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Adam Silvera recommended The Young Elites in Books (curated)
LeftSideCut (3778 KP) rated Justice League (2017) in Movies
Oct 11, 2019
Oof
I had a horrible horrible feeling that Justice League was going to be rubbish. After the double whammy of raw sewage that was BvS and Suicide Squad, my hopes for a third ensemble film weren't high at all.
The finished result was worse than I thought it was going to be be though...
Firstly, we will start with the characters - a collection of some of the finest heroes the world of comics has to offer.
Batman, who I thought was the best part about BvS, is relegated to a boring and tired waste, who acts as occasional comic relief. It doesn't help that at this point, Ben Affleck seems completely uninterested in even being involved (can't blame the guy).
After a pretty good solo outing, Wonder Woman has gone from an empowered female badass, to someone who mopes around about her ex boyfriend (but is still admittedly badass).
The Flash (one of my favourite DC characters) is LITERALLY useless from start to finish.
Cyborg has the remnants of a potential interesting back story, but the rushed nature of the whole affair gives us next to nothing there.
Aquaman isn't too bad, but is there, like Batman, for light comic relief whilst he shouts generic gym-bro nonsense everywhere.
Superman, when he turns up, is ok. Just not really given much to do - it's all just a big mess.
The villain of the piece is Steppenwolf, a bland, forgettable and generic CGI demon who has little-to-no impact as he shouts his way through the bare bones narrative.
Talking of the CGI, it's just not that great, again. I'm not sure how this keeps happening with the amount of money being pumped into these things?
The third act of the film is draped in CGI, and it all looks cheap! And I just can't get my head around it! Ahhhhh!
(I'm not even going to talk about Henry Cavill's now infamous and hideous CGI mouth)
When it comes to the DCEU, the better films have been the solo outings, and it really shows here - the three characters who had not yet appeared properly at this point (Cyborg, Aquaman, and The Flash) just seem hugely wasted in a movie that is obviously trying to play catch up with the MCU - something that's not necessary! DC has a wealth of great source material to draw from, and it's yet to be utilised properly!
It would seem that going forward, Warner Bros are concentrating more on these solo films, and judging by the putrid mess of Justice League, that's is definitely the right direction to go in.
The finished result was worse than I thought it was going to be be though...
Firstly, we will start with the characters - a collection of some of the finest heroes the world of comics has to offer.
Batman, who I thought was the best part about BvS, is relegated to a boring and tired waste, who acts as occasional comic relief. It doesn't help that at this point, Ben Affleck seems completely uninterested in even being involved (can't blame the guy).
After a pretty good solo outing, Wonder Woman has gone from an empowered female badass, to someone who mopes around about her ex boyfriend (but is still admittedly badass).
The Flash (one of my favourite DC characters) is LITERALLY useless from start to finish.
Cyborg has the remnants of a potential interesting back story, but the rushed nature of the whole affair gives us next to nothing there.
Aquaman isn't too bad, but is there, like Batman, for light comic relief whilst he shouts generic gym-bro nonsense everywhere.
Superman, when he turns up, is ok. Just not really given much to do - it's all just a big mess.
The villain of the piece is Steppenwolf, a bland, forgettable and generic CGI demon who has little-to-no impact as he shouts his way through the bare bones narrative.
Talking of the CGI, it's just not that great, again. I'm not sure how this keeps happening with the amount of money being pumped into these things?
The third act of the film is draped in CGI, and it all looks cheap! And I just can't get my head around it! Ahhhhh!
(I'm not even going to talk about Henry Cavill's now infamous and hideous CGI mouth)
When it comes to the DCEU, the better films have been the solo outings, and it really shows here - the three characters who had not yet appeared properly at this point (Cyborg, Aquaman, and The Flash) just seem hugely wasted in a movie that is obviously trying to play catch up with the MCU - something that's not necessary! DC has a wealth of great source material to draw from, and it's yet to be utilised properly!
It would seem that going forward, Warner Bros are concentrating more on these solo films, and judging by the putrid mess of Justice League, that's is definitely the right direction to go in.
Rachel King (13 KP) rated Black Magic Sanction (The Hollows, #8) in Books
Feb 11, 2019
This book was like one long game of fight-or-flight, mixed in with multiple escape plans when Rachel could not avoid getting caught. Being Rachel Morgan must be quite exhausting. Being eight books in now, I have been able to come up with many reasons why I enjoy reading this series so much. For starters, I love how Kim Harrison plays off of Clint Eastwood films for her book titles. I also love how each race of supernatural beings are so creatively developed to be both unique and intriguing, right down to the intimate biological makeup. I especially love how Rachel operates "by the seat of her pants" so to speak. Her instincts are nearly always spot on, and she's got reflexes that put a cat's to shame. Even though her deceased father inadvertedly put her in this position of power, able to change the course of history on her version of Earth, she still strives to be "normal" and refuses to be anyone's puppet.
