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Lyndsey Gollogly (2893 KP) rated The Unpassing in Books
Dec 22, 2021
212 of 250
Book
The Unpassing
By Chia-Chia Lin
Once read a review will be written via Smashbomb and link posted in comments
In Chia-Chia Lin's debut, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When 10-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
Routine takes over for the grieving family: The siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby's death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.
With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher but ultimately more profound reality.
To start off I’ll say it’s very well written. Sadly I just struggled to connect with the book and it’s characters, yes I’ve still given it 4 stars because it at least deserves that considering it is also the first book from this author. I don’t want to discourage anyone from reading it as someone else may connect I just struggles.
Book
The Unpassing
By Chia-Chia Lin
Once read a review will be written via Smashbomb and link posted in comments
In Chia-Chia Lin's debut, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When 10-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
Routine takes over for the grieving family: The siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby's death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.
With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher but ultimately more profound reality.
To start off I’ll say it’s very well written. Sadly I just struggled to connect with the book and it’s characters, yes I’ve still given it 4 stars because it at least deserves that considering it is also the first book from this author. I don’t want to discourage anyone from reading it as someone else may connect I just struggles.
LeftSideCut (3778 KP) rated Hellraiser (1987) in Movies
Nov 14, 2021
All these years later, and Hellraiser is still a treat. I've always had respect for Clive Barker's directorial debut. It came out in a decade where the genre had become more schlocky and less serious with each passing year, and dared to go for the jugular with its straight shooting, no nonsense brand of horror.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
Merissa (12061 KP) rated Dark Flame (Flame Born #1) in Books
Feb 8, 2021 (Updated Aug 7, 2023)
WHAT. A. BOOK!!! Dark Flame is the first book in the Flame Born series and I read it in one sitting, staying up waaaay past my bedtime because I simply could not put it down!
It's dark, it's twisted, you have no idea for sure just who is 'good' and who is 'bad', there is more intrigue than you can shake a stick at, AND I LOVED EVERY WORD!
Michael is a brilliant character. He thinks he's straight, but his girlfriend has just left him. Things are weird around him, and about to get stranger. Flanagan has a whole Viking vibe going on (which I definitely won't complain about), but some of the guys he works with are... less than pure, let's just put it that way. In fairness, that just made it even better. As for Alexei, wow, he's hot. I also don't trust him as far as I could throw him!
This was an amazing start to a series. You get all the world- and character-building you could wish for, whilst being carried away on a story that shows you there is more to this world than most know about.
I eventually went to bed, re-read the ending as soon as I woke up, and after that, I went straight to Kat Silver's website so I could read the bonus about Michael and Flanagan, but I couldn't find it! Trust me, I'm going to keep on looking until I do.
I loved this book, I can't wait for book 2, and you really need to read it! I can't believe this is her debut novel! Absolutely and utterly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 8, 2021
It's dark, it's twisted, you have no idea for sure just who is 'good' and who is 'bad', there is more intrigue than you can shake a stick at, AND I LOVED EVERY WORD!
Michael is a brilliant character. He thinks he's straight, but his girlfriend has just left him. Things are weird around him, and about to get stranger. Flanagan has a whole Viking vibe going on (which I definitely won't complain about), but some of the guys he works with are... less than pure, let's just put it that way. In fairness, that just made it even better. As for Alexei, wow, he's hot. I also don't trust him as far as I could throw him!
This was an amazing start to a series. You get all the world- and character-building you could wish for, whilst being carried away on a story that shows you there is more to this world than most know about.
I eventually went to bed, re-read the ending as soon as I woke up, and after that, I went straight to Kat Silver's website so I could read the bonus about Michael and Flanagan, but I couldn't find it! Trust me, I'm going to keep on looking until I do.
I loved this book, I can't wait for book 2, and you really need to read it! I can't believe this is her debut novel! Absolutely and utterly recommended.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 8, 2021
Debbiereadsbook (1202 KP) rated Rock Crush and Roll in Books
Jun 2, 2024
not overly explicit but very steamy in places!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
From what I can see, this is a debut author, and I enjoyed this!
