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This is Gail
Book
A national bestseller, this is an inspiring story of one woman's journey through heartbreaking loss...
Gilbert: The Last Years of W. G. Grace
Book
There are few more instantly recognisable figures, from any era, from any walk of life, than W.G....
Kristy H (1252 KP) rated More Than Words in Books
Apr 22, 2021
This is the thirteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.
"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."
This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.
Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.
"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."
This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.
Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
Kirk Bage (1775 KP) rated I Am a Killer in TV
Apr 8, 2021
Although the first season of this series is from August 2018, I came to it most recently when season 2 was advertised and released just 3 weeks ago. It is an interesting concept that sometimes works well and sometimes doesn’t. Basically, it is a talking heads documentary where inmates on death row get an opportunity to restate their standpoint of their case and what led them to a death sentence. Quite often that standpoint is either maintaining innocence completely or partially, or admitting full culpability with some caveat based on mitigating circumstances they feel were never fully explored. It covers such a varied range of personalities and detail that the main point of interest for me was how little each death row inmate had in common, except a past of deprivation and a series of smaller crimes that led to the big one – either committed by them or upon them as the victim.
Stories of drug abuse, sexual and physical abuse from parents, role models and influencing figures seems so common that almost all of the 20 inmates interviewed so far can pin some of the blame on their childhood in some way. But our sympathy also ranges from zero to quite a lot as each tale is told, depending on the personality we are now seeing. In many cases there is no contrition, only more blame or excuses and self pity. In some cases there is a lot of regret and sorrow. And in one or two cases, a definite sense of a massive injustice. In the main however, it is all just so sad – how easily lives were taken or ruined by a moment of impulsive behaviour. There is a lot to find of use in studying the criminal mind in this show, but on the whole I found it very depressing and hard going. Maybe one at a time and not a binge on this one!
Stories of drug abuse, sexual and physical abuse from parents, role models and influencing figures seems so common that almost all of the 20 inmates interviewed so far can pin some of the blame on their childhood in some way. But our sympathy also ranges from zero to quite a lot as each tale is told, depending on the personality we are now seeing. In many cases there is no contrition, only more blame or excuses and self pity. In some cases there is a lot of regret and sorrow. And in one or two cases, a definite sense of a massive injustice. In the main however, it is all just so sad – how easily lives were taken or ruined by a moment of impulsive behaviour. There is a lot to find of use in studying the criminal mind in this show, but on the whole I found it very depressing and hard going. Maybe one at a time and not a binge on this one!
Laura Doe (1350 KP) rated The Funny Thing About Norman Foreman in Books
Jul 1, 2021
The thing that really attracted me to this little gem of a book was it’s title and wondering whether there was actually a character named Norman Foreman in it or not. Then when I read the blurb I knew that I just had to read it.
We follow a mother and son, Sadie and Norman Foreman, through a challenging time in their life - Norman’s best friend Jax dying from an asthma attack. Norman and Jax did everything together, and loved watching comedy sketches and comedians and had big dreams of becoming a comedy duo and performing at the Edinburgh Fringe Festival when they were 15.
However, that plan drastically changes when Jax dies aged 12 and leaves Norman not really knowing what to do and not particularly coping very well. Norman then comes up with the idea to get himself to the Edinburgh Fringe Festival that year as a tribute to Jax and also along the way decides he wants to finally find out who his dad is.
Sadie is also struggling with Jax’s death and struggling to help Norman grieve as she never truly grieved her own dad’s death. She has to come to relive her past where she spent a month after her dad’s death completely off the rails and now has four potential fathers for Norman. Along the way she confides in a work colleague, a little old man called Leonard, who decides that he wants in on this adventure and helps Sadie organise her thoughts and helps them both get to the Edinburgh Fringe and to find the four potential fathers.
Some of it may be a little far fetched at points, but that doesn’t stop it from being a really heartwarming story of a child trying to come to terms with the grief of losing his best friend and how you don’t have to be sad all the time in order to grieve.