This book was all about crossing moral lines for the right reasons and how far Rachel is willing to cross them to protect those she loves and be free herself. The plot was exciting and fast-paced almost from cover to cover, except for a sad note that had me shedding a few tears - even though the series has given the reader fair warning of what would eventually happen - as well as a hot-and-heavy interlude - because it wouldn't be a Rachel Morgan book without it. I love the mental, unvoiced quips that Rachel dreams up to convey her thoughts, which are so much more entertaining than just base cussing. Case in point: "Are frogs coming from the sun in shapeships, too?" How can a person not laugh at that? Jenks' frequent quips about Tinkerbell can be quite hilarious, too. The ending to the book holds quite a bit of promise for the next one, Pale Demon, especially in regards to Rachel's relationship with the elf, Trent. Speaking of relationships, I am rather intrigued by Al's obsession with Rachel, especially after he changed his appearance with his gargoyle Treble. While I admit my interest may be heavy on the icky, one must admit the potential for certain interludes is strong and highly possible, given what Rachel is becoming. Plus, Al makes no secret of his interest in Rachel, trying three times to convince her to move in the ever-after, though I have my suspicions that his interest is more than just physical. The close look that the reader got of the Coven of Moral and Ethical Standards shows some interesting possibilities given that Pierce is a past member of it. Oh the havoc that Rachel can cause will keep me interested in this series for as long as Kim Harrison keeps writing it!
This book was all about crossing moral lines for the right reasons and how far Rachel is willing to cross them to protect those she loves and be free herself. The plot was exciting and fast-paced almost from cover to cover, except for a sad note that had me shedding a few tears - even though the series has given the reader fair warning of what would eventually happen - as well as a hot-and-heavy interlude - because it wouldn't be a Rachel Morgan book without it. I love the mental, unvoiced quips that Rachel dreams up to convey her thoughts, which are so much more entertaining than just base cussing. Case in point: "Are frogs coming from the sun in shapeships, too?" How can a person not laugh at that? Jenks' frequent quips about Tinkerbell can be quite hilarious, too. The ending to the book holds quite a bit of promise for the next one, Pale Demon, especially in regards to Rachel's relationship with the elf, Trent. Speaking of relationships, I am rather intrigued by Al's obsession with Rachel, especially after he changed his appearance with his gargoyle Treble. While I admit my interest may be heavy on the icky, one must admit the potential for certain interludes is strong and highly possible, given what Rachel is becoming. Plus, Al makes no secret of his interest in Rachel, trying three times to convince her to move in the ever-after, though I have my suspicions that his interest is more than just physical. The close look that the reader got of the Coven of Moral and Ethical Standards shows some interesting possibilities given that Pierce is a past member of it. Oh the havoc that Rachel can cause will keep me interested in this series for as long as Kim Harrison keeps writing it!
Contains spoilers, click to show
First, let me say that I loved this book and have just one major issue with it—there is no second book! Even though the book was very good (although short) it left me with questions unanswered and wanting more. This is good considering not all books do so. Even though the book has been out for a little over a year, I was very sad to see there wasn't another one, and have even contemplated writing to the author to tell her how much I love her book and desire a second one. I have never felt so passionate about a novel as I do now.
The characters were lively and easy to understand for the most part. To be able to give Angels and Demons such different personalities that made you love, hate, or respect them in different ways was truly appreciated. I especially enjoyed how the story was told in Rebekah's point of view, so it was easy to understand how something could look and feel from an Angel's perspective. Especially with how much an Angel could see where are human's would not be able to see. I felt that having it from Rebekah's view allowed Reyna to be able to reflect more on how Rebakah and felt and why she felt so strongly one way or another. This was smart and allowed the reader to really understand her and the actions she took.
There was romance involved in the story, and I found it to be the perfect amount among all the mystery shrouding Miss Rebekah. With so many love interests, it made you wonder why she was so special and what could be the reason behind how she acted when it came to choosing a lover or sticking with one over another. However, the romance scenes were brief and only added to the story about Rebekah and Lucifer. It definitely allowed Lucifer's possessive side show and how if something would get in his way how he would react which were very nice touches.
I would have to say my favorite part of the story was seeing how someone who is so different from those around them and appears to be useless in planning things could come up with the best ideas for a battle. I also enjoyed how when someone cares deeply about another, they are willing to make sacrifices. I definitely think this book deserves 5 stars out of 5 stars and should have a follow-up book. Although it was very short, it was interesting and kept me wanting more and turning pages. I would recommend this book who is into the Angel, Demon, Heaven and Hell kind of books. It will definitely make allow you to see different views of the same kind of battle while keeping you highly entertained.
The characters were lively and easy to understand for the most part. To be able to give Angels and Demons such different personalities that made you love, hate, or respect them in different ways was truly appreciated. I especially enjoyed how the story was told in Rebekah's point of view, so it was easy to understand how something could look and feel from an Angel's perspective. Especially with how much an Angel could see where are human's would not be able to see. I felt that having it from Rebekah's view allowed Reyna to be able to reflect more on how Rebakah and felt and why she felt so strongly one way or another. This was smart and allowed the reader to really understand her and the actions she took.
