Search
Rachel King (13 KP) rated Awakened (House of Night, #8) in Books
Feb 11, 2019
The book opens with Zoey, Stark, Aphrodite, and Darius still on the Isle of Skye. Several factors are adamant about keeping Zoey and Stark there, from their romance to Sgiach's sudden change of perspective about keeping the Isle a secret. All through the book I get the feeling that Sgiach is not as trustworthy or pure of intention as the reader is led to believe, but I imagine that will be a subject for a future book.
Fairly early in the book, a death occurs - I won't say who - but it feels a bit like an author's attempt to cull an entirely-too-long cast list. I have felt for awhile that there were too many characters in this series to keep track of all of them in a single book, but even with the random death occurring every so often, many of the characters are almost non-existent in this book.
I really like the character Rephaim and what the authors are doing with his sub-plot. He has much potential for growth in personality and maturity, and he brings a more adult element to what often feels like a very immature series. I was thrilled with how Nyx helps him at the end, as it shows him that good has its own rewards. His presence has forced Stevie Rae to grow up and make decisions that have a great impact, too. Normally Stevie Rae can be quite annoying, but around Rephaim I like her.
Neferet is of course, beyond revolting. Everything she does makes me want to hurl the book across the room - from her posturing around Kalona and Rephaim, to her false guilt at the funeral, to her simpering over the white bull. Her character is actually my strongest clue that the authors are good at what they do. Only a well-written character can elicit the kind of strong emotion that Neferet brings out in me. They do a good job of showing how the soul-sucking darkness is driving her to madness, even to the point of always underestimating what Zoey and Nyx are capable of. I may be delusional, but I still think that Kalona can be saved from this darkness, even though it's obvious that Neferet can not. His actions seem to be driven by bitterness and a hunger for what is denied him, rather than evil for the sake of evil.
I do love that the authors found a way to continue using Heath in the plotline, as he was always so good for Zoey and probably the only "normal" person in the cast list of supernaturally-gifted beings. He likely will have a long way to go with the direction the authors are taking him, but I imagine I'll keep reading this series through to the end - whenever that is.
Many of the same problems that I had with the series early on still persist - such as sickly-sweet teenage lingo, the condensed time frame of each book, and too many characters with too little time. I find myself wondering which parts of the books are written by which author, as the writing style seems to change sporadically.
I was actually both relieved and saddened by the death at the end, first that it was not someone else dying, but also how it will affect Zoey. Beyond that, there are simply too many characters for me to be emotionally-attached to all of them. So on to the next book - Destined (House of Night Novels).
Fairly early in the book, a death occurs - I won't say who - but it feels a bit like an author's attempt to cull an entirely-too-long cast list. I have felt for awhile that there were too many characters in this series to keep track of all of them in a single book, but even with the random death occurring every so often, many of the characters are almost non-existent in this book.
I really like the character Rephaim and what the authors are doing with his sub-plot. He has much potential for growth in personality and maturity, and he brings a more adult element to what often feels like a very immature series. I was thrilled with how Nyx helps him at the end, as it shows him that good has its own rewards. His presence has forced Stevie Rae to grow up and make decisions that have a great impact, too. Normally Stevie Rae can be quite annoying, but around Rephaim I like her.
Neferet is of course, beyond revolting. Everything she does makes me want to hurl the book across the room - from her posturing around Kalona and Rephaim, to her false guilt at the funeral, to her simpering over the white bull. Her character is actually my strongest clue that the authors are good at what they do. Only a well-written character can elicit the kind of strong emotion that Neferet brings out in me. They do a good job of showing how the soul-sucking darkness is driving her to madness, even to the point of always underestimating what Zoey and Nyx are capable of. I may be delusional, but I still think that Kalona can be saved from this darkness, even though it's obvious that Neferet can not. His actions seem to be driven by bitterness and a hunger for what is denied him, rather than evil for the sake of evil.
I do love that the authors found a way to continue using Heath in the plotline, as he was always so good for Zoey and probably the only "normal" person in the cast list of supernaturally-gifted beings. He likely will have a long way to go with the direction the authors are taking him, but I imagine I'll keep reading this series through to the end - whenever that is.
Many of the same problems that I had with the series early on still persist - such as sickly-sweet teenage lingo, the condensed time frame of each book, and too many characters with too little time. I find myself wondering which parts of the books are written by which author, as the writing style seems to change sporadically.
I was actually both relieved and saddened by the death at the end, first that it was not someone else dying, but also how it will affect Zoey. Beyond that, there are simply too many characters for me to be emotionally-attached to all of them. So on to the next book - Destined (House of Night Novels).
