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Andrew Kennedy (199 KP) rated The Conjuring 2 (2016) in Movies
Jun 6, 2021
Contains spoilers, click to show
The Conjuring 2 is based on the events of The Enfield poltergeist from 1977 the film however starts with the Warren's involvement with The Amityville incident it is during this that Lorraine has a vision of Ed dying.
In England a single mother of four is struggling to make ends meets for her family and then one of the daughters,Janet, starts to experience waking downstairs. It isn't long till it is established its a haunting. Various experts and skeptics alike decend on to the family home till during a TV interview Janet speaks as that of former home resident Bill Watkins.
This eventually brings in the church who contact the Warren's for them to assess whether its a hoax or not.
It is definitely presented as real. Lorraine is still troubled by her premonition of Eds demise but they seem to bond with the family.
Plenty of twists and scares and huge amount of atmosphere make this, dare I say it, a more enjoyable watch then the first Conjuring.
Of course this is based on a real life situation and all the players who were involved are represented in the film. However, the Warren's involvement was nowhere near as much as portrayed here (claims that no one even knew who Ed Warren was). In the end some believe its Britain's Amityville or a clever hoax by some teen girls, the film doesn't try to get into though there is a scene which eludes to the fact it could have been a hoax.
Patrick Wilson and Vera Farmiga are back as the Warren's and are both very good in there roles. It is however young Madison Wolfe as Janet who steals the show from confused, scared little girl to snarling demon. The TV interview scene she portrays the point where Janet is possessed superbly.
Special mention to Simon Mcburney for his portrayal of Maurice Grossae.
James Wan is a man who knows how to
In the end I give The Conjuring 2 top marks. A film I enjoyed immensely and actually preferred this to the original.
In England a single mother of four is struggling to make ends meets for her family and then one of the daughters,Janet, starts to experience waking downstairs. It isn't long till it is established its a haunting. Various experts and skeptics alike decend on to the family home till during a TV interview Janet speaks as that of former home resident Bill Watkins.
This eventually brings in the church who contact the Warren's for them to assess whether its a hoax or not.
It is definitely presented as real. Lorraine is still troubled by her premonition of Eds demise but they seem to bond with the family.
Plenty of twists and scares and huge amount of atmosphere make this, dare I say it, a more enjoyable watch then the first Conjuring.
Of course this is based on a real life situation and all the players who were involved are represented in the film. However, the Warren's involvement was nowhere near as much as portrayed here (claims that no one even knew who Ed Warren was). In the end some believe its Britain's Amityville or a clever hoax by some teen girls, the film doesn't try to get into though there is a scene which eludes to the fact it could have been a hoax.
Patrick Wilson and Vera Farmiga are back as the Warren's and are both very good in there roles. It is however young Madison Wolfe as Janet who steals the show from confused, scared little girl to snarling demon. The TV interview scene she portrays the point where Janet is possessed superbly.
Special mention to Simon Mcburney for his portrayal of Maurice Grossae.
James Wan is a man who knows how to
In the end I give The Conjuring 2 top marks. A film I enjoyed immensely and actually preferred this to the original.
Ross (3284 KP) rated Legacy of Ash in Books
Dec 21, 2020
Epic but too lengthy
A very ambitious debut novel, epic in scope, cast of characters and plot. However, I found myself struggling to pick it up too often.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
The book takes place in an empire with far-from-happy constituent parts and angry neighbours. The heirs of the traitorous Southweald "phoenix" are held captive as figureheads warning off any thoughts of rebellion. Meanwhile, a cliched corrupt council tries to keep the empire safe from impending invasion.
The book is filled with interesting magical creatures and abilities, with a demon, witches, crow-themed goth assassins and ancient spirits. These were at the fore nowhere near often enough, treated as curses and cast aside in favour of political plotting and old fashioned battle.
The first third of the book was awesome: learning about the richness of the world, its history, politics and magic. It really was set up to be an epic story of political intrigue, deception, plotting and underhand nastiness.
