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Neon's Nerd Nexus (360 KP) rated Mission: Impossible - Fallout (2018) in Movies
May 14, 2019
Next level
#missionimpossiblefallout is an insane #summer #blockbuster thats an extremely well made & a breathtakingly #fun adrenaline shot to the #heart. #Fallout proudly takes its place as the best #Mi film with its #darker tone, higher stakes, well fleshed out characters & bigger set pieces. #mi6 is shot so beautiful & #smooth with everything feeling so polished & well crafted. We are frequently treated to #gorgeous establishing shots, slick tracking shots & extremely tight #action camerawork throughout. Sets, locations & real stunt work also constantly impress scale wise & visually too. #Fight choreography is very impressive & every fight scene feels fast, weighty, exhausting & brutal & its refreshing to be able to follow the action smoothly in a blockbuster for a change without the need for constant jump cuts. #Comedy is still here but its greatly toned down in favour for a much more bleaker tone here. Story wise there's a lot more at stake this time & the films darker tone & constant twists established not only great tension but ensure your frequently left breathless & on edge. There's an underlining theme of #religion being used as a tool of power here & how one mans vision of to start again is reminiscent of a god first destroying everything to recreate better. Sacrifice is also a recurring theme too & we learn so much more about Ethan's character & #Mi6 because of this, are the choices he/they make all for good? or are they actually making things worse & creating more deaths/problems for the world. #Villains are all intimidating, have an unnerving presence & great motives. Solomon & Ethans #relationship is very interesting with great depth as it seems #Ethan fears #Solomon be it him being scared of becoming like him or knowing that he's the only person capable of taking away everything he cares about without giving him a choice. Acting is flawless #henrycavill, #seanharris, #vingrhames all shine but its #tomcruise & the sheer commitment/dedication to his work on show here thats truly breath taking. Please see this film, we need more blockbusters this well made/with this much depth. Simply #fantastic. #odeon #filmbuff #filmcritic #missionimpossible #wednesdaywisdom
Darren (1599 KP) rated Alien 3 (1992) in Movies
Jun 20, 2019
Story: How do you follow up two of the best sci-fi films or all time? This struggles to keep up with the atmosphere created in the first two. It offers nothing new to the series either. As a stand-alone film this would struggle to be a good sci-fi thriller. It’s only positive I can think of were a couple of surprise deaths. (5/10)
Actor Review: Sigourney Weaver – Ripley back to kick the alien’s arse. Sigourney has created one of the biggest icons in female cinema, but this is not the chapter anyone would be remembering. (6/10)
ripley
Actor Review: Charles S. Dutton – Dillon leader of the religious movement on in the prison. One of the good guys who protects Ripley from the bad prisoners. He does an ok job but doesn’t have enough to work with. (6/10)
dance
Actor Review: Charles Dance – Medical officer with a dark past on the road to recovery. Good supporting role is used well to create a good connection between Ripley and the prisoners. (6/10)
Director Review: David Fincher – The great director disowned this film after it got changed post production and I don’t blame him. (4/10)
Action: Slow moving action throughout. (6/10)
Sci-Fi: Take out the Alien it offers very little in the world of sci-fi. (5/10)
Thriller: Not very thrilling compared to previous offering. (5/10)
Special Effects: Poor special effects too. (5/10)
Chances of Tears: No (0/10)
Settings: A prison on a planet with nowhere to run creating a great isolation setting for this sci-fi horror. (9/10)
Suggestion: I only say try because it makes the first two look even better and it is nice to see how the characters you grew to love, well their next chapter. (Try It)
Best Part: Lead scene.
Worst Part: Loses suspense element.
Action Scene of the Film: Final scene.
Kill Of The Film: Clemens
Oscar Chances: Nominated for one Oscar for visual effects
Chances of Sequel: Did get a sequel.