Tyler has crushed on Cary for some time. And Cary has crushed on Tyler too, but they work together, sorta, and Tyler has a strict no musicians rule after being hurt badly by one. But with very little effort, they start to see the person behind the mask, and
maybe, just maybe, Tyler can find her Happy Ever After.
This is cute, it really is. I liked that Tyler and Cary knew each other for a long time before they started a relationship. I liked that both of them fell fast and hard. I liked that Cary tried to spoil Tyler, but she managed to not let him get away with too
much.
It’s not overly explicit, but it does get steamy in places. Just the right amount for these two, I think.
Both Cary and Tyler have a say in the third person, The change usually occurs as the chapter changes, but sometimes in the middle. Each change is clearly headed and I liked that.
Lots and LOTS of one liners from well-known songs (each with the artist named too) and some not so well known to me. Didn’t take anything away from the story, but I found myself trying to spot them all! And then to proceed to sing said song in my head til I
came across the next one!
I struggled a bit with the workings of the music industry and found Tyler’s boss a slimeball, but he does get his comeuppence!
A great start from this author. When I come across a new (or new to me) author, my first question is always “Do I want to read more by this author?” and my answer here is a resounding “yes!”
So cute, and warm and fuzzies and a good solid 3 stars
*same worded review will appear elsewhere
From what I can see, this is a debut author, and I enjoyed this!
Tyler has crushed on Cary for some time. And Cary has crushed on Tyler too, but they work together, sorta, and Tyler has a strict no musicians rule after being hurt badly by one. But with very little effort, they start to see the person behind the mask, and
maybe, just maybe, Tyler can find her Happy Ever After.
This is cute, it really is. I liked that Tyler and Cary knew each other for a long time before they started a relationship. I liked that both of them fell fast and hard. I liked that Cary tried to spoil Tyler, but she managed to not let him get away with too
much.
It’s not overly explicit, but it does get steamy in places. Just the right amount for these two, I think.
Both Cary and Tyler have a say in the third person, The change usually occurs as the chapter changes, but sometimes in the middle. Each change is clearly headed and I liked that.
Lots and LOTS of one liners from well-known songs (each with the artist named too) and some not so well known to me. Didn’t take anything away from the story, but I found myself trying to spot them all! And then to proceed to sing said song in my head til I
came across the next one!
I struggled a bit with the workings of the music industry and found Tyler’s boss a slimeball, but he does get his comeuppence!
A great start from this author. When I come across a new (or new to me) author, my first question is always “Do I want to read more by this author?” and my answer here is a resounding “yes!”
So cute, and warm and fuzzies and a good solid 3 stars
*same worded review will appear elsewhere
Kyera (8 KP) rated Daughter Of The Burning City in Books
Jan 31, 2018
There were more twists and turns in the story than the labyrinthine paths through the Gomorrah Festival. I was impressed that this was Amanda Foody's debut novel, but that does not mean it was without its faults. Overall, I felt that the Festival itself as a setting was the most intriguing part of the story.
I didn't feel that the magic system was as developed as it should have been, or perhaps it was too developed. It wasn't always clear what people could have as abilities. The added element of being able to have multiple abilities that alter how each other works or each ability manifesting itself completely differently in people made following how the magic worked very difficult. There were also rules or examples that you read that seem to contradict one another. You just had to accept that it wasn't entirely clear and anything could happen.
The setting was certainly the most intriguing part of this story. The Gomorrah Festival, also known as the City of Burning Desires, is a traveling Carnival full of thieves, strumpets, charlatans, performers and fortune tellers. The gates of the city have ever burning flames and the cloying scent of smoke, perfume, and sugar cloak the tents. Amanda Foody's writing brilliantly brings the city to life, although we sadly see very little of the actual Festival. I loved the performance elements of the Night Circus and Caraval, so I was a little disappointed that the locale didn't play a bigger role.
