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Darren (1599 KP) rated Tales From the Crypt (1972) in Movies
Oct 14, 2019
Characters – Where this film is an anthology we don’t get too much time with each character, Joanne is a married woman with her own desires for life, showing a darker side after killer her husband on Christmas Eve. Carl Maitland is a married man that is planning on leaving his wife and children, he is involved in an accident which brings into a new lease of horror. Grimsdyke is an older man, he has lived with his wife in one home, with her passed away he wants to die in this house and must deal with the snotty neighbours that is trying to force him out. Jason is a businessman that has spent more than he has earnt forcing him to face bankruptcy for his actions. Rogers is the final story as a manager of home, he comes in with his strict ideas struggle to connect with the people he is meant to be caring for.
Performances – By being an anthology the stars only get limited time, Joan Collins gets the ball rolling as is good in her role with us believing how calculated her actions are. Ian Hendry is solid in his role, he is behind the camera for the most part making it hard to believe everything. Peter Cushing shines as the kindly old man that is getting pushed out of town. Richard Greene is solid enough without getting too much time to show us what makes his character unique. Nigel Patrick does make this character one of the more unlikable with ease.
Story – The story here takes us down the horror anthology line, we get to see five stories of five characters deaths, this does give us something different in each side of the horror scale, we know some are shorter than others with Blind Alleys and Poetic Justice being the stand out of the five stories. There is a big twist in the connection to the stories, but if you do know the TV show you will know the outcome. For a horror anthology this is everything you need without being to the extremes they go nowadays. Each short could easily become a longer film which is always positive.
Horror – When it comes to horror we sometimes get to best moments in shorts, anthologies give us a chance to experience different types of horror which will offer something for all horror fans.
Settings – Each film takes us to the world where the character comes from which shows us how the normal lives they live have the darker secrets.
Special Effects – The effects in the film are good through the film they show us what is capable with good practical effects.
Scene of the Movie – Blind Alleys when the door opens.
That Moment That Annoyed Me – Some stories are too short.
Final Thoughts – This is a good anthology for horror, it gets the best moments correct and keeps us guessing to what will happen to the characters involved.
Overall: Simple anthology.
Performances – By being an anthology the stars only get limited time, Joan Collins gets the ball rolling as is good in her role with us believing how calculated her actions are. Ian Hendry is solid in his role, he is behind the camera for the most part making it hard to believe everything. Peter Cushing shines as the kindly old man that is getting pushed out of town. Richard Greene is solid enough without getting too much time to show us what makes his character unique. Nigel Patrick does make this character one of the more unlikable with ease.
Story – The story here takes us down the horror anthology line, we get to see five stories of five characters deaths, this does give us something different in each side of the horror scale, we know some are shorter than others with Blind Alleys and Poetic Justice being the stand out of the five stories. There is a big twist in the connection to the stories, but if you do know the TV show you will know the outcome. For a horror anthology this is everything you need without being to the extremes they go nowadays. Each short could easily become a longer film which is always positive.
Horror – When it comes to horror we sometimes get to best moments in shorts, anthologies give us a chance to experience different types of horror which will offer something for all horror fans.
Settings – Each film takes us to the world where the character comes from which shows us how the normal lives they live have the darker secrets.
Special Effects – The effects in the film are good through the film they show us what is capable with good practical effects.
Scene of the Movie – Blind Alleys when the door opens.
That Moment That Annoyed Me – Some stories are too short.
Final Thoughts – This is a good anthology for horror, it gets the best moments correct and keeps us guessing to what will happen to the characters involved.
Overall: Simple anthology.
Movie Metropolis (309 KP) rated Zoolander 2 (2016) in Movies
Jun 10, 2019
A Fashion Faux pas
It pains me to say it, but Ben Stiller hasn’t really been relevant for quite some time. His last film, the final movie in the Night at the Museum franchise struggled with critics and audiences alike.
Once dubbed part of the so-called “Fratpack”, alongside Will Ferrell, Owen Wilson and Vince Vaughn to name a few, their success has fallen by the wayside since introducing rising stars like Melissa McCarthy and Chris Pratt to the comedy genre.
Here, Stiller gives one of his most memorable characters, Derek Zoolander, a sequel that no-one was really asking for. But is it worthy of your time?