I loved the whole book from start to finish, and I’m so glad that I got to read it courtesy of Pigeonhole and Julietta Henderson!
We follow a mother and son, Sadie and Norman Foreman, through a challenging time in their life - Norman’s best friend Jax dying from an asthma attack. Norman and Jax did everything together, and loved watching comedy sketches and comedians and had big dreams of becoming a comedy duo and performing at the Edinburgh Fringe Festival when they were 15.
However, that plan drastically changes when Jax dies aged 12 and leaves Norman not really knowing what to do and not particularly coping very well. Norman then comes up with the idea to get himself to the Edinburgh Fringe Festival that year as a tribute to Jax and also along the way decides he wants to finally find out who his dad is.
Sadie is also struggling with Jax’s death and struggling to help Norman grieve as she never truly grieved her own dad’s death. She has to come to relive her past where she spent a month after her dad’s death completely off the rails and now has four potential fathers for Norman. Along the way she confides in a work colleague, a little old man called Leonard, who decides that he wants in on this adventure and helps Sadie organise her thoughts and helps them both get to the Edinburgh Fringe and to find the four potential fathers.
Some of it may be a little far fetched at points, but that doesn’t stop it from being a really heartwarming story of a child trying to come to terms with the grief of losing his best friend and how you don’t have to be sad all the time in order to grieve.
I loved the whole book from start to finish, and I’m so glad that I got to read it courtesy of Pigeonhole and Julietta Henderson!
The Poe Shadow
Book
“I present to you . . . the truth about this man’s death and my life.” Baltimore, 1849. The...
Tomb of Annihilation (Dungeons and Dragons 5th Edition)
8.7
Rate It
Tabletop Game
Dare to defy death in this adventure for the world’s greatest roleplaying game The talk of the...
LeftSideCut (3776 KP) rated Till Death (2021) in Movies
Oct 6, 2021
Contains spoilers, click to show
Till Death is a pretty middle-of-the-road thriller that somehow manages to both benefit and suffer from its no-nonsense approach to, well everything really. On the one hand, it's premise is an enticing one - after finding out about her affair, Emma's (Megan Fox) husband leads her out to a remote cabin under the false pretense of an anniversary getaway, handcuffs the two of them together by the wrists, and proceeds to shoot himself, leaving her attached to his dead body and fighting for her life when two hitmen come by to finish the job. This setup leads to a decent amount of tension, it's snowy setting exacerbating her survival conditions.
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
There aren't really any twists or turns to be had, and everything plays out fairly predictably, and quite honestly, it wouldn't work as well without the cast attached to it. Megan Fox has proved with vehicles such as Jennifer's Body that she is more than capable to lead a horror flick with style, and Till Death cements that fact. Her character is pretty badass, and Fox gives us a protagonist that's worth rooting for. On the flip side, the two hitmen-brother actors are great as well. Callan Mulvey in particular cuts an imposing figure as the movies main villain.
The narrative flirts with deeper context here and there but sadly never pulls the trigger. Mulvey's character is a person from Emma's past, having mugged her some years ago. The plot clearly spells out that there was motive behind this, but never explores this aspect, leaving a frustrating and unexplained story thread. The relationship between the brothers is interesting also, and at one point threatens to present a dilemma in who to side with, but again, it never actually goes there, and as such, reeks of a wasted opportunity for a far more interesting story than the one presented.
For what it is though, Till Death is a competent and entertaining enough thriller/horror to add to a spooky season watchlist
Lyndsey Gollogly (2893 KP) rated Viper: The Prophecy (Odins Wolves 2) in Books
Oct 19, 2023
155 of 235
Kindle
Viper :The Prophecy (Odins Wolves MC 2)
By Candi Fox
⭐️⭐️⭐️
Gaia. the mother of all created a werewolf shifter class to serve as guardians. To avoid war, Gaia gifted those that answered the call to Odin, who infused the warriors with immortality creating a class of demigods who fight for justice.
