't feel pain, hunger, anguish, or lose moral. And as the military's forces dwindle in battles, the zombies swell in ranks. Each loss to you is a welcome addition to their force. An enemy that is unknown cannot easily be beaten.
Will the human race even survive long enough to worry about rebuilding, destroying every trace of the plague, or even what brought it to the world to begin with?
The novel was a unique take on the zombie/war genre and interestingly written. I did find my attention wandering at times and would have to reread sections. Although I prefer reading physical books, this novel has an incredible voice cast for its audio-counterpart. Their talents brought this book to an entirely new level, giving each character a unique voice and story (and I'm not just saying that because there was a different person voicing each one.) I've never read a book before (or listened to one) that had such a diverse cast to bring the book to life.
If you like historical fiction or zombie novels, than you're likely going to enjoy this. If zombies and historical/realistic fiction (regardless of the fact that zombies are involved) are not your style, than you may not enjoy this.
How would you react if the dead began to rise, attack, and devour your neighbors, overrunning your town - could you survive?
Phillip McSween (751 KP) rated Velvet Buzzsaw (2019) in Movies
Oct 31, 2019
Lacking In the Entertainment Realm
Netflix has some solid hits on their hands…but they can’t all be hits. Velvet Buzzsaw is proof (just like The Dead Don’t Die) that you can add all the starpower in the world and it won’t be enough to save a bad movie. This satirical movie tells the story of what happens when art becomes real and consumes our lives.
Acting: 10
Beginning: 1
Characters: 9
The story revolves around a solid group of characters. In their own way, they each play a part in contributing to the chaos of the story as a whole. Their individual lives are unique and come crashing together to keep the story somewhat afloat. They are a great foundation indeed. Unfortunately, it’s the rest of the house that sucks.
Cinematography/Visuals: 10
Conflict: 10
There is enough within the story to keep you intrigued for most of it. You don’t know what’s real and what’s not which helps to build the intrigue. Every new scene brings the possibility of something bad happening and it definitely made for a bumpy, fun ride.
Entertainment Value: 5
To counter the above, however, there were a number of times where I expected something to happen and I was left disappointed. I feel like the movie spent so much time trying to be artsy fartsy that it forgets to actually entertain in spots. I hate to say it, but I spent half the movie bored, hence the 5.
Memorability: 4
Pace: 7
Plot: 10
The premise is intriguing and unique. Despite the poor translation to the big screen, I can’t deny the daring it took to attempt something like this. The movie’s intent isn’t to wow you with big blockbuster moments, but to make you think. As our movie world continues to become more money-driven daily, this was a refreshing change.
Resolution: 2
Totally unnecessary. I’ll just leave it at that.
Overall: 68
To its credit, Velvet Buzzsaw does spin a great tune about the dangers of selling out and the downside of being willing to do anything to get ahead. What good is art if it’s never seen? Probably not very good at all, which is why I can tell you it’s safe to stay away from this movie.
Acting: 10
Beginning: 1
Characters: 9
The story revolves around a solid group of characters. In their own way, they each play a part in contributing to the chaos of the story as a whole. Their individual lives are unique and come crashing together to keep the story somewhat afloat. They are a great foundation indeed. Unfortunately, it’s the rest of the house that sucks.
Cinematography/Visuals: 10
Conflict: 10
There is enough within the story to keep you intrigued for most of it. You don’t know what’s real and what’s not which helps to build the intrigue. Every new scene brings the possibility of something bad happening and it definitely made for a bumpy, fun ride.
Entertainment Value: 5
To counter the above, however, there were a number of times where I expected something to happen and I was left disappointed. I feel like the movie spent so much time trying to be artsy fartsy that it forgets to actually entertain in spots. I hate to say it, but I spent half the movie bored, hence the 5.
Memorability: 4
Pace: 7
Plot: 10
The premise is intriguing and unique. Despite the poor translation to the big screen, I can’t deny the daring it took to attempt something like this. The movie’s intent isn’t to wow you with big blockbuster moments, but to make you think. As our movie world continues to become more money-driven daily, this was a refreshing change.
Resolution: 2
Totally unnecessary. I’ll just leave it at that.
Overall: 68
To its credit, Velvet Buzzsaw does spin a great tune about the dangers of selling out and the downside of being willing to do anything to get ahead. What good is art if it’s never seen? Probably not very good at all, which is why I can tell you it’s safe to stay away from this movie.
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The Last Time I Saw You
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Whatchareadin (174 KP) rated Eeny Meeny (Helen Grace, #1) in Books
Apr 9, 2019
People are being kidnapped from off the street in couples and forced to make a horrible decision. Killed or be killed! Who is the killer and what is her motive? Yes, her. The killer in this book is a female. And it's up to Detective Inspector Helen Grace and her team to figure this all out before any more people end up dead. After abducting the victims, the killer drugs them and keeps them in a dungeon of her own making. There in the middle of the floor, the victims find a phone and a gun. The phone has just enough battery life to receive a message. "On the floor by the phone you'll find a gun. It has one bullet in it...That is the price of your freedom. You must kill to live." I don't know if how I could make the decision. The only other option is for both people to die from starvation.
