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Transplanted Evil
4
4.0 (1 Ratings)
Book Rating
61 of 220
Book siren’s review
Transplanted Evil
By Len Handleand
⭐️⭐️

Meet Elizabeth Bennington. A shy young girl raised in privilege with a distant and uncaring father and a doting and overly protective mother outside of Boston in the neighboring town of Charlestown. Yet, despite coming from wealth, Elizabeth was born with a congenital heart condition, leading to bullying at school, hopelessness, and a failed suicide attempt rescued by her parents. She is sent to Bourneville psychiatric hospital, where she undergoes transformative therapy sessions, dramatically improving her outlook on life. She is released after a year. But Elizabeth has a secret: she can see into the future and is haunted by recurring nightmares foreshadowing unspeakable acts of murder involving a mysterious young man with hair the color of a raven splattered with blood. Marty Bowles attends school with Elizabeth and is madly in love with her, almost obsessed with her. Marty’s propensity for violence at school, his depraved lust for killing stray animals, and his involvement with the black arts, including demonic worship, conjuring a demon named Kashgar, and possession, directly threaten her. Could Marty be the mysterious young man in her nightmares who will stop at nothing to gain her love and unite them with his sinister plan?

Oh this is a difficult one for me. I love the premise of the book it was really interesting and hard in some places I wanted to love it but found that Elizabeth’s side of things felt stilted and kinda forced where as Marty’s read better I got a little frustrated half way through wondering where it was going there was a lot things that didn’t need to be there.
BUT like I said the premise was really interesting and different.

I received an advance review copy for free, and I am leaving this review voluntarily.
  
Constantine (2005)
Constantine (2005)
2005 | Action, Horror, Mystery
8
6.9 (25 Ratings)
Movie Rating
The battle between Heaven and Hell has been chronicled numerous times on film. Ranging from the “Omen” and “Exorcist” series to the recent “Hellboy” and “End of Days”, Hollywood has never shied away from the struggle between good and evil and audiences have usually responded by attending in droves.

The latest entry into the genre is Constantine, which chronicles the exploits of supernatural detective John Constantine (Keanu Reeves), who is tasked to walk the line between good and evil to make sure that balance is maintained. John is a very troubled individual and his transactions with angels and demons have warped his views on life, humanity, and the afterlife.

Due to things in his past, John is trying to right his wrongs so he can gain a place in heaven, toward that end, the forces of Hell are trying there best to ensure that John is unable to gain redemption so they will be able to collect his soul, and repay him for all of their minions that he has vanquished over the years.

As if this was not bad enough, the rules between Heaven and Hell seem to be blurring as there is a growing demon presence on Earth which does not bode well for the future of humanity. It is learned that there is an agreement in place that there can be no direct contact, only influence to humans giving them the freedom to pick between good and evil and thus the fate of ones soul.

When a local detective named Angela (Rachael Weisz), contacts John, she is desperate to learn the truth behind her twin sister’s apparent suicide. Although skeptical at first, John soon learns that he and Angela have become players in a much larger game with the very fate of humanity dependant upon their actions.

Before long, John and Angela are facing off against legions of Hell’s minions as they attempt to save the soul of Angela’s sister and save humanity.

The film will be different things to many viewers as on one hand; some many take exception to the story and the bland tone and mannerisms of Reeves, as well as some of the films theological stances.

That being said, the film works, the action is good without being in your face as the computer generated effects enhance the film, complimenting the story and actors rather than upstaging them. The film has a murky look to it which sets the tone perfectly as this is not a happy movie filled with lovable people, instead it is a tail of people trying to do what is right and staying true to their beliefs though surrounded by temptations and numerous chances to stray.

Reeves plays Constantine as a man who is dedicated to what he does, but also shows us that he is unhappy with his life and past choices as they have forever haunted him. John is forced to do things he would rather not do as it is the only chance he has left at redemption and this has seen him deteriorate as he feels he is a tool that is being used with no end in sight.

Weisz does a good job with a very limited role as she is able to keep up with the action without falling prey to the damsel in distress mode that haunted her character in the “Mummy Films”. Singer Gavin Rossdale does a good job as the smarmy demon Balthazar who is a constant bane to John.

