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TravelersWife4Life (31 KP) rated The Perfection in Love in Books
Feb 24, 2021
Have you ever just read a book and it felt … right? <i>The Perfection In Love</i> by Ronke Abidoye hit all the right notes for me. It was sweet, sarcastic, and REAL. Did I mention that it is her debut novel? I cannot even begin to imagine how God is going to use her as a writer!
Oyin and Henry’s story is one unmarried people can smile about and married people will remember with abashed fondness. It is a story about choosing to love every day, remembering that you both want each other to be happy, and that Two are better than One so we need to work together. Ronke Abidoye took this situation one step further and added in the stress of visiting family, old friends, and multicultural relationships. I especially enjoyed her portrayal of Oyin and Henry’s weaknesses they were frank and realistic in their insecurities and while I have never been in a multicultural relationship, I thought that Ronke Abidoye explained the situation very well and brought it down to parents needing to learn love and acceptance; and in Henry’s case learning to give up his insecurities. Because in the end we are all Sons and Daughters of the Most High.
I also enjoyed the continual turning to pray for answers by Henry and Oyin, it established an early reliance on faith and God to see things through. The pace and tension were done well and kept me unable to put the book down. A truly wonderful story. Plus, I loved the attention to detail through out the book from the tiny hearts to the <i>Yoruba</i> translated words, they were a unique addition that I wish more authors would do. I sincerely enjoyed this story and loved the unique perspective that Ronke Abidoye took. I definitely recommend reading this book if you like Victoria Bylin, or Beth Troy. 5 out of 5 stars.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
** Visit my IG for more indepth photos of the book! <a href="https://www.instagram.com/p/CIdM_omA3UL/">TravelersWife4Life</a>;
Oyin and Henry’s story is one unmarried people can smile about and married people will remember with abashed fondness. It is a story about choosing to love every day, remembering that you both want each other to be happy, and that Two are better than One so we need to work together. Ronke Abidoye took this situation one step further and added in the stress of visiting family, old friends, and multicultural relationships. I especially enjoyed her portrayal of Oyin and Henry’s weaknesses they were frank and realistic in their insecurities and while I have never been in a multicultural relationship, I thought that Ronke Abidoye explained the situation very well and brought it down to parents needing to learn love and acceptance; and in Henry’s case learning to give up his insecurities. Because in the end we are all Sons and Daughters of the Most High.
I also enjoyed the continual turning to pray for answers by Henry and Oyin, it established an early reliance on faith and God to see things through. The pace and tension were done well and kept me unable to put the book down. A truly wonderful story. Plus, I loved the attention to detail through out the book from the tiny hearts to the <i>Yoruba</i> translated words, they were a unique addition that I wish more authors would do. I sincerely enjoyed this story and loved the unique perspective that Ronke Abidoye took. I definitely recommend reading this book if you like Victoria Bylin, or Beth Troy. 5 out of 5 stars.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
** Visit my IG for more indepth photos of the book! <a href="https://www.instagram.com/p/CIdM_omA3UL/">TravelersWife4Life</a>;
Debbiereadsbook (1481 KP) rated Tofu Cowboy (Big Sky Cowboys #1) in Books
Oct 28, 2020
wonderful read
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Luke is hiding a secret from his brothers. He takes art classes, and this particular class has a live model today, Maddie. Maddie has a secret too, and it may just break her heart to tell Luke.
My first and lasting feeling about this book is CUTE! Not quite enough to tag it "too stinking cute" but it lands itself well and truly on the "warm and fuzzies" shelf.
It's mostly not too stinking cute simply because of the secret Maddie carries in her soul. It doesn't say it on the blurb, so I'm not saying it here, but it really does break your heart when she tells Luke about it. More so the reasons WHY its like this.
It's steamy, so steamy, but what I really liked about this one was, the time it takes for Luke and Maddie to get down and dirty. They WAIT. They both know it's inevitable they will be jumping into bed together, but they want to get to know each other, properly, before that happens, and I really rather loved that.
As well as the steam, there is emotions, so many emotional moments for such a short book. It's also funny. Maddie is witty and her and Luke banter off each other right from the start. It has some real, actual laugh out loud moments, and I rarely, I mean RARELY react verbally when I'm reading. So well played!
Loved the interaction between Luke and his brothers, but equally, loved that when they found Luke hurting, they shut that sh*t straight down and rallied around him, helping him get the girl of his dreams.
It says its 152 pages, I read it in just over an hour. A great, easy read, perfect for the bath tub or lunch break.
It also appears to be this author's debut novel. So Very VERY well done, one to watch. This is billed as the first in the Big Sky Romances series, I hope it covers Luke's brothers. Billy especially, cos even the little we saw of him here, I can tell he is hurting.
4 really REALLY good stars
**same worded review will appear elsewhere**
Luke is hiding a secret from his brothers. He takes art classes, and this particular class has a live model today, Maddie. Maddie has a secret too, and it may just break her heart to tell Luke.
My first and lasting feeling about this book is CUTE! Not quite enough to tag it "too stinking cute" but it lands itself well and truly on the "warm and fuzzies" shelf.