Overall: Poor addition to the franchise.
https://moviesreview101.com/2014/01/29/alien-3-1992/
Actor Review: Sigourney Weaver – Ripley back to kick the alien’s arse. Sigourney has created one of the biggest icons in female cinema, but this is not the chapter anyone would be remembering. (6/10)
ripley
Actor Review: Charles S. Dutton – Dillon leader of the religious movement on in the prison. One of the good guys who protects Ripley from the bad prisoners. He does an ok job but doesn’t have enough to work with. (6/10)
dance
Actor Review: Charles Dance – Medical officer with a dark past on the road to recovery. Good supporting role is used well to create a good connection between Ripley and the prisoners. (6/10)
Director Review: David Fincher – The great director disowned this film after it got changed post production and I don’t blame him. (4/10)
Action: Slow moving action throughout. (6/10)
Sci-Fi: Take out the Alien it offers very little in the world of sci-fi. (5/10)
Thriller: Not very thrilling compared to previous offering. (5/10)
Special Effects: Poor special effects too. (5/10)
Chances of Tears: No (0/10)
Settings: A prison on a planet with nowhere to run creating a great isolation setting for this sci-fi horror. (9/10)
Suggestion: I only say try because it makes the first two look even better and it is nice to see how the characters you grew to love, well their next chapter. (Try It)
Best Part: Lead scene.
Worst Part: Loses suspense element.
Action Scene of the Film: Final scene.
Kill Of The Film: Clemens
Oscar Chances: Nominated for one Oscar for visual effects
Chances of Sequel: Did get a sequel.
Overall: Poor addition to the franchise.
https://moviesreview101.com/2014/01/29/alien-3-1992/
Hazel (1853 KP) rated Witch Hunter (The Witch Hunter, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
The sixteenth century is a dangerous time for wizards and witches to live – a place where magic is illegal. Sixteen-year-old Elizabeth Grey spends her time disguised as a kitchen maid as she goes around hunting down witches. However when she is accused of witchcraft after being found in possession of herbs, her life is over. Suddenly the most wanted wizard in Anglia, who claims she can help him as much as he can help her, rescues her. Finding herself surrounded by the enemy, Elizabeth must decide whether she should escape and turn them in, or begin to trust people she has been raised to believe are evil.
<i>Witch Hunter</i> is a young adult fantasy novel targeted at those with a love of both historical and magical stories. Initially Elizabeth wants to capture and send all wizards and witches to their deaths, but after her rescue begins to realize that not all she has been led to believe is true. Magic is neither inherently good nor bad; it is what someone does with the power that matters. This story is full of action from beginning to end as Elizabeth learns who to trust and who needs to be destroyed.
At the beginning of the book there was a particular reference to something that felt inappropriate for young readers, however the remainder is exactly what the reader expects to find within this genre. Underneath the magical storyline is a message that urges readers not to jump to conclusions and be judgmental, particularly about things that they do not fully understand. Substitute magic for mental illness, disabilities or different cultures, and you have something that readers of all ages can relate to today.
<i>Witch Hunter</i> is the first in what promises to be an incredible series by the author Virginia Boecker. Although the key issue was resolved within this first book there is an even larger issue that still needs settling. Readers who enjoy this novel will be eagerly waiting to find out what Elizabeth and her new friends do next.
The sixteenth century is a dangerous time for wizards and witches to live – a place where magic is illegal. Sixteen-year-old Elizabeth Grey spends her time disguised as a kitchen maid as she goes around hunting down witches. However when she is accused of witchcraft after being found in possession of herbs, her life is over. Suddenly the most wanted wizard in Anglia, who claims she can help him as much as he can help her, rescues her. Finding herself surrounded by the enemy, Elizabeth must decide whether she should escape and turn them in, or begin to trust people she has been raised to believe are evil.
<i>Witch Hunter</i> is a young adult fantasy novel targeted at those with a love of both historical and magical stories. Initially Elizabeth wants to capture and send all wizards and witches to their deaths, but after her rescue begins to realize that not all she has been led to believe is true. Magic is neither inherently good nor bad; it is what someone does with the power that matters. This story is full of action from beginning to end as Elizabeth learns who to trust and who needs to be destroyed.
At the beginning of the book there was a particular reference to something that felt inappropriate for young readers, however the remainder is exactly what the reader expects to find within this genre. Underneath the magical storyline is a message that urges readers not to jump to conclusions and be judgmental, particularly about things that they do not fully understand. Substitute magic for mental illness, disabilities or different cultures, and you have something that readers of all ages can relate to today.
<i>Witch Hunter</i> is the first in what promises to be an incredible series by the author Virginia Boecker. Although the key issue was resolved within this first book there is an even larger issue that still needs settling. Readers who enjoy this novel will be eagerly waiting to find out what Elizabeth and her new friends do next.
Jesters_folly (230 KP) rated Midsommar (2019) in Movies
Jul 5, 2019
Contains spoilers, click to show
This will contain spoilers
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
A group of friend's travel to a remote Swedish village to study their ancient midsummer festival and, let's be honest, if you've seen more than a few horror moves you know it's not going to go smoothly.
