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Sarah (7798 KP) rated Fortitude - Season 2 in TV
Dec 20, 2018
Not as good as the first
The problem with the second series of Fortitude is that it seems to want to outdo the first, and in many respects it does. Its even weirder (which I didn't think possible), a lot gorier and seems to have a lot more going on. The issue is that it appears to be too much, and although it's still a good series, it doesn't quite reach the standards of the original.
There are some great additions to the cast - notably Dennis Quaid and Robert Sheehan - but then there's also some not so great. For some reason I couldn't quite stand Ken Stott's Erling Munk and there are others that seem to be thrown in just to kill off. There's also a few surviving characters from the first series that have disappeared without a single mention.
The plot itself is a little convoluted, but on watching this series again recently I have appreciated the plot line more and it is quite entertaining, although the shaman aspect is possibly a little too much. There is a lot of dry humour in this though, especially with Petra which is absolutely hilarious at times.
My main issue is that there's just not enough Dan in this. He's by far the best character and although he's more present towards the end of the series, it's not quite enough. Richard Dormer plays this version of Dan brilliantly though and he's still the best thing when he's on screen.
Intrigued to see how they wrap this up now in series 3.
There are some great additions to the cast - notably Dennis Quaid and Robert Sheehan - but then there's also some not so great. For some reason I couldn't quite stand Ken Stott's Erling Munk and there are others that seem to be thrown in just to kill off. There's also a few surviving characters from the first series that have disappeared without a single mention.
The plot itself is a little convoluted, but on watching this series again recently I have appreciated the plot line more and it is quite entertaining, although the shaman aspect is possibly a little too much. There is a lot of dry humour in this though, especially with Petra which is absolutely hilarious at times.
My main issue is that there's just not enough Dan in this. He's by far the best character and although he's more present towards the end of the series, it's not quite enough. Richard Dormer plays this version of Dan brilliantly though and he's still the best thing when he's on screen.
Intrigued to see how they wrap this up now in series 3.
Lilyn G - Sci-Fi & Scary (91 KP) rated Legion (2010) in Movies
Jun 30, 2018
Filled with cheese, but the cheese just makes the other parts stick together so well.
Contains spoilers, click to show
This review does contain MILD spoilers.
Legion is one of my favorite movies. I’ve seen it countless times and it has never lost it’s appeal. It’s ridiculous, filled with cliches, and definitely tries too hard for the reflective drama. It’s charmingly flawed and I love it.
Legion is filled with cheese, but the cheese just makes the other parts stick together so well. Like the Old Lady and the Ice Cream Man. My favorite scene in Legion involves the old lady. They made an excellent choice in casting there. You know from the moment that she says “But it’s gonna burn… your f*cking baby is gonna burn” that the evil is there, and it’s ON. What immediately always leaves me in stitches. (Yes, always. I’ve seen this movie like 5 times now.) And the Ice Cream man? Well, he defined the role for me. Freaking creepy.
And the cast members do their best to pull off the most ridiculous lines with a straight face. Willa Holland, whom you might be familiar with from The O.C., Gossip Girl, and Arrow, brings the sarcasm full bore. Dennis Quaid does disgruntled do-gooder father pretty well. (Although, I liked him better in this type of role in Day After Tomorrow.) Jeep – played by Lucas Black – is a very bland character, but that’s to be expected for the saintly protector type role he’s destined to play. Charles S. Dutton doesn’t have a lot of screen time, but when he’s there, you pay attention to him.
Legion is well-acted, nicely directed, and gives its horror a thin coating of humor. There’s plenty of action in the later half to keep almost anyone happy. There is really nothing new as this type of movie gets pretty endlessly recycled. However, put up against the others of its type, it stands out for me.
Legion is one of my favorite movies. I’ve seen it countless times and it has never lost it’s appeal. It’s ridiculous, filled with cliches, and definitely tries too hard for the reflective drama. It’s charmingly flawed and I love it.
Legion is filled with cheese, but the cheese just makes the other parts stick together so well. Like the Old Lady and the Ice Cream Man. My favorite scene in Legion involves the old lady. They made an excellent choice in casting there. You know from the moment that she says “But it’s gonna burn… your f*cking baby is gonna burn” that the evil is there, and it’s ON. What immediately always leaves me in stitches. (Yes, always. I’ve seen this movie like 5 times now.) And the Ice Cream man? Well, he defined the role for me. Freaking creepy.