Despite the occasional hiccups with the plot and Reeves inability to show range or expressions, for the most part Constantine works and looks to be a good starting point for what is likely to be a franchise series for Warner Bros.
  
VC
Vampire Close
2
2.0 (1 Ratings)
Book Rating
I really hate to give negative reviews, but I'm sorry, this book needed a lot of work before it was published. Descriptions were over-the-top, the characters weren't fleshed out, and overall, the story should have been more filled out.

When I started this book, I felt like I missed the first fifteen minutes of a movie and I'm right in the middle of a scene, a bit lost; it was quite discombobulating. The main love interests, Fiona and Rory, are both Scottish and that's how it's written, so there's dinna, och, cannae, ken, etc., which really distracted from the story. Maybe if only one character spoke like that, it might have been bearable, but with two of them, it was just too much. Fiona herself was unlikeable, prejudiced, oblivious to her "sexpot" looks, and way to innocent to be believable for her age, while Rory's forceful, generally undesirable, and doesn't even seem like a vampire other than his fangs. What's really missing from the book is emotion. I felt nothing, other than mild dislike, for anyone or anything -- I just didn't care about these people. Joan, an American demon hunter and Euan, a Highland-born Brit (or "Sassenach" as Fiona disdainfully calls him) deacon, were slightly better at first, but there still was not enough shown for me to have a personal interest in them. The plot was vaguely described, and frankly, not very interesting. Nothing was shown, it was just told, mainly through an abundance of gabbing, so I never got the sense of urgency and the book just meandered into its finale.

I had a few other problems, but nothing that wouldn't give certain events away. Maybe die-hard paranormal romance fans will like this, but it became a chore to complete and I ended up disliking it the more I read, so it just wasn't for me.

Received for review through the Goodreads First Reads program.
  
The Nun (2018)
The Nun (2018)
2018 | Horror
Having nun of it
#thenunmovie is a camp & #silly mainstream #horror movie that while not great its still an enjoyable & ok watch. After hating every single film so far in the #thecounjuring universe I was tempted to boycott #nun, but after seeing it now I can say its the best film in the franchise (thats still not saying much really). Its defiantly a #fun watch but I wouldn't call it a horror at all (Commercial horror these days is more action orientated & Nun is no different). Relying on big set pieces full of #jumpscares & lots going on these films should be put in a new genre called 'Action Horror' they are essentially the #transformers of horror films. Although there is some awesome #creepy imagery here & some neat practical effects Nun fails at creating a creepy/unnerving atmosphere & the over use on poor cgi at times fails to keep the film feeling grounded. Sets also while impressive lack that dirty, grimey, damp, old, worn & lived in look making then feel like... well a set from a film. Everything's to perfect & neat & even lighting feels unrealistic too. Ideas/cinematography are all stolen straight from other horror films eg #darioargento films, #theexorcist or #nosferatu & while ok they are nothing in comparison. Acting is forgettable, either with characters either being over or under acted by the cast & half way into the film plot seems to be neglected in favour of set piece after set piece. I feel #TheNun will please its target audience (teenage girls looking for jump scares that will most likely talk throughout all the story & character development parts). While far from a good film its an ok film to watch if your not in the mood for thinking & want to see a nun that looks like #marilynmanson running round screaming at people. Oh & just a side note the ending is bad, like tacked on & abrupt bad. #odeon #odeonlimitless #filmbuff #filmreview #filmcritic #thursdaythoughts #gore #hell #conjuring #annabelle #ghost #demon #devil #exorcist #crusafix #satan
  
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Ross (3282 KP) rated Good Omens in TV

Jul 4, 2019  
Good Omens
Good Omens
2019 | Comedy, Sci-Fi
Broadly fine
I am a long-time fan of Terry Pratchett, and a more recent fan of Neil Gaiman, and yet it was only the release of the TV series that prompted me to finally read their joint effort. I thought the book was pretty good, lots of nice silly little jokes spread about, and a good plot keeping up momentum throughout.
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
  
Show all 4 comments.
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Madbatdan82 (341 KP) Jul 11, 2019

Whitehall was a bizarre choice

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Ross (3282 KP) Jul 12, 2019

Jack Whitehall didn't even play the typical Jack Whitehall character. He was fine as ... Adultery Pulsifer, but was dreadful as Newton Pulsifer.

