Search
Search results
Heather Cranmer (2721 KP) rated The Neighbor in Books
Apr 13, 2021
I can not get enough of London Clarke's books. I have not read a bad one yet, so when I saw that she had released a new book entitled The Neighbor, I knew I had to read it. To say I was blown away is an understatement. The Neighbor has now become my favorite London Clarke book so far.
The plot of The Neighbor was definitely frightening. However, I could not put this book down. I kept trying to find opportunities when I had free time to read it. I was terrified for Claire and her four girls. I found myself wanting to protect them from whatever evil had invaded their house. I loved how the supernatural element of the story did not feel forced or cheesy. It was very believable so much so that I kept having to check for shadows as I read this book! The pacing was done perfectly. Although there are some parts of the story that are a bit predictable with how they will play out, I felt that it didn't take away from the narrative at all. I will say all the demon encounters were the spookiest though! However, London Clarke writes them in a way that won't leave you too scared to continue reading. She writes them in a way that will leave you wanting to know more. By the end of the book, all loose ends had been tied up, and there were no cliff hangers.
All of the characters in The Neighbor were fleshed out perfectly even the supporting characters. I really connected with Claire the most, not because she was the main character, but because we are both mothers. While I have two boys instead of four girls, my youngest, funnily enough named Levi (if you read The Neighbor, you'll find out why I find it funny), is the same age as Claire's youngest daughter named Paris. My oldest isn't much older than Claire's oldest daughter Annalen. Plus, Claire and myself are very close in age. I was behind Claire 100 percent, and it annoyed me when her ex-husband, Gunnar, thought she was just losing her mind instead of trying to help her out. I found Clair to be a very strong female character, and I felt so much admiration for her for what she chose to go through for her girls. (I know that most parents would have done the same though.) I also felt bad for Claire that one decision is what caused this whole supernatural mess. Steel was a definitely an interesting character that I did not trust from the very beginning. He is written perfectly, and even though I didn't trust him very much, he was still fun to read about. I found myself trying to figure him out all the time! Whitney was another character that I liked but didn't trust. It was so weird how her life seemed to mimic Claire's.
Trigger warnings for The Neighbor include profanity, violence, murder, death, suicide, alcohol, pedophilia (though not graphic), sex scenes (not very graphic), demons, and the occult.
Overall, The Neighbor is one heck of a rollercoaster ride, so be sure to strap yourself in tight. With it's terrifying plot and interesting characters, this book sucks you in from the very first page and won't spit you back out until it's had its wicked way with you. This is one book that needs to be made into a movie now. I would definitely recommend The Neighbor by London Clarke to those aged 18+ who love their spooky novels with a big helping of terrifying on the side. You will not be disappointed, that's for sure!
The plot of The Neighbor was definitely frightening. However, I could not put this book down. I kept trying to find opportunities when I had free time to read it. I was terrified for Claire and her four girls. I found myself wanting to protect them from whatever evil had invaded their house. I loved how the supernatural element of the story did not feel forced or cheesy. It was very believable so much so that I kept having to check for shadows as I read this book! The pacing was done perfectly. Although there are some parts of the story that are a bit predictable with how they will play out, I felt that it didn't take away from the narrative at all. I will say all the demon encounters were the spookiest though! However, London Clarke writes them in a way that won't leave you too scared to continue reading. She writes them in a way that will leave you wanting to know more. By the end of the book, all loose ends had been tied up, and there were no cliff hangers.
All of the characters in The Neighbor were fleshed out perfectly even the supporting characters. I really connected with Claire the most, not because she was the main character, but because we are both mothers. While I have two boys instead of four girls, my youngest, funnily enough named Levi (if you read The Neighbor, you'll find out why I find it funny), is the same age as Claire's youngest daughter named Paris. My oldest isn't much older than Claire's oldest daughter Annalen. Plus, Claire and myself are very close in age. I was behind Claire 100 percent, and it annoyed me when her ex-husband, Gunnar, thought she was just losing her mind instead of trying to help her out. I found Clair to be a very strong female character, and I felt so much admiration for her for what she chose to go through for her girls. (I know that most parents would have done the same though.) I also felt bad for Claire that one decision is what caused this whole supernatural mess. Steel was a definitely an interesting character that I did not trust from the very beginning. He is written perfectly, and even though I didn't trust him very much, he was still fun to read about. I found myself trying to figure him out all the time! Whitney was another character that I liked but didn't trust. It was so weird how her life seemed to mimic Claire's.
Trigger warnings for The Neighbor include profanity, violence, murder, death, suicide, alcohol, pedophilia (though not graphic), sex scenes (not very graphic), demons, and the occult.
Overall, The Neighbor is one heck of a rollercoaster ride, so be sure to strap yourself in tight. With it's terrifying plot and interesting characters, this book sucks you in from the very first page and won't spit you back out until it's had its wicked way with you. This is one book that needs to be made into a movie now. I would definitely recommend The Neighbor by London Clarke to those aged 18+ who love their spooky novels with a big helping of terrifying on the side. You will not be disappointed, that's for sure!
Lyndsey Gollogly (2893 KP) rated Next Door in Books
Jun 10, 2021
82 of 250
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together š
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too šš
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my atticsā!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didnāt finish it I just got so bored after page 5! Just wasnāt catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although itās a good lesson of donāt get involved with swinging neighbours š
10. Pornography by Matt Saw
Haha she didnāt see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short Iām throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Kindle
Next Door
Compiled by Matt Shaw
Once read a review will be written via Smashbomb and link posted in comments
From the mind behind "MASTERS OF HORROR" comes a new horror anthology to keep you up at night!
Whilst Matt Shaw is busy producing, writing and directing the feature film NEXT DOOR he decided to put together a horror anthology of the same name, and with the same theme as the motion picture. None of the stories in this collection feature in the film; the two products are completely separate other than the central concept of exploring who does live NEXT DOOR to us?
Given the fact these are some of the biggest names in horror, you can bet that whomever is living next door probably won't be the friendliest of characters...
The year is 2019 and technology has come so far that we spend more time staring at our mobile devices, and screens in general, than getting to know our next door neighbour. Gone are the days of knowing everyone who lives on the same street, or in the same village. Instead we leave our houses, avoid eye-contact or give the bare minimum of grunts to those we see and go about our daily lives without a care for anyone else. No more street parties, no more kindly neighbours checking in on you, no more Christmas cards from the little old lady who lives across the street. There's only "us" and our technology.