In Zoolander 2, titular male model Derek Zoolander has fallen out of favour with the public and has retreated into hiding away from the prying eyes of the media to focus on getting his life back together. By a stroke of luck, a chance encounter with old friend Hansel (Owen Wilson) sets them on a path to help stop high-profile celebrity deaths, finding out who is behind them in the process.
The story is a little nondescript with the intentions of both the ‘heroes’ and ‘villains’ not quite clear. There are elements of the first live-action Scooby Doo film in its design – and that’s not a good thing.
An all-star cast that includes the exceptionally beautiful Penelope Cruz, Will Ferrell and Kristen Wiig is bolstered by more celebrity cameos than you can shake a stick at. Justin Bieber, Anna Wintour, Sting, Ariana Grande, MC Hammer and Kiefer Sutherland are just a few on a list that is nearly endless.
Unfortunately, these cameos are the highlights in a film full of recycled gags and very poor camerawork. As we follow our two leads on their journey across a dreary looking Rome, Zoolander 2 drags with only a couple of laughs in the first hour – something the first one managed to avoid.
In fact, things are so bad, they only pick up in the final 30 minutes when Will Ferrell’s villain Mugatu makes a much-needed appearance, steering this near-trainwreck of a comedy into fairly decent territory. Ferrel’s comic timing is as usual, on point, but it’s unfortunate he puts Stiller and Wilson to shame.
Penelope Cruz is her ever-watchable self but piles on the shtick to such an extent that it takes away from her character, making her almost cartoonish in personality and actions.
Elsewhere, the clever parodies relating to the fashion industry are taken away; instead Zoolander 2 is lumped with cheap laughs that constantly try too hard to raise even the smallest smirk from its audience.
Overall, Zoolander 2 is not a patch on its predecessor with Will Ferrell providing the film with its only genuine moments of hilarity and this comes within the final 30 minutes of a 102 minute feature. Stiller may have tried to resurrect one of his finest characters, but in doing so, has tarnished that reputation.
Much like its lead star, Zoolander 2 tries desperately to stay relevant, and unfortunately this type of comedy just doesn’t cut the mustard anymore.
https://moviemetropolis.net/2016/02/21/a-fashion-faux-pas-zoolander-2-review/
Once dubbed part of the so-called “Fratpack”, alongside Will Ferrell, Owen Wilson and Vince Vaughn to name a few, their success has fallen by the wayside since introducing rising stars like Melissa McCarthy and Chris Pratt to the comedy genre.
Here, Stiller gives one of his most memorable characters, Derek Zoolander, a sequel that no-one was really asking for. But is it worthy of your time?
In Zoolander 2, titular male model Derek Zoolander has fallen out of favour with the public and has retreated into hiding away from the prying eyes of the media to focus on getting his life back together. By a stroke of luck, a chance encounter with old friend Hansel (Owen Wilson) sets them on a path to help stop high-profile celebrity deaths, finding out who is behind them in the process.
The story is a little nondescript with the intentions of both the ‘heroes’ and ‘villains’ not quite clear. There are elements of the first live-action Scooby Doo film in its design – and that’s not a good thing.
An all-star cast that includes the exceptionally beautiful Penelope Cruz, Will Ferrell and Kristen Wiig is bolstered by more celebrity cameos than you can shake a stick at. Justin Bieber, Anna Wintour, Sting, Ariana Grande, MC Hammer and Kiefer Sutherland are just a few on a list that is nearly endless.
Unfortunately, these cameos are the highlights in a film full of recycled gags and very poor camerawork. As we follow our two leads on their journey across a dreary looking Rome, Zoolander 2 drags with only a couple of laughs in the first hour – something the first one managed to avoid.
In fact, things are so bad, they only pick up in the final 30 minutes when Will Ferrell’s villain Mugatu makes a much-needed appearance, steering this near-trainwreck of a comedy into fairly decent territory. Ferrel’s comic timing is as usual, on point, but it’s unfortunate he puts Stiller and Wilson to shame.
Penelope Cruz is her ever-watchable self but piles on the shtick to such an extent that it takes away from her character, making her almost cartoonish in personality and actions.
Elsewhere, the clever parodies relating to the fashion industry are taken away; instead Zoolander 2 is lumped with cheap laughs that constantly try too hard to raise even the smallest smirk from its audience.
Overall, Zoolander 2 is not a patch on its predecessor with Will Ferrell providing the film with its only genuine moments of hilarity and this comes within the final 30 minutes of a 102 minute feature. Stiller may have tried to resurrect one of his finest characters, but in doing so, has tarnished that reputation.