Midsommer is a film by the same people who made Hereditary and, almost from the start you can see the similarly in tone, theme, music and cinematography. Midsommar shares some of the same themes as its predecessor, touching on mental illness and ramping up the drug use but it's main focus is on family, customs and tradition.
Midsommar is different film to Hereditary being more of a thriller in the style of 'the Wicker Man' than an out and out horror, relying more on a growing tension than on any outright supernatural threat. People die but, with only one exception you never see them killed and, in most cases the deaths are not treated with much importance (except where there is specific plot relevance).
As I said, Midsommar is similar to 'The Wicker Man' but only in the same way the film 'Battle Royal' is based on 'Lord of the Flies', the film has taken some of the basic ideas and updated them leaving us with an atmospheric thriller with traces of slasher (with no slasher) and psychological movies which works to create a beautiful, disturbing movie which takes you on journey of friendship, love and family.
There are moments in the film which point to the strangeness to come but, unlike Hereditary there are some moments where the tension lets up (If only for a few minutes) most of which are provided by the character Mark who i found seemed to be slightly out of place. He didn't seem gel with the other characters well and, I felt he would have been more at home in a traditional slasher.
I found that there was a familiarity to Midsommar, influenced as it is by 'The Wicker Man' but, with a run time of almost 2 and half hours there is plenty of time events to play out how they do.
Kara Skinner (332 KP) rated Mine for Tonight in Books
Nov 3, 2019
Nothing says sexy like a brooding billionaire. I mean, in a world of car payments, nine-to-five nightmares, and student loans hanging over people’s heads like spiders on their bedroom ceilings, it can be a lot of fun to daydream about a billionaire lover who will take it all away. Unfortunately, a lot of them are really bad, like Fifty Shades of Writing So Bad I Want All The Characters to Spontaneously Combust. The damsel in distress routine can also be sadly lacking plot and character development, like in The Doctor’s Slave. However, Mine for Tonight is definitely one of the good ones.
I have to admit, I picked this book up because the heroine’s name is Kara. I mean, how perfect is that, right? And I really liked this book. It was difficult for me to not get a little creeped out by Simon. Like, what stable-minded person follows someone around for over a year without even meeting her? I know he’s more like a guardian angel wanting to protect her and less like a stalker wanting to kill her, but really. There’s a difference between socially awkward and asking for a restraining order. But I loved how much he cares for Kara. Even though he’s a private person, he’s willing to open up his home to her without payment. (Yes, he does ask her to sleep with him, but he makes it pretty clear that that part is optional.) He’s definitely damaged, as is Kara. She’s struggling with a lot of things, like her last relationship which crashed and burned, and her parents’ deaths. Being stuck in nickel and dime mode after years of supporting herself makes it hard for Kara to accept Simon’s help, especially when he likes to spoil her. Her inability to stay indebted was why Simon gave her the sex payment option to begin with, although she ended up taking it because she wanted it. I really liked how hard-working she was. She’s not a traditional damsel in distress to be sure, and she keeps her independence even after Simon takes her in. Long story short, it didn’t take me long to buy the entire series.
I have to admit, I picked this book up because the heroine’s name is Kara. I mean, how perfect is that, right? And I really liked this book. It was difficult for me to not get a little creeped out by Simon. Like, what stable-minded person follows someone around for over a year without even meeting her? I know he’s more like a guardian angel wanting to protect her and less like a stalker wanting to kill her, but really. There’s a difference between socially awkward and asking for a restraining order. But I loved how much he cares for Kara. Even though he’s a private person, he’s willing to open up his home to her without payment. (Yes, he does ask her to sleep with him, but he makes it pretty clear that that part is optional.) He’s definitely damaged, as is Kara. She’s struggling with a lot of things, like her last relationship which crashed and burned, and her parents’ deaths. Being stuck in nickel and dime mode after years of supporting herself makes it hard for Kara to accept Simon’s help, especially when he likes to spoil her. Her inability to stay indebted was why Simon gave her the sex payment option to begin with, although she ended up taking it because she wanted it. I really liked how hard-working she was. She’s not a traditional damsel in distress to be sure, and she keeps her independence even after Simon takes her in. Long story short, it didn’t take me long to buy the entire series.
Kristy H (1252 KP) rated The Familiar Dark in Books
Apr 9, 2020
This book was powerful and utterly absorbing. I couldn't wait to get my hands on it after reading Amy Engel's previous novel, The Roanoke Girls, which is one of my favorite of books. It's one that I recommend to everyone. The Familiar Dark has much of the grittiness of The Roanoke Girls and, man, Engel is an amazing writer who excels at creating these worlds that just suck you in and, in some ways, spit you right back out.
