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Eleanor Luhar (47 KP) rated Cuckoo in Books
Jun 24, 2019
Sorry I haven't been writing any reviews for a while. Life's a little all over the place right now.
This was one of the books I picked up from the library without knowing anything about it, so I was pretty excited to read it. It was definitely different to what I expected; it's written in "episodes" but not quite like a script. It's more detailed and less firmly structured, but is from the point of view of the audience of the episodes (not any of the characters in the actual scene). The episodes are also acted by different people, who aren't necessarily the actual characters. This was really interesting; it made it more like a 'show' that Jake was putting on, but did get a bit confusing.
It was definitely a good book. I enjoyed reading it and was interested to discover what happened next. I quite liked Jake as a character, although he did come across as a little overdramatic. (Maybe I'm being harsh by saying this, but did he really need to run away from home and cause such a fuss?) I understand how the author is perhaps trying to convey the message that even actors and "successful" people have problems, but I just wasn't feeling it. I don't know. Maybe a different issue should have been explored.
The story is basically Jake's web-series after the soap "Market Square" is cancelled. After losing his job and income, his family is forced to move into a small flat. Jake can't cope, especially with his disabled brother and his father who's going through a bit of a mental breakdown, and so hops from one friends' house to another. Somehow this leads to his best friend hating him, and he continues to be bitter through the comments of the web-series.
Quick side note: The comments are a good touch, but felt really fake. I liked having the 'real-time' dialogue, but the messages didn't sound genuine/authentic at all to me.
Anyway, Jake ends up in some old woman's house, who turns out to have been a director. He helps bring her out of her extreme dementia, and in return she allows him to live with her.
It all seemed a bit too much, too extreme, for what it was. Jake ends up homeless at one point, and his friend is still being all grumpy at him and it just seemed a bit off to me. But I don't know, I might just be being way too harsh. Despite that, I did enjoy reading it. 3.5 stars.
This was one of the books I picked up from the library without knowing anything about it, so I was pretty excited to read it. It was definitely different to what I expected; it's written in "episodes" but not quite like a script. It's more detailed and less firmly structured, but is from the point of view of the audience of the episodes (not any of the characters in the actual scene). The episodes are also acted by different people, who aren't necessarily the actual characters. This was really interesting; it made it more like a 'show' that Jake was putting on, but did get a bit confusing.
It was definitely a good book. I enjoyed reading it and was interested to discover what happened next. I quite liked Jake as a character, although he did come across as a little overdramatic. (Maybe I'm being harsh by saying this, but did he really need to run away from home and cause such a fuss?) I understand how the author is perhaps trying to convey the message that even actors and "successful" people have problems, but I just wasn't feeling it. I don't know. Maybe a different issue should have been explored.
The story is basically Jake's web-series after the soap "Market Square" is cancelled. After losing his job and income, his family is forced to move into a small flat. Jake can't cope, especially with his disabled brother and his father who's going through a bit of a mental breakdown, and so hops from one friends' house to another. Somehow this leads to his best friend hating him, and he continues to be bitter through the comments of the web-series.
Quick side note: The comments are a good touch, but felt really fake. I liked having the 'real-time' dialogue, but the messages didn't sound genuine/authentic at all to me.
Anyway, Jake ends up in some old woman's house, who turns out to have been a director. He helps bring her out of her extreme dementia, and in return she allows him to live with her.
It all seemed a bit too much, too extreme, for what it was. Jake ends up homeless at one point, and his friend is still being all grumpy at him and it just seemed a bit off to me. But I don't know, I might just be being way too harsh. Despite that, I did enjoy reading it. 3.5 stars.
Kristy H (1252 KP) rated The Breakdown in Books
Jan 21, 2018
Predictable (1 more)
Silly plot
Cass is driving home one rainy night--taking the back road to her house--when she sees a woman stopped by the side of the road. Cass pauses to help her, but eventually drives home without making any contact. She feels bad about not assisting, but the crazy storm prevents her from even seeing who is in the car. It's only later that her husband tells her that someone was murdered that night, and Cass realizes that it was the same woman she saw. Eventually Cass realizes it was a woman she knew, Jane, and she feels even worse. After, Cass is consumed by Jane's murder. She feels watched and is convinced the murderer is calling her house repeatedly. She's forgetting things, unable to work her household appliances, and receiving items she swears she never ordered. Is Cass truly going crazy--and is the murderer coming for her next?
