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Heather Cranmer (2721 KP) rated Between the Devil and the Deep Blue Sea (Between, #1) in Books
Jun 6, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
This is a book I'd been wanting to read for awhile. The whole gothic horror thing really piqued my interest. While this wasn't my favorite horror story, it was still a good read. I've also seen some reviews saying that this book was a lot like the Twilight series by Stephenie Meyer but I didn't think it was.
I must admit that the title is what caught my attention first. I love it, and I find that it's a very fitting title for the book.
The cover is the next thing that caught my attention, and while I don't think it really fits in with the story, it's still an interesting cover.
I enjoyed the world building very much. However, a majority of characters in this book had really peculiar names like Violet White, River West, True White, Sunshine, etc. Maybe it was just a coincidence, but I still found it strange that they all had extraordinary names. I loved the back story of everything which helped to set up the world building very nicely. The one thing that kind of annoyed me was the insta-love between River and Violet.
The pacing did start off a bit slow, but I hung in there. By about the third chapter, the book reeled me in, and my attention was focused solely on finding out what was going to happen and if River was truly a bad boy or just misunderstood.
I felt that the plot had some originality to it. River moves in to Violet's guest house and suddenly a bunch of weird things start happening. I really want to elaborate more on the plot, but I also don't want to give anything away. Let's just say the plot deals with the paranormal and romance. There is a plot twist. There's also a sort of cliff hanger ending since there's a second book in the series.
As for the characters, I thought they were alright even if they did seem a bit older than their actual ages of 16 and 17. I liked how Violet wasn't ashamed to be different. She was odd, yes, but that's what I loved about her. She seemed, for the most part, to be comfortable in her own skin. I didn't really know what to make of River. He was very mysterious and he lied...a lot! This made me not trust him at all, yet Violet was perfectly happy to trust River. (Okay, so Violet had one annoying trait). I liked Luke, and I didn't feel that he was as mean to Violet as what Violet led us to believe. In fact, I thought he was quite nice and caring. He was a bit of a ladies man, but the kid is 17 years old after all. I liked how Neely was like the protector of everyone. He did have a bit of a temper, but he was willing to do whatever it took to protect his friends and family. The character I really had a problem with was Brodie. He's such a stereotypical Texan, and that's what really made me upset. He came across as an uneducated hillbilly. I really did feel offended by the author for her portrayal of Texans.
The dialogue sounds more fitting for an adult novel as the teenagers in the book speak like they are much older than their 16 and 17 years. As I stated in the above paragraph, I was offended by the character of Brodie. His speech was so stereotypical and offensive. I've never even heard anyone from Texas speak the way Brodie spoke, and I was born and raised here in Texas! I think the author should've done a bit more research about the dialogue and dialect of Texas instead of just stereotyping. Other than that, the dialogue flowed smoothly and freely. The book is fairly violent, and there are some mild sexual situations. There is some swearing as well.
Overall, Between the Devil and the Deep Blue Sea is an intriguing read with a great plot. The world building is interesting, and the characters are likable even if one was extremely offensive.
I'd recommend this book to those aged 16+ who are fans of gothic horror or just horror in general.
<b>I'd give Between the Devil and the Deep Blue Sea by April Genevieve Tucholke a 3.75 out of 5.</b>
(I purchased a hardcover copy of this book with my own money from Amazon. No review was required).
This is a book I'd been wanting to read for awhile. The whole gothic horror thing really piqued my interest. While this wasn't my favorite horror story, it was still a good read. I've also seen some reviews saying that this book was a lot like the Twilight series by Stephenie Meyer but I didn't think it was.
I must admit that the title is what caught my attention first. I love it, and I find that it's a very fitting title for the book.
The cover is the next thing that caught my attention, and while I don't think it really fits in with the story, it's still an interesting cover.
I enjoyed the world building very much. However, a majority of characters in this book had really peculiar names like Violet White, River West, True White, Sunshine, etc. Maybe it was just a coincidence, but I still found it strange that they all had extraordinary names. I loved the back story of everything which helped to set up the world building very nicely. The one thing that kind of annoyed me was the insta-love between River and Violet.