This anthology takes a look at who lives NEXT DOOR and what secrets they may be keeping. And who knows, maybe it will serve as warning to you that, really, you should be paying attention to those living close-by. After all, Fred West was someone's neighbour once...
Featuring stories by:
Tim Lebbon
Shaun Hutson
Ryan C. Thomas
Jeremy Bates
David Moody
Guy N. Smith
Matthew Stokoe
Justin Woodward
Gary McMahon
Rich Hawkins
Jim Goforth
Matt Shaw
1. A Family-Friendly Neighbourhood by Ryan C Thomas
This was actually quite funny and sweet in a gruesome clever way. All the toys turning into little knife wielding creepy thing only to find out they are their kids souls! They just want to be together š
2. Final Feast by Guy N. Smith
Quick little story of the cannibal next door! I loved it!
3. Insurgents by Rich Hawkins
A story of a war ruined mind, a soldier dealing with his demons. Well written just not my normal read.
4. Mirror Image by David Moody
A couple move into a new house with an extra handy neighbour. I enjoyed this one funny how my husband is so crap at DIY too šš
5. Neighbour Hood by Tim Lebbon
Omg this has to be the creepiest one so far and the whole reason I never use my atticsā!!!
6. Dinner Date by Jeremy Bates
A bit slower than the others think I just got a little bored. Never accept dinner invitations before getting to know the guy no matter how hot he is! Silly girl!
7. Why Does Randolph Draw by Matthew Stokeoe
Got to be honest I didnāt finish it I just got so bored after page 5! Just wasnāt catching me.
8. Saturday Night Whiskey by Justin M.Woodward
This was really god and well put together a kids last cry for help from his dodgy uncle!
9. Sixteen by Jim Goforth
This felt so rushed even for a short story! Although itās a good lesson of donāt get involved with swinging neighbours š
10. Pornography by Matt Saw
Haha she didnāt see that coming
11. Somewhere in Here by Gary McMahon
This was one creepy ass story and for one so short Iām throughly creeped out!!
12 By Darkness Hidden by Shaun Hutson
This was pretty good a urban legend type story. Villages can be super strange places.
I really enjoyed this compilation got some great new authors added to my list too.
Lottie disney bookworm (1056 KP) rated Six Crimson Cranes in Books
Jun 17, 2021
Wow!
Where do I start?
Wow!
In a kingdom which has banned magic and banished all demons to the Holy Mountains, Princess Shiori must hide her magical blood from those around her, in particular her six brothers, her mysterious stepmother and her father, the Emperor.
However, when a combination of magic and stubbornness derails Shioriās betrothal ceremony the princess discovers that she is not the only family member hiding their gift. After spying on her stepmother, Shiori is convinced that her fatherās wife is a demon and turns to her brothersā¦with disastrous consequences.
With her six brothers transformed into cranes, Shiori is alone, cast far away from the palace and forced to remain mute: for every word she utters, one brother will die! She is also unrecognisable, her magic is locked and she cannot reveal her past to anyone. Powerless, abandoned and mute- can Shiori save her six older brothers and return home to defeat her stepmother?
Shiori herself is an amazing protagonist. She is young, impulsive, stubborn but also has the biggest heart. Her love for her brothers (and food) is integral to her personality and the comfort she takes in the memories of her mother is beautiful.
Initially, Shioriās life may appear to be a fairytale with extravagant robes and magnificent palaces. Maybe that is why Lim creates a fairytale-worthy curse? With a lost voice, a lost pink slipper and a city put to sleep, Elizabeth Lim certainly showcases some of the magic we saw in her Disney Twisted Tale novels.
Shioriās journey to save her brothers is one of tremendous bravery and courage and it is along this path that the princess truly discovers her inner strength. She also matures immensely (itās probably inevitable when your stepmother curses you) but Shiori experiences the hardships of the world around her, learns who to trust and realises that sometimes poison (or a curse) can be a āmedicine in disguiseā.
The supporting cast within Six Crimson Cranes are also incredible. Seryu the dragon prince with his ruby eyes and green hair clearly cares for Shiori. Will he try to sway her affections in book two? He will have to compete with Takkan, the loyal, picture-perfect prince who protected Shiori when no-one else did, long before he knew her true identity.
Shioriās stepmother, Raikama, was possibly the most complex character. Despite only being present at the beginning and end of the novel, she spends 90% of the book as a villain ā and the reader is fully on board with this! However, Limās ingenious use of Shioriās faint memories help her piece together an unfathomable puzzle: why would Raikama curse the siblings instead of killing them? Is this linked to her stepmotherās magic and her mysterious past?
The world building in Six Crimson Cranes is magical. Without breaking the flow of the novel Lim perfectly creates the kingdom of Kiata in our minds, from the manicured grounds of the palace during the Summer Festival, with kites bobbing against azure skies, to the bleak but beautiful Iro, overlooked by Rabbit mountain, glittering in the light of the silver moon. Elizabeth Lim truly transports her readers to these beautiful but dangerous landscapes.
Six Crimson Cranes is a book which surpassed all my expectations. The world building is as magical as its fairy-tale undertones and the characters already feel like old friends. I donāt think I can wait another year for the sequel!
Thank you so so much to Netgalley for providing this amazing opportunity! I received a free digital copy of this book in exchange for an honest reviewā¦and now Iām off to pre-order the real thing!
Where do I start?
Wow!
In a kingdom which has banned magic and banished all demons to the Holy Mountains, Princess Shiori must hide her magical blood from those around her, in particular her six brothers, her mysterious stepmother and her father, the Emperor.
However, when a combination of magic and stubbornness derails Shioriās betrothal ceremony the princess discovers that she is not the only family member hiding their gift. After spying on her stepmother, Shiori is convinced that her fatherās wife is a demon and turns to her brothersā¦with disastrous consequences.
With her six brothers transformed into cranes, Shiori is alone, cast far away from the palace and forced to remain mute: for every word she utters, one brother will die! She is also unrecognisable, her magic is locked and she cannot reveal her past to anyone. Powerless, abandoned and mute- can Shiori save her six older brothers and return home to defeat her stepmother?
Shiori herself is an amazing protagonist. She is young, impulsive, stubborn but also has the biggest heart. Her love for her brothers (and food) is integral to her personality and the comfort she takes in the memories of her mother is beautiful.
Initially, Shioriās life may appear to be a fairytale with extravagant robes and magnificent palaces. Maybe that is why Lim creates a fairytale-worthy curse? With a lost voice, a lost pink slipper and a city put to sleep, Elizabeth Lim certainly showcases some of the magic we saw in her Disney Twisted Tale novels.