There was romance involved in the story, and I found it to be the perfect amount among all the mystery shrouding Miss Rebekah. With so many love interests, it made you wonder why she was so special and what could be the reason behind how she acted when it came to choosing a lover or sticking with one over another. However, the romance scenes were brief and only added to the story about Rebekah and Lucifer. It definitely allowed Lucifer's possessive side show and how if something would get in his way how he would react which were very nice touches.
I would have to say my favorite part of the story was seeing how someone who is so different from those around them and appears to be useless in planning things could come up with the best ideas for a battle. I also enjoyed how when someone cares deeply about another, they are willing to make sacrifices. I definitely think this book deserves 5 stars out of 5 stars and should have a follow-up book. Although it was very short, it was interesting and kept me wanting more and turning pages. I would recommend this book who is into the Angel, Demon, Heaven and Hell kind of books. It will definitely make allow you to see different views of the same kind of battle while keeping you highly entertained.
Acanthea Grimscythe (300 KP) rated The Mansion in Books
Jan 31, 2019
The Mansion is a tale stricken with ghosts of the past–but not the sort that haunt. Rather, in this novel by Ezekiel Boone, much of the elements that one might describe as horrific simply don’t exist. If you’re picking up The Mansion to find out what goes wrong in an automated house, I’d suggest Dean Koontz’s Demon Seed instead because this story crawls at a dreadfully slow pace.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
Acanthea Grimscythe (300 KP) rated LOW in Books
Jan 31, 2019
I received a copy of LOW by Mike Duke in the mail a few months back and I’ve finally finished reading it–my health has gotten in the way not just once, but twice. For the most part, I enjoyed reading the book, but I do have a single bone to pick with it. You’ll see that towards the end of my review.
The two main characters are Mark Adams and Chad Bigleby. While Adams is a bit flat, Chad Bigleby is dynamic. Officer Adams is a good guy, through and through and does what’s right. Chad, on the other hand, is a man with no moral conscience. He’s a cheater, an abuser, and all around, a piece of shit. Mr. Phailees and Phobos are real pieces of work, showing that Duke’s definitely got the ability to create some pretty crazy characters.
Plotwise, the book is steady. There’s always something going on, even in the lulls between major events. That said, you might wonder why it took me so long to read the book if I found it interesting, and in that regard, I admit that I’ve been in a bit of a slump when it comes to reading. On top of that, I’ve had some severe concentration issues as of late.
I loved the way Duke writes his monsters. Some of them have a Lovecraftian feel to them, which I really like. Others are horrifying in other ways, such as Charon and Mortis which are demon-like and massive in their appearance.
Earlier I said I have a bone to pick, and here it is: the women in this book are unbelievably unrealistic. It’s because of this that I cannot give LOW a five-star rating. None of them are strong or independent, and for the most part, they seem like puppets controlled by their men. I would have liked to see Samantha stand up to Chad, or Amy grow a backbone despite her mistakes. It’s actually quite appalling how meek and sexualized the female characters are in this book. Granted, one of the points of view is from a misogynistic asshole of a man.
LOW is a good book and definitely falls into the horror category. In its pages, Mike Duke’s command of language is strong and his words come together beautifully to create a horrifying scene. It makes the reader question their own morality and wonder whether or not their sins would be so grievous as to be judged by Mr. Phailees. I know one thing for sure: I wouldn’t want to be at the wrong end of his bite.
I’d like to thank the author for providing me with a copy of this book for free in exchange for an honest review.
The two main characters are Mark Adams and Chad Bigleby. While Adams is a bit flat, Chad Bigleby is dynamic. Officer Adams is a good guy, through and through and does what’s right. Chad, on the other hand, is a man with no moral conscience. He’s a cheater, an abuser, and all around, a piece of shit. Mr. Phailees and Phobos are real pieces of work, showing that Duke’s definitely got the ability to create some pretty crazy characters.
Plotwise, the book is steady. There’s always something going on, even in the lulls between major events. That said, you might wonder why it took me so long to read the book if I found it interesting, and in that regard, I admit that I’ve been in a bit of a slump when it comes to reading. On top of that, I’ve had some severe concentration issues as of late.
I loved the way Duke writes his monsters. Some of them have a Lovecraftian feel to them, which I really like. Others are horrifying in other ways, such as Charon and Mortis which are demon-like and massive in their appearance.
Earlier I said I have a bone to pick, and here it is: the women in this book are unbelievably unrealistic. It’s because of this that I cannot give LOW a five-star rating. None of them are strong or independent, and for the most part, they seem like puppets controlled by their men. I would have liked to see Samantha stand up to Chad, or Amy grow a backbone despite her mistakes. It’s actually quite appalling how meek and sexualized the female characters are in this book. Granted, one of the points of view is from a misogynistic asshole of a man.
LOW is a good book and definitely falls into the horror category. In its pages, Mike Duke’s command of language is strong and his words come together beautifully to create a horrifying scene. It makes the reader question their own morality and wonder whether or not their sins would be so grievous as to be judged by Mr. Phailees. I know one thing for sure: I wouldn’t want to be at the wrong end of his bite.