"It had happened now, finally. The disaster I'd been anticipating from the second Junie was born. And I had never even seen it coming."
The title of the book simply doesn't cover it. This is a dark story. Engel captures the small town of Barren Springs perfectly. Our story is told completely from Eve's perspective, which I loved, and things unwind and unfurl as she figures things out. As mentioned, this is a dark tale, as Junie and Izzy's deaths are terrible. Eve's grief just pours off the pages. She is quickly pulled back to the horrors of her childhood and all that she endured. We see immediately that she's going to seek vengenance for what happened to Junie--no matter what. In any fashion, in any way.
I felt as if I almost became one with Eve as I read this book. She is riveting. As a mom, this book broke my heart, and the novel was a testament to a mother's love. It's oddly tender despite its horrifying and sad moments, and I defy you not to love Eve, despite her flaws. The book shows how her childhood formed her, and her brother Cal, whom is really the only person Eve has left after Junie's death.
I could rave on and on, but I don't want to risk spoiling anything. This book isn't for the faint of heart and it's not exactly an uplifting read, but as mentioned, it still resonates as a read about the power of family and love, despite its tense, uncomfortable moments. I am wowed by Engel's writing and can't wait to see what she comes up with next.
"It had happened now, finally. The disaster I'd been anticipating from the second Junie was born. And I had never even seen it coming."
The title of the book simply doesn't cover it. This is a dark story. Engel captures the small town of Barren Springs perfectly. Our story is told completely from Eve's perspective, which I loved, and things unwind and unfurl as she figures things out. As mentioned, this is a dark tale, as Junie and Izzy's deaths are terrible. Eve's grief just pours off the pages. She is quickly pulled back to the horrors of her childhood and all that she endured. We see immediately that she's going to seek vengenance for what happened to Junie--no matter what. In any fashion, in any way.
I felt as if I almost became one with Eve as I read this book. She is riveting. As a mom, this book broke my heart, and the novel was a testament to a mother's love. It's oddly tender despite its horrifying and sad moments, and I defy you not to love Eve, despite her flaws. The book shows how her childhood formed her, and her brother Cal, whom is really the only person Eve has left after Junie's death.
I could rave on and on, but I don't want to risk spoiling anything. This book isn't for the faint of heart and it's not exactly an uplifting read, but as mentioned, it still resonates as a read about the power of family and love, despite its tense, uncomfortable moments. I am wowed by Engel's writing and can't wait to see what she comes up with next.
Gareth von Kallenbach (977 KP) rated Run All Night (2015) in Movies
Aug 6, 2019
Run All Night” is directed by Jaume Collet-Serra. The film stars Liam
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
Neeson, Joel Kinnaman and Ed Harris.
Liam Neeson plays Jimmy Conlon, an aging hit man who seems to be trying
to come to terms (and failing) with the bad things that he has done in
his life for Irish Mob boss Shawn Maguire(Ed Harris). Jimmy and his son
Mike (Joel Kinnamen) have no relationship, and Jimmy is alone in the
world except for Shawn.
In a convoluted story line, Shawns son Danny (Boyd Holbrook) tries to
“prove himself” to his father by arranging a deal with some drug running
Albanians, but since Shawn has taken his business away from dealing with
anything to do with drugs because of the people he has lost over that
sort of business, Shawn refuses the deal.
Things quickly head south, and in an even more convoluted story line,
Danny ends up dead, by Jimmys’ hand.
Shawn vows to get even, and the remainder of the movie is spent in car
chases, shoot outs, burning buildings, near escapes, and deaths.
I was pulled into the movie, and found myself caring what happened to
the main characters.
It was rather predictable, in the way that all “Mob” movies are
predictable, with the shooting and car chases etc.
What wasn’t so predictable was the amount of “caring” that Neeson was
able to project and portray and how invested he was able to make me as
an audience member. He played the part of an aging, emotionally and
physically beat down guy, with regrets about his relationship with his
son, trying against all odds to “make it right” this one last time, to
protect his family, at any cost to himself. I was pulling for him to be
able to get it done.
The one part of the movie that i didn’t like was the “swooping” with the
camera angles, when jumping (literally) from one scene or location to
the next in the movie. I found it to be dizzying and I had to close my
eyes until those parts were done.
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