Cynthia Armistead (17 KP) rated Ghost Story (The Dresden Files, #13) in Books
Mar 1, 2018
Of course I (along with all [a:Jim Butcher|10746|Jim Butcher|https://images.gr-assets.com/authors/1400640324p2/10746.jpg]'s other fans) have been absolutely dying to read this book ever since finishing [b:Changes|6585201|Changes (The Dresden Files, #12)|Jim Butcher|https://images.gr-assets.com/books/1304027244s/6585201.jpg|6778696]. [a:Sam Chupp|11847|Sam Chupp|https://images.gr-assets.com/authors/1219698183p2/11847.jpg] and I have been talking about how there could possibly be another book that occurs after Dresden's death. Of course, the novella included in [b:Side Jobs: Stories From the Dresden Files|7779059|Side Jobs Stories from the Dresden Files (The Dresden Files, #12.5)|Jim Butcher|https://images.gr-assets.com/books/1269115846s/7779059.jpg|10351697] was very good and got along quite well without Dresden, but that probably wasn't going to work for an entire novel.
Sam hasn't even started <i>Ghost Story</i> yet, so I can't gloat at home. I was actually right in some of my speculation! I'm being non-specific so as to not give too much away, even though I am hiding this review behind spoiler warnings on GoodReads in case he does read it and remember what I had said (which is highly doubtful). But I feel like bragging somewhere, so you, dear readers, have to put up with it.
Jim Butcher deserves major praise. <i>Ghost Story</i> is amazing. Dresden has become such a powerful wizard that few enemies are truly a challenge, and wiping out the entire Red Court with one spell was an amazing feat. What do you do for an encore to that? Having Dresden immaterial and operating without magic does seriously push him, and that makes for a fascinating tale. Being able to keep a series fresh in its thirteenth volume says a lot for Butcher's talent. I think <i>Ghost Story</i> is the best Dresden Files book yet, and I'm looking forward to book fourteen even more!
Sam hasn't even started <i>Ghost Story</i> yet, so I can't gloat at home. I was actually right in some of my speculation! I'm being non-specific so as to not give too much away, even though I am hiding this review behind spoiler warnings on GoodReads in case he does read it and remember what I had said (which is highly doubtful). But I feel like bragging somewhere, so you, dear readers, have to put up with it.
Jim Butcher deserves major praise. <i>Ghost Story</i> is amazing. Dresden has become such a powerful wizard that few enemies are truly a challenge, and wiping out the entire Red Court with one spell was an amazing feat. What do you do for an encore to that? Having Dresden immaterial and operating without magic does seriously push him, and that makes for a fascinating tale. Being able to keep a series fresh in its thirteenth volume says a lot for Butcher's talent. I think <i>Ghost Story</i> is the best Dresden Files book yet, and I'm looking forward to book fourteen even more!
JT (287 KP) rated Hereafter (2010) in Movies
Mar 10, 2020
It’s an interesting film that will leave you asking yourself one question, “did Clint Eastwood really direct it?” And the answer, yes, he did. It’s not that the film is particularly bad but then it’s not really that good either, and you wonder if while his latest film J. Edgar was in pre-production he got bored and decided to fill the void.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
Having worked with Damon on Invictus Eastwood brought him in for this, as George Lonegan a man with the gift of being able to talk to people that have passed to the other side. The opening half an hour is an intense watch as we watch De France’s reporter get caught up in a terrible Tsunami while holidaying with her boyfriend. It’s a well shot natural disaster which Roland Emmerich himself would have been proud.
Damon himself battling not to use his ‘gift’ despite the ongoing pressures from his brother, chooses of all things a cooking class as a method of escapism. There he meets Melanie (Bryce Dallas Howard) and the two form a bond, to which George ruins by accepting to perfrom a reading which doesn’t go as well as hoped.
I wanted to see her come back at some point during the film, but alas she doesn’t which was a disappointment as Howard was one of the few shining lights. The third part of the story, all of which interlock into each other, follow British twins Marcus and Jason. Two of the worst child actors I think I have ever seen, one can imagine that is from lack of experience.
With one of the boys dying in a freak accident the lone brother goes on a journey of his own, of which brings him closer to eventual contact with George. The film tries to be deep and meaningful about what happens to people who suffer death experiences, but its way off Eastwood’s sharp and cool direction – a shame when it started so brightly.
Ronyell (38 KP) rated Hocus Pocus (1993) in Movies
Aug 4, 2020
Three Crazy Witches Who Can Sing!