Shioriās journey to save her brothers is one of tremendous bravery and courage and it is along this path that the princess truly discovers her inner strength. She also matures immensely (itās probably inevitable when your stepmother curses you) but Shiori experiences the hardships of the world around her, learns who to trust and realises that sometimes poison (or a curse) can be a āmedicine in disguiseā.
The supporting cast within Six Crimson Cranes are also incredible. Seryu the dragon prince with his ruby eyes and green hair clearly cares for Shiori. Will he try to sway her affections in book two? He will have to compete with Takkan, the loyal, picture-perfect prince who protected Shiori when no-one else did, long before he knew her true identity.
Shioriās stepmother, Raikama, was possibly the most complex character. Despite only being present at the beginning and end of the novel, she spends 90% of the book as a villain ā and the reader is fully on board with this! However, Limās ingenious use of Shioriās faint memories help her piece together an unfathomable puzzle: why would Raikama curse the siblings instead of killing them? Is this linked to her stepmotherās magic and her mysterious past?
The world building in Six Crimson Cranes is magical. Without breaking the flow of the novel Lim perfectly creates the kingdom of Kiata in our minds, from the manicured grounds of the palace during the Summer Festival, with kites bobbing against azure skies, to the bleak but beautiful Iro, overlooked by Rabbit mountain, glittering in the light of the silver moon. Elizabeth Lim truly transports her readers to these beautiful but dangerous landscapes.
Six Crimson Cranes is a book which surpassed all my expectations. The world building is as magical as its fairy-tale undertones and the characters already feel like old friends. I donāt think I can wait another year for the sequel!
Thank you so so much to Netgalley for providing this amazing opportunity! I received a free digital copy of this book in exchange for an honest reviewā¦and now Iām off to pre-order the real thing!
Bob Mann (459 KP) rated Lady Bird (2017) in Movies
Sep 29, 2021
āWhat if this is the best versionā.
When did you grow up? I am now 57, and Iām still āworking towardsā! I remember distinctly though at the age of 16 thinking āIāve got thereā. And then again at 18. And then again at 21. And then again at 25ā¦. There is something sweet about the certainty of youth that only lifeās ultimate experiences can roughen the edges of.
āLady Birdā, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really canāt pull off in āI, Tonyaā) Saoirse Ronan plays Christine McPherson who has the given name (āI gave the name to myselfā) of āLady Birdā. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read āperfectly reasonably but firmā) mother (Laurie Metcalf, āRoseanneā); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (āthe mid-west of Californiaā ā LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, āThree Billboards Outside Ebbing, Missouriā, āManchester By The Seaā) and the aloof and enigmatic Kyle (TimothĆ©e Chalamet, āCall Me By Your Nameā).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (āThe Postā) is magnificent in the less showy role as the āgood copā dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her moneyā¦ a drive away from an airport conveys just perfectly every college-age parentās emotional low-point.
Where perhaps the film overplays its hand a bit is in the āwrong side of the tracksā line. The household while struggling is by no means trailer-park poor (compare and contrast with āI, Tonyaā): perhaps this is the depths of financial desperation found in Sacremento? But I doubt itā¦ there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in āPlaygirlā (I want to say āitās a penis, get over itā, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with āPhantom Threadā ā here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales Iāve ever seen. On the basis that it looks like I will never get to see āCall Me By Your Nameā ā the only major one Iāve missed ā before this Sundayās Oscar ceremony, what a great way to round off my Oscar-viewing season.
āLady Birdā, the directorial debut of Greta Gerwig, features one such teen who thinks she knows it all. Looking and acting for all the world like a 15 year old (something that Margot Robbie really canāt pull off in āI, Tonyaā) Saoirse Ronan plays Christine McPherson who has the given name (āI gave the name to myselfā) of āLady Birdā. She is struggling with a lot of issues: an unreasonable and overbearing (parents: read āperfectly reasonably but firmā) mother (Laurie Metcalf, āRoseanneā); the issues of puberty and young love; the constrictions of a Catholic school she despises; and her inability to perform to the grades she needs to get into a college of her choice. That choice being on the East coast as far away from the backwater of Sacremento (āthe mid-west of Californiaā ā LoL) as she can get.
Love comes in the form of two serial male fixations: the gorgeous and artistic Danny (Lucas Hedges, āThree Billboards Outside Ebbing, Missouriā, āManchester By The Seaā) and the aloof and enigmatic Kyle (TimothĆ©e Chalamet, āCall Me By Your Nameā).
This is a near perfect coming of age film. The plot, while fairly superficial and covering ground well-trodden before, fully engages you and makes the running time just fly by. And there is just so much talent on show. The script by Gerwig is chocker-block full of great and memorable lines; Ronan is pitch-perfect as the irascible and cock-sure teen; Tracy Letts (āThe Postā) is magnificent in the less showy role as the āgood copā dad, struggling invisibly with his own demons; and Metcalf gives an Oscar-nominated performance that really should give Alison Janney a run for her moneyā¦ a drive away from an airport conveys just perfectly every college-age parentās emotional low-point.
Where perhaps the film overplays its hand a bit is in the āwrong side of the tracksā line. The household while struggling is by no means trailer-park poor (compare and contrast with āI, Tonyaā): perhaps this is the depths of financial desperation found in Sacremento? But I doubt itā¦ there still seems to be money available for fancy cowgirl outfits.
Which leads me to the rating, which seems to have been a common rant in the last few weeks. I would have thought that there was nothing like this film to turn the mirror of reasonableness on a young teen, perhaps helping them to treat their parents better, work harder for college or make better choices. Yet it has a UK 15 certificate. And for what? There is a full frontal male photo-spread in āPlaygirlā (I want to say āitās a penis, get over itā, but if forced I would have frankly just snipped the 50 milliseconds out to get the lower rating). And there are a few (only a few) F- and C- words. I have the same problem here as with āPhantom Threadā ā here is a high-class film that a young teen audience would absolutely love to see. I think the BBFC have got it wrong again here.
I cannot recommend this film enough: a tale of teenage life love and resolution that is hard to beat. Possibly one of the best coming of age tales Iāve ever seen. On the basis that it looks like I will never get to see āCall Me By Your Nameā ā the only major one Iāve missed ā before this Sundayās Oscar ceremony, what a great way to round off my Oscar-viewing season.
Bob Mann (459 KP) rated The Snowman (2017) in Movies
Sep 29, 2021
āWeāre trudging through the slushā.