Much like its lead star, Zoolander 2 tries desperately to stay relevant, and unfortunately this type of comedy just doesn’t cut the mustard anymore.
https://moviemetropolis.net/2016/02/21/a-fashion-faux-pas-zoolander-2-review/
Bookapotamus (289 KP) rated Unsheltered in Books
Jun 22, 2018
Not a favorite
I am typically a big fan of Barbara Kingsolver's books. Her writing is exquisite and reads like a dream. She is usually one of the few writers of historical novels I read as it's not really my most favorite genre, but unfortunately this one was a total snooze-fest. I almost quit several times, I was just SO bored! Honestly, nothing really happens in this book, there are a few deaths, a shooting, and drama of beliefs with the push and pull of science vs. God, but it was just so uneventful and without buildup - I found myself really struggling to get through it.
The book is set in two different eras, in the same town, on the same street, in Vineland, NJ. Willa Knox, present day, is fictional. AS is her family. Mary Treat in 1871, is apparently a real person, a lover of science, plants and creatures. The connection between the two stories is a bit weak I felt. Not sure if it was intentional, but it just didn't really capture my attention in the way I believe it was supposed to. In 1871, Thatcher Greenwood (fictional as well I believe?) meets Mary, and they get along because their beliefs mesh well - they believe in science, and follow Darwin's teachings, and Thatcher finds himself in a bit of jam as the town is "ruled" by Landis, a strict believer that God has created everything, and science is witchcraft.
Willa, is struggling when we meet her - in fact, her entire family - every single one of them seems to have some serious issues! I found it depressing and really didn't find myself liking any of the family very much. We see some similar struggles to Thatcher (their houses are both falling down around them) but not much else mirrors the past.
I do know based on initial talk of this novel, and the title of course, that the joining of the past vs present is in the "Unsheltered" aspect of both of these stories, the way Landis mirrors Trump, the ways a world can come unraveled by rules and rulers, as well as the courage to stand for what you believe in. But it just wasn't there for me - it was so subtle, uninspiring, slow and boring.
I did LOVE the plants and stuff - it's the main reason I wanted to read this book, but sadly they just weren't too heavily featured. The little tidbits of random facts about Pitcher Plants and Venus Fly Traps, and some other plants and bugs was pretty fun and fascinating and I wish there was more of it.
In the end - this just fell really flat for me. I know some of the people and events are real, but some are not (which was hard for me to follow) and Barbara's research and writing is top-notch. I just really wanted an engaging story, with a bit more interest, and a lot less heavy eyelid.
The book is set in two different eras, in the same town, on the same street, in Vineland, NJ. Willa Knox, present day, is fictional. AS is her family. Mary Treat in 1871, is apparently a real person, a lover of science, plants and creatures. The connection between the two stories is a bit weak I felt. Not sure if it was intentional, but it just didn't really capture my attention in the way I believe it was supposed to. In 1871, Thatcher Greenwood (fictional as well I believe?) meets Mary, and they get along because their beliefs mesh well - they believe in science, and follow Darwin's teachings, and Thatcher finds himself in a bit of jam as the town is "ruled" by Landis, a strict believer that God has created everything, and science is witchcraft.
Willa, is struggling when we meet her - in fact, her entire family - every single one of them seems to have some serious issues! I found it depressing and really didn't find myself liking any of the family very much. We see some similar struggles to Thatcher (their houses are both falling down around them) but not much else mirrors the past.
I do know based on initial talk of this novel, and the title of course, that the joining of the past vs present is in the "Unsheltered" aspect of both of these stories, the way Landis mirrors Trump, the ways a world can come unraveled by rules and rulers, as well as the courage to stand for what you believe in. But it just wasn't there for me - it was so subtle, uninspiring, slow and boring.
I did LOVE the plants and stuff - it's the main reason I wanted to read this book, but sadly they just weren't too heavily featured. The little tidbits of random facts about Pitcher Plants and Venus Fly Traps, and some other plants and bugs was pretty fun and fascinating and I wish there was more of it.
In the end - this just fell really flat for me. I know some of the people and events are real, but some are not (which was hard for me to follow) and Barbara's research and writing is top-notch. I just really wanted an engaging story, with a bit more interest, and a lot less heavy eyelid.