Sadly, this all lead to a battle sequence that lasted far too long. It was really like Joe Abercrombie had taken one of the First Law books and shoved The Heroes into the middle of it. I really struggled to get past this long, fairly boring conflict.
The second half of the book then calms down and focuses once again before taking a massive left-turn and changing to something very different.
As with many books of this size, the cast was massive and a number of characters not distinct enough to remember by name. And so many had such promising abilities to offer but were largely absent when they would have been so useful. It was like having a superstar in an amateur dramatic society and leaving them out of most of the script. Having said that, I once saw a pantomime with David Van Day in the cast and it was in everyone's best interests that he was largely absent.
The book finished well, but it was an 800-page book that read like a 1200-page one, taking me 5 weeks to read.
Eleanor Luhar (47 KP) rated The Girl of Ink & Stars in Books
Jun 24, 2019
This is quite a short YA novel, a standalone book that I just picked up on impulse. I immediately got the impression that this was aimed at slightly younger teens - the protagonist was only thirteen, so I didn't really connect that much. It's that awkward age where you think you're old, but you're not. I could imagine thirteen-year-old me would enjoy this quite a bit.
Isabella lives alone with her father, a skilled cartographer. Her mother and twin brother had passed away, leaving the two alone. The Governor had taken control of the land, and his daughter, Lupe, attended the same school as Isabella. The two were very close, and Isabella's angered outburst causes Lupe to run off into the Hidden Territories to prove she wasn't "rotten". A classmate of theirs had recently been found dead, and Lupe was going to find the killer.
Isabella, disguised as her deceased brother, shows Lupe's note to her father and a small group begin going after her, Isabella included. They follow a map passed down to Isabella's mother, through blackened forests scattered with bones. They do find Lupe, along with the Banished and, worst of all, the hell dogs from Isabella's favourite myth.
This myth turns out to play an important role in their journey, and Lupe discovers something about her father when he sacrifices himself to fend off the wolves. They face Yote himself - the mythical fire demon - and Isabella finds herself returning home without Lupe.
It is quite a young teen book, as I said, and the plot develops all because of Isabella calling Lupe's family "rotten". This drama and exaggeration is pretty typical of a children's/teen book, I find, and seemed a little immature to me. The writing was great, I just couldn't get over the simplicity and immaturity of the plot at times.
For a teen book, it was quite dark at times - a lot of death was included. The ending was both happy and sad, which is nice. I get quite fed up of too many happy endings. 3 stars.
Isabella lives alone with her father, a skilled cartographer. Her mother and twin brother had passed away, leaving the two alone. The Governor had taken control of the land, and his daughter, Lupe, attended the same school as Isabella. The two were very close, and Isabella's angered outburst causes Lupe to run off into the Hidden Territories to prove she wasn't "rotten". A classmate of theirs had recently been found dead, and Lupe was going to find the killer.
Isabella, disguised as her deceased brother, shows Lupe's note to her father and a small group begin going after her, Isabella included. They follow a map passed down to Isabella's mother, through blackened forests scattered with bones. They do find Lupe, along with the Banished and, worst of all, the hell dogs from Isabella's favourite myth.
This myth turns out to play an important role in their journey, and Lupe discovers something about her father when he sacrifices himself to fend off the wolves. They face Yote himself - the mythical fire demon - and Isabella finds herself returning home without Lupe.
It is quite a young teen book, as I said, and the plot develops all because of Isabella calling Lupe's family "rotten". This drama and exaggeration is pretty typical of a children's/teen book, I find, and seemed a little immature to me. The writing was great, I just couldn't get over the simplicity and immaturity of the plot at times.
For a teen book, it was quite dark at times - a lot of death was included. The ending was both happy and sad, which is nice. I get quite fed up of too many happy endings. 3 stars.
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Ross (3284 KP) rated The Siege of Abythos in Books
Nov 7, 2017
Poetry battle (2 more)
Poetry battle
Poetry battle
The third instalment in the Chronicles of the Black Gate series is the biggest yet, in terms of page count. The story follows the same PoV characters as previous books but their adventures are now covering so much more of the world and the storyline is becoming quite entangled.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.