And the cast members do their best to pull off the most ridiculous lines with a straight face. Willa Holland, whom you might be familiar with from The O.C., Gossip Girl, and Arrow, brings the sarcasm full bore. Dennis Quaid does disgruntled do-gooder father pretty well. (Although, I liked him better in this type of role in Day After Tomorrow.) Jeep – played by Lucas Black – is a very bland character, but that’s to be expected for the saintly protector type role he’s destined to play. Charles S. Dutton doesn’t have a lot of screen time, but when he’s there, you pay attention to him.
Legion is well-acted, nicely directed, and gives its horror a thin coating of humor. There’s plenty of action in the later half to keep almost anyone happy. There is really nothing new as this type of movie gets pretty endlessly recycled. However, put up against the others of its type, it stands out for me.
Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
Gareth von Kallenbach (962 KP) rated Playing for Keeps (2012) in Movies
Aug 7, 2019
Gerard Butler has stepped out of his 300 uniform and into some soccer
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
Emma @ The Movies (1786 KP) rated Tone-Deaf (2019) in Movies
Feb 11, 2021
As a proud owner of yet another subscription service, the first thing I did was scroll through every movie to create a watchlist. Killer Instinct popped up, and seeing Robert Patrick... *presses play*.
Olive's life has taken an unexpected turn and she decides that a trip out of the city is just what she needs. Peace and tranquillity awaits in the odd home she finds online, but the even odder owner and goings on aren't entirely what she'd hoped for.
I seem to be picking films recently that remind me of other films, and Killer Instinct (also known as Tone Deaf) reminds me heavily of The Intruder from 2019 starring Dennis Quaid... with the slight difference that The Intruder was kind of watchable.
For a film under 90 minutes it feels significantly longer with nothing much happening. The whole idea that Harvey (Robert Patrick) is hatching this plan is poorly set up and once underway I didn't fully understand what the motivation was behind his character. As well as Intruder vibes, I was getting heavy Home Alone vibes too... you'll see.
There felt like two distinct sides to the cast, "serious" and "comedy". But the serious weren't, and neither were the comedy. The way everything was laced together felt like a sloppy attempt to merge Happy Death Day with a serious thriller.
As a lead character, Olive (Amanda Crew), doesn't feel massively likeable, and there seemed like there wasn't really any way to bring that to life as she was. Unengaging characters are also something that's happening more to me in recent film choices, and here, as with others, I found myself getting pulled out of the events of the film because of it.
I had hoped that Robert Patrick would offer some respite, but Harvey is equally... blah. There's no real explanation about why he is the way he is and it's introduced in such a strange way that his motivations are almost entirely obscured by it.
Killer Instinct tries very hard to be relevant and be a commentary on generational divides, but it's done by breaking the fourth wall and talking to the camera in a way that wasn't at all palatable. Each time it happened I frowned and instantly felt disengaged from the film. Combine that with the oddly comedic mother storyline and you get a film with a constant identity crisis.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/killer-instinct-movie-review.html
Olive's life has taken an unexpected turn and she decides that a trip out of the city is just what she needs. Peace and tranquillity awaits in the odd home she finds online, but the even odder owner and goings on aren't entirely what she'd hoped for.
I seem to be picking films recently that remind me of other films, and Killer Instinct (also known as Tone Deaf) reminds me heavily of The Intruder from 2019 starring Dennis Quaid... with the slight difference that The Intruder was kind of watchable.
For a film under 90 minutes it feels significantly longer with nothing much happening. The whole idea that Harvey (Robert Patrick) is hatching this plan is poorly set up and once underway I didn't fully understand what the motivation was behind his character. As well as Intruder vibes, I was getting heavy Home Alone vibes too... you'll see.
There felt like two distinct sides to the cast, "serious" and "comedy". But the serious weren't, and neither were the comedy. The way everything was laced together felt like a sloppy attempt to merge Happy Death Day with a serious thriller.
As a lead character, Olive (Amanda Crew), doesn't feel massively likeable, and there seemed like there wasn't really any way to bring that to life as she was. Unengaging characters are also something that's happening more to me in recent film choices, and here, as with others, I found myself getting pulled out of the events of the film because of it.