Gareth von Kallenbach (977 KP) rated Max Payne (2008) in Movies
Aug 14, 2019
Against the gritty, snow covered, and crime ridden streets of New York, one man is waging a battle for redemption and revenge. The man in Detective Max Payne (Mark Wahlberg), and following the murder of his wife and infant son, Payne has seen his life and career spin down an ever deepening black hole to the point where he is relegated to a basement office working on cold cases.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.
While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.
In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.
Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.
While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.
Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.
The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.
The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.
While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.
In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.
Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.
While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.
Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.
The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.
The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
Darren (1599 KP) rated Marauders (2016) in Movies
Jul 25, 2019
Story: Marauders starts when a bank robbery which leaves the bank manager executed, the president of the bank Hubert (Willis) has an excellent reputation and with the FBI investigating the robbery, Montgomery (Meloni) and his team Stockwell (Bautista) and newbie Wells (Grenier) try to put the clues together.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
When the second heist happens, the fingers start pointing back at Hubert and a bigger conspiracy comes to the top with connection to a previous incident.
Thoughts on Marauders
Characters – Hubert is the bank president, he has always kept the face that the bank puts their customers first, but when his banks start getting robbed, he must deal with the fingers pointing back at him. Montgomery is the lead investigating from the FBI trying to get to the bottom of the heists, he has his own demons which haunt him everyday after the death of his wife and will not stop until he learns the truth. Stockwell is Montgomery’s trusted second, he is the tired cop figure, he is good at his job and hates people getting in his way. Wells is the rookie agent, with the qualifications to make him the best, he gets the jobs the others don’t want to do, while noticing things they miss.
Performances – The performances in the movie are mixed, we know that Bruce Willis is mostly mailing it in and it is a strange role for him. Christopher Meloni is the star of this movie, the determination and broken side of his character makes him stand out. Dave Bautista does get the funniest lines, some hit or than others, while Adrian Grenier starts strong but fades away in the biggest scenes of the middle of the movie.
Story – The story follows the effects of a brutal heist, the FBI must investigate the heist which brings us into the new web of conspiracies which could bring down a political powerhouse. This a story which does keep us guessing from start to finish, which is something I was surprised to see, as I thought this would be a lot messier. The positive of keeping us guessing, does leave the bigger question about just why the heists needed to be as brutal as they were because of certain injuries or deaths not needing to happen for the cause.
Action/Crime/Mystery – The action is brutal and often in your face when it comes to the gun sequences, the crime side of the film comes from the heists and just what they are aiming to achieve from the heists. The mystery is what draws us in because we don’t know what is happening which keeps us invested throughout.
Settings – The film is set in the city which shows how the panic of the robberies starts flying around we see how things get out of hand.
Scene of the Movie – The heists do feel very intense, which I did like.
That Moment That Annoyed Me – The last sequence.
Final Thoughts – This was a surprisingly entertaining film, having no expectations going in, this did become intense and kept you guessing even if things unravel in the final scene.
Overall: Enjoyable crime thriller.
Phil Leader (619 KP) rated Half a King (Shattered Sea #1) in Books
Nov 14, 2019
It seems to have been a long wait since Red Country for another book from Lord Grimdark himself, Joe Abercrombie. Not only is this the first book in a new sequence, but it is also labelled as Young Adult. I have to say I had my reservations about that since I wondered how the author of the very grim and very dark First Law books would be able to make a book suitable for young adults... it would be like Quentin Tarantino making a Disney film...
I needn't have worried. It seems all Abercrombie has done is create his usual cast of dark, mysterious, vengeful and misfit characters, set them on a bloody quest during which they can philosophise, complain and make pithy remarks to each other while hacking their enemies into pieces. It seems the only nods to being a 'Young Adult' book is that there is no sex and maybe some of the gore has been turned down a notch. The writing, the plot or the characters don't suffer from this at all.
The plot concerns Yarvi, youngest son of the king in a land where strength and ability in battle is everything. However Yarvi was born with a deformed hand and he is an embarrassment to his father and fated to join the ministry - which normally only women do - to become and adviser to a king rather than a king himself.
However destiny strikes a cruel blow when his father and older brother are both killed. Yarvi is now the king - unprepared as he is and as unpopular as he is with his subjects. He is soon betrayed and sets out on a quest for revenge.