20 years ago, the world found out that humans were not the only Earth dwellers. Now Dark Fae and Shifters live in the light.
Logan Haagan: Viper, Viking demigod, and retired Dallas police officer will join his brothers in White Horse, OK as part of the OWMC who will work to exact justice when the law can’t. Before leaving Dallas, Viper sees Lady Death fight in an underground ring. The fight has mafia ties and ruthlessly pits all manner of dark fae creatures often encouraging the death of the loser.
Billie, Lady Death has been fighting for the Tromlui capo, Cayum since she was a teenager. She becomes a champion of the ring and wants nothing more than to win her contract back and help her friend who is being threatened. Viper and Synne, a dark fae, work to get her released, but Cayum is not easily discouraged and will stop at nothing to keep Billie right where he wants her.
Viper and Billie are sent to New Orleans to uncover a curse, unearth an ancient vampire relic, and discover an age-old prophecy that will change everything...
Don’t miss this epic tale of myths, justice, and prophecy.
I did enjoy this one but think I was expecting to feel the same as I did about book 1 and I didn’t. The world building is really good with complex characters and storylines. Loved catching up with Odins wolves and finding other creatures especially loving Deaths identity . Also a gator shifter that’s a first for me too!
Kindle
Viper :The Prophecy (Odins Wolves MC 2)
By Candi Fox
⭐️⭐️⭐️
Gaia. the mother of all created a werewolf shifter class to serve as guardians. To avoid war, Gaia gifted those that answered the call to Odin, who infused the warriors with immortality creating a class of demigods who fight for justice.
20 years ago, the world found out that humans were not the only Earth dwellers. Now Dark Fae and Shifters live in the light.
Logan Haagan: Viper, Viking demigod, and retired Dallas police officer will join his brothers in White Horse, OK as part of the OWMC who will work to exact justice when the law can’t. Before leaving Dallas, Viper sees Lady Death fight in an underground ring. The fight has mafia ties and ruthlessly pits all manner of dark fae creatures often encouraging the death of the loser.
Billie, Lady Death has been fighting for the Tromlui capo, Cayum since she was a teenager. She becomes a champion of the ring and wants nothing more than to win her contract back and help her friend who is being threatened. Viper and Synne, a dark fae, work to get her released, but Cayum is not easily discouraged and will stop at nothing to keep Billie right where he wants her.
Viper and Billie are sent to New Orleans to uncover a curse, unearth an ancient vampire relic, and discover an age-old prophecy that will change everything...
Don’t miss this epic tale of myths, justice, and prophecy.
I did enjoy this one but think I was expecting to feel the same as I did about book 1 and I didn’t. The world building is really good with complex characters and storylines. Loved catching up with Odins wolves and finding other creatures especially loving Deaths identity . Also a gator shifter that’s a first for me too!
Hazel (1853 KP) rated Saint Death in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
What must life be like living in a poor neighbourhood? Every night your sleep is disturbed by gunshots, the people you know slowly disappear each time a gang raids the town, you live in fear for your own life. This is the concept international award-winning author Marcus Sedgwick explores in his latest Young Adult novel. Set in Anapra, one of the poorest communities in Mexico, Sedgwick delivers a story of poverty, gang crime and greed.
A young man – presumably still in his teens – named Arturo is living in a falling down shack, surviving on the small amount he earns at the local garage. Having kept to himself for the past year in order to remain safe, he experiences mixed emotions when his long lost friend turns up on his door stop – if you can call it that – and asks him to win $1000 by gambling at cards to appease a brutal gang leader.
What follows is an intense game against dangerous criminals with only prayers to Santa Muerte – Saint Death – to help Arturo get by. However, in the same way that the gang leaders are obsessed with wealth, Arturo begins to be overcome with greed, putting both himself and his friend in mortal danger.