Unlike its animated namesake, āThe Snowmanā is not a good film. Frustratingly it has all the right ingredients:
A story by bestselling Nordic writer Jo NesbĆø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (āAlien: Covenantā); Rebecca Ferguson (āMission Impossible: Rogue Nationā); J.K. Simmons (āWhiplashā); Toby Jones (āDadās Armyā); Chloe Sevigny (āLove and Friendshipā); Charlotte Gainsbourg (āIndependence Day: Resurgenceā, very sexy as Fassbenderās ex-squeeze) and even Val Kilmer (āTop Gunā, whose mother ā interesting fact ā is actually Swedish).
snowman2
That sinking feeling when you realise youāve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I havenāt read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, āTinker, Tailor, Soldier, Spyā) and screenwriting team ā Peter Straughan (also āTinker, Tailorā), Hossein Amini (āThe Two Faces of Januaryā) and SĆøren Sveistrup (TVās āThe Killingā) ā either didnāt have (or didnāt agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a āWeinstein momentā at the hotel.
NesbĆø (and indeed most crime writers these days) litter their work with damaged copsā¦. you have to question whether the detective application form has a mandatory check-box with āalcoholic and borderline psychoā on it!. This film is no exception. Fassbender plays NesbĆøās master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. āIf only Oslo had a higher murder rateā bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases ā all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmenā¦ they get worseā¦ much worse.
The plot is highly formulaic ā I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous ā¦ (add 50 other thesaurus entries)ā¦ endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the āSnowmanāās fixation with Harry?; what was with the āVetlesen cleanerā subplot? How is Star Trek transportation possible in Norway? (But waitā¦ āTelemarkāā¦ āTeleportāā¦. coincidence????? š
On the plus side, there is some lovely Norwegian drone cinematography ā (by Australian Dion Beebe (āEdge of Tomorrowā) ā that immediately made me put ātravel by winter train from Oslo to Bergenā on my life-map. The music by Marco Beltrami (āLoganā) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (āThe Wolf of Wall Streetā) and Claire Simpson (āFar From The Madding Crowdā) that your hands wonāt have time to leave your lap! I remember this being a feature of a previous NesbĆø adaptation (the much better āHeadhuntersā from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses ā Rebecca Ferguson, curiously playing much āyoungerā in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending Iām knocking a whole extra Fad off!
A story by bestselling Nordic writer Jo NesbĆø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (āAlien: Covenantā); Rebecca Ferguson (āMission Impossible: Rogue Nationā); J.K. Simmons (āWhiplashā); Toby Jones (āDadās Armyā); Chloe Sevigny (āLove and Friendshipā); Charlotte Gainsbourg (āIndependence Day: Resurgenceā, very sexy as Fassbenderās ex-squeeze) and even Val Kilmer (āTop Gunā, whose mother ā interesting fact ā is actually Swedish).
snowman2
That sinking feeling when you realise youāve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I havenāt read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, āTinker, Tailor, Soldier, Spyā) and screenwriting team ā Peter Straughan (also āTinker, Tailorā), Hossein Amini (āThe Two Faces of Januaryā) and SĆøren Sveistrup (TVās āThe Killingā) ā either didnāt have (or didnāt agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a āWeinstein momentā at the hotel.
NesbĆø (and indeed most crime writers these days) litter their work with damaged copsā¦. you have to question whether the detective application form has a mandatory check-box with āalcoholic and borderline psychoā on it!. This film is no exception. Fassbender plays NesbĆøās master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. āIf only Oslo had a higher murder rateā bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases ā all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmenā¦ they get worseā¦ much worse.
The plot is highly formulaic ā I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous ā¦ (add 50 other thesaurus entries)ā¦ endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the āSnowmanāās fixation with Harry?; what was with the āVetlesen cleanerā subplot? How is Star Trek transportation possible in Norway? (But waitā¦ āTelemarkāā¦ āTeleportāā¦. coincidence????? š
On the plus side, there is some lovely Norwegian drone cinematography ā (by Australian Dion Beebe (āEdge of Tomorrowā) ā that immediately made me put ātravel by winter train from Oslo to Bergenā on my life-map. The music by Marco Beltrami (āLoganā) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (āThe Wolf of Wall Streetā) and Claire Simpson (āFar From The Madding Crowdā) that your hands wonāt have time to leave your lap! I remember this being a feature of a previous NesbĆø adaptation (the much better āHeadhuntersā from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses ā Rebecca Ferguson, curiously playing much āyoungerā in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending Iām knocking a whole extra Fad off!
Bob Mann (459 KP) rated Inferno (2016) in Movies
Sep 29, 2021
Infernal
Dan Brown has had a bad rap over the years from snobbish reviewers who dismiss his work as ātrashā. Iām sure to a large degree the multi-millionaire Dan Brown couldnāt give a toss! I personally enjoyed both the books and Ron Howardās films of āThe Da Vinci Codeā and āAngels and Demonsā as glossy escapism. Occasionally though books will generate a āWHHAAAT??ā moment and Brownās 2013 novel āInfernoā generated just such a response in its dramatic conclusionā¦ and (for me at least) not in a good way. As someone always looking at script potential in books, the words āunfilmableā came to mind. So veteran screenwriter David Koepp (āJurassic Parkā, āMission Impossibleā, āSpidermanā) is to be congratulated in āadaptingā the story to provide a coherent screenplay.
But unfortunately itās still arrant nonsense.
The film starts in promising style with famed symbologist Robert Langdon (Tom Hanks) waking in hospital to horrific visions of hell on earth with only the attractive young nurse Dr Sienna Brooks (Felicity Jones) to soothe his nerves. A serious head wound prevents him from remembering the last 48 hours which makes it a bit tricky when a āTerminatorā-style female cop (the striking Romanian actress Ana Ularu) arrives to try to kill him. Fleeing the scene, Langdon follows a typically convoluted trail of puzzles in a race to find the location of the source of a plague that if released will devastate the worldās population. In the process he has to dodge police, World Health Organisation (WHO) staff and members of a shadowy āprivate security organisationā trying to catch him.
The problem with the story is that it has a plague-sized hole in its plot. The actions of the main protagonist of the film, Bertrand Zobrist (Ben Foster, āThe Programā), make absolutely zero sense. If he wanted to achieve his aims he would have just done it! (āNo, Mr Bond ā I wonāt shoot you nowā). Laying a devious cryptic trail for others to follow makes even less sense, particularly as he is even seen (in flashback) to be not very good at that! Quite bonkers!