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
This book was a weird one for me. I'm one of the few who didn't read Paris' first novel, but I'd heard all the hype and was curious to try this one. The novel relies on the unreliable narrator trope big time; I was certainly befuddled early on whether Cass was indeed an unreliable narrator going mad, or whether someone was messing with her. The problem, for me, was that I was expecting an amazing thriller, but I found the novel rather predictable from the get-go. I figured things out early on. Still, I have to give it to Paris: I felt compelled to keep reading despite it all. The book is a page-turner, for sure.
However, the plot is based on silly secrets and a lack of communication (both huge pet peeves of mine). Cass won't go to the police about seeing Jane's car simply because she doesn't want to tell her husband she took a shortcut she promised she wouldn't take? Seriously? Her friend's life is worth less than that? Further, she won't tell anyone about her dementia fears and forgetfulness. It was very frustrating and often times, I found myself more baffled than intrigued by the mystery.
In the end, this was an interesting one. I found it very predictable and honestly felt like I'd read this novel already (I swear I've read a book with a very similar plot: something that will drive me crazy forever). Still, it was compulsively readable and easy-to-read. Overall, probably about 2.5 stars for me. However, it seems like most people loved this, so take my review with a grain of salt!
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
Kirk Bage (1775 KP) rated After Life in TV
Mar 3, 2020
As Ricky Gervais cheekily crow-barred in to his opening speech at the 2020 Golden Globes a few weeks ago, it is possible to watch all of After Life series one in less time than it takes to watch The Irishman. And that is exactly what I did; binged the whole thing on autoplay until it was done! Not to get it over with as soon as possible, but rather because it is hard to turn off – you just keep wanting more.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
It’s not a complicated idea – Tony’s wife has died of cancer and he wishes he was dead too. Surrounded by tedious work colleagues in a dead end job, a father in a home with dementia, and having only a very hungry dog to lean on, he is filled with such bitterness and grief that he decides there is no point not doing anything he wants and being as nasty as possible to all around him.
The show glides effortlessly between hilarious situations, filled with sharp dialogue / small moments of comedy genius, and genuinely sad moments that leave a lump in the throat. It is a trick Gervais has been honing in all his shows since The Office, and now he has it down to a work of art you just have to applaud. No matter how ridiculous, it always seems rooted in truth and real emotion. Each vitriolic outburst is written so well we empathise with Tony almost every time, because he is usually right; and when he isn’t right, that moment of awkwardness is used with almost preternatural understanding of the audience to demonstrate the point of the whole conceit.
It boils down to the truth that no matter how much you want to give up on life and people, you can’t forget that happiness is a gift. Not just yours, but anyone’s. And to go around being an arsehole, wallowing in self-pity is entirely selfish, even if you have good reason to be that way. Distilled into less than 3 hours in total, After Life is no less than a magic trick, in not only achieving the passing on of that message, but in entertaining us every single minute in the meantime!
Thinking of how to rate it, I just can’t find much fault in what it sets out to be. It isn’t a grand or expensive production, it feels humble and economical, but oh so very focused. Do we want more bells and whistles? Have we come to expect that from our entertainment now. Is that what is missing? I feel I would recommend this show to anyone, and am very much looking forward to a second season in the Spring, but I also feel like it doesn’t need to have its trumpet over-blown; it’s just a lovely, funny, simple show about being alive.
BankofMarquis (1832 KP) rated The Father (2020) in Movies
Apr 7, 2021
1st half is GREAT! The 2nd half? Not so much...
THE FATHER is one of those types of films that, generally, I would not seek out - except at Oscar time. A small, “drawing room” type of drama, based on a stage play and starring a couple of Oscar winning performers at it’s core.
And that is enough to make this film very entertaining and interesting…but, unfortunately…this piece of entertainment falls flat at the end, so one will have to be contented to watching a decent drawing room drama (based on a Stage play) starring 2 strong Oscar winning actors at it’s core.
Written and Directed by Florian Zeller, THE FATHER tells the tale of a…well…FATHER, who is aging and mentally deteriorating. His daughter is trying to aide him and bring him comfort, but his befuddled mind begins to see things (conspiracies) that are not there…or are they?
