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Angel of Oblivion
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Haderlap is an accomplished poet, and that lyricism leaves clear traces on this ravishing debut,...
The Rosie Effect
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The Rosie Effect is the charming and hilarious sequel to Graeme Simsion's bestselling debut novel...
Church of Marvels
Book
'A SKILLFUL TRIUMPH' Jessie Burton, author of The Miniaturist - 'IRRESISTIBLE' Emma Donoghue, author...
Where is My Mask of an Honest Man?
Book
Where is my Mask of an Honest Man? is a powerful collection of short stories set in and around...
Out of Africa
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Karen Blixen's Out of Africa is the lyrical and luminous memoir of Kenya that launched a million...
ClareR (6129 KP) rated The Switch in Books
Jul 18, 2020
The Switch by Beth O’Leary was a book that I was very much looking forward to reading. I had read, loved and gifted The Flatshare, her debut book. Then I read the synopsis for this book, and I’d be lying if I said I wasn’t a little trepidatious (is that a real word?). I had visions of Tom Hanks in Big, or of Jodie Foster in Freaky Friday, if I’m honest. I needn’t have worried, because this isn’t Big or Freaky Friday (sorry, if that’s what you’re expecting 🤷🏼♀️).
Instead, this is the story of two Eileens: 79 year old Eileen and her granddaughter Leena who is 29. They are both at times of great change in their lives. They’ve both just experienced the death of Leena’s sister, and Eileen’s husband has left her for a younger woman.
When Leena comes home for a visit, she realises that Eileen has been casing the men in the village with a mind to dating one. There isn’t a great choice. After a look on a dating website, she realises that the choice of men in their 70’s is far greater in London, so Leena creates an account on the dating website for her Grandma, and they swap lives for 8 weeks - the length of time that Leena’s boss has given her as a holiday, to try and recover from the loss of her sister.
I adored this book. Need I say more? OK, I suppose I should.
I loved how Eileen was treated as an adult with real feelings and sexual urges. She may be 79, but she isn’t some sexless old biddy, treated like a child. As much as we don’t necessarily like to think of our mothers/ grandmothers having sex , it’s highly likely that they do, and why not?
I loved how the death of Leena’s sister was treated. The long, slow process of grieving, and how it doesn’t just switch off, that there are no rules.
Leena’s love life is very entertaining too, and I was rooting for one particular character throughout.
So in conclusion, just do yourself a favour and go and buy this book. It’s ace. Beth O’Leary writes wonderful stories it would seem, about wonderful, quirky, normal people. I’ll be waiting and ready to read whatever she puts out there next, of that I’m sure!
Instead, this is the story of two Eileens: 79 year old Eileen and her granddaughter Leena who is 29. They are both at times of great change in their lives. They’ve both just experienced the death of Leena’s sister, and Eileen’s husband has left her for a younger woman.
When Leena comes home for a visit, she realises that Eileen has been casing the men in the village with a mind to dating one. There isn’t a great choice. After a look on a dating website, she realises that the choice of men in their 70’s is far greater in London, so Leena creates an account on the dating website for her Grandma, and they swap lives for 8 weeks - the length of time that Leena’s boss has given her as a holiday, to try and recover from the loss of her sister.
I adored this book. Need I say more? OK, I suppose I should.
I loved how Eileen was treated as an adult with real feelings and sexual urges. She may be 79, but she isn’t some sexless old biddy, treated like a child. As much as we don’t necessarily like to think of our mothers/ grandmothers having sex , it’s highly likely that they do, and why not?
I loved how the death of Leena’s sister was treated. The long, slow process of grieving, and how it doesn’t just switch off, that there are no rules.
Leena’s love life is very entertaining too, and I was rooting for one particular character throughout.
So in conclusion, just do yourself a favour and go and buy this book. It’s ace. Beth O’Leary writes wonderful stories it would seem, about wonderful, quirky, normal people. I’ll be waiting and ready to read whatever she puts out there next, of that I’m sure!