Unfortunately, the more you ponder the story, the worse it gets, and it is this that fatally drags the film down despite all the good work that Hanks, Jones and director Ron Howard try to counter-balance it with.
For there are elements on the positive side of the scales. The Italian and Turkish scenes (in Florence, Venice and Istanbul) are gloriously filmed with lush colours and exotic and evocative locations. Tom Hanks is as solidly reliable as ever in the Langdon role, and its great to see Felicity āThe Theory of Everythingā Jones in a leading role before she disappears into obscurity again (humour: āRogue Oneā is released in December).
Tom Hanks
The film has fun with romantic expectations of the Langdon and Brooks characters. Here though is Hanks with the more age-appropriate Knudsen.
The supporting cast is also of great quality. Sidse Babett Knudsen (āBorgenā) is Dr Sinsky, leader of the W.H.O. (not credited ā as memorably done with Peter Capaldi in āWorld War Zā as āDoctor, W.H.O.ā!). Irrfan (āJurassic Worldā) Khan is striking as the mysterious and authoritarian āProvostā. And Omar Sy (who made such an impact in the brilliant āThe Intouchablesā) plays the lead W.H.O. officer in pursuit of Langdon.
Hans Zimmer again provides the soundtrack, with his beautiful series theme cleverly working its way into the music as Langdonās memory returns. However, at various points the music become overtly noticeable, intrusive and not to my liking. A bombastic choral reworking of the theme over the end titles is stirring though.
In summary, a glossy and nonsensical disappointment.
But unfortunately itās still arrant nonsense.
The film starts in promising style with famed symbologist Robert Langdon (Tom Hanks) waking in hospital to horrific visions of hell on earth with only the attractive young nurse Dr Sienna Brooks (Felicity Jones) to soothe his nerves. A serious head wound prevents him from remembering the last 48 hours which makes it a bit tricky when a āTerminatorā-style female cop (the striking Romanian actress Ana Ularu) arrives to try to kill him. Fleeing the scene, Langdon follows a typically convoluted trail of puzzles in a race to find the location of the source of a plague that if released will devastate the worldās population. In the process he has to dodge police, World Health Organisation (WHO) staff and members of a shadowy āprivate security organisationā trying to catch him.
The problem with the story is that it has a plague-sized hole in its plot. The actions of the main protagonist of the film, Bertrand Zobrist (Ben Foster, āThe Programā), make absolutely zero sense. If he wanted to achieve his aims he would have just done it! (āNo, Mr Bond ā I wonāt shoot you nowā). Laying a devious cryptic trail for others to follow makes even less sense, particularly as he is even seen (in flashback) to be not very good at that! Quite bonkers!
Unfortunately, the more you ponder the story, the worse it gets, and it is this that fatally drags the film down despite all the good work that Hanks, Jones and director Ron Howard try to counter-balance it with.
For there are elements on the positive side of the scales. The Italian and Turkish scenes (in Florence, Venice and Istanbul) are gloriously filmed with lush colours and exotic and evocative locations. Tom Hanks is as solidly reliable as ever in the Langdon role, and its great to see Felicity āThe Theory of Everythingā Jones in a leading role before she disappears into obscurity again (humour: āRogue Oneā is released in December).
Tom Hanks
The film has fun with romantic expectations of the Langdon and Brooks characters. Here though is Hanks with the more age-appropriate Knudsen.
The supporting cast is also of great quality. Sidse Babett Knudsen (āBorgenā) is Dr Sinsky, leader of the W.H.O. (not credited ā as memorably done with Peter Capaldi in āWorld War Zā as āDoctor, W.H.O.ā!). Irrfan (āJurassic Worldā) Khan is striking as the mysterious and authoritarian āProvostā. And Omar Sy (who made such an impact in the brilliant āThe Intouchablesā) plays the lead W.H.O. officer in pursuit of Langdon.
Hans Zimmer again provides the soundtrack, with his beautiful series theme cleverly working its way into the music as Langdonās memory returns. However, at various points the music become overtly noticeable, intrusive and not to my liking. A bombastic choral reworking of the theme over the end titles is stirring though.
In summary, a glossy and nonsensical disappointment.
Gareth von Kallenbach (980 KP) rated the PC version of Evil Dead: The Game in Video Games
Jun 1, 2022
Back in 1981, Director Sam Raimi unleashed the Evil Dead on audiences and in doing so ignited his career as well as that of star Bruce Campbell. The subsequent sequels only further cemented dysfunctional hero Ash Williams into Pop Culture history as did the recent television series which returned the character to eager fans.
Saber Interactive has given fans a chance to play as Ash or several of the characters from the series with Evil Dead: The Game and take the battle to the demonic hordes and plenty of humor, horror, and action along the way.
The game is played from the third-person perspective and online players can enjoy cross-play so that players on all systems can play with one another. In the multiplayer mode, up to four players can team up to get missing pages of a text over a dark and vast map that is littered with demons and can have a player-controlled demon in the mix as well.
Players will be able to arm up by locating guns, knives, swords, and ammunition along the way as well as matches which are key to lighting up areas to keep enemies from advancing. Ammunition is in limited supply so players will have to be selective about combat as blowing away enemies is tons of fun but having to mix it up or run is not always wise when they attack in masses.
The maps are very large and there are vehicles available that are handy in running down enemies and making it to remote areas of the map. Along the way, there are shops, cabins, homes, and other locales where players can find needed objects to survive.
The longer a player operates in the dark or away from other players makes them increase in fear which allows them to be possessed and turn on their fellow players. When a player is low on health they can regain it by drinking cola that is found around the map or by being assisted by a fellow player which is not easy in the midst of combat as helping others can place you at risk.
The goal is to get a legendary dagger and take on the evil leaders which if successful wins the rounds for the players and their XP levels up. Players also have the option for a regular or furious attack as well as special moves which recharge over time.
The solo portion of the game is set in chapters and requires Ash to complete various tasks to advance to the next one. I found this to be very challenging as at times the maps are so dark it is hard to navigate or see properly and without players to help out, it can be a frustrating defeat.
The game has decent graphics and sound and the numerous clips of star Bruce Campbell offering wisdom and quips are very enjoyable and sets the tone for the game well. The attention to detail from the movies is also very enjoyable as players will want to make sure to take a good look around the cabins to get their nostalgia fix.