Wow! I'm actually surprised that I enjoyed this movie as much as I did! When I first heard about this movie, I was a bit intrigued about what this movie was all about. So, when I finally watched this movie, I was completely hooked! I liked the fact that the movie tackled the subject of sibling relationships and how important it is to care about your siblings, no matter how annoying they can be. This was best shown between the Sanderson Sisters, Thackery and his little sister Emily and Max and his little sister Dani. The Sanderson Sisters are like the negative side of the sibling relationship as Winifred abuses her younger sisters Mary and Sarah and wouldn't think of protecting them. Thackery and Emily are on the more positive side of the sibling relationship as Thackery truly cares about his sister Emily, although he failed to save her. And then we have Max and Dani who are in the middle as they argue with each other a lot, but they would do anything to protect each other. I also loved the way that the movie had a nice balance between horror and comedy as I laughed out loud during the Sanderson Sisters' crazy antics and yet, I was a bit scared for the children being threatened with death throughout this film. Especially during the scene where Emily, a little girl , ends up dying at the beginning of the movie. I especially loved the actors' performances in this film, with the Sanderson Sisters being the best part of the film. Bette Midler, Sarah Jessica Parker and Kathy Najimy did a fantastic job at portraying the Sanderson Sisters as they were so hilarious and entertaining to watch! I also enjoyed Thora Birch's performance as Dani as she made Dani quite snarky yet energetic at the same time.
The only issues that I had with this film was that I felt that the protagonists were a bit too flat and I wished that they had explained the backstories of some of the characters. Even though Max and Allison were interesting characters, they weren't as entertaining as the Sanderson Sisters and the only protagonists that were pretty entertaining were Dani and Binx the Cat. Also, I would like to know how the Sanderson Sisters became witches in the first place (although it was implied that the Devil gave them their powers).
Overall, "Hocus Pocus" is a fantastic film that both children and adults will enjoy! It balances horror and humor very well and it has some of the best performances from Sarah Jessica Parker, Bette Midler and Kathy Najimy!
The only issues that I had with this film was that I felt that the protagonists were a bit too flat and I wished that they had explained the backstories of some of the characters. Even though Max and Allison were interesting characters, they weren't as entertaining as the Sanderson Sisters and the only protagonists that were pretty entertaining were Dani and Binx the Cat. Also, I would like to know how the Sanderson Sisters became witches in the first place (although it was implied that the Devil gave them their powers).
Overall, "Hocus Pocus" is a fantastic film that both children and adults will enjoy! It balances horror and humor very well and it has some of the best performances from Sarah Jessica Parker, Bette Midler and Kathy Najimy!
Mark @ Carstairs Considers (2476 KP) rated Chocolate Can Be Deadly in Books
Feb 15, 2025
Death By Chocolate is Real
Emory has reluctantly agreed to cater a post Valentine’s Day bash. The hostess is horrible to Emory since she has a long-standing feud with Emory’s friend Tillie. The theme also puts her off since Dying for Chocolate hits a little too close to home given all the murders Emory has found herself involved in. Just as she is thinking that she might pull off the event, the hostesses new finance is found dead clutching one of Emory’s cupcakes. With the rumors of poison in a cupcake destroying her business, not to mention a cop that wants to arrest her, Emory has to find the killer. Can she do it?
I was so happy to be revisiting these characters. We don’t see much of a couple of the regulars, but the updates with the ones we did get to see were lots of fun. The mystery was engrossing, including good suspects and a climax I couldn’t put down. I did figure out one aspect early, but I didn’t have it all figured out. I enjoy the slightly different setting of Orange County since I’m in Southern California myself, but everything else still feels like a cozy. The book includes ten delicious sounding chocolate themed recipes, many of them gluten free. This book will find you turning pages and craving chocolate. If you want a good culinary cozy series, I highly recommend it.
I was so happy to be revisiting these characters. We don’t see much of a couple of the regulars, but the updates with the ones we did get to see were lots of fun. The mystery was engrossing, including good suspects and a climax I couldn’t put down. I did figure out one aspect early, but I didn’t have it all figured out. I enjoy the slightly different setting of Orange County since I’m in Southern California myself, but everything else still feels like a cozy. The book includes ten delicious sounding chocolate themed recipes, many of them gluten free. This book will find you turning pages and craving chocolate. If you want a good culinary cozy series, I highly recommend it.
Sarah (7800 KP) rated Nobody Sleeps in the Woods Tonight (2020) in Movies
Nov 13, 2020
Condemnable for the dubbing alone
Nobody Sleeps in the Woods Tonight is a Polish horror film about a group of technology dependent youths visiting an offline summer camp who are terrorised by a danger lurking in the woods.