A suspenseful read about the ownership of stories
Jacob Finch Bonner, the once promising author of the debut novel The Invention of Wonder, is now a struggling writer teaching at Ripley College in Vermont. At Ripley, basically anyone can attend to receive a MFA. This includes Evan Parker, a pompous jerk who declares he doesn't need Jake--or anyone's--help to make his novel a success. But when Evan actually deigns to share his plot with Jake, Jake can't help but agree. He waits for Evan's inevitable success, but it never comes. When he learns that Evan has died--without having published his book--Jake feels that his story must be told. So Jake writes it, and he is soon basking in the success he was so sure Evan would have. He's rich, famous, and touring the country on a book tour. But then he receives the first email: "You are a thief." Jake feels everything he has about to slip away. As the threats increase, Jake begins to dig into Evan's past. What he finds is horrifying--he may not be the only one who stole this story--and the consequences could be deadly.
"All Jacob Finch Bonnner had ever wanted to be was a writer."
THE PLOT starts off slowly, but then takes off, becoming a compulsively readable thriller. It's incredibly ominous and creepy and peppered with reading and writer references. If you love to read, or write, there's a whole meta layer to this book. (Not to mention, we get pieces of Jake's "stolen" novel within our novel as well.) Slowly everything untangles: Jacob's plot, Evan's life, and more.
"Evan Parker had been entirely correct: the worst writer on the planet could not mess up a plot like this."
The book builds on, year by year, as Jacob moves from his struggling writer days to a successful and famous novelist. I had an inkling of some of what happened, but enjoyed reading to see if I was right. Jake isn't exactly a sympathetic character, but he's fascinating, and the book certainly makes you think.
It's best to go into THE PLOT blind, so I don't want to reveal too much. But I stayed up late to finish it, because it's quite captivating--and different. I certainly recommend it. 4 stars.
"All Jacob Finch Bonnner had ever wanted to be was a writer."
THE PLOT starts off slowly, but then takes off, becoming a compulsively readable thriller. It's incredibly ominous and creepy and peppered with reading and writer references. If you love to read, or write, there's a whole meta layer to this book. (Not to mention, we get pieces of Jake's "stolen" novel within our novel as well.) Slowly everything untangles: Jacob's plot, Evan's life, and more.
"Evan Parker had been entirely correct: the worst writer on the planet could not mess up a plot like this."
The book builds on, year by year, as Jacob moves from his struggling writer days to a successful and famous novelist. I had an inkling of some of what happened, but enjoyed reading to see if I was right. Jake isn't exactly a sympathetic character, but he's fascinating, and the book certainly makes you think.
It's best to go into THE PLOT blind, so I don't want to reveal too much. But I stayed up late to finish it, because it's quite captivating--and different. I certainly recommend it. 4 stars.
ClareR (6129 KP) rated The Prophets in Books
Jan 5, 2021
I’ve agonised over writing something about this. How can whatever I write possibly do this book any justice? It’s beautiful, it’s haunting and it’s terrible. I don’t mean that it’s bad-terrible. I mean that it’s a book that I wish never had to be written. What is terrible, is mans inhumanity to man.
The story centres around the slaves on the Elizabeth Plantation (also known as ‘Empty’ to the slaves), and in particular, Samuel and Isaiah. They are betrayed by the other slaves, as if by revealing their love, it will make their lives safer. Of course this is not the case, as we see when we read the chapters centred around some of the other slaves. We learn about the inhumane treatment of the slaves by their immoral white owners (or toubabs, as they are called by their black slaves). I felt that the white people in this book had a mad, mentally unhinged quality about them: after all, how else could you reconcile treating human beings worse than animals?
I found the chapters written from the African people’s perspective, as they were free then captured and imprisoned, so interesting. It made them even more real to me. These were real people (as opposed to the animals that they were seen as by the slavers) with families, traditions, lives, loves and beliefs. The scenes on board the slave ships were harrowing.