I never really connected with the main character, Sorrina, our thread through the entire story. She is a magic worker who can create illusions with her mind, despite having no eyes to see for herself. Since coming to the Festival, she has begun creating illusions to become her family. They perform with her and despite not being truly real, are quite beloved by Sorrina. Unfortunately, one night a member of her illusion family is killed - but how can illusions be killed?
Sorrina vows to discover who hurt her family and protect the remaining members no matter what. Soon she meets an Up-Mountainer named Luca who is definitely the best character in the book. At first, he seems like the stereotypical sassy, "bad boy" love interest, but he is actually incredibly intelligent. I really enjoyed the dimension he brought to the story and how he balanced out Sorrina's more romantic, unfocused, indecisive character.
Despite the fact that Sorrina's family are illusions, they do feel like real people. Some are more developed than others. You feel for two of her sisters, one who bears the weight of the family on her shoulders and the other who just wants to be a real person. Those two will tug at your heartstrings and make you forget that they are illusions. I didn't feel like I got to know the other family members as well and that was a shame. They were such unique creations that they deserved that connection and time.
The story was fantastical, yet I enjoyed the mystery element as you puzzled through the clues with the characters to discover who killed an illusion, and how. The plot was a little convoluted so at times my attention waned, but overall I enjoyed the book. There were some pacing issues that could have been resolved by some additional editing/culling of scenes. Sometimes when I sat down I was completely engrossed in the plot, but there were also others where I picked the book up and put it down moments later.
I felt that the story was tied up satisfactorily and it didn't leave me with too many questions, but I won't lie and say I wouldn't enjoy another book set in that world with different characters. The level of development is still impressive for a debut novel and I cannot wait to see more from Amanda Foody.
I would definitely recommend this to young adult/teen readers who enjoy fantasy novels with really intriguing worlds, but don't expect too much of the carnival element to be present in the plot.
I didn't feel that the magic system was as developed as it should have been, or perhaps it was too developed. It wasn't always clear what people could have as abilities. The added element of being able to have multiple abilities that alter how each other works or each ability manifesting itself completely differently in people made following how the magic worked very difficult. There were also rules or examples that you read that seem to contradict one another. You just had to accept that it wasn't entirely clear and anything could happen.
The setting was certainly the most intriguing part of this story. The Gomorrah Festival, also known as the City of Burning Desires, is a traveling Carnival full of thieves, strumpets, charlatans, performers and fortune tellers. The gates of the city have ever burning flames and the cloying scent of smoke, perfume, and sugar cloak the tents. Amanda Foody's writing brilliantly brings the city to life, although we sadly see very little of the actual Festival. I loved the performance elements of the Night Circus and Caraval, so I was a little disappointed that the locale didn't play a bigger role.
I never really connected with the main character, Sorrina, our thread through the entire story. She is a magic worker who can create illusions with her mind, despite having no eyes to see for herself. Since coming to the Festival, she has begun creating illusions to become her family. They perform with her and despite not being truly real, are quite beloved by Sorrina. Unfortunately, one night a member of her illusion family is killed - but how can illusions be killed?
Sorrina vows to discover who hurt her family and protect the remaining members no matter what. Soon she meets an Up-Mountainer named Luca who is definitely the best character in the book. At first, he seems like the stereotypical sassy, "bad boy" love interest, but he is actually incredibly intelligent. I really enjoyed the dimension he brought to the story and how he balanced out Sorrina's more romantic, unfocused, indecisive character.
Despite the fact that Sorrina's family are illusions, they do feel like real people. Some are more developed than others. You feel for two of her sisters, one who bears the weight of the family on her shoulders and the other who just wants to be a real person. Those two will tug at your heartstrings and make you forget that they are illusions. I didn't feel like I got to know the other family members as well and that was a shame. They were such unique creations that they deserved that connection and time.