I’d like to thank the author for providing me with a copy of this book for free in exchange for an honest review.
Jordan Binkerd (567 KP) rated Gideon's Angel in Books
Aug 15, 2019
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
I received my copy of Gideon’s Angel through the Goodreads FirstReads program. This in no way influences my review, except to ensure that I was able to get ahold of this book and thus review it. I have to say, I really enjoyed this one. I want to describe it as “steampunk,” but my understanding is that steampunk is usually set in the 1800s (or at least that level of tech and society) whereas this work is firmly set in 1653. If there’s already a term for pseudo-historical fiction with a fantasy touch set in that timeframe, I apologize for not knowing what it is and using it accordingly.
Things are not going well for Richard Treadwell. The English Civil War is over, the King’s Cavaliers lost to the forces of Parliament and Oliver Cromwell, and Charles I has been executed. Treadwell has managed to escape the destruction of his cause, and has spent the past eight years in exile in France, performing a delicate balancing act between loyalty to his exiled king* and his employer, Cardinal Mazarin. When Mazarin informs him that someone is using the forces of Hell to tip the balance in their favor and asks him to spy on the exile court to find out if it is one of the king’s supporters, Treadwell decides that it’s time to get out of Paris. He accepts a mission for one of the king’s more militant supporters that will take him back to his beloved England–to lead a Royalist uprising, one last try to oust Cromwell and his Puritan cronies. Treadwell has other business to tend to as well, including a wife who by now probably considers herself a widow. Unfortunately for Treadwell’s simple worldview, it soon becomes clear that Cromwell’s power is the only thing preventing the more radical Puritan elements from running roughshod over the whole country. Worse still, a demon from the pits of Hell has appeared to a radical Puritan sect masquerading as an angel of light and ordering the death of Cromwell so that the Kingdom of God may be fulfilled. Now instead of assassinating Cromwell Treadwell will be forced to save him–if he can find a way to fight the forces of Hell, gain some allies in his quest, and avoid d’Artagnan, a young Musketeer dispatched by the Cardinal to bear him back to Paris….
I really enjoyed this book. It’s not exactly “high literature,” but I think I’ve very well established that I care far more about a work’s entertainment value than whatever it is critics look for. The world Beal creates here feels very real, slipping in background historical information without making you feel like you’ve been lectured. Some readers will probably wish for more background on the English Civil War, and that’s fine. If they care that much, there are numerous good books on the subject. If they don’t, there’s a Wikipedia article that should give you a good rundown on what happened. Beal manages to evoke seventeenth-century London in all its grimy glory, much as it would have actually been aside from the fact that all the magic we dismiss as superstition is actually going on behind the scenes. Moreover, this magic very much resembles what you would find depicted in the folklore of the era without obvious modern embellishment. I’m not really all that well versed in the history of the Freemasons, so I can’t accurately speak to how they were portrayed here except to say that I very much doubt their claim to date back to the builders of the pyramids. Then again, I doubt they have the tools to summon demons too, so maybe I shouldn’t be too critical. Secondary characters generally proved to be interestingly complex, especially Billy Chard, but I am seeing criticism of how the female characters in the book act. They aren’t weak characters by any means, but they are constrained by their roles in society. Treadwell’s wife has pragmatically joined her fate to that of the officer who took over Treadwell’s land when he was banished and is pregnant with his child. Is she weak for this? Or is she a strong female doing what she has to in order to protect what is left of her family? Treadwell’s Parisian mistress follows him to England rather than stay in Paris and face the scandal of their liasion alone. Weak, for needing Treadwell by her side? Or strong, for following him into whatever dangers he may be facing? Finally, Isabelle decides to follow her father and the rest of Treadwell’s band into battle against the forces of Darkness, deciding that it would be better to fall by his side than live on without him. Possibly a sign of weakness, but look at her situation realistically. She and her father were driven from Spain for their Jewish heritage, her mother dying along the way. Jews do not fare well in the Christian world of the seventeenth century, not even in England. The lot of a young woman alone in the world is already hard enough in this time without adding the burden of religious and ethnic persecution. She would have no respectable means of supporting herself, and could conceivably find herself forced into prostitution–on her own if she was lucky, as no more than a slave if she was not. Is preferring death in battle to such a fate a sign of weakness or of strength? She certainly has no trouble speaking her mind, and in fact berates Treadwell severely for endangering her father when they first meet. I suppose I can understand where some people would find these characters and their portrayal to be weak and sexist, but I respectfully disagree. I submit that instead they are strong characters reacting realistically to a world where women are not treated equally–in fact, I would have more of a problem with them if they demonstrated anachronistic modern sensibilities.** The ending was a little deus ex machina, but on the whole I didn’t mind. I would say that I want to read a sequel, but I don’t think the author could come up with anything to top this in terms of personal impact on the characters–Treadwell’s internal conflict between hating Cromwell and having to save him is very well done, and I fear Beal would prove unable to find something equally interesting as a follow up. We never really got to find out what happened to Treadwell back during the Thirty Years War that introduced him to the world of angels and demons, so I could see maybe writing that up….I’d buy it, anyway.