Zeller wrote the lead role, specifically for Anthony Hopkins and it is a very good thing that Hopkins agree to this role for he is in EVERY scene and commands this picture as only a performer of Hopkins stature and abilities can. Hopkins is, rightfully, nominated for this performance and could pull the upset (but I highly doubt it).
Strongly supporting him - in an Oscar nominated turn herself - as Olivia Colman as his daughter. She has the much less flashy - but no less important - role in this drama and Hopkins would not be as good as he is without her to play against.
Zeller (who was nominated for an Oscar for his Screenplay adaptation of his Stage Play) was smart to cast a strong ensemble of British Stage Actors for this film - Mark Gattis, Olivia Williams, Rufus Sewell and Imogen Poots are all strong, interesting people to watch on screen and they help bring an air of seriousness and gravitas to the proceedings.
The first half of this film is extremely fascinating to watch and I was intrigued by the premise, the direction, the script and the direction it seemed to be headed. But…unfortunately (at least for me) the 2nd half of the film (and I would imagine, the Stage Play) never, really capitalizes on the promise of the first half and THE FATHER just sorts of peters out in the end.
Which, I guess, you could say for the poor souls who suffer from dementia, but I don’t think that was the point that Zeller was trying to make.
Letter Grade: A- (did I mention that I really, really liked the first half)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is enough to make this film very entertaining and interesting…but, unfortunately…this piece of entertainment falls flat at the end, so one will have to be contented to watching a decent drawing room drama (based on a Stage play) starring 2 strong Oscar winning actors at it’s core.
Written and Directed by Florian Zeller, THE FATHER tells the tale of a…well…FATHER, who is aging and mentally deteriorating. His daughter is trying to aide him and bring him comfort, but his befuddled mind begins to see things (conspiracies) that are not there…or are they?
Zeller wrote the lead role, specifically for Anthony Hopkins and it is a very good thing that Hopkins agree to this role for he is in EVERY scene and commands this picture as only a performer of Hopkins stature and abilities can. Hopkins is, rightfully, nominated for this performance and could pull the upset (but I highly doubt it).
Strongly supporting him - in an Oscar nominated turn herself - as Olivia Colman as his daughter. She has the much less flashy - but no less important - role in this drama and Hopkins would not be as good as he is without her to play against.
Zeller (who was nominated for an Oscar for his Screenplay adaptation of his Stage Play) was smart to cast a strong ensemble of British Stage Actors for this film - Mark Gattis, Olivia Williams, Rufus Sewell and Imogen Poots are all strong, interesting people to watch on screen and they help bring an air of seriousness and gravitas to the proceedings.
The first half of this film is extremely fascinating to watch and I was intrigued by the premise, the direction, the script and the direction it seemed to be headed. But…unfortunately (at least for me) the 2nd half of the film (and I would imagine, the Stage Play) never, really capitalizes on the promise of the first half and THE FATHER just sorts of peters out in the end.
Which, I guess, you could say for the poor souls who suffer from dementia, but I don’t think that was the point that Zeller was trying to make.
Letter Grade: A- (did I mention that I really, really liked the first half)
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Roads Not Taken (2020) in Movies
Sep 15, 2020
Javier Bardem and Elle Fanning act their socks off (1 more)
Robbie Ryan cinematography is Oscar worthy
Pain and not a lot of Glory.
If you like your movies action packed you are going to dislike this movie. If you like light and uplifting stories you are going to positively loathe this one! For everyone else, "The Roads Not Taken" is a very thought-provoking piece of film-making from writer/director Sally Potter that I have a lot of respect for. Even more so, since I learned that the film is based on the director's time caring for her now deceased brother Nic, diagnosed with early onset dementia in 2010.
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
Kara Skinner (332 KP) rated Lady Danger in Books
Jun 12, 2019
Genre: Historical
Page Count: 368 pages
Average Goodreads Rating: 3.88/5 stars
My rating: 3.5/5 stars
When the Norman king gives Pagan the Rivenloch keep and a daughter of the current laird for a wife, he knows it’s too good to be true. Not only is Rivenloch’s laird suffering from dementia, but the two oldest daughters are not content to take on house-making duties like most women. Instead they are skilled fighters who command Rivenloch’s army. It isn’t long before Pagan realizes why the king chose him for Rivenloch. Only the strongest, most hardened men could conquer the Warrior Maids of Rivenloch.