The game is a fun diversion and fun in groups and gives fans of the series the action and nostalgia they have come to expect. Some may cite a lack of initial depth to the gameplay and maps but I am sure as time goes on and more updates arrive, the game will continue to grow.
For now, Evil Dead: The Game offers enough action, humor, and nostalgia to keep fans happy.
3.5 stars out of 5
Saber Interactive has given fans a chance to play as Ash or several of the characters from the series with Evil Dead: The Game and take the battle to the demonic hordes and plenty of humor, horror, and action along the way.
The game is played from the third-person perspective and online players can enjoy cross-play so that players on all systems can play with one another. In the multiplayer mode, up to four players can team up to get missing pages of a text over a dark and vast map that is littered with demons and can have a player-controlled demon in the mix as well.
Players will be able to arm up by locating guns, knives, swords, and ammunition along the way as well as matches which are key to lighting up areas to keep enemies from advancing. Ammunition is in limited supply so players will have to be selective about combat as blowing away enemies is tons of fun but having to mix it up or run is not always wise when they attack in masses.
The maps are very large and there are vehicles available that are handy in running down enemies and making it to remote areas of the map. Along the way, there are shops, cabins, homes, and other locales where players can find needed objects to survive.
The longer a player operates in the dark or away from other players makes them increase in fear which allows them to be possessed and turn on their fellow players. When a player is low on health they can regain it by drinking cola that is found around the map or by being assisted by a fellow player which is not easy in the midst of combat as helping others can place you at risk.
The goal is to get a legendary dagger and take on the evil leaders which if successful wins the rounds for the players and their XP levels up. Players also have the option for a regular or furious attack as well as special moves which recharge over time.
The solo portion of the game is set in chapters and requires Ash to complete various tasks to advance to the next one. I found this to be very challenging as at times the maps are so dark it is hard to navigate or see properly and without players to help out, it can be a frustrating defeat.
The game has decent graphics and sound and the numerous clips of star Bruce Campbell offering wisdom and quips are very enjoyable and sets the tone for the game well. The attention to detail from the movies is also very enjoyable as players will want to make sure to take a good look around the cabins to get their nostalgia fix.
The game is a fun diversion and fun in groups and gives fans of the series the action and nostalgia they have come to expect. Some may cite a lack of initial depth to the gameplay and maps but I am sure as time goes on and more updates arrive, the game will continue to grow.
For now, Evil Dead: The Game offers enough action, humor, and nostalgia to keep fans happy.
3.5 stars out of 5
Connor Sheffield (293 KP) rated Supernatural - Season 1 in TV
Apr 20, 2017
Great Character development (2 more)
Brilliant take on the myths/legends lore
Somewhat educational
Saving People, Hunting Things, The Family Business...
Supernatural Season One first aired in 2005, and I was only 10 years old when I first watched it with my Dad. I didn't sleep for right for ages and didn't look in a mirror for a long time. However, now when I watch it, this show still has the horror factor but my brain has grown accustomed to the genre so it doesn't necessarily frighten me these days but it is very creepy.
The first thing I loved about this show was that the lore's it followed were real from the legend of Bloody Mary, to the Woman in White and even a Wendigo. I knew about these legends but this show taught me more about what people believed about them and how they came to be, so this show is somewhat educational as well as being a great action horror drama show.
SPOILERS AHEAD!
So in Season One we are introduced to a family who witness the death of their mother/wife as she bursts into a fiery explosion on the ceiling of baby Sam's nursery room. Fast forward years later and Sam's in college/university and has left his past behind him until his brother Dean shows up to tell him their Dad has gone missing after a 'Hunting' trip.
This is where we learn that Sam, Dean and their Father, were actual in the life of Hunters who hunt down demons, ghosts/spirits, and monsters.
This show takes you one a journey with Sam and Dean saving lives from all sorts of strange and horrifying evil beings, who don't always turn out to be an evil being, just tortured or maybe even a being trying to warn them of a greater evil.
The effects are on par with a lot of big budget movies, even better than some of the most recent box office hits and in 2005, that says a lot about how the show can only get better with age. And it has!
Writer Eric Kripke truly did create something spectacular and to say that it's still running to this day, with a whole 12 seasons finished and a 13th season coming soon, it's hard to believe that it can still stay fresh and entertaining with this genre, but when you watch this show I guarantee you'll be entertained as there are dozens of pop culture references in every episode from X- Files to Lord of the Rings and many more, and with soundtracks that include rock and metal bands such as AC/DC it's hard to wrap your head around just how awesome this show is.
Many episodes are either named after movies ("Children Shouldn't Play with Dead Things", "The Usual Suspects", "I Know What You Did Last Summer") or classic rock songs ("In My Time of Dying", "Born Under a Bad Sign", "What is and What Should Never Be", "Sympathy For The Devil", "When The Levee Breaks"). - Copied from IMDB
The on screen chemistry between characters is brilliant and more often than not, even in serious situations, it can become hilarious with cheesy one liners or pop culture references used with perfect timing to lighten the mood of the show.
Sam and Dean (portrayed by Jared Padalecki and Jensen Ackles) have some of the best character development that I've seen in a show, and sometimes throughout the different series' the formula of arguing, falling out, and coming back to one another, can become somewhat tedious and repetitive making you scream at the TV saying "WHY!? YOU KNOW YOU'RE JUST GOING TO REALIZE YOU NEED EACH OTHER!" but if you think about it, that's how brothers would be in this situation. Having to spend every day with your brother on the road fighting the unthinkable, it would be stressful and tensions would run high, but you'd soon realize that after everything you've been through, who else could you feel comfortable around?
If you're into the paranormal or want to start learning more about different paranormal legends then this is the show for you.
TIP: For further entertainment, watch the bloopers. Some of the most hilarious clips I have ever seen from a show ;)
The first thing I loved about this show was that the lore's it followed were real from the legend of Bloody Mary, to the Woman in White and even a Wendigo. I knew about these legends but this show taught me more about what people believed about them and how they came to be, so this show is somewhat educational as well as being a great action horror drama show.
SPOILERS AHEAD!
So in Season One we are introduced to a family who witness the death of their mother/wife as she bursts into a fiery explosion on the ceiling of baby Sam's nursery room. Fast forward years later and Sam's in college/university and has left his past behind him until his brother Dean shows up to tell him their Dad has gone missing after a 'Hunting' trip.
This is where we learn that Sam, Dean and their Father, were actual in the life of Hunters who hunt down demons, ghosts/spirits, and monsters.