The story was fantastical, yet I enjoyed the mystery element as you puzzled through the clues with the characters to discover who killed an illusion, and how. The plot was a little convoluted so at times my attention waned, but overall I enjoyed the book. There were some pacing issues that could have been resolved by some additional editing/culling of scenes. Sometimes when I sat down I was completely engrossed in the plot, but there were also others where I picked the book up and put it down moments later.
I felt that the story was tied up satisfactorily and it didn't leave me with too many questions, but I won't lie and say I wouldn't enjoy another book set in that world with different characters. The level of development is still impressive for a debut novel and I cannot wait to see more from Amanda Foody.
I would definitely recommend this to young adult/teen readers who enjoy fantasy novels with really intriguing worlds, but don't expect too much of the carnival element to be present in the plot.
Sophia (Bookwyrming Thoughts) (530 KP) rated Chandrea: The Return of the Avatar Queen (Averill, #1) in Books
Jan 23, 2020
I was overly excited to review Marlene Wynn's The Return of the Avatar Queen when I heard what genre it fell in the New Adult world: fantasy. NOT Contemporary or Romance (or both!) like most seem to be these days. Really, the only New Adult book I've come across that's something other than Contemporary is the Everlast Trilogy by Juliana Haygert (among a few others).
The first in the Averill series is just another step towards some more diversity in the ever growing pool of New Adult books. But here are a few reasons why you should take a moment and read Marlene Wynn's debut novel:
Character Development and World Building Here's what is probably one of the most difficult things in fantasy and paranormal novels: developing the world the entire world, because in a fantasy book, most worlds are fictional and completely made up! Wynn has it patted down nicely enough within the book that it's not necessary to have a separate dictionary. I definitely feel as though I know enough about the world of Itova as Chandrea does, and the characters don't feel as though they're miles away from me.
<img border="0" src="http://4.bp.blogspot.com/-NQ6pA2Tm_Sk/VIi50dboa_I/AAAAAAAAEEg/IQqffnS_y1w/s1600/awesome.gif"; height="180" width="320">
It's Funny I had the highlight of my book week while reading Wynn's novel, but whenever there are flying raccoons, I can't really help but find it hilarious. It definitely helps when Shawn becomes a major character and lightens things up. He's just a fantastic edition to the book and he seems to make the lighter side of Chandrea come out as well I certainly hope the author won't kill him off anytime soon. Not that I actually have a say, of course.
<blockquote>If you dont, I wont bathe, and Ill sleep curled up right next to you, in all my stinky glory.</blockquote>
Of course, it's definitely not as hilarious as something I saw in a NCRA magazine about a month ago, or finding out what "bae" really means in another language.
No Surprises This is more of something I really disliked about The Return of the Avatar Queen rather than something I liked. As much as I love knowing all the side characters' history, I really think I would have enjoyed my reading experience more if there were less views. With the amount of views (which, by the way, is quite a lot), I feel as though I'm one step ahead and the author loses the element of surprise. Whatever seems likely to happen in the future to a character or two is already expected by the reader.
Last time I checked, not being surprised does not dwell well. But credit to Wynn for not making me feel like Hansel and Gretel with bread baked by Peeta, to which I turn into crumbs (the bread, not Peeta). Two facts: 1) I like surprises in books. 2) I don't necessarily like surprises in real life.
Here's a little elaboration on #2: A good friend of mine I call him Mr. Pokey and yes, he's probably related to Lupe. AKA Miss. Pokey. volunteered to take me to chess tournaments. A few days later, his mom said she could take both of us, but said friend told our coach that I could go without telling me about it first. As a result, I'm have been plotting his demise. Would I really do it? No, but sometimes I want to throw something at his infuriatingly overconfident face.
So here's a word of advice: Don't try to make decisions for others without telling them about it first. At least, don't make decisions for me unless you're my mom. You could regret it dearly.
Basically, you won't really regret reading The Return of the Avatar Queen. Marlene Wynn's debut novel shows a lot of promise in the future and I'm curious as to where the storyline goes from here on out.