CONTENT: R-rated language, occasionally harsh but I would argue not gratuitous. Moderately explicit sexual content, as you would expect from a work in this vein.*** A fair amount of violence, from both man and demon. Not usually too gory in its description. There is also a good deal of occult content, as the villains are summoning a demon they believe to be an angel. This demon’s lesser minions dog Treadwell and his friends, and there are multiple encounters with them. One is implied to be a golem, others appear as strange amalgamations of beast(s) and man. For me, this is adequately balanced by the recognition that, as powerful as the forces of Darkness are, God is far more powerful than they. Bottom line: if you’re mature enough to handle the other content, I don’t believe the occult elements should prove to be an issue.
*Charles I was executed, while his son Charles II went into exile. Just in case you were concerned with the historical accuracy of the book. So far as I can tell, this is pretty accurate. You know, aside from the demons and fictional characters roaming London…..
**Please understand, I’m neither defending nor endorsing the inequality of the seventeenth century. Neither is Clifford Beal, for that matter. I’m simply pointing out that it was how it was, and this was the world the characters would have come from. I’m all for equality, but to whitewash history and pretend it was different from it was….that way lies dangerous waters.
***This evokes more than anything a supernatural-tinged Alexandre Dumas novel for me….and you know how bawdry his musketeers could be when they wanted to be.
Original post: https://jordanbinkerd.wordpress.com/2013/10/24/review-gideons-angel-by-clifford-beal/
I received my copy of Gideon’s Angel through the Goodreads FirstReads program. This in no way influences my review, except to ensure that I was able to get ahold of this book and thus review it. I have to say, I really enjoyed this one. I want to describe it as “steampunk,” but my understanding is that steampunk is usually set in the 1800s (or at least that level of tech and society) whereas this work is firmly set in 1653. If there’s already a term for pseudo-historical fiction with a fantasy touch set in that timeframe, I apologize for not knowing what it is and using it accordingly.
Things are not going well for Richard Treadwell. The English Civil War is over, the King’s Cavaliers lost to the forces of Parliament and Oliver Cromwell, and Charles I has been executed. Treadwell has managed to escape the destruction of his cause, and has spent the past eight years in exile in France, performing a delicate balancing act between loyalty to his exiled king* and his employer, Cardinal Mazarin. When Mazarin informs him that someone is using the forces of Hell to tip the balance in their favor and asks him to spy on the exile court to find out if it is one of the king’s supporters, Treadwell decides that it’s time to get out of Paris. He accepts a mission for one of the king’s more militant supporters that will take him back to his beloved England–to lead a Royalist uprising, one last try to oust Cromwell and his Puritan cronies. Treadwell has other business to tend to as well, including a wife who by now probably considers herself a widow. Unfortunately for Treadwell’s simple worldview, it soon becomes clear that Cromwell’s power is the only thing preventing the more radical Puritan elements from running roughshod over the whole country. Worse still, a demon from the pits of Hell has appeared to a radical Puritan sect masquerading as an angel of light and ordering the death of Cromwell so that the Kingdom of God may be fulfilled. Now instead of assassinating Cromwell Treadwell will be forced to save him–if he can find a way to fight the forces of Hell, gain some allies in his quest, and avoid d’Artagnan, a young Musketeer dispatched by the Cardinal to bear him back to Paris….
I really enjoyed this book. It’s not exactly “high literature,” but I think I’ve very well established that I care far more about a work’s entertainment value than whatever it is critics look for. The world Beal creates here feels very real, slipping in background historical information without making you feel like you’ve been lectured. Some readers will probably wish for more background on the English Civil War, and that’s fine. If they care that much, there are numerous good books on the subject. If they don’t, there’s a Wikipedia article that should give you a good rundown on what happened. Beal manages to evoke seventeenth-century London in all its grimy glory, much as it would have actually been aside from the fact that all the magic we dismiss as superstition is actually going on behind the scenes. Moreover, this magic very much resembles what you would find depicted in the folklore of the era without obvious modern embellishment. I’m not really all that well versed in the history of the Freemasons, so I can’t accurately speak to how they were portrayed here except to say that I very much doubt their claim to date back to the builders of the pyramids. Then again, I doubt they have the tools to summon demons too, so maybe I shouldn’t be too critical. Secondary characters generally proved to be interestingly complex, especially Billy Chard, but I am seeing criticism of how the female characters in the book act. They aren’t weak characters by any means, but they are constrained by their roles in society. Treadwell’s wife has pragmatically joined her fate to that of the officer who took over Treadwell’s land when he was banished and is pregnant with his child. Is she weak for this? Or is she a strong female doing what she has to in order to protect what is left of her family? Treadwell’s Parisian mistress follows him to England rather than stay in Paris and face the scandal of their liasion alone. Weak, for needing Treadwell by her side? Or strong, for following him into whatever dangers he may be facing? Finally, Isabelle decides to follow her father and the rest of Treadwell’s band into battle against the forces of Darkness, deciding that it would be better to fall by his side than live on without him. Possibly a sign of weakness, but look at her situation realistically. She and her father were driven from Spain for their Jewish heritage, her mother dying along the way. Jews do not fare well in the Christian world of the seventeenth century, not even in England. The lot of a young woman alone in the world is already hard enough in this time without adding the burden of religious and ethnic persecution. She would have no respectable means of supporting herself, and could conceivably find herself forced into prostitution–on her own if she was lucky, as no more than a slave if she was not. Is preferring death in battle to such a fate a sign of weakness or of strength? She certainly has no trouble speaking her mind, and in fact berates Treadwell severely for endangering her father when they first meet. I suppose I can understand where some people would find these characters and their portrayal to be weak and sexist, but I respectfully disagree. I submit that instead they are strong characters reacting realistically to a world where women are not treated equally–in fact, I would have more of a problem with them if they demonstrated anachronistic modern sensibilities.** The ending was a little deus ex machina, but on the whole I didn’t mind. I would say that I want to read a sequel, but I don’t think the author could come up with anything to top this in terms of personal impact on the characters–Treadwell’s internal conflict between hating Cromwell and having to save him is very well done, and I fear Beal would prove unable to find something equally interesting as a follow up. We never really got to find out what happened to Treadwell back during the Thirty Years War that introduced him to the world of angels and demons, so I could see maybe writing that up….I’d buy it, anyway.