This is pure Abercrombie from start to finish. Yarvi's journey takes him from being a king to being the lowest of the low - if not lower. He might lack the strength or ability to fight but he has wisdom, knowledge, cunning and a thirst for revenge to make up for that. From a lonely and unhappy child he becomes a leader of men - and women - and has to fight for survival across a continent to get home to take his rightful place at the throne.
The book is perhaps a little slow to start - until Yarvi is betrayed - but it is essential that this time is taken to lay the groundwork for what follows. Once it gets going the book races along with barely a stop for breath as events carry the young hero along, sometimes with some control of the situation but often just as much a bystander as the reader. There are characters aplenty - some plain mean and nasty, some friendly and amusing, some mean and nasty and amusing. As would be expected from Abercrombie nobody falls into a neat pigeonhole or trope. When deaths among Yarvi's comrades occur they are touchingly written - but with the senseless random nature of war and death writ large across their last words.
Definitely a great read, hope it will not be so long before the next in the series.
I needn't have worried. It seems all Abercrombie has done is create his usual cast of dark, mysterious, vengeful and misfit characters, set them on a bloody quest during which they can philosophise, complain and make pithy remarks to each other while hacking their enemies into pieces. It seems the only nods to being a 'Young Adult' book is that there is no sex and maybe some of the gore has been turned down a notch. The writing, the plot or the characters don't suffer from this at all.
The plot concerns Yarvi, youngest son of the king in a land where strength and ability in battle is everything. However Yarvi was born with a deformed hand and he is an embarrassment to his father and fated to join the ministry - which normally only women do - to become and adviser to a king rather than a king himself.
However destiny strikes a cruel blow when his father and older brother are both killed. Yarvi is now the king - unprepared as he is and as unpopular as he is with his subjects. He is soon betrayed and sets out on a quest for revenge.
This is pure Abercrombie from start to finish. Yarvi's journey takes him from being a king to being the lowest of the low - if not lower. He might lack the strength or ability to fight but he has wisdom, knowledge, cunning and a thirst for revenge to make up for that. From a lonely and unhappy child he becomes a leader of men - and women - and has to fight for survival across a continent to get home to take his rightful place at the throne.
The book is perhaps a little slow to start - until Yarvi is betrayed - but it is essential that this time is taken to lay the groundwork for what follows. Once it gets going the book races along with barely a stop for breath as events carry the young hero along, sometimes with some control of the situation but often just as much a bystander as the reader. There are characters aplenty - some plain mean and nasty, some friendly and amusing, some mean and nasty and amusing. As would be expected from Abercrombie nobody falls into a neat pigeonhole or trope. When deaths among Yarvi's comrades occur they are touchingly written - but with the senseless random nature of war and death writ large across their last words.
Definitely a great read, hope it will not be so long before the next in the series.
Hadley (567 KP) rated The Lost Causes of Bleak Creek in Books
Jan 21, 2020
Likable characters (1 more)
Great storyline
If your best friend was sent away to a reform school, what would you do? You'd either let them do their 'time,' or you would come up with a plan to help them escape, and with a pinch of the supernatural, this is what 'The Lost Causes of Bleak Creek' is all about.
When you read this novel by two of the most well-known YouTube personalities (Rhett and Link of Good Mythical Morning), be sure you have plenty of time to spare because this is a book you won't want to put down. The novel follows three best friends of a small town in North Carolina in the early 1990's, when one of them gets sent to a infamous reform school for an accident, they start to uncover mysterious deaths that have taken place there, and begin to fear that their friend is going to be a victim of one.
In 'The Lost Causes of Bleak Creek,' the main characters, Rex, Leif and Alicia, make their debut at a pig roasting to raise funds for a church, whose copper organ pipes had been stolen days before. It's here we learn that the three are making a film called PolterDog, which leads to Alicia getting sent away after a near-deadly accident with the owner and headmaster of the local Whitewood Reform School.
Soon after, Rex and Leif run into an escapee from the school (Ben), who tells them that their friend's life is in danger while she's at Whitewood. While the three come up with a plan to rescue Alicia, a woman who's visiting the town of Bleak Creek, who is trying to film a documentary about kidney stones, becomes a valuable part of their rescue mission.
Not only do we get to see from Rex and Leif's point of view, but we also get to see from inside the Whitewood Reform School from Alicia's view. This view point is much needed to help readers experience the abuse that goes on inside the school (and to realize that Ben was telling the truth) and also to help readers root for the main characters' success in their rescue mission. Even though the majority of the story is the main characters getting everything together for this mission, the writing was done so well that all of it makes sense leading up to the end.