The pacing did start off a bit slow, but I hung in there. By about the third chapter, the book reeled me in, and my attention was focused solely on finding out what was going to happen and if River was truly a bad boy or just misunderstood.
I felt that the plot had some originality to it. River moves in to Violet's guest house and suddenly a bunch of weird things start happening. I really want to elaborate more on the plot, but I also don't want to give anything away. Let's just say the plot deals with the paranormal and romance. There is a plot twist. There's also a sort of cliff hanger ending since there's a second book in the series.
As for the characters, I thought they were alright even if they did seem a bit older than their actual ages of 16 and 17. I liked how Violet wasn't ashamed to be different. She was odd, yes, but that's what I loved about her. She seemed, for the most part, to be comfortable in her own skin. I didn't really know what to make of River. He was very mysterious and he lied...a lot! This made me not trust him at all, yet Violet was perfectly happy to trust River. (Okay, so Violet had one annoying trait). I liked Luke, and I didn't feel that he was as mean to Violet as what Violet led us to believe. In fact, I thought he was quite nice and caring. He was a bit of a ladies man, but the kid is 17 years old after all. I liked how Neely was like the protector of everyone. He did have a bit of a temper, but he was willing to do whatever it took to protect his friends and family. The character I really had a problem with was Brodie. He's such a stereotypical Texan, and that's what really made me upset. He came across as an uneducated hillbilly. I really did feel offended by the author for her portrayal of Texans.
The dialogue sounds more fitting for an adult novel as the teenagers in the book speak like they are much older than their 16 and 17 years. As I stated in the above paragraph, I was offended by the character of Brodie. His speech was so stereotypical and offensive. I've never even heard anyone from Texas speak the way Brodie spoke, and I was born and raised here in Texas! I think the author should've done a bit more research about the dialogue and dialect of Texas instead of just stereotyping. Other than that, the dialogue flowed smoothly and freely. The book is fairly violent, and there are some mild sexual situations. There is some swearing as well.
Overall, Between the Devil and the Deep Blue Sea is an intriguing read with a great plot. The world building is interesting, and the characters are likable even if one was extremely offensive.
I'd recommend this book to those aged 16+ who are fans of gothic horror or just horror in general.
<b>I'd give Between the Devil and the Deep Blue Sea by April Genevieve Tucholke a 3.75 out of 5.</b>
(I purchased a hardcover copy of this book with my own money from Amazon. No review was required).
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Movie Metropolis (309 KP) rated The Meg (2018) in Movies
Jun 10, 2019
Jurassic Shark
Ah the shark attack movie. A genre that has over the years changed itself from impactful horror suspense thriller to cheesy, throwaway popcorn entertainment. Apart from when Steven Spielberg changed cinema forever with his 1975 masterpiece, Jaws, audiences have been given few treats in the decades that followed.
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Emma @ The Movies (1786 KP) rated Black Water: Abyss (2020) in Movies
Aug 22, 2020
I don't know how I've never seen Black Water, but I saw the trailer for Abyss and it caught my eye so I'll be going back to check the first one out as they're usually better.
When Cash finds a cave while out searching for two missing hikers he invites his friends to explore it with him. Deep in the cave system they come upon a cavern, as they look around they're suddenly hit by a torrent of water and become trapped by the rising water... and they might not be alone.
Where to start... I love creature features, at this point that's common knowledge, but there are some that make me a little sad. Black Water: Abyss might be one of those. It has all the potential but somehow it wasn't engaging, perhaps it took itself a little too seriously?
It suffered from excessive length, or rather the perception of length as it had a runtime of just 1 hour 38 minutes. It felt a lot longer. 98 minutes would be a perfect length for this sort of film but this dragged on and on.
There's a tried and tested formula: group gets trapped, there's peril, group have to escape, most die or at least get maimed. 47 Meters Down, Deep Blue Sea, Crawl... I won't go on. It's a simple story that so many films before have done, it shouldn't have been hard to recreate.