<i>Saint Death</i> is not a book to be <i>liked</i>, after all, who would be fond of death, pain and violence? Instead it is a story that introduces an alternative culture to the readers – presuming that most will be from the more typical western world. Sedgwick throws us right into the slums of Mexico where religion, superstition, law and safety have an entirely different meaning. We learn that life in these areas is mostly a war between power and poverty, with the wealthy naturally championing over the rest.
Unfortunately <i>Saint Death</i> is a difficult book to read. For a start, it is a little bit boring. Whilst the events may be realistic there is no thrill or enjoyment garnered from reading about them. Understandably, Sedgwick is trying to bring a sense of culture into his work, however there is barely anything that a Young Adult reader can relate to. We are never told Arturo’s age and only assume he his in his teens, however he acts like a much older adult. It is difficult to imagine and comprehend the poverty, gangs and violence when we have not been witness to it ourselves. Whilst attempting to shock, Sedgwick lacks on description making it a challenge to picture the scene in our heads.
Prior to this book, I had only read Sedgwick’s <i>My Sword Hand is Singing</i> (2006), therefore I was unsure what to expect with his latest novel. It was my understanding that he tends to write horror or paranormal novels, whereas <i>Saint Death</i> was a complete change of genre. Of course authors experiment with their writing style all the time; some are successful, others less so. In this instance I personally think Sedgwick fell short of his goal, trying too hard to copy other writers that had influenced him to make this conversion. Whether Sedgwick decides to continue along this theme or revert back to what he has already been successful with remains to be seen, but I am hoping for the latter.
What must life be like living in a poor neighbourhood? Every night your sleep is disturbed by gunshots, the people you know slowly disappear each time a gang raids the town, you live in fear for your own life. This is the concept international award-winning author Marcus Sedgwick explores in his latest Young Adult novel. Set in Anapra, one of the poorest communities in Mexico, Sedgwick delivers a story of poverty, gang crime and greed.
A young man – presumably still in his teens – named Arturo is living in a falling down shack, surviving on the small amount he earns at the local garage. Having kept to himself for the past year in order to remain safe, he experiences mixed emotions when his long lost friend turns up on his door stop – if you can call it that – and asks him to win $1000 by gambling at cards to appease a brutal gang leader.
What follows is an intense game against dangerous criminals with only prayers to Santa Muerte – Saint Death – to help Arturo get by. However, in the same way that the gang leaders are obsessed with wealth, Arturo begins to be overcome with greed, putting both himself and his friend in mortal danger.
<i>Saint Death</i> is not a book to be <i>liked</i>, after all, who would be fond of death, pain and violence? Instead it is a story that introduces an alternative culture to the readers – presuming that most will be from the more typical western world. Sedgwick throws us right into the slums of Mexico where religion, superstition, law and safety have an entirely different meaning. We learn that life in these areas is mostly a war between power and poverty, with the wealthy naturally championing over the rest.
Unfortunately <i>Saint Death</i> is a difficult book to read. For a start, it is a little bit boring. Whilst the events may be realistic there is no thrill or enjoyment garnered from reading about them. Understandably, Sedgwick is trying to bring a sense of culture into his work, however there is barely anything that a Young Adult reader can relate to. We are never told Arturo’s age and only assume he his in his teens, however he acts like a much older adult. It is difficult to imagine and comprehend the poverty, gangs and violence when we have not been witness to it ourselves. Whilst attempting to shock, Sedgwick lacks on description making it a challenge to picture the scene in our heads.
Prior to this book, I had only read Sedgwick’s <i>My Sword Hand is Singing</i> (2006), therefore I was unsure what to expect with his latest novel. It was my understanding that he tends to write horror or paranormal novels, whereas <i>Saint Death</i> was a complete change of genre. Of course authors experiment with their writing style all the time; some are successful, others less so. In this instance I personally think Sedgwick fell short of his goal, trying too hard to copy other writers that had influenced him to make this conversion. Whether Sedgwick decides to continue along this theme or revert back to what he has already been successful with remains to be seen, but I am hoping for the latter.