-------------------
Review copy provided by the author for the blog tour
Original Rating: 3.5
Original review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/blog-tour-chandrea-the-return-of-the-avatar-queen-by-marlene-wynn-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The first in the Averill series is just another step towards some more diversity in the ever growing pool of New Adult books. But here are a few reasons why you should take a moment and read Marlene Wynn's debut novel:
Character Development and World Building Here's what is probably one of the most difficult things in fantasy and paranormal novels: developing the world the entire world, because in a fantasy book, most worlds are fictional and completely made up! Wynn has it patted down nicely enough within the book that it's not necessary to have a separate dictionary. I definitely feel as though I know enough about the world of Itova as Chandrea does, and the characters don't feel as though they're miles away from me.
<img border="0" src="http://4.bp.blogspot.com/-NQ6pA2Tm_Sk/VIi50dboa_I/AAAAAAAAEEg/IQqffnS_y1w/s1600/awesome.gif"; height="180" width="320">
It's Funny I had the highlight of my book week while reading Wynn's novel, but whenever there are flying raccoons, I can't really help but find it hilarious. It definitely helps when Shawn becomes a major character and lightens things up. He's just a fantastic edition to the book and he seems to make the lighter side of Chandrea come out as well I certainly hope the author won't kill him off anytime soon. Not that I actually have a say, of course.
<blockquote>If you dont, I wont bathe, and Ill sleep curled up right next to you, in all my stinky glory.</blockquote>
Of course, it's definitely not as hilarious as something I saw in a NCRA magazine about a month ago, or finding out what "bae" really means in another language.
No Surprises This is more of something I really disliked about The Return of the Avatar Queen rather than something I liked. As much as I love knowing all the side characters' history, I really think I would have enjoyed my reading experience more if there were less views. With the amount of views (which, by the way, is quite a lot), I feel as though I'm one step ahead and the author loses the element of surprise. Whatever seems likely to happen in the future to a character or two is already expected by the reader.
Last time I checked, not being surprised does not dwell well. But credit to Wynn for not making me feel like Hansel and Gretel with bread baked by Peeta, to which I turn into crumbs (the bread, not Peeta). Two facts: 1) I like surprises in books. 2) I don't necessarily like surprises in real life.
Here's a little elaboration on #2: A good friend of mine I call him Mr. Pokey and yes, he's probably related to Lupe. AKA Miss. Pokey. volunteered to take me to chess tournaments. A few days later, his mom said she could take both of us, but said friend told our coach that I could go without telling me about it first. As a result, I'm have been plotting his demise. Would I really do it? No, but sometimes I want to throw something at his infuriatingly overconfident face.
So here's a word of advice: Don't try to make decisions for others without telling them about it first. At least, don't make decisions for me unless you're my mom. You could regret it dearly.
Basically, you won't really regret reading The Return of the Avatar Queen. Marlene Wynn's debut novel shows a lot of promise in the future and I'm curious as to where the storyline goes from here on out.
-------------------
Review copy provided by the author for the blog tour
Original Rating: 3.5
Original review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/12/blog-tour-chandrea-the-return-of-the-avatar-queen-by-marlene-wynn-review-and-giveaway.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Reflection of Youth by Eera
Album Watch
Before she moved to the UK from Norway to pursue a career in music, Anna Lena Bruland's grandfather...
alternative rock
Bob Mann (459 KP) rated Crazy Rich Asians (2018) in Movies
Sep 28, 2021
Singapore Bling.
I’ve been catching up on films that I missed at the cinema during 2018. And this is one of the ones I most wanted to see but missed due to work commitments.
The Plot.
Rachel (Constance Wu) and Nick (Henry Golding) are young New Yorker professionals in love: Rachel is a successful economics professor and Nick… well, I’m not sure we ever find out what Nick ever does for a job, but his dress and confidence imply he’s doing well. Nick has an announcement: that his best friend Colin (Chris Pang) is getting married in Singapore and he invites Rachel to join him and meet his parents.