Deidre isn’t about to give up her power to some Norman, even if he is supposed to be their ally. She’ll marry him to spare her sisters, but that doesn’t mean she’ll make it easy for him. She’ll conquer the Norman before he realizes it.
This book took awhile to get good, but I have to admit, both Pagan and Deidre have very realistic reactions and feelings considering the situation. Pagan comes from a very misogynistic society, so female warriors are unnatural to him. And Deidre sees Pagan as another enemy invading her territory and taking control. But their irrationality them makes them unlikeable at times.
I liked them, then I didn’t. Then I liked them again. Pagan’s devout honor and chivalry is admirable. Although he thinks in terms like “taming” and “conquering” Deidre, he would never actually force her or hurt her in any way. Nor does he want women to fear him. Seeing Miriel, the youngest sister, scared of him made him feel sick. Despite his flawed yet historically accurate upbringing, he does see the value in Deidre and Helena knowing how to fight after learning about the dangers they faced. But there’s so much misogyny in him. He actually thought Deidre would prefer having a man protect her than protecting herself, and he forbid her from sparring.
Of course, Deidre resents all the changes Pagan makes to Rivenloch, even though they were changes that desperately needed to be made. She also has deeply misguided views about sex and men. She planned to control Pagan through his lust by withholding sex, even denying her own desires. During this time, she considered him beating her and forcing her, but the idea that he would commit adultery never occurred to her, even though she repeatedly told him that she would never want him. However, I did enjoy watching Pagan’s massive ego get checked.
They drove me crazy, even though their emotions were realistic. However, after they put their absurdities aside and started working together, the story immediately improved. I loved them working in harmony and the fight scenes at the end were fantastic. Lady Danger is lame at first, but is worth the wait. Medieval romance fans will enjoy this book.
Page Count: 368 pages
Average Goodreads Rating: 3.88/5 stars
My rating: 3.5/5 stars
When the Norman king gives Pagan the Rivenloch keep and a daughter of the current laird for a wife, he knows it’s too good to be true. Not only is Rivenloch’s laird suffering from dementia, but the two oldest daughters are not content to take on house-making duties like most women. Instead they are skilled fighters who command Rivenloch’s army. It isn’t long before Pagan realizes why the king chose him for Rivenloch. Only the strongest, most hardened men could conquer the Warrior Maids of Rivenloch.
Deidre isn’t about to give up her power to some Norman, even if he is supposed to be their ally. She’ll marry him to spare her sisters, but that doesn’t mean she’ll make it easy for him. She’ll conquer the Norman before he realizes it.
This book took awhile to get good, but I have to admit, both Pagan and Deidre have very realistic reactions and feelings considering the situation. Pagan comes from a very misogynistic society, so female warriors are unnatural to him. And Deidre sees Pagan as another enemy invading her territory and taking control. But their irrationality them makes them unlikeable at times.
I liked them, then I didn’t. Then I liked them again. Pagan’s devout honor and chivalry is admirable. Although he thinks in terms like “taming” and “conquering” Deidre, he would never actually force her or hurt her in any way. Nor does he want women to fear him. Seeing Miriel, the youngest sister, scared of him made him feel sick. Despite his flawed yet historically accurate upbringing, he does see the value in Deidre and Helena knowing how to fight after learning about the dangers they faced. But there’s so much misogyny in him. He actually thought Deidre would prefer having a man protect her than protecting herself, and he forbid her from sparring.
Of course, Deidre resents all the changes Pagan makes to Rivenloch, even though they were changes that desperately needed to be made. She also has deeply misguided views about sex and men. She planned to control Pagan through his lust by withholding sex, even denying her own desires. During this time, she considered him beating her and forcing her, but the idea that he would commit adultery never occurred to her, even though she repeatedly told him that she would never want him. However, I did enjoy watching Pagan’s massive ego get checked.
They drove me crazy, even though their emotions were realistic. However, after they put their absurdities aside and started working together, the story immediately improved. I loved them working in harmony and the fight scenes at the end were fantastic. Lady Danger is lame at first, but is worth the wait. Medieval romance fans will enjoy this book.
