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John Taylor recommended The Life and Death of Colonel Blimp (1943) in Movies (curated)

 
The Life and Death of Colonel Blimp (1943)
The Life and Death of Colonel Blimp (1943)
1943 | Classics, Drama
10.0 (1 Ratings)
Movie Favorite

"Quintessential Englishness and the quivering heart that beats beneath the stiff upper lip. This is a most wonderful story about love and friendship, and how duty can get in the way of both. Perfect performances by Anton Walbrook and Deborah Kerr, and Roger Livesey as the colonel. When Theo, played by Walbrook, the colonel’s adversary in wartime but now his friend, announces to him that Edith (Kerr) and he are to be married, both the colonel and Edith realize that his stiff upper lip has gotten in the way of their chance at real love. The directors capture this moment so tenderly and beautifully it is impossible not to cry. Set against the backdrop of forty years of twentieth-century war, it is a very sad film that is also both exciting and hilarious. Churchill decided it was negative propaganda and banned it. Michael Powell proposed marriage to Miss Kerr in Hyde Park, opposite the entrance to the Dorchester hotel. She declined. A movie about broken hearts."

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Suswatibasu (1703 KP) rated The White Book in Books

Jan 3, 2018  
The White Book
The White Book
Han Kang | 2017 | Fiction & Poetry
9
9.0 (1 Ratings)
Book Rating
The fragility of life
This is a heartbreaking, autobiographical account surrounding the death of the author's newborn sister, and the subsequent grieving process she goes through, seeing 'white' throughout her life.

Unlike @The Vegetarian: A Novel and @Human Acts, this book is not designed to have the narrative reach of those two novels. Instead, it is a fragmented meditation on the death of the unnamed baby sister, who died two hours after her birth. Han wisely gives as much value to those heightened two hours of life as she does to her death. The story of her birth, as narrated from the point of view of the mother, who is 22 when she is obliged to deliver the premature baby herself, is simply told.

The book is structured around the white things that become part of the rituals of mourning and remembering. The dominant theme is of transience, of fleeting life and the acceptance of human fragility. It feels mysterious and abstract at time, which seems to reflect the death itself. Hats off to Han Kang and @Deborah Smith for another wonderful translation.