To not give too much away about this book, I have to cut my review short of it. The writing is really good, with the pace continuously keeping the reader going and wanting more.This story also encompasses everything that makes a great novel: best friends trying to save another, small town mysteries, well-placed humor and murder. I found all of the characters likable, and the situations they found themselves in made complete sense in the story. This will be one that readers can pick up more than once and enjoy it each time they read it. As a horror book, this story is high on my scale with scenarios happening that I couldn't see coming.
When you read this novel by two of the most well-known YouTube personalities (Rhett and Link of Good Mythical Morning), be sure you have plenty of time to spare because this is a book you won't want to put down. The novel follows three best friends of a small town in North Carolina in the early 1990's, when one of them gets sent to a infamous reform school for an accident, they start to uncover mysterious deaths that have taken place there, and begin to fear that their friend is going to be a victim of one.
In 'The Lost Causes of Bleak Creek,' the main characters, Rex, Leif and Alicia, make their debut at a pig roasting to raise funds for a church, whose copper organ pipes had been stolen days before. It's here we learn that the three are making a film called PolterDog, which leads to Alicia getting sent away after a near-deadly accident with the owner and headmaster of the local Whitewood Reform School.
Soon after, Rex and Leif run into an escapee from the school (Ben), who tells them that their friend's life is in danger while she's at Whitewood. While the three come up with a plan to rescue Alicia, a woman who's visiting the town of Bleak Creek, who is trying to film a documentary about kidney stones, becomes a valuable part of their rescue mission.
Not only do we get to see from Rex and Leif's point of view, but we also get to see from inside the Whitewood Reform School from Alicia's view. This view point is much needed to help readers experience the abuse that goes on inside the school (and to realize that Ben was telling the truth) and also to help readers root for the main characters' success in their rescue mission. Even though the majority of the story is the main characters getting everything together for this mission, the writing was done so well that all of it makes sense leading up to the end.
To not give too much away about this book, I have to cut my review short of it. The writing is really good, with the pace continuously keeping the reader going and wanting more.This story also encompasses everything that makes a great novel: best friends trying to save another, small town mysteries, well-placed humor and murder. I found all of the characters likable, and the situations they found themselves in made complete sense in the story. This will be one that readers can pick up more than once and enjoy it each time they read it. As a horror book, this story is high on my scale with scenarios happening that I couldn't see coming.
Night Reader Reviews (683 KP) rated 36 Hours in Books
Feb 4, 2020
Honest Review for Free Copy of Book
36 Hours by B. J. Woster is a thrilling crime book fro the reader who doesn't want to deal with all the legal stuff. Yes, readers follow the police search but the author has omitted writing a lengthy book about a trial.
Christian Price is a serial killer, though that is not his real name and no one has realized the deaths are all connected. Yet. Christian is not killing because he likes to kill, no, he does this because he feels he has to. In his opinion, many local police forces are incompetent or lack the drive to solve missing person cases and Christian has decided to motivate them. He does this by kidnapping a woman and called it into the police to find her within a limited amount of time or else she dies. The first one usually doses. He then continues this pattern with another woman, usually not going past three victims is one area, until the police are successful after which he moves to a different city. Things are a little bit different in Atlanta though.
Brooke Madison is terrified of parking garages, especially after her friend and co-worker Sandra McIntyre was abducted from the garage and later killed. Brooke and Sandra had both been taking self-defense classes together but it doesn't appear to help. Sadly Brooke discovers first hand how easy it was for Sandra to be abducted when it happens to her as well. Now she is trapped in a Wearhouse somewhere, the next in line in a series of experiments to jump-start the police’s interest again, Will they find her before the time is up or will Christian take yet another victim?
It would appear that the author did their homework because the book made sense. While I would have liked more details on a few things I prefer this approach compared to those who just guess and come up with situations that would never possibly work. In this case, I believe the author found a nice balance. Multiple time limits take place during this book and I was expecting just one well-detailed one. Also, the back of the book mentions how Christian suffered a tragedy that was unsolved by police and that is why he does this. The defining tragedy gets very little recognition when it is a big piece of backstory.