Louise (64 KP) rated A Semi-Definitive List of Worst Nightmares in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
I read Krystal Sutherland’s debut novel earlier this year for my #beatthebacklist challenge and whilst it wasn’t great I decided to give this writer another chance. I usually give authors a second chance, I like to see how they develop and whether it’s just the story or characters that rubbed me up the wrong way.
I was pleasantly surprised with this book, I definitely think it is an improvement from her debut novel and will read further books of her’s if the blurb intrigues me.
This story follows Esther Solar, she is not your typical 17-year-old, she doesn’t conform to fashion trends and has her very own unique style of dressing up in costumes every day, one day she might be Audrey Hepburn, she might be a cow girl the next. She is not a popular girl and her family would maybe deemed eccentric or different from the norm.
Esther’s grandfather proclaimed that he met death (several times) since this revelation his family has had a bout of bad luck. Esther has a twin who is petrified of the dark and has all the lights and candles going continuously, her father is agoraphobic and hasn’t left the cellar for 6 years and her mother has a fear of bad luck. Esther deems herself as the normal one of the family, however that’s only because she has avoided anything she thinks might induce fear and so she creates a list, these are: Lobsters, small spaces and anything else she thinks of, this is her list of semi-definitive list of worst nightmares.
Esther comes in to contact with Jonah Smallwood, a boy who used to be in her class but then moved away to another school. Jonah seems to take a liking to Esther and keeps turning up at her door or the same part. They develop this friendship,when Jonah discovers Esther’s list he takes it upon himself to help conquer these so-called fears and live life fear free.
There were several things that I enjoyed about the book, one was I thought the characters were good and fleshed out, we got a back story to how they came to their current situation. I liked that there was a magical realism/supernatural element to the book. This book had its quirks and then also some serious topics such a phobia’s,anxiety,depression, gambling,child abuse, dementia, selective mutism and suicide. Whilst you might be thinking that is some heavy stuff, it doesn’t always feel like that through the book. Sutherland has managed to handle these heavy topics with a lot of care.
Sutherland’s writing style is easy to read but the pacing was a bit up and down and sometimes it just didn’t hold my attention. I would definitely recommend reading this book, however there are trigger warnings.
I read Krystal Sutherland’s debut novel earlier this year for my #beatthebacklist challenge and whilst it wasn’t great I decided to give this writer another chance. I usually give authors a second chance, I like to see how they develop and whether it’s just the story or characters that rubbed me up the wrong way.
I was pleasantly surprised with this book, I definitely think it is an improvement from her debut novel and will read further books of her’s if the blurb intrigues me.
This story follows Esther Solar, she is not your typical 17-year-old, she doesn’t conform to fashion trends and has her very own unique style of dressing up in costumes every day, one day she might be Audrey Hepburn, she might be a cow girl the next. She is not a popular girl and her family would maybe deemed eccentric or different from the norm.
Esther’s grandfather proclaimed that he met death (several times) since this revelation his family has had a bout of bad luck. Esther has a twin who is petrified of the dark and has all the lights and candles going continuously, her father is agoraphobic and hasn’t left the cellar for 6 years and her mother has a fear of bad luck. Esther deems herself as the normal one of the family, however that’s only because she has avoided anything she thinks might induce fear and so she creates a list, these are: Lobsters, small spaces and anything else she thinks of, this is her list of semi-definitive list of worst nightmares.
Esther comes in to contact with Jonah Smallwood, a boy who used to be in her class but then moved away to another school. Jonah seems to take a liking to Esther and keeps turning up at her door or the same part. They develop this friendship,when Jonah discovers Esther’s list he takes it upon himself to help conquer these so-called fears and live life fear free.
There were several things that I enjoyed about the book, one was I thought the characters were good and fleshed out, we got a back story to how they came to their current situation. I liked that there was a magical realism/supernatural element to the book. This book had its quirks and then also some serious topics such a phobia’s,anxiety,depression, gambling,child abuse, dementia, selective mutism and suicide. Whilst you might be thinking that is some heavy stuff, it doesn’t always feel like that through the book. Sutherland has managed to handle these heavy topics with a lot of care.
Sutherland’s writing style is easy to read but the pacing was a bit up and down and sometimes it just didn’t hold my attention. I would definitely recommend reading this book, however there are trigger warnings.