To Look the Devil in the Eye (Broken Halos #5)
To Look the Devil in the Eye (Broken Halos #5)
Maya Daniels | 2019 | Paranormal, Romance
10
10.0 (1 Ratings)
Book Rating
To Look the Devil in the Eye is the penultimate book in the Broken Halos series, and MUST be read as part of the series, or it just won't make sense. This one starts where The Devil in Disguise left off.

Hel knows she needs to, but doesn't want to, help free her dad, Satanael. Eric always has her back and will do whatever he can to support her. Satanael needs to get to know his daughter, and quickly finds out she isn't prepared to just do as she is told, or accept what she knows is untrue.

As with the whole series so far, there is an awful load of sass and attitude, which I adore! I loved reading Maya Daniels' books as each of them has a strong female lead who doesn't take any c**p. Beezlebub is still my favourite demon (sorry Eric, but you're already taken!) but Colt has grown up in this one, and sticks up for Helena when no one else does. The Trowe, Narsi, also grows beyond belief in this book, but you really have to read it to understand.

Now, bearing in mind we only have one book left, you KNOW it's going to go out with a bang, on a humungous cliffhanger (because what else would Maya Daniels do?!). And I wasn't disappointed! Fair warning though, you will probably have to re-read the ending a couple of times, just to make sure you don't miss anything. That's it. I'm done for. Ms Daniels has me reading blurry words as my eyes are leaking. She has officially killed me with the ending to this book.

Do I recommend this book? Only by about 1000%. Just make sure you start at the beginning so you don't miss a single moment of attitude!

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
The Daylight War (The Demon Cycle #3)
The Daylight War (The Demon Cycle #3)
Peter V. Brett | 2019 | Science Fiction/Fantasy
8
8.9 (7 Ratings)
Book Rating
The Daylight War is the 3rd installment in the Demonwar Cycle by Peter V. Brett. It concerns a world (strongly hinted to be a future version of ours) that is plagued every night by demons that rise from the ground to kill the human population.

In the previous book (The Desert Spear) the rise of Jardir and his attempt to unite the humans by force was described, as was the continuing story of Arlen Bales, Leesha Paper and Roger Inn, the other major players in the story.

This book follows on immediately from the previous book. At the next new moon the demon princes are going to arrive in an attempt to destroy both Jardir and Arlen (both believed by many to be the fabled Deliverer) and both must prepare for the coming.

Most of the story follows Arlen and the people of Cutter's Hollow in their preparations for the next new moon. It also follows the return of Leesha and Roger to Cutter's Hollow following their journey to Everam's Bounty to stay with Jardir, and the many different threads that arise from that encounter and their return home.

As with the previous books the focus is on the characters involved, their interactions and personalities. Even more of the supporting cast is explored, with the main inhabitants of Cutter's Hollow and Jardir's inner circle becoming familiar to the reader. Conflicts and secrets between the characters abound with old feuds settled.

Again the writing is sublime with the descriptions and personalities of the characters a particular highlight. The scenes fighting demons are well written and Brett seems to have worked hard to produce something different in each one so they are never dull or predictable. The ending is brilliant and there are plenty of threads to pick up in the next installment.

Definitely recommended, but have patience it is a very long book.
  
SO
10
10.0 (1 Ratings)
Book Rating
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>

Shadow of the Fox by Julie Kagawa brings Japanese mythology and folklore to life, taking readers on an exciting journey through feudal Japan, Kagawa weaves together three characters from different backgrounds all while introducing readers to a wide variety of demons the characters come across. The novel follows these characters as a new age approaches and the Kami Dragon is summoned, granting a wish to the one who holds the pieces of the Dragon Scroll.

Shadow of the Fox is primarily told in the two perspectives of Yumeko and Tatsumi, with the occasional addition of a third. Yumeko is a half-kitsune, half-human raised at the Silent Winds temple to hide her true kitsune nature, though she is forced to flee after everyone is slaughtered by a demon who wants to retrieve a part of the scroll. Readers interested in seeing kitsune magic coming to life on the page may find themselves disappointed as Yumeko shows little of her magic and hides her true nature from her companions.