CONTENT: R-rated language, occasionally harsh but I would argue not gratuitous. Moderately explicit sexual content, as you would expect from a work in this vein.*** A fair amount of violence, from both man and demon. Not usually too gory in its description. There is also a good deal of occult content, as the villains are summoning a demon they believe to be an angel. This demon’s lesser minions dog Treadwell and his friends, and there are multiple encounters with them. One is implied to be a golem, others appear as strange amalgamations of beast(s) and man. For me, this is adequately balanced by the recognition that, as powerful as the forces of Darkness are, God is far more powerful than they. Bottom line: if you’re mature enough to handle the other content, I don’t believe the occult elements should prove to be an issue.
*Charles I was executed, while his son Charles II went into exile. Just in case you were concerned with the historical accuracy of the book. So far as I can tell, this is pretty accurate. You know, aside from the demons and fictional characters roaming London…..
**Please understand, I’m neither defending nor endorsing the inequality of the seventeenth century. Neither is Clifford Beal, for that matter. I’m simply pointing out that it was how it was, and this was the world the characters would have come from. I’m all for equality, but to whitewash history and pretend it was different from it was….that way lies dangerous waters.
***This evokes more than anything a supernatural-tinged Alexandre Dumas novel for me….and you know how bawdry his musketeers could be when they wanted to be.
Original post: https://jordanbinkerd.wordpress.com/2013/10/24/review-gideons-angel-by-clifford-beal/
Paul Kellett (118 KP) rated Shadows of Malice in Tabletop Games
May 8, 2019
Great framework for narrating an adventure (2 more)
Good solo game
Interesting mechanisms
A lot of fiddly tokens (1 more)
Slightly heavy rules
A different take on the adventure board game
Shadows of Malice is an interesting take on the adventure game. Aside from the introduction explaining that you are heroes on a quest to find and activate mystical light wells and defeat the demon and his shadows before they can break through from the shadow realm and capture the wells for evil, there is no fancy artwork, immersive flavour text or even the well known fantasy monsters.
Instead, you get plain cards with simple line art and either just an icon/dice modifier or a short line of text explaining the effect. These cards are items of armour, weapons or other loot, potions, skill masteries, fate effects or abilities. A selection of these make up your character. Again, there are no defined heroes, you can be whatever you fancy being.
When you encounter a monster you roll 3d6 against a chart which will define the creature's species and its strength. Creature types are things like "Avian" and "Reptilian" so you can imagine fighting a dinosaur, a giant eagle or whatever fantastic creature you desire.
This makes the game a great framework to roleplay in. You are never stuck encountering the same things again and again. On the minus side, if you don't have a good imagination, it boils down to just rolling dice and beating target numbers. If you want a game to give you a story to follow, SoM is not that game.
The rules are good, if a little heavy but after a game or two it should soon click and it's mostly straight forward. The designer has recently just uploaded a revised rulebook to BGG which streamlines a number of things.
SoM comes with 4 large landscape hex tiles plus a shadow realm tile and you can choose any number of tiles to arrange in any position around the shadow realm tile. Each tile is divided into a number of smaller hexes with varying terrain and locations printed on them. This is the world you will be exploring and, despite being tiny compared to other game boards, each tile adds about an hour to the play time.
Gameplay involves exploring the land fighting creatures, gaining loot, visiting cities to trade goods or mystic seers to buy potions while searching for the special light wells that you must take control of.
In between player turns, the shadows act. They begin confined to the shadow realm but as the rounds progress, barriers fall and the shadows are more likely to find a way out to manifest in the land. Once there they start searching for the light wells and it's game over if they get to them first .
This makes for a tense cat and mouse with your heroes racing to either get to a well or intercept the demons on route.
