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An enjoyable Victorian mystery
Julia McAllister is a female photographer in 1895 who works for herself - which is a struggle in England at this time, as she would have had no legal rights. She pretends to her clients that she is working for a male photographer, but in reality he left her the business when he died. So, in order to make ends meet she finds work taking ‘French Style’ photos. These were risqué pornographic photos. Julia makes sure her models are comfortable with what they’re doing and that they’re well paid. She feels responsible for these young women.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
Crimes of the Century: Ripper Killers
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Mustafa Kemal Ataturk: Heir to the Empire
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Part of The World in A Life series, this brief text provides insight into the life of Mustafa Kemal...
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Journalists Under Fire: The Psychological Hazards of Covering War
Chris Hedges and Anthony Feinstein
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As journalists in Iraq and other hot spots around the world continue to face harrowing dangers and...
I Hope They All Manage to Get a Small Plastic Toy from the Cereal Box: An Insight into the Australian Prison System.
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I hope they all managed to get a small plastic toy from the cereal box is based on a man who was to...
Let Me Lie
7.3
Rate It
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'It's phenomenal, super-twisty and, incredibly, EVEN BETTER than I Let You Go and I See You' JILL...
Army Wives: From Crimea to Afghanistan: The Real Lives of the Women Behind the Men in Uniform
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Most families have an army wife somewhere in their past. Over the centuries they have followed their...
Matthew Krueger (10051 KP) rated Freddy's Dead: The Final Nightmare (1991) in Movies
Jul 3, 2020
Now I'm Playing With Power: The Glove
Contains spoilers, click to show
Freddy's Dead: The Final Nightmare tells it all. Its going to be the final nightmare and Freddy will be dead once and for all. So the title of the movie spoilers the entire movie. Cause 1. Your expecting Freddy to die and 2. That this will be the final nightmare for now at least. Also you have the wiredest, coolest and strangest produce placement with Nintento's Power-Glove. Freddy says "Now i'm playing with power" and also "Hey, you forgot about the powerglove". He also refference's "The Wizard of Oz" wiredly and also this saying "this is your brain, this is your brain on drugs". This is a weird movie.
The deaths are cool like Carlo's death: Hearing magnified, head exploded by sound of bladed glove scratching chalkboard. Its a funny death, thats sounds odd but it is. Spencer's death: Knocked down stairs into bottomless pit. Again its a funny death. John's death: Fell from sky, impaled on bed spikes. Again its funny. Even Freddy's death: Pinned to wall/crate with various weapons, bladed glove in stomach, blown up by pipe bomb. Its funny, Freddy's death shouldn't be funny, it should be iconic. This isnt iconic. Also for some pair of reason the last ten minutes of the movie is 3D. IDK why, but it was.
The plot: Murderous ghoul Freddy Krueger (Robert Englund) has slaughtered every last child in his hometown. He ventures on to a new location, scouting fresh young victims to hack up with his finger blades. He arrives in a small town in which his long-lost daughter, Maggie (Lisa Zane), works as a therapist for troubled youths. He attempts to recruit her for his dastardly pursuits, but she has other ideas. Father and daughter meet for a bloody showdown that will determine Freddy's fate once and for all.
Also for some pair of reason Roseanne Barr, Tom Arnold, and Alice Cooper all appear in this film.
Freddy's Dead is a wired movie, but at least it was a intresting movie.
The deaths are cool like Carlo's death: Hearing magnified, head exploded by sound of bladed glove scratching chalkboard. Its a funny death, thats sounds odd but it is. Spencer's death: Knocked down stairs into bottomless pit. Again its a funny death. John's death: Fell from sky, impaled on bed spikes. Again its funny. Even Freddy's death: Pinned to wall/crate with various weapons, bladed glove in stomach, blown up by pipe bomb. Its funny, Freddy's death shouldn't be funny, it should be iconic. This isnt iconic. Also for some pair of reason the last ten minutes of the movie is 3D. IDK why, but it was.
The plot: Murderous ghoul Freddy Krueger (Robert Englund) has slaughtered every last child in his hometown. He ventures on to a new location, scouting fresh young victims to hack up with his finger blades. He arrives in a small town in which his long-lost daughter, Maggie (Lisa Zane), works as a therapist for troubled youths. He attempts to recruit her for his dastardly pursuits, but she has other ideas. Father and daughter meet for a bloody showdown that will determine Freddy's fate once and for all.
Also for some pair of reason Roseanne Barr, Tom Arnold, and Alice Cooper all appear in this film.
Freddy's Dead is a wired movie, but at least it was a intresting movie.
The Notorious Mrs. Clem: Murder and Money in the Gilded Age
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In September 1868, the remains of Jacob and Nancy Jane Young were found lying near the banks of...
LeftSideCut (3778 KP) rated Wrong Turn (2021) in Movies
Mar 6, 2021
Well now, I watched this reboot of the semi popular Wrong Turn series with absolutely no knowledge of what was going to happen, expecting it to be more of the same, and was gobsmacked when it turned out to be a genuinely excellent slice of modern horror.
Firstly, the usual body count teenagers are all very well written. There's enough character building to care when they start to die, their reactions to said deaths are believable and human, and they are a set of protagonists who want to survive, not just cannon fodder. Lead actress Charlotte Vega has a huge part in this positive.
The regular set of cannibals are nowhere to be seen, and the antagonists this time around are a secluded community of mountain hunters known as The Foundation. They live off the natural earth and become entangled with the main characters after one of their ranks is killed in self defence. The narrative explores these two groups, and how both make decisions based on assumption of character and class. It's an interesting notion that elevates this movie beyond your standard slasher.
The leader of The Foundation, named Venable, is a genuinely imposing character. He has some great monologues, and actor Bill Sage really leans into the role. I'm hoping a sequel gets made just to see more of this dude as well as Charlotte Vega.
The gore on display is pretty damn impactful, only showing what it needs to, but making sure it sticks in your head. The whole runtime boasts some gorgeous cinematography as well, the filming location of the Ohio trail providing some breathtaking scenery.
I don't know what else to say. I was expecting the same old shit, and was instead presented with a great looking, well paced, and powerful horror feature that had me glued to the screen until the credits finished (the credit scene is a fantastic way to end things by the way so be sure to stick around.)
Well played Wrong Turn, well played.
Firstly, the usual body count teenagers are all very well written. There's enough character building to care when they start to die, their reactions to said deaths are believable and human, and they are a set of protagonists who want to survive, not just cannon fodder. Lead actress Charlotte Vega has a huge part in this positive.
The regular set of cannibals are nowhere to be seen, and the antagonists this time around are a secluded community of mountain hunters known as The Foundation. They live off the natural earth and become entangled with the main characters after one of their ranks is killed in self defence. The narrative explores these two groups, and how both make decisions based on assumption of character and class. It's an interesting notion that elevates this movie beyond your standard slasher.
The leader of The Foundation, named Venable, is a genuinely imposing character. He has some great monologues, and actor Bill Sage really leans into the role. I'm hoping a sequel gets made just to see more of this dude as well as Charlotte Vega.
The gore on display is pretty damn impactful, only showing what it needs to, but making sure it sticks in your head. The whole runtime boasts some gorgeous cinematography as well, the filming location of the Ohio trail providing some breathtaking scenery.
I don't know what else to say. I was expecting the same old shit, and was instead presented with a great looking, well paced, and powerful horror feature that had me glued to the screen until the credits finished (the credit scene is a fantastic way to end things by the way so be sure to stick around.)
Well played Wrong Turn, well played.