One of those companions includes Tatsumi, a samurai from the Shadow Clan ordered to bring the Dragon Scroll regardless of the cost. Raised as a weapon, Tatsumi is taught from a young age to hide all of his emotions and thoughts from those around him as doing so would pose a danger. Not able to accomplish his mission right away, he finds himself in an unlikely alliance with Yumeko and begins to question his upbringing.

The first novel in a stunning new series, Shadow of the Fox is a magical adventure with an ominous feel throughout and will have readers wanting the sequel to the story.

<a href="https://60secondsmag.com/review-shadow-of-the-fox/">This review was originally posted on 60 Seconds Online Magazine</a>.
  
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Pat Healy recommended The Killing (1956) in Movies (curated)

 
The Killing (1956)
The Killing (1956)
1956 | Crime, Drama, Film-Noir

"Outside of 2001: A Space Odyssey, these are my favorite Kubrick films. The Killing is a tense and lean noir starring the great Sterling Hayden and a cast of character actors (Marie Windsor, Elisha Cook Jr., Jay C. Flippen, Timothy Carey, et al.), each of whom possesses his or her own special brand of menace and pathos. The film’s dialogue is by the best crime writer who ever lived, Jim Thompson (who worked with Kubrick and Calder Willingham on Paths of Glory as well), and it’s the music in Kubrick’s nonlinear racetrack heist caper, which I think is the best noir ever made. Hayden is one of the most curious creatures to ever grace the screen. I can never take my eyes off him, and as gruff as he is, I always feel for him. The tragic, cosmic joke at the end of this movie will break your heart—even when you’re wondering why you wanted this bum to get away with the crime. Johnny Clay is the ultimate “beautiful loser.” Paths of Glory is, in my humble opinion, the finest war film ever made. While not concerned primarily with combat and focusing instead on its multilayered consequences, the drama is as explosive as any battlefield action you’ll ever see. It lays bare the blatant hypocrisy of the powers that be, who never get their hands dirty but put innocent and well-intentioned men in the trenches to fight their battles for them. Kubrick takes us through the trenches with dazzling tracking shots that show us the weathered faces of the men who fought the Great War, some of whom will later be brought to trial and executed for “cowardice” after not being able to pull off an impossible mission. Kirk Douglas has never been better. And if the final scene in the battered cabaret, featuring Kubrick’s future wife, Christiane, singing a German folk song, doesn’t destroy you completely, you are probably some hideous sun demon."

Source
  
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Pat Healy recommended Paths of Glory (1957) in Movies (curated)

 
Paths of Glory (1957)
Paths of Glory (1957)
1957 | Classics, Drama, War

"Outside of 2001: A Space Odyssey, these are my favorite Kubrick films. The Killing is a tense and lean noir starring the great Sterling Hayden and a cast of character actors (Marie Windsor, Elisha Cook Jr., Jay C. Flippen, Timothy Carey, et al.), each of whom possesses his or her own special brand of menace and pathos. The film’s dialogue is by the best crime writer who ever lived, Jim Thompson (who worked with Kubrick and Calder Willingham on Paths of Glory as well), and it’s the music in Kubrick’s nonlinear racetrack heist caper, which I think is the best noir ever made. Hayden is one of the most curious creatures to ever grace the screen. I can never take my eyes off him, and as gruff as he is, I always feel for him. The tragic, cosmic joke at the end of this movie will break your heart—even when you’re wondering why you wanted this bum to get away with the crime. Johnny Clay is the ultimate “beautiful loser.” Paths of Glory is, in my humble opinion, the finest war film ever made. While not concerned primarily with combat and focusing instead on its multilayered consequences, the drama is as explosive as any battlefield action you’ll ever see. It lays bare the blatant hypocrisy of the powers that be, who never get their hands dirty but put innocent and well-intentioned men in the trenches to fight their battles for them. Kubrick takes us through the trenches with dazzling tracking shots that show us the weathered faces of the men who fought the Great War, some of whom will later be brought to trial and executed for “cowardice” after not being able to pull off an impossible mission. Kirk Douglas has never been better. And if the final scene in the battered cabaret, featuring Kubrick’s future wife, Christiane, singing a German folk song, doesn’t destroy you completely, you are probably some hideous sun demon."

Source