The actors are all good. Luke Mitchell (Blindspot) and Jessica McNamee (The Meg) were both faces I recognised and their previous roles sat positively with me. They play Jen and Eric who are a happy couple on the surface but the tension builds, they work well together. Anthony J Sharpe as Cash givens off some heavy Murdock vibes, the slightly crazy character did lighten everything a little but I'm not sure if that's a good or a bad thing in the long run. Our other couple are Yolanda and Viktor (Amali Golden and Benjamin Hoetjes), they're made to be the opposites of Jen and Eric seemingly one particular line of dialogue in the middle. They didn't have the same presence but that wasn't really necessary.
CGI crocs. I'll give them some credit for the fact that there were a couple of shots where I couldn't say if they were CG, real or practical. For the most part though I wasn't excited by what I saw, there was a lot of eye and snout shots or just ripples in the water. The bigger shots were chaotic and mainly obscured by fast motion and water, when you do get a good view it doesn't gel with anything around it, the colourings in particular seem to be inconsistent with the light inside the cave.
There are a lot of leading shots that should help with suspense, but somehow don't. They're typical off-set characters with open space that make you think a croc is going to jump out, classic right? But it seems like they made a concerted effort to combat predictability by putting a few of those shots together and not using the first one for the scare... which had a negative effect for me. Part of the fun of these films is that you know something is coming and you can get a gratifying win from guessing what's going to happen, after a few thwarted attempts at that it became really frustrating and less than satisfying to watch.
Despite a lot of disappointment this isn't a bad film, swapping some of the drama for more action and giving the viewers a few "wins" would have easily made the runtime a bit more bearable. I did get a solid laugh out of it towards the end, perhaps it missed its calling as a comedy.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/black-water-abyss-movie-review.html
When Cash finds a cave while out searching for two missing hikers he invites his friends to explore it with him. Deep in the cave system they come upon a cavern, as they look around they're suddenly hit by a torrent of water and become trapped by the rising water... and they might not be alone.
Where to start... I love creature features, at this point that's common knowledge, but there are some that make me a little sad. Black Water: Abyss might be one of those. It has all the potential but somehow it wasn't engaging, perhaps it took itself a little too seriously?
It suffered from excessive length, or rather the perception of length as it had a runtime of just 1 hour 38 minutes. It felt a lot longer. 98 minutes would be a perfect length for this sort of film but this dragged on and on.
There's a tried and tested formula: group gets trapped, there's peril, group have to escape, most die or at least get maimed. 47 Meters Down, Deep Blue Sea, Crawl... I won't go on. It's a simple story that so many films before have done, it shouldn't have been hard to recreate.
The actors are all good. Luke Mitchell (Blindspot) and Jessica McNamee (The Meg) were both faces I recognised and their previous roles sat positively with me. They play Jen and Eric who are a happy couple on the surface but the tension builds, they work well together. Anthony J Sharpe as Cash givens off some heavy Murdock vibes, the slightly crazy character did lighten everything a little but I'm not sure if that's a good or a bad thing in the long run. Our other couple are Yolanda and Viktor (Amali Golden and Benjamin Hoetjes), they're made to be the opposites of Jen and Eric seemingly one particular line of dialogue in the middle. They didn't have the same presence but that wasn't really necessary.
CGI crocs. I'll give them some credit for the fact that there were a couple of shots where I couldn't say if they were CG, real or practical. For the most part though I wasn't excited by what I saw, there was a lot of eye and snout shots or just ripples in the water. The bigger shots were chaotic and mainly obscured by fast motion and water, when you do get a good view it doesn't gel with anything around it, the colourings in particular seem to be inconsistent with the light inside the cave.
There are a lot of leading shots that should help with suspense, but somehow don't. They're typical off-set characters with open space that make you think a croc is going to jump out, classic right? But it seems like they made a concerted effort to combat predictability by putting a few of those shots together and not using the first one for the scare... which had a negative effect for me. Part of the fun of these films is that you know something is coming and you can get a gratifying win from guessing what's going to happen, after a few thwarted attempts at that it became really frustrating and less than satisfying to watch.
Despite a lot of disappointment this isn't a bad film, swapping some of the drama for more action and giving the viewers a few "wins" would have easily made the runtime a bit more bearable. I did get a solid laugh out of it towards the end, perhaps it missed its calling as a comedy.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/black-water-abyss-movie-review.html
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Dive into the deep blue sea and rule over the ocean as a real Shark! For the first time ever, choose...