M.J. Arlidge gives a gripping tale that leaves you wanting more. It was very hard for me to put the book down, but I had to while on vacation because it was impossible to keep sand out of my Kindle. It had me on the edge of my seat and I had to find out who the killer was and why she was doing this to these poor innocent people. When DI Grace finds out the common denominator with each victim is her, the pressure to find the killer intensified with her as well as with me.
This was a great book with a fast pace that will keep you interested until the end. WIth little twists and unexpected circumstances you will thoroughly enjoy this book.
M.J. Arlidge gives a gripping tale that leaves you wanting more. It was very hard for me to put the book down, but I had to while on vacation because it was impossible to keep sand out of my Kindle. It had me on the edge of my seat and I had to find out who the killer was and why she was doing this to these poor innocent people. When DI Grace finds out the common denominator with each victim is her, the pressure to find the killer intensified with her as well as with me.
This was a great book with a fast pace that will keep you interested until the end. WIth little twists and unexpected circumstances you will thoroughly enjoy this book.
Merissa (13749 KP) rated Risorgimento: Rebirth in Books
Jul 24, 2019
Risorgimento: Rebirth (New Blood Rising #1) by Maya Daniels
The world as you knew it has gone. All that is left is fear and survival. These are the tenets of April's childhood, ever since she was left in a sewer by her parents. Her brother is missing, presumed dead. America is ruled by eight cruel vampires, called The Council. And then it gets worse... the Italians show up! April is determined to stay off the radar, even though she is trying to help a couple of other people, plus a dog, Mutt. Through one circumstance and then another, she ends up meeting the Italians, and her life changes for good.
This was an amazing story that swept me up within the first few paragraphs. Maya Daniels has such a descriptive way with words that you are immediately able to visualise what April is going through, and how much she fears, and also how much she wants to live. I loved the chemistry between Sebastian and April, and I can't wait to continue with their story, as I'm sure the sparks will continue to fly. April is no pushover, and Sebastian is used to getting his own way. Just how Andrei and Marcus are going to fit in, I'm not sure, but like I said, I can't wait to continue.
Completely enthralling, from start to finish, this book sets up the scene, draws you in, and leaves you wanting more. I absolutely loved it, and can't wait to continue with their story! Highly recommended by me!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This was an amazing story that swept me up within the first few paragraphs. Maya Daniels has such a descriptive way with words that you are immediately able to visualise what April is going through, and how much she fears, and also how much she wants to live. I loved the chemistry between Sebastian and April, and I can't wait to continue with their story, as I'm sure the sparks will continue to fly. April is no pushover, and Sebastian is used to getting his own way. Just how Andrei and Marcus are going to fit in, I'm not sure, but like I said, I can't wait to continue.
Completely enthralling, from start to finish, this book sets up the scene, draws you in, and leaves you wanting more. I absolutely loved it, and can't wait to continue with their story! Highly recommended by me!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Whatchareadin (174 KP) rated Everything You Want Me to Be in Books
May 10, 2018
Henrietta 'Hattie' Hoffman is starting her senior year in high school. She lives in a small farming town and Minnesota and knows this is not the place for her. She has big hopes and dreams and she will stop at nothing to achieve them, even if it means deceiving others. But when Hattie turns up dead after opening night of Macbeth, there are all kinds of speculations as to why this could have happened and who could have done it. Told from the perspective of Hattie; Dell, the Chief of Police and; Peter the new English teacher. We are taken on a journey from the months leading up to Hattie's death to the months following it. Who killed Hattie and why?
From the very beginning of the book you can see that there is going to be a twist to this case. Everything is not going to be so easily spelled out for you. Just when you think you know who did it, you will find that you are wrong. I was wrong from the beginning. When it got down to the confession part I was jumping for joy because I had nailed the killer, but later I found out it was not so.
This is the first book I have read by Mindy Mejia. If her other books are similar to this, I will be reading them all.
To put it lightly, Hattie is a sociopath. Just at the title suggests she is everything everyone else wants her to be, but no one really knows her at all. She lies to her parents and her friends, being the good student, the good daughter, the loyal girlfriend, but Hattie has secrets. The first thing that shocked me about this book was not that Hattie had an affair with her high school teacher, it was how she laid out her plans to fool the whole town into believing she was the perfect girl next door. No one could have imagined what she had in store in her own mind.
I recommend this book to anyone who is looking for a twisty tale.
From the very beginning of the book you can see that there is going to be a twist to this case. Everything is not going to be so easily spelled out for you. Just when you think you know who did it, you will find that you are wrong. I was wrong from the beginning. When it got down to the confession part I was jumping for joy because I had nailed the killer, but later I found out it was not so.
This is the first book I have read by Mindy Mejia. If her other books are similar to this, I will be reading them all.
To put it lightly, Hattie is a sociopath. Just at the title suggests she is everything everyone else wants her to be, but no one really knows her at all. She lies to her parents and her friends, being the good student, the good daughter, the loyal girlfriend, but Hattie has secrets. The first thing that shocked me about this book was not that Hattie had an affair with her high school teacher, it was how she laid out her plans to fool the whole town into believing she was the perfect girl next door. No one could have imagined what she had in store in her own mind.
I recommend this book to anyone who is looking for a twisty tale.
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Looking4Cache is a app with a wide set of functions around the fascinating hobby geocaching. With...