It has taken me over a week to tackle this review. This book really affected me deeply, and there were many times that I had to put the book down and walk away. Then, I would feel guilty that I had the luxury of doing just that, unlike the slaves who lived every moment of their lives as some white mans possession to do with as he saw fit.
I can’t believe that this is a debut novel. The writing is beautiful, even in the most horrific moments. The magical elements add a suggestion of hope and the indomitable spirit of these people. And the ending is just perfection. I’m sure that this book will win awards - it SHOULD win - and I’m glad that I’ve had the opportunity to read it.
Many thanks to the publisher for granting me access to this book via NetGalley. It has been a privilege to read it.
The story centres around the slaves on the Elizabeth Plantation (also known as ‘Empty’ to the slaves), and in particular, Samuel and Isaiah. They are betrayed by the other slaves, as if by revealing their love, it will make their lives safer. Of course this is not the case, as we see when we read the chapters centred around some of the other slaves. We learn about the inhumane treatment of the slaves by their immoral white owners (or toubabs, as they are called by their black slaves). I felt that the white people in this book had a mad, mentally unhinged quality about them: after all, how else could you reconcile treating human beings worse than animals?
I found the chapters written from the African people’s perspective, as they were free then captured and imprisoned, so interesting. It made them even more real to me. These were real people (as opposed to the animals that they were seen as by the slavers) with families, traditions, lives, loves and beliefs. The scenes on board the slave ships were harrowing.
It has taken me over a week to tackle this review. This book really affected me deeply, and there were many times that I had to put the book down and walk away. Then, I would feel guilty that I had the luxury of doing just that, unlike the slaves who lived every moment of their lives as some white mans possession to do with as he saw fit.
I can’t believe that this is a debut novel. The writing is beautiful, even in the most horrific moments. The magical elements add a suggestion of hope and the indomitable spirit of these people. And the ending is just perfection. I’m sure that this book will win awards - it SHOULD win - and I’m glad that I’ve had the opportunity to read it.
Many thanks to the publisher for granting me access to this book via NetGalley. It has been a privilege to read it.
BankofMarquis (1832 KP) rated One Night in Miami (2020) in Movies
Apr 15, 2021
Keeps the audience at arms length
The issue when adapting a stage play to the screen is that, often times, the subject matter and style of the script does not lend itself to being “opened up”, what is powerful when sitting in a theater with the actors performing the piece in front of you can often times be seen as “flat” when it jumps to the screen.
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with ONE NIGHT IN MIAMI the Major Motion Picture Directorial debut of Oscar Winning Actress Regina King and based on the stage play by Kemp Powers. This film/play fictionalizes the true story of 4 powerful African American legends that meet up in a hotel room, one night in Miami.
And…this film feels like 4 people sitting in a hotel room talking - and that’s the problem with it. What should be powerful dialogue (and, I’m sure, IS powerful when seen live on stage) just doesn’t translate well enough on the screen, so the film just sits there demanding we pay attention, while not inviting us in to do so.
Since this is a story about 4 people sitting around talking, the acting needs to take center stage and hold our attention and, quite frankly, it just does not. Eli Goree as Cassius Clay, Aldis Hodge as Jim Brown and Leslie Odom, Jr. as Sam Cook are all “fine” in their roles, but they don’t rise above the script and direction. Odom gets an Oscar nod for his turn in this film, but I have to think that, maybe, it is as much for his turn in HAMILTON as it is in this film.
Only Kingsley Ben-Adir as Malcolm X shows a spark and draws an emotional response in this film and that might not be fair to the other actors for he has the flashier role with the most speeches.
The Direction by King and the Script by Kemp Powers (based on his stage play) has some moments, but never draws the audience in. It keeps everyone at arms length and doesn’t touch the soul.
The subject matter in this film is an important one, and depicts a pivotal time in American History, but other films do a better job of driving that point home by inviting the audience into the conversation.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) Aug 3, 2020