Young adults will enjoy this book the most. It has very little in the lines of gore or inappropriate content. Overall it is a nice mid-grade crime/mystery book. It is great for those that want a decent book without it being super long. I rate this book 2 out of 4. It was not what I was expecting. While it was a good read, the content spanned over a much longer time than what the book leads readers to believe. Also, the lack of diving into Christian’s backstory was disappointing at best.
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Christian Price is a serial killer, though that is not his real name and no one has realized the deaths are all connected. Yet. Christian is not killing because he likes to kill, no, he does this because he feels he has to. In his opinion, many local police forces are incompetent or lack the drive to solve missing person cases and Christian has decided to motivate them. He does this by kidnapping a woman and called it into the police to find her within a limited amount of time or else she dies. The first one usually doses. He then continues this pattern with another woman, usually not going past three victims is one area, until the police are successful after which he moves to a different city. Things are a little bit different in Atlanta though.
Brooke Madison is terrified of parking garages, especially after her friend and co-worker Sandra McIntyre was abducted from the garage and later killed. Brooke and Sandra had both been taking self-defense classes together but it doesn't appear to help. Sadly Brooke discovers first hand how easy it was for Sandra to be abducted when it happens to her as well. Now she is trapped in a Wearhouse somewhere, the next in line in a series of experiments to jump-start the police’s interest again, Will they find her before the time is up or will Christian take yet another victim?
It would appear that the author did their homework because the book made sense. While I would have liked more details on a few things I prefer this approach compared to those who just guess and come up with situations that would never possibly work. In this case, I believe the author found a nice balance. Multiple time limits take place during this book and I was expecting just one well-detailed one. Also, the back of the book mentions how Christian suffered a tragedy that was unsolved by police and that is why he does this. The defining tragedy gets very little recognition when it is a big piece of backstory.
Young adults will enjoy this book the most. It has very little in the lines of gore or inappropriate content. Overall it is a nice mid-grade crime/mystery book. It is great for those that want a decent book without it being super long. I rate this book 2 out of 4. It was not what I was expecting. While it was a good read, the content spanned over a much longer time than what the book leads readers to believe. Also, the lack of diving into Christian’s backstory was disappointing at best.
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https://smashbomb.com/nightreader
JT (287 KP) rated Escape Plan (2013) in Movies
Mar 23, 2020
Arnie and Stallone (1 more)
Entertaining
80s action icons join forces
For those of us that grew up watching action films in the 80s, one can only stand by and admire that Stallone and Schwarzenegger were still going well into their 60s at the time of shooting. Clearly, they’re having fun, which is a good thing as we’re not expecting Oscar material here and those that are may as well leave now.
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
Escape Plan gives the two giants top billing opposite each other for the first time the whole way through a film (not counting The Expendables), but ultimately they’re on the same side. Ray Breslin (Stallone) breaks out of prisons for a living, making sure that those who are put behind bars have no way of ever getting out.
When a job comes up to test out a top-secret facility Breslin gleefully accepts despite his partners thinking otherwise, it leads him on to a collision course with Arnie who he needs to get onside in order to get out.
Of course once inside its clear that some people have no intention of letting him see the light of day, and Breslin is trapped behind a prison that encompasses everything he wrote the book on.
He teams up with fellow inmate Rottmayer (Schwarzenegger) in an attempt to break out and bring those responsible for setting him up, to justice, and that is where the fun begins. Schwarzenegger is enjoying himself even if the dialogue is not the best as we said, we’re not expecting Oscar material. He does, however, get the good lines and pretty much acts as the diversion as Breslin scampers around looking for breaks in the system.
Jim Caviezel is Hobbs, the warden of the facility, in what is actually quite a good turn as the classic pantomime villain, a throwback to the baddies of the mid-eighties. He plays it cold and calculating, which in some parts feels like he’s going a bit OTT. Beneath him is Vinnie Jones, typecast as the bog-standard henchmen who is not particularly needed and to make matters worse probably gets one of the worst henchmen deaths. We don’t regard that as a plot spoiler as most villain sidekicks end up biting the bullet as the stopgap between the hero and the classic ending battle.
There are no illusions going into this, you know exactly what you’re going to get right down to the obvious plot twist that you can see coming a mile off. A subplot is only touched on briefly but it’s a subplot that has been a staple part of any revenge plan. The film has a strong third act once everything has been set up and it unfolds in a pulsating twenty-minute finale which includes quite possibly the best slow motion shot for some time, nodding itself to most classic action films of the Arnie era.