Instead, you get plain cards with simple line art and either just an icon/dice modifier or a short line of text explaining the effect. These cards are items of armour, weapons or other loot, potions, skill masteries, fate effects or abilities. A selection of these make up your character. Again, there are no defined heroes, you can be whatever you fancy being.
When you encounter a monster you roll 3d6 against a chart which will define the creature's species and its strength. Creature types are things like "Avian" and "Reptilian" so you can imagine fighting a dinosaur, a giant eagle or whatever fantastic creature you desire.
This makes the game a great framework to roleplay in. You are never stuck encountering the same things again and again. On the minus side, if you don't have a good imagination, it boils down to just rolling dice and beating target numbers. If you want a game to give you a story to follow, SoM is not that game.
The rules are good, if a little heavy but after a game or two it should soon click and it's mostly straight forward. The designer has recently just uploaded a revised rulebook to BGG which streamlines a number of things.
SoM comes with 4 large landscape hex tiles plus a shadow realm tile and you can choose any number of tiles to arrange in any position around the shadow realm tile. Each tile is divided into a number of smaller hexes with varying terrain and locations printed on them. This is the world you will be exploring and, despite being tiny compared to other game boards, each tile adds about an hour to the play time.
Gameplay involves exploring the land fighting creatures, gaining loot, visiting cities to trade goods or mystic seers to buy potions while searching for the special light wells that you must take control of.
In between player turns, the shadows act. They begin confined to the shadow realm but as the rounds progress, barriers fall and the shadows are more likely to find a way out to manifest in the land. Once there they start searching for the light wells and it's game over if they get to them first .
This makes for a tense cat and mouse with your heroes racing to either get to a well or intercept the demons on route.
Zuky the BookBum (15 KP) rated The Merciless in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/the-merciless-by-danielle-vega
<b><i>Forgive us, Father, for we have sinned.</b></i>
Well, well, well, what can I say? This thoroughly disappointed me, after giving it some more thought, Ive taken this down to 2 stars.
So we have 3 beautiful and popular God-fearing girls who adopt the new girl into their secretive little gang and warn her against demon-possessed Brooklyn. To cure Brooklyn of her devilish ways they decide to kidnap her, stick her in a basement and torture her, or exorcise her Sound like Im giving too much away? Well yes, I probably am, but the blurb tells you the exact same thing, making the whole suspense element of this book completely useless and a waste of the author's time. <b>Dont try to keep us on our toes when youve already told us whats going to happen.</b>
Due to this being a novel aimed at Young Adult readers, the language, for me, felt simple and lack lustre. I can only read so much before it becomes laughable for me, and laughable it became. All the characters speech was so unrealistic and straightforward it was almost impossible to believe anyone would actually talk like that. This unrealistic speech really made it difficult to connect to any of the characters on a deeper level so I had no empathy for any of them.
The plot, overall, is just a little bit completely ridiculous and nonsensical. The blandness of the characters, scenes and speech make the whole thing feel like a pretty demented, but dumb dream. <spoiler>If Brooklyn had just been evil in a normal teenage girl way and didnt rip out Rileys fucking heart, maybe it would have been a better book</spoiler> I didnt find myself shocked, scared or creeped out at any point in the entire book because it was all so juvenile and cheesy. The reasons the girls did what they did was childish and cringy and it just wouldnt happen in the way Vega wrote it down. And lets not get me started on all the loose ends...
Anyone up for reading one of the most predictable endings ever? My God, what an unexciting end to a pretty unexciting novel - at least it was consistent.
I did read this over the period of just one day, so it had me wanting to finish it, but not for any of the right reasons. I wasnt reading it quickly because I wanted to know what was going to happen next, I was reading it quickly because it was getting stupider and stupider and I wanted to get it over and done with. Do I want to put myself through reading the second book in the series? I dont know Ill give it some time first.
<b><i>Forgive us, Father, for we have sinned.</b></i>
Well, well, well, what can I say? This thoroughly disappointed me, after giving it some more thought, Ive taken this down to 2 stars.
So we have 3 beautiful and popular God-fearing girls who adopt the new girl into their secretive little gang and warn her against demon-possessed Brooklyn. To cure Brooklyn of her devilish ways they decide to kidnap her, stick her in a basement and torture her, or exorcise her Sound like Im giving too much away? Well yes, I probably am, but the blurb tells you the exact same thing, making the whole suspense element of this book completely useless and a waste of the author's time. <b>Dont try to keep us on our toes when youve already told us whats going to happen.</b>
Due to this being a novel aimed at Young Adult readers, the language, for me, felt simple and lack lustre. I can only read so much before it becomes laughable for me, and laughable it became. All the characters speech was so unrealistic and straightforward it was almost impossible to believe anyone would actually talk like that. This unrealistic speech really made it difficult to connect to any of the characters on a deeper level so I had no empathy for any of them.