Full review can be found on: www.diaryofdifference.com
No Fourth River is a very powerful story about swimming up to surface, when the world is against you. A story about child abuse unlike anything else, and one very determined woman.
This is the second Audiobook I have listened to, with the first being Ready Player One. Two completely different experiences. It was disturbing listening to such a painful story for a while, and it took me a long time to finish it.
The story of Christine is so sad and so unique. She is being molested by her father in ways you could never imagine. She goes to boarding school and she is being bullied even by the nurses. She wets her bed every single day. And bad things keep happening, one after another, after another, until she is in her thirties and almost dies being beaten to almost-death by her husband.
And then she decides to change her life and to be the most successful woman.
At first, when I read the synopsis, the thing that thrilled me was the ill mother that suffered from dementia. I thought this book will revolve and focus on this point, but it didn’t. And I was very disappointed.
Then I manned up, and decided to continue listening, despite my unhappiness. It was a decent story, a powerful, motivational one, but not realistic. And it hurts me saying this, because this book is autobiography. Of course these terrible things happened. But I didn’t felt for the woman. Not in a way I usually would.
The writing was just about average, or maybe the woman reading in the audiobook was to blame. I will leave that up to you, who have listened to the audiobook, or choose to do so.
The character of this woman was honest, but I still can’t imagine how and why a person would stick to people that keep hurting her, despite everything. Even if love, even if forever after, I would not stay one more day with a person if he, for one moment, loses control and raises a hand over me. I would be out of the house in a minute, never returning back. A man would never hurt a woman. No matter what she could do, or couldn’t do. I can argue for hours, and I can admit being wrong, and I can cope with being yelled at, because I have done something stupid. But the moment the line is crosses, I would be out – FOREVER.
If you guys are looking for a story that will keep you thinking about whether you’ve made right decisions, this is a great book for you. A powerful success story of a woman that was brave enough to say NO (after a few years, that is) and brave enough to start building a new life. I recommend it, even though I personally did not really enjoy it a lot.
I have won this Audiobook as a giveaway from LibraryThing, and all my opinions are honest and completely unbiased.
No Fourth River is a very powerful story about swimming up to surface, when the world is against you. A story about child abuse unlike anything else, and one very determined woman.
This is the second Audiobook I have listened to, with the first being Ready Player One. Two completely different experiences. It was disturbing listening to such a painful story for a while, and it took me a long time to finish it.
The story of Christine is so sad and so unique. She is being molested by her father in ways you could never imagine. She goes to boarding school and she is being bullied even by the nurses. She wets her bed every single day. And bad things keep happening, one after another, after another, until she is in her thirties and almost dies being beaten to almost-death by her husband.
And then she decides to change her life and to be the most successful woman.
At first, when I read the synopsis, the thing that thrilled me was the ill mother that suffered from dementia. I thought this book will revolve and focus on this point, but it didn’t. And I was very disappointed.
Then I manned up, and decided to continue listening, despite my unhappiness. It was a decent story, a powerful, motivational one, but not realistic. And it hurts me saying this, because this book is autobiography. Of course these terrible things happened. But I didn’t felt for the woman. Not in a way I usually would.
The writing was just about average, or maybe the woman reading in the audiobook was to blame. I will leave that up to you, who have listened to the audiobook, or choose to do so.
The character of this woman was honest, but I still can’t imagine how and why a person would stick to people that keep hurting her, despite everything. Even if love, even if forever after, I would not stay one more day with a person if he, for one moment, loses control and raises a hand over me. I would be out of the house in a minute, never returning back. A man would never hurt a woman. No matter what she could do, or couldn’t do. I can argue for hours, and I can admit being wrong, and I can cope with being yelled at, because I have done something stupid. But the moment the line is crosses, I would be out – FOREVER.
If you guys are looking for a story that will keep you thinking about whether you’ve made right decisions, this is a great book for you. A powerful success story of a woman that was brave enough to say NO (after a few years, that is) and brave enough to start building a new life. I recommend it, even though I personally did not really enjoy it a lot.
I have won this Audiobook as a giveaway from LibraryThing, and all my opinions are honest and completely unbiased.