This show takes you one a journey with Sam and Dean saving lives from all sorts of strange and horrifying evil beings, who don't always turn out to be an evil being, just tortured or maybe even a being trying to warn them of a greater evil.
The effects are on par with a lot of big budget movies, even better than some of the most recent box office hits and in 2005, that says a lot about how the show can only get better with age. And it has!
Writer Eric Kripke truly did create something spectacular and to say that it's still running to this day, with a whole 12 seasons finished and a 13th season coming soon, it's hard to believe that it can still stay fresh and entertaining with this genre, but when you watch this show I guarantee you'll be entertained as there are dozens of pop culture references in every episode from X- Files to Lord of the Rings and many more, and with soundtracks that include rock and metal bands such as AC/DC it's hard to wrap your head around just how awesome this show is.
Many episodes are either named after movies ("Children Shouldn't Play with Dead Things", "The Usual Suspects", "I Know What You Did Last Summer") or classic rock songs ("In My Time of Dying", "Born Under a Bad Sign", "What is and What Should Never Be", "Sympathy For The Devil", "When The Levee Breaks"). - Copied from IMDB
The on screen chemistry between characters is brilliant and more often than not, even in serious situations, it can become hilarious with cheesy one liners or pop culture references used with perfect timing to lighten the mood of the show.
Sam and Dean (portrayed by Jared Padalecki and Jensen Ackles) have some of the best character development that I've seen in a show, and sometimes throughout the different series' the formula of arguing, falling out, and coming back to one another, can become somewhat tedious and repetitive making you scream at the TV saying "WHY!? YOU KNOW YOU'RE JUST GOING TO REALIZE YOU NEED EACH OTHER!" but if you think about it, that's how brothers would be in this situation. Having to spend every day with your brother on the road fighting the unthinkable, it would be stressful and tensions would run high, but you'd soon realize that after everything you've been through, who else could you feel comfortable around?
If you're into the paranormal or want to start learning more about different paranormal legends then this is the show for you.
TIP: For further entertainment, watch the bloopers. Some of the most hilarious clips I have ever seen from a show ;)
Kaysee Hood (83 KP) rated The Inquisition (Summoner, Book 2) in Books
May 1, 2018
Justice for Fletcher (3 more)
Past uncovered
Return of Othello, Sylva
Gremlins, Blue
It got better!
Once more Iām impressed with the Summoner books because even though I am late to the game on this series so the suspense of Fletcherās fate was not as intense it was still thrilling to see how he would escape these false accusations and unfair trails. One can argue Fletcher has sort of put himself in this tight spot, but due to his actions in the previous book he has friends and teachers who stand by knowing there is more to what he is being accused of than what the other side would like to admit. Fletcher has become to center of a far bigger game because of who he is and the power he holds in his attempts to tie races together. Furthermore, without spoiling anything for anyone else, due to a charge which does threaten his life Fletcher is able to learn who he truly is, but he will always be Berdonās son.
Despite the fact Fletcher was in imprisonment for a year he is game to accept a new mission that will aid Hominum in the war with the Orcs. Heās even willing to accept the challenge that comes with it to prove Elves and Dwarfs can work together in the hopes it will fix the strain on the Dwarven and Elven ties with Humans due to events that took place while he is in the hole. Results he does not doubt the Triumvirate had their hands in. All Fletcher and his friends have to do is go into Orc lands with three other teams to put an end to a Goblin breed.
It can never be easy for Fletcher.
Now, thatās all I really want to cover as important points in [i]The Inquisition[/i] because it should pull you in if my next words do not. To circle back I enjoyed the second book far more than [i]The Novice[/i] yet found a new appreciation for the first book as I realize now all the set up there is the reason the second summoner book is successful and was able to focus on the race issue a bit more
To circle back, my enjoyment of the second summoner book is due to the writing by Matharu because of how he set up [i]The Novice[/i] and there is more appreciation to be had for the first book of the series because it is after the second I realized how much had been done for [i]The Inquisition[/i] to be successful. It is within the first summoner book weāre introduced to key characters, plots (minor and major), lives of the characters, and the issues which will drive Fletcher in the second. If anything, [i]The Novice[/i] was an thick introduction to the events to come in [i]The Inquisition[/i]. So I would say be mindful if youāre thinking to begin the series of what occurs and how it will relate later.
However I want to say the character growth is still alive, for better or worse. Weāre even given new characters and demons to grow fond of, or hate. Somehow 350+ pages were not enough and yet were perfect to convey where we needed to go then set up the points for the third book. And I have to say there are some twists in here I did not catch, which is nice for someone who had read so much and can predict so much to come. Even though there is some betrayal to me it was worth it as due to Fletcherās nature weāre able to gain perspective from another race no one has probably given much thought to.
So, if you have yet to get into the Summoner Books then I suggest you go if youāre for fantasy and magic. If youāve yet to pick up [i]The Inquisition[/i] then I have to say I have no clue what you are doing because Iām peeved at myself for not getting to it sooner. Honestly, itās a good series to get lost in and yet think about real world issues we have today even if theyāre painted a little bit different.
Despite the fact Fletcher was in imprisonment for a year he is game to accept a new mission that will aid Hominum in the war with the Orcs. Heās even willing to accept the challenge that comes with it to prove Elves and Dwarfs can work together in the hopes it will fix the strain on the Dwarven and Elven ties with Humans due to events that took place while he is in the hole. Results he does not doubt the Triumvirate had their hands in. All Fletcher and his friends have to do is go into Orc lands with three other teams to put an end to a Goblin breed.
It can never be easy for Fletcher.
Now, thatās all I really want to cover as important points in [i]The Inquisition[/i] because it should pull you in if my next words do not. To circle back I enjoyed the second book far more than [i]The Novice[/i] yet found a new appreciation for the first book as I realize now all the set up there is the reason the second summoner book is successful and was able to focus on the race issue a bit more
To circle back, my enjoyment of the second summoner book is due to the writing by Matharu because of how he set up [i]The Novice[/i] and there is more appreciation to be had for the first book of the series because it is after the second I realized how much had been done for [i]The Inquisition[/i] to be successful. It is within the first summoner book weāre introduced to key characters, plots (minor and major), lives of the characters, and the issues which will drive Fletcher in the second. If anything, [i]The Novice[/i] was an thick introduction to the events to come in [i]The Inquisition[/i]. So I would say be mindful if youāre thinking to begin the series of what occurs and how it will relate later.