The plot, overall, is just a little bit completely ridiculous and nonsensical. The blandness of the characters, scenes and speech make the whole thing feel like a pretty demented, but dumb dream. <spoiler>If Brooklyn had just been evil in a normal teenage girl way and didnt rip out Rileys fucking heart, maybe it would have been a better book</spoiler> I didnt find myself shocked, scared or creeped out at any point in the entire book because it was all so juvenile and cheesy. The reasons the girls did what they did was childish and cringy and it just wouldnt happen in the way Vega wrote it down. And lets not get me started on all the loose ends...
Anyone up for reading one of the most predictable endings ever? My God, what an unexciting end to a pretty unexciting novel - at least it was consistent.
I did read this over the period of just one day, so it had me wanting to finish it, but not for any of the right reasons. I wasnt reading it quickly because I wanted to know what was going to happen next, I was reading it quickly because it was getting stupider and stupider and I wanted to get it over and done with. Do I want to put myself through reading the second book in the series? I dont know Ill give it some time first.
Ivana A. | Diary of Difference (1171 KP) rated Bitter Demons (The Shadow Demons Saga #3) in Books
Jul 30, 2018
Full review of this book and others can be found on my blog: www.diaryofdifference.com
Bitter Demons is the third book from The Shadow Demons Saga, and the third book of my challenge to read my sister’s books. If you haven’t read the two parts, you can read my reviews on my blog :
Beautiful Demons (The Shadow Demons Saga #1) - ★★★★
Inner Demons (The Shadow Demons Saga #2) - ★★★★
As a third book of this series, I have to be honest and say that this one didn’t deliver. I expected so much more to happen, and so many more questions to be answered.
The story continues where the second book ends, and now we have Harper, that knows she is a Prima and has great powers. She also really likes this handsome guy, who happens to be a Demon. And Demons can’t have relationships with Primas, because demons are supposed to be slaves, and witches are supposed to use their power.
When two Prima sisters come into town and Harper meets them, she becomes friends with Caroline, one of the sisters. They decide to play a game and swap their looks. But Caroline, who looks like Harper is attacked, which means that someone wants Harper dead - and Harper has to keep this a secret and resolve the mystery by herself.
Now, of course we get to see a lot of Harper in the book - after all, this book is about her. But we don’t get to see her character or story improve in any meaningful way.
We learn a lot about Jackson and his past, and his brother (ooooh… spooky), and how he tries very hard to resist Harper in any way, but ends up doing the exact opposite.
On another note, we are introduced to new characters, but also some of the old characters are given more time in this book and we get to know them better - which I might of not liked so much. Give me more Harper - please!
We meet Caroline - I loved their friendship with Harper and I loved how nice and cute she was. A bit naive, just like Harper, which maybe got her in trouble.
Mary Anne…Oh, Mary Anne... Even though we don’t get to meet her much and she always only shines in the end of the book, I loved the mysterious bit about her, and her will to make the sacrifice that she did. She was the hero for me in this book!
Brook - We got to see the mean side of her, and wow, how fast she changed! Can people really change that quickly and fall under pressure so easily?
I still love the story so much, and will of course read the rest of the books, but I didn’t enjoy this book as much I enjoyed the first two parts. I am hoping the next book will pleasantly surprise me.
Bitter Demons is the third book from The Shadow Demons Saga, and the third book of my challenge to read my sister’s books. If you haven’t read the two parts, you can read my reviews on my blog :
Beautiful Demons (The Shadow Demons Saga #1) - ★★★★
Inner Demons (The Shadow Demons Saga #2) - ★★★★
As a third book of this series, I have to be honest and say that this one didn’t deliver. I expected so much more to happen, and so many more questions to be answered.
The story continues where the second book ends, and now we have Harper, that knows she is a Prima and has great powers. She also really likes this handsome guy, who happens to be a Demon. And Demons can’t have relationships with Primas, because demons are supposed to be slaves, and witches are supposed to use their power.
When two Prima sisters come into town and Harper meets them, she becomes friends with Caroline, one of the sisters. They decide to play a game and swap their looks. But Caroline, who looks like Harper is attacked, which means that someone wants Harper dead - and Harper has to keep this a secret and resolve the mystery by herself.
Now, of course we get to see a lot of Harper in the book - after all, this book is about her. But we don’t get to see her character or story improve in any meaningful way.
We learn a lot about Jackson and his past, and his brother (ooooh… spooky), and how he tries very hard to resist Harper in any way, but ends up doing the exact opposite.
On another note, we are introduced to new characters, but also some of the old characters are given more time in this book and we get to know them better - which I might of not liked so much. Give me more Harper - please!
We meet Caroline - I loved their friendship with Harper and I loved how nice and cute she was. A bit naive, just like Harper, which maybe got her in trouble.
Mary Anne…Oh, Mary Anne... Even though we don’t get to meet her much and she always only shines in the end of the book, I loved the mysterious bit about her, and her will to make the sacrifice that she did. She was the hero for me in this book!
Brook - We got to see the mean side of her, and wow, how fast she changed! Can people really change that quickly and fall under pressure so easily?
I still love the story so much, and will of course read the rest of the books, but I didn’t enjoy this book as much I enjoyed the first two parts. I am hoping the next book will pleasantly surprise me.