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Dianne Robbins (1738 KP) rated Still Alice in Books
Sep 3, 2018
I just finished reading a novel called Still Alice by Lisa Genova about Alice, who is diagnosed with early onset Alzheimer's disease in her early fifties. It's written from the point of view of the woman with the disease instead of the usual POV of a caretaker. With every page, as she fell deeper into the grips of the disease, I was convinced that I had early onset Alzheimer's. The phrases, it's a real page-turner or I couldn't put it down, are used so often that we forget that there are books that are actually like that. This one is. I had physical reaction to the book. I gasped in awe and terror. I laughed. I was fascinated by its beauty and terrified of the disease becoming a reality in my life someday. I cried. I got angry. I sighed with relief. I went through a whirlwind of emotion. It took my breath away. It should be required reading for everyone.
The novel is written so well that I become consumed by the author's thoughts and feelings and it really drew me in. After I finished the book, it took maybe a few days for me to realize it was just a book and not me losing my memory and my mind. I highly recommend the book, even if the subject matter may be scary to you, because you get a sense of how Alzheimer's robs a person of their thoughts and abilities and it will give you insight into how to treat loved one's and other victims of dementia and Alzheimer's. It was fascinating to learn how Alzheimer's ravages the different areas of the brain and what effect it has on the person. It explained what I always wondered, how can a person die from Alzheimer's. This IS NOT a spoiler. I am not saying that Alice dies in the book. Just that the mechanics of the disease is explain very well. It isn't just a novel for entertainment and enjoyment. It tells you about Alzheimer's inside out and as both Alice and her husband are scientists and Harvard professors, it doesn't dumb it down to the audience. It is not vague details but explicit facts that you will remember, that will change the way you think of Alzheimer's and aging and, dare I say, will change your life.
The character is a professor of psychology at Harvard (the author is also is a neuropsychologist or neuropsychiatrist. I forget which, oh, the irony! So she knows her stuff) and although at a few points, I thought it was far above my head, but when I really dug in and read the sentences a few times, it started to make sense and I think I learned something from it. I have fibromyalgia and arthritis so I have memory loss and cognitive thought issues and deal with so much pain in my life that it's difficult to understand new concepts, especially in the realm of academia. Other people may not have as much difficulty as I did getting through the scientific aspects of the disease and the vast influx of new information.
Sidenote: I was very happy to discover that the book has been made into a movie being released soon with Julianne Moore as the title character. That is one I will definitely see in the theater.
I'm so glad that the movie is made and will reach more people and expose them to early onset Alzheimer's.
Bravo to the author for taking us down the path, pain and beauty, yes, beauty of Alzheimer's.
The novel is written so well that I become consumed by the author's thoughts and feelings and it really drew me in. After I finished the book, it took maybe a few days for me to realize it was just a book and not me losing my memory and my mind. I highly recommend the book, even if the subject matter may be scary to you, because you get a sense of how Alzheimer's robs a person of their thoughts and abilities and it will give you insight into how to treat loved one's and other victims of dementia and Alzheimer's. It was fascinating to learn how Alzheimer's ravages the different areas of the brain and what effect it has on the person. It explained what I always wondered, how can a person die from Alzheimer's. This IS NOT a spoiler. I am not saying that Alice dies in the book. Just that the mechanics of the disease is explain very well. It isn't just a novel for entertainment and enjoyment. It tells you about Alzheimer's inside out and as both Alice and her husband are scientists and Harvard professors, it doesn't dumb it down to the audience. It is not vague details but explicit facts that you will remember, that will change the way you think of Alzheimer's and aging and, dare I say, will change your life.
The character is a professor of psychology at Harvard (the author is also is a neuropsychologist or neuropsychiatrist. I forget which, oh, the irony! So she knows her stuff) and although at a few points, I thought it was far above my head, but when I really dug in and read the sentences a few times, it started to make sense and I think I learned something from it. I have fibromyalgia and arthritis so I have memory loss and cognitive thought issues and deal with so much pain in my life that it's difficult to understand new concepts, especially in the realm of academia. Other people may not have as much difficulty as I did getting through the scientific aspects of the disease and the vast influx of new information.
Sidenote: I was very happy to discover that the book has been made into a movie being released soon with Julianne Moore as the title character. That is one I will definitely see in the theater.
I'm so glad that the movie is made and will reach more people and expose them to early onset Alzheimer's.
Bravo to the author for taking us down the path, pain and beauty, yes, beauty of Alzheimer's.