However I want to say the character growth is still alive, for better or worse. Weāre even given new characters and demons to grow fond of, or hate. Somehow 350+ pages were not enough and yet were perfect to convey where we needed to go then set up the points for the third book. And I have to say there are some twists in here I did not catch, which is nice for someone who had read so much and can predict so much to come. Even though there is some betrayal to me it was worth it as due to Fletcherās nature weāre able to gain perspective from another race no one has probably given much thought to.
So, if you have yet to get into the Summoner Books then I suggest you go if youāre for fantasy and magic. If youāve yet to pick up [i]The Inquisition[/i] then I have to say I have no clue what you are doing because Iām peeved at myself for not getting to it sooner. Honestly, itās a good series to get lost in and yet think about real world issues we have today even if theyāre painted a little bit different.
Mariafrancesca (30 KP) rated The Demonās surrendee (Demonās Lexicon #3) in Books
Apr 7, 2019
This is a review for the whole series
I read these books because a friend of mine suggested them and she enjoyed them very much. I really like Sarah Rees Brennan style, it is funny and engaging and I really couldn't put these books down. However the end of this trilogy makes me angry, there are so many problems with it that I don't know where to start. I apologise in advance for the mistakes in this review, I am not a native speaker so please be patient.
The Disney happy ending: I don't want to comment the fact that everyone gets paired off here, but what about the magicians? In this book the magicians are evil, they kill people, they are addicted to power, the lousy solution they found through Jamie it's not solid. What happens when Jamie dies? When Nick dies? It can last for 50-60 years, what then? This magicians are not vampires that can drink animal blood, they are addicts that need to kill people in order to have power, this solution is just temporary and I cannot see another way to make it happens afterwards, unless they start to sacrifice babies that is even worse. Moreover they unleash 2 demons on Earth (the most irresponsible and incoherent thing they can do after 3 books of saying how they are pure evil) and the only explanation we get is "winning a war comes with a price"
Diversity: the way diversity is treated in this book is ridiculous. She throws in some black or gay character, family problems, a past of abuses and then she uses them to makes the white rich kids shine. I will talk about Sin in a minute, but what about Seb? He could have been such a precious character instead you see him as bully, then as the magicians' pet, then he gets to date the boy he always loved in secret, after he bullied him for years, just because he's the only gay character still available
All that is wrong with Sin:
The Character: Sin is a strong teenage girl who had a tough life but she has always worked hard to achieve her goal: become the leader of a place that she loves deeply, understands deeply and where she spent her entire life. And when a tourist threats to get the position instead, she is the first to recognise that this girl who has been at the Goblin Market 4 times is better than her in everything. Sin doesn't simply fail, she surrenders to the fact that Mae's is better than her and she just let her have the Market. Sin, that should be the main character of the third book, stays a secondary character with no development other than getting rid of a stupid superstition about limping guys and getting a boyfriend.
Point of view: although I enjoyed Sin's POV far more than Mae's, I can't see the reason of this choice. The previous POV where of main characters who were actually living the situation and acting in the situation. In here Sin, instead of becoming a main character, spends more than half of the book overhearing conversations (with her supernatural hearing) and following Mae's plans. Again, it seems they wanted to show off about the diversity inside this book and instead it results in a joke. Alan's POV, or Jamie's, would have been so much better.
All that is wrong with Mae:
I am not a fan of Mae, I couldn't stand her form the beginning. I don't want to get started on this because I could talk about it for hours but to summarise my opinion, I think that author wanted to go for a character very much like Hermione but much more popular and cool. The problem is that Hermione, even though she is smart and talented, succeeds in everything she does because she works very hard to get there she sacrifice herself for a greater cause, and she has flow and doubts as every teenager. Mae succeeds in everything without any particular reason, she is just lucky and most of the time she doesn't deserve what she gets.
Last but not lest: COULD YOU EXPLAIN HOW ON EARTH A DEMON AND A HUMAN GIRL GET TOGETHER?????
The Disney happy ending: I don't want to comment the fact that everyone gets paired off here, but what about the magicians? In this book the magicians are evil, they kill people, they are addicted to power, the lousy solution they found through Jamie it's not solid. What happens when Jamie dies? When Nick dies? It can last for 50-60 years, what then? This magicians are not vampires that can drink animal blood, they are addicts that need to kill people in order to have power, this solution is just temporary and I cannot see another way to make it happens afterwards, unless they start to sacrifice babies that is even worse. Moreover they unleash 2 demons on Earth (the most irresponsible and incoherent thing they can do after 3 books of saying how they are pure evil) and the only explanation we get is "winning a war comes with a price"
Diversity: the way diversity is treated in this book is ridiculous. She throws in some black or gay character, family problems, a past of abuses and then she uses them to makes the white rich kids shine. I will talk about Sin in a minute, but what about Seb? He could have been such a precious character instead you see him as bully, then as the magicians' pet, then he gets to date the boy he always loved in secret, after he bullied him for years, just because he's the only gay character still available
All that is wrong with Sin:
The Character: Sin is a strong teenage girl who had a tough life but she has always worked hard to achieve her goal: become the leader of a place that she loves deeply, understands deeply and where she spent her entire life. And when a tourist threats to get the position instead, she is the first to recognise that this girl who has been at the Goblin Market 4 times is better than her in everything. Sin doesn't simply fail, she surrenders to the fact that Mae's is better than her and she just let her have the Market. Sin, that should be the main character of the third book, stays a secondary character with no development other than getting rid of a stupid superstition about limping guys and getting a boyfriend.
Point of view: although I enjoyed Sin's POV far more than Mae's, I can't see the reason of this choice. The previous POV where of main characters who were actually living the situation and acting in the situation. In here Sin, instead of becoming a main character, spends more than half of the book overhearing conversations (with her supernatural hearing) and following Mae's plans. Again, it seems they wanted to show off about the diversity inside this book and instead it results in a joke. Alan's POV, or Jamie's, would have been so much better.
All that is wrong with Mae:
I am not a fan of Mae, I couldn't stand her form the beginning. I don't want to get started on this because I could talk about it for hours but to summarise my opinion, I think that author wanted to go for a character very much like Hermione but much more popular and cool. The problem is that Hermione, even though she is smart and talented, succeeds in everything she does because she works very hard to get there she sacrifice herself for a greater cause, and she has flow and doubts as every teenager. Mae succeeds in everything without any particular reason, she is just lucky and most of the time she doesn't deserve what she gets.
Last but not lest: COULD YOU EXPLAIN HOW ON EARTH A DEMON AND A HUMAN GIRL GET TOGETHER?????