It’s meat and two veg action of maybe not the highest order but certainly better than some of its more recent predecessors, Stallone and Schwarzenegger bring their action A-game and don’t disappoint for a second.
Ronnie (304 KP) rated Supernatural - Season 5 in TV
Apr 3, 2020
Contains spoilers, click to show
Supernatural follows 2 brothers, Sam and Dean Winchester, who have been raised by their dad in a lifestyle of moving across country fighting supernatural beings, ever since their mum was killed by a yellow eyed demon in Sam’s nursery when he was only 6months old. At the end of season 4 Sam accidentally frees the devil from his cage in hell, kickstarting the apocalypse and then in season 5 Sam and Dean have to try and stop the apocalypse, but the apocalypse can’t happen without Sam and Dean’s help. Sam’s body is to be the vessel used by the devil, and Dean’s body is to be the vessel of the angel Michael. Once the two angels have gotten Sam and Dean to say “yes” to being the vessels, they are to have a battle, and should the devil win, the apocalypse will begin.
I have very mixed feelings about this season. There were parts of it I loved and parts of it I disliked. The brothers have always had a rocky relationship, but in this season, we see them split up more than once, which I didn’t like, I’ve always enjoyed the two brothers being together. An element of the season that I have very mixed feelings about is the angels. The angel we see the most is Castiel, who has rebelled from heaven and is helping the brothers. He is my favourite character, but that’s where the good parts of the angels stop. The other angel we see frequently throughout the show is Zackariah, who is just annoying. And the third angel, who is only in one episode is Gabriel. He has been in the show multiple times before in earlier seasons, but he was pretending to be a Trickster, and even then, I didn’t like him. Another element I have mixed feelings about is the actual content. The main focus of the season was trying to stop the apocalypse and tracking down the horsemen. In previous seasons a large amount of the episodes were about the brothers’ encounters with supernatural beings that weren’t angels or demons. Two of my favourite episodes were “The End” and “Changing Channels”. In “The End” Dean gets sent five years into the future and in “Changing Channels” Sam and Dean get stuck in Tv shows, or TV Land as they like to call it. Although not obvious at first, these two episodes link back to the angels, which really disappoints me. Something I did like was one of the demons they introduced, called Crowley. He helped the brothers out in a couple of the episodes, and I think he might become a larger part of the show in later seasons. Another thing I liked was that there seemed to be more humour in this season. There has always been bizarre deaths and witty one liners from Dean but there was definitely more humour, which I really enjoyed. Another thing I disliked was the ending. They ended it with Sam in hell and Dean finally having the nice, normal life he always wanted, but you knew that wouldn’t last because there’s 11 more seasons. Overall, I think the season was good, but not hugely enjoyable.
I have very mixed feelings about this season. There were parts of it I loved and parts of it I disliked. The brothers have always had a rocky relationship, but in this season, we see them split up more than once, which I didn’t like, I’ve always enjoyed the two brothers being together. An element of the season that I have very mixed feelings about is the angels. The angel we see the most is Castiel, who has rebelled from heaven and is helping the brothers. He is my favourite character, but that’s where the good parts of the angels stop. The other angel we see frequently throughout the show is Zackariah, who is just annoying. And the third angel, who is only in one episode is Gabriel. He has been in the show multiple times before in earlier seasons, but he was pretending to be a Trickster, and even then, I didn’t like him. Another element I have mixed feelings about is the actual content. The main focus of the season was trying to stop the apocalypse and tracking down the horsemen. In previous seasons a large amount of the episodes were about the brothers’ encounters with supernatural beings that weren’t angels or demons. Two of my favourite episodes were “The End” and “Changing Channels”. In “The End” Dean gets sent five years into the future and in “Changing Channels” Sam and Dean get stuck in Tv shows, or TV Land as they like to call it. Although not obvious at first, these two episodes link back to the angels, which really disappoints me. Something I did like was one of the demons they introduced, called Crowley. He helped the brothers out in a couple of the episodes, and I think he might become a larger part of the show in later seasons. Another thing I liked was that there seemed to be more humour in this season. There has always been bizarre deaths and witty one liners from Dean but there was definitely more humour, which I really enjoyed. Another thing I disliked was the ending. They ended it with Sam in hell and Dean finally having the nice, normal life he always wanted, but you knew that wouldn’t last because there’s 11 more seasons. Overall, I think the season was good, but not hugely enjoyable.