The trip discloses something previously hidden to Rachel: that Nick is actually heir to one of the richest families in Singapore. Indeed, as they got their money from property, the family effectively BUILT Singapore! But once in Singapore, life becomes hard for Rachel. She has to deal with the “not good enough for my Nick” disapproval of Nick’s family (led by Nick’s mother, the imperious Eleanor (Michelle Yeoh). Not only that, but thanks to Nick’s eligible-batchelor status and the pervasive nature of social media, everyone in Singapore knows about Nick and Rachel. As such, many of the ‘hens’ of Colin’s fiancee Araminta have it in for Rachel. (Araminta is played by Sonoya Mizuno, so memorable in “Ex Machina“).
Layers of rich characters.
This is not your average rom-com. Because here there’s a depth of characters within Nick’s broader family to entertain, each with their own set of quirks and issues. The dynamic of the family matriarch, grandmother (Lisa Lu), with the rest of the family is also fascinating; Friend or foe for Rachel? – it’s often difficult to tell.
Also entertaining is the introduction of Rachel’s old college room-mate Peil Lin Goh (a superbly over-the-top bonkers performance by Awkwafina) and her ‘nouveau-riche’ family. Her father (Ken Jeong) is simply hilarious in a bat-shit crazy sort of way.
But it’s the two engaging leads that impress most, particularly Henry Golding. Prior to this – his debut movie role – he was a Malaysian TV travel reporter! (He of course followed this performance up a month later with his equally impressive role as Blake Lively’s husband in “A Simple Favour“).
As sponsored by the Singapore tourist board.
Much of the action could be lifted from “My Best Friend’s Wedding”, “Meet the Parents” or “Mean Girls”. But it’s all given a refreshing asian facelift with its Singapore setting.
Singapore is one of my favourite cities: safe, clean and vibrant and with drop-dead gorgeous architecture. And I actually saw this movie while flying back out of Singapore itself. As such, I reflected on just what a great promotional flick for the tourist industry it was. From the wedding party at the Gardens by the Bay to the utterly jaw-dropping infinity pool at the “ship-hotel” (the Marina Bay Sands hotel, featured through a stunning fireworks-infused drone shot), all convey the excitement of the place.
A fun feel-good classic.
What’s impressive about the sharp writing is that this is the movie screenplay debut for co-writers Peter Chiarelli and Adele Lim. It’s a movie that makes you occasionally sit up and go ‘wow’. As an example, there’s a quirky ‘social media tsunami’ scene in the first 10 minutes. But the movie then builds with character-development stories that, while not particularly novel, are engagingly well-written and well delivered by the enthusiastic ensemble cast.
The director is John M Chu, whose less-than-stellar CV includes “GI: Joe” and “Now You See Me 2”, but here delivers a breathless momentum that lasts to the final scene.
The perfect wife and the perfect husband? Michael (Pierre Png), the boy who married well (which feels a plot borrowed from “Lost”), with the lovely Astrid (Gemma Chan). (Source: Warner Brothers).
And it’s that denouement that got to me. I don’t tend to get slushy about these sort of romantic comedies. But there’s a “reveal” in the final few minutes of the movie that completely surprised me (even though it should have been obvious!). It actually made me well-up!
It didn’t make a big dent in the awards nominations. But for fans of quirky romantic comedies it’s a recommended watch. It’s really difficult to dislike!
The Plot.
Rachel (Constance Wu) and Nick (Henry Golding) are young New Yorker professionals in love: Rachel is a successful economics professor and Nick… well, I’m not sure we ever find out what Nick ever does for a job, but his dress and confidence imply he’s doing well. Nick has an announcement: that his best friend Colin (Chris Pang) is getting married in Singapore and he invites Rachel to join him and meet his parents.