The film follows a small group centred around Zosia (Julia Wieniawa), as they head out from the camp on a 3 day trek into the woods and encounter some very unfriendly locals. I’m afraid that from the very start, there’s nothing about this film that is particularly original. Pretty much every classic slasher horror is noticeably referenced here, from Friday the 13th to The Texas Chainsaw Massacre and everything in between. It even drifts into sci-fi at one point. Some might say this is a homage to these films, but for me it was just a blatant copy. From the hillbilly bad guys in wooden cabins to the use of a machete, it all just felt so unoriginal. There was nothing at all in this that didn’t remind me of another, much better film. And that’s not even taking into account all of the clichéd horror movie tropes that are thrown in throughout - I’ve lost count of the amount of times I’ve seen dismembered deer/wildlife and phone batteries that are conveniently dying to name but a few, and Nobody Sleeps in the Woods tonight can’t seem to avoid these.
Despite this, there are some (very few) positives. The score is surprisingly atmospheric and dramatic, and works so well to build some much needed tension. The practical special effects, at least in the death scenes, are also good and there’s a pretty decent amount of gore. However this is pretty much the only good things I can say about this film. Whilst the death effects might be good, the creature/enemy effects are severely lacking and they look very cheap and second rate. It doesn’t help that their characters are rather silly and have no real purpose other than to kill. And even their murdering appears to be nonsensical and sporadic – for instance in one scene killing a character who’s outside yet completely ignoring those in tents a mere metres away. The youths don’t fare any better when it comes to characterisation either. They are your usual slasher movie group and aside from Zosia none have any real depth or back story, and for the most part they don’t live enough for you to care anyway.
But even considering all of the above, by far the worst crime of this film is the fact that it’s dubbed. Dubbing is one of my personal pet peeves. I cannot abide watching anything where the sound doesn’t sync with actors mouths moving, especially when the dubbing isn’t intended as tongue in cheek. And worse still, Nobody Sleeps in the Woods Tonight features the most cringeworthy dubbing I’ve ever heard, with some very stereotypical American voiceovers that are made worse by the cheesy script that tries to shoehorn in as many geeky pop cultures references that it can find. Within 10 minutes I’d had enough and I do wonder if this film could’ve been much more bearable has it just been subtitled instead.
Dubbing aside, this film is still pretty poor and riddled with so many clichés that you can barely discern any truly original ideas. If you want to watch a horror film like this, you’d be better off watching the classic originals.
The film follows a small group centred around Zosia (Julia Wieniawa), as they head out from the camp on a 3 day trek into the woods and encounter some very unfriendly locals. I’m afraid that from the very start, there’s nothing about this film that is particularly original. Pretty much every classic slasher horror is noticeably referenced here, from Friday the 13th to The Texas Chainsaw Massacre and everything in between. It even drifts into sci-fi at one point. Some might say this is a homage to these films, but for me it was just a blatant copy. From the hillbilly bad guys in wooden cabins to the use of a machete, it all just felt so unoriginal. There was nothing at all in this that didn’t remind me of another, much better film. And that’s not even taking into account all of the clichéd horror movie tropes that are thrown in throughout - I’ve lost count of the amount of times I’ve seen dismembered deer/wildlife and phone batteries that are conveniently dying to name but a few, and Nobody Sleeps in the Woods tonight can’t seem to avoid these.
Despite this, there are some (very few) positives. The score is surprisingly atmospheric and dramatic, and works so well to build some much needed tension. The practical special effects, at least in the death scenes, are also good and there’s a pretty decent amount of gore. However this is pretty much the only good things I can say about this film. Whilst the death effects might be good, the creature/enemy effects are severely lacking and they look very cheap and second rate. It doesn’t help that their characters are rather silly and have no real purpose other than to kill. And even their murdering appears to be nonsensical and sporadic – for instance in one scene killing a character who’s outside yet completely ignoring those in tents a mere metres away. The youths don’t fare any better when it comes to characterisation either. They are your usual slasher movie group and aside from Zosia none have any real depth or back story, and for the most part they don’t live enough for you to care anyway.
But even considering all of the above, by far the worst crime of this film is the fact that it’s dubbed. Dubbing is one of my personal pet peeves. I cannot abide watching anything where the sound doesn’t sync with actors mouths moving, especially when the dubbing isn’t intended as tongue in cheek. And worse still, Nobody Sleeps in the Woods Tonight features the most cringeworthy dubbing I’ve ever heard, with some very stereotypical American voiceovers that are made worse by the cheesy script that tries to shoehorn in as many geeky pop cultures references that it can find. Within 10 minutes I’d had enough and I do wonder if this film could’ve been much more bearable has it just been subtitled instead.
Dubbing aside, this film is still pretty poor and riddled with so many clichés that you can barely discern any truly original ideas. If you want to watch a horror film like this, you’d be better off watching the classic originals.
Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
The Fourth Talisman
9.0
Rate It
Book
Nocturne, a wilderness of eternal night. Solis, a wasteland of endless day. It’s been a...