It's mostly not too stinking cute simply because of the secret Maddie carries in her soul. It doesn't say it on the blurb, so I'm not saying it here, but it really does break your heart when she tells Luke about it. More so the reasons WHY its like this.
It's steamy, so steamy, but what I really liked about this one was, the time it takes for Luke and Maddie to get down and dirty. They WAIT. They both know it's inevitable they will be jumping into bed together, but they want to get to know each other, properly, before that happens, and I really rather loved that.
As well as the steam, there is emotions, so many emotional moments for such a short book. It's also funny. Maddie is witty and her and Luke banter off each other right from the start. It has some real, actual laugh out loud moments, and I rarely, I mean RARELY react verbally when I'm reading. So well played!
Loved the interaction between Luke and his brothers, but equally, loved that when they found Luke hurting, they shut that sh*t straight down and rallied around him, helping him get the girl of his dreams.
It says its 152 pages, I read it in just over an hour. A great, easy read, perfect for the bath tub or lunch break.
It also appears to be this author's debut novel. So Very VERY well done, one to watch. This is billed as the first in the Big Sky Romances series, I hope it covers Luke's brothers. Billy especially, cos even the little we saw of him here, I can tell he is hurting.
4 really REALLY good stars
**same worded review will appear elsewhere**
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
Eastman Was Here
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Vanished in the Sun (Carlos & Mia #2)
4.0
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VANISHED in the SUN, second edition of this exhilarating romance thriller series by powerfully...
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Innocent Traitor
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I am now a condemned traitor . . . I am to die when I have hardly begun to live. Historical...
Just One Look
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A young woman’s escalating obsession with a seemingly perfect man leads her down a dangerous path...
This is an incredible debut novel. Yamaye is a young black woman who is immersed in the Dub music scene of the 1970s and 1980s. She spends her free time clubbing at The Crypt (it really is a crypt) where Dub music is the music that young black people all want to listen and dance to. Yamaye works so that she can go clubbing and buy the clothes that she wants to wear there (which all sound very cool, by the way).
But there’s a cloud that hangs over Yamaye’s life. Her mother left when she was young, and she has been raised by a father who seems thoroughly heartbroken by his wife’s departure. There’s also the spectre of racism and police brutality looming over her. Yamaye becomes involved in police brutality protests, and then becomes embroiled in a gang in Bristol, leaving London and her troubles there behind. Or so it seems, because it looked to me like she was just swapping one set of problems for another.
I loved this book, and I wish that it had come with a playlist on Spotify (the actual book may well have a playlist, but I read the NetGalley download) - but never fear! I went looking myself, and was ably assisted by my 16 year old drumming mad son. Now he LOVED the music, and regularly drums along to these new bands and songs that he has discovered for himself.
This is an engaging, exciting story with a vibrancy through its descriptions of inner London as much as those of rural Jamaica. The Jamaican patois was for me the icing on the cake. It made such a distinctive voice (quite literally!), and I soon fell into it’s rhythms.
It’s a book that reminded me of how I felt about music as a young woman (ok, it was different music, but still!) and how it crept into everything in my life.
Themes include: race, misogyny, police violence, oppression of people of colour, gangs, the legacy of slavery, music and belonging. At least these are the themes that I could pick out!
It’s an amazing book - just read it!
But there’s a cloud that hangs over Yamaye’s life. Her mother left when she was young, and she has been raised by a father who seems thoroughly heartbroken by his wife’s departure. There’s also the spectre of racism and police brutality looming over her. Yamaye becomes involved in police brutality protests, and then becomes embroiled in a gang in Bristol, leaving London and her troubles there behind. Or so it seems, because it looked to me like she was just swapping one set of problems for another.
I loved this book, and I wish that it had come with a playlist on Spotify (the actual book may well have a playlist, but I read the NetGalley download) - but never fear! I went looking myself, and was ably assisted by my 16 year old drumming mad son. Now he LOVED the music, and regularly drums along to these new bands and songs that he has discovered for himself.
This is an engaging, exciting story with a vibrancy through its descriptions of inner London as much as those of rural Jamaica. The Jamaican patois was for me the icing on the cake. It made such a distinctive voice (quite literally!), and I soon fell into it’s rhythms.
It’s a book that reminded me of how I felt about music as a young woman (ok, it was different music, but still!) and how it crept into everything in my life.
Themes include: race, misogyny, police violence, oppression of people of colour, gangs, the legacy of slavery, music and belonging. At least these are the themes that I could pick out!
It’s an amazing book - just read it!
Sim 299 (I Am Sleepless #1)
8.0
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Book
The planet Ethos is at war with a savage enemy known as the Splicers. Their only successful defense...
Young Adult Science Fiction Dystopian Mystery
Gareth von Kallenbach (980 KP) rated The Words (2012) in Movies
Aug 7, 2019
On paper, The Words is a film that is better suited as a literary novella. In print, we, as readers, are often granted insight to our characters thoughts and motivation that is frequently lost on film or delivered in a lackluster voiceover that most critics deem as lazy film making. Furthermore, the story within a story, within a story approach in film often leaves the audience with uninteresting shells of characters and can make a story forgettable at best.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.