The trip discloses something previously hidden to Rachel: that Nick is actually heir to one of the richest families in Singapore. Indeed, as they got their money from property, the family effectively BUILT Singapore! But once in Singapore, life becomes hard for Rachel. She has to deal with the “not good enough for my Nick” disapproval of Nick’s family (led by Nick’s mother, the imperious Eleanor (Michelle Yeoh). Not only that, but thanks to Nick’s eligible-batchelor status and the pervasive nature of social media, everyone in Singapore knows about Nick and Rachel. As such, many of the ‘hens’ of Colin’s fiancee Araminta have it in for Rachel. (Araminta is played by Sonoya Mizuno, so memorable in “Ex Machina“).
Layers of rich characters.
This is not your average rom-com. Because here there’s a depth of characters within Nick’s broader family to entertain, each with their own set of quirks and issues. The dynamic of the family matriarch, grandmother (Lisa Lu), with the rest of the family is also fascinating; Friend or foe for Rachel? – it’s often difficult to tell.
Also entertaining is the introduction of Rachel’s old college room-mate Peil Lin Goh (a superbly over-the-top bonkers performance by Awkwafina) and her ‘nouveau-riche’ family. Her father (Ken Jeong) is simply hilarious in a bat-shit crazy sort of way.
But it’s the two engaging leads that impress most, particularly Henry Golding. Prior to this – his debut movie role – he was a Malaysian TV travel reporter! (He of course followed this performance up a month later with his equally impressive role as Blake Lively’s husband in “A Simple Favour“).
As sponsored by the Singapore tourist board.
Much of the action could be lifted from “My Best Friend’s Wedding”, “Meet the Parents” or “Mean Girls”. But it’s all given a refreshing asian facelift with its Singapore setting.
Singapore is one of my favourite cities: safe, clean and vibrant and with drop-dead gorgeous architecture. And I actually saw this movie while flying back out of Singapore itself. As such, I reflected on just what a great promotional flick for the tourist industry it was. From the wedding party at the Gardens by the Bay to the utterly jaw-dropping infinity pool at the “ship-hotel” (the Marina Bay Sands hotel, featured through a stunning fireworks-infused drone shot), all convey the excitement of the place.
A fun feel-good classic.
What’s impressive about the sharp writing is that this is the movie screenplay debut for co-writers Peter Chiarelli and Adele Lim. It’s a movie that makes you occasionally sit up and go ‘wow’. As an example, there’s a quirky ‘social media tsunami’ scene in the first 10 minutes. But the movie then builds with character-development stories that, while not particularly novel, are engagingly well-written and well delivered by the enthusiastic ensemble cast.
The director is John M Chu, whose less-than-stellar CV includes “GI: Joe” and “Now You See Me 2”, but here delivers a breathless momentum that lasts to the final scene.
The perfect wife and the perfect husband? Michael (Pierre Png), the boy who married well (which feels a plot borrowed from “Lost”), with the lovely Astrid (Gemma Chan). (Source: Warner Brothers).
And it’s that denouement that got to me. I don’t tend to get slushy about these sort of romantic comedies. But there’s a “reveal” in the final few minutes of the movie that completely surprised me (even though it should have been obvious!). It actually made me well-up!
It didn’t make a big dent in the awards nominations. But for fans of quirky romantic comedies it’s a recommended watch. It’s really difficult to dislike!
Bob Mann (459 KP) rated Moonlight (2016) in Movies
Sep 29, 2021
Waxing or Waning?
Seldom do I go to see a movie where I know so little about the plot as this one. I knew it was a “coming of age” drama about a young man growing up in a black neighbourhood in Miami. Period. That ignorance was bliss (so that’s the way this review will stay: I will avoid my usual high-level summary here). For there are twists in this story that you don’t see coming, and moments of such dramatic force that they are cinematically searing.
Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.
Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.
Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.
The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.
There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.
Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.
Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.
The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.
There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
Hazel (1853 KP) rated This Raging Light in Books
May 25, 2017
Hard to put down
This ARC was provided by the publisher via NetGalley in exchange for an honest review
This Raging Light is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, This Raging Light is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
This Raging Light is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, This Raging Light is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.