I had hoped that Robert Patrick would offer some respite, but Harvey is equally... blah. There's no real explanation about why he is the way he is and it's introduced in such a strange way that his motivations are almost entirely obscured by it.
Killer Instinct tries very hard to be relevant and be a commentary on generational divides, but it's done by breaking the fourth wall and talking to the camera in a way that wasn't at all palatable. Each time it happened I frowned and instantly felt disengaged from the film. Combine that with the oddly comedic mother storyline and you get a film with a constant identity crisis.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/killer-instinct-movie-review.html
Gareth von Kallenbach (962 KP) rated The Words (2012) in Movies
Aug 7, 2019
On paper, The Words is a film that is better suited as a literary novella. In print, we, as readers, are often granted insight to our characters thoughts and motivation that is frequently lost on film or delivered in a lackluster voiceover that most critics deem as lazy film making. Furthermore, the story within a story, within a story approach in film often leaves the audience with uninteresting shells of characters and can make a story forgettable at best.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.
Gareth von Kallenbach (962 KP) rated Footloose (2011) in Movies
Aug 7, 2019
Public dancing is against the law in the small religious town of Bomont. But Boston-raised teenager, Ren McCormack and the Reverend’s daughter Ariel have other ideas in this remake of the 1984 classic.
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
BankofMarquis (1832 KP) rated Strange world (2022) in Movies
Jan 7, 2023
Takes Too Long To Find It's Legs
If a film is going to be 1/2 good and 1/2 bad, is it better to have the good part first (which will get you to watch until the end) or last (which will leave you with a good feeling, if you make it that far). With the new Disney Animated Film STRANGE WORLD it is bad first, good second. So, if you stick through the disjointed first part of this film, you’ll be rewarded for your persistence with an interesting and satisfying finale.
A nod to the “Pulp Magazine” Science Fiction works of the 1950’s, STRANGE WORLD follows the adventures of the Clade clan as they try to find out what is beyond the hills of their land with the central conflict of this movie being that the Grandfather - the great explorer Jaeger Clade - wanting to explore. His son, Searcher Clade, wanting to stay put and the Grandson, Ethan Clade, caught between the 2.
It is pretty standard fare that is made all the more confusing by the setup of the premise and the clumsy introduction of the myriad of characters and situations that leads the audience to the exploration adventure that is to come.
Written and Co-Directed by Qui Nguyen (and directed by Don Hall) - both of whom are responsible for the criminally under-rated RAYA AND THE LAST DRAGON - Strange World stumbles out of the gate and spends the first 1/2 (maybe even the first 2/3) trying to recover from that stumble.
It finally does get it’s legs under itself and the end is worth the patience one must have to get through the beginning.
The voice cast is steady - but unspectacular. Jake Gyllenhaal (Searcher), Gabrielle Union (Meridian Clade - the Mom and pilot), Jaboukie Young-White (Ethan, the Grandson), Lucy Liu (explorer Callisto Mal) and Dennis Quaid (Jaeger, the Grandfather) all put in “professional” work, but none of them stick out - which is especially disappointing in Quaid’s case, for his character looks like it was written to be the quirky, different, interesting character.
Disney animation has had a mixed bag with “action/adventure” animated films. For every BIG HERO 6, there are TREASURE PLANET attempts that seemed earnest and well-meaning, but just don’t hit the mark.
If you are in the mood for a good Disney/Animated adventure that comes from Hall and Nguyen, skip STRANGE WORLD and, instead, check out RAYA AND THE LAST DRAGON.
Letter Grade: C+
5 1/2 stars (out of 10) - and you can take that to the Bank(ofMarquis)
A nod to the “Pulp Magazine” Science Fiction works of the 1950’s, STRANGE WORLD follows the adventures of the Clade clan as they try to find out what is beyond the hills of their land with the central conflict of this movie being that the Grandfather - the great explorer Jaeger Clade - wanting to explore. His son, Searcher Clade, wanting to stay put and the Grandson, Ethan Clade, caught between the 2.
It is pretty standard fare that is made all the more confusing by the setup of the premise and the clumsy introduction of the myriad of characters and situations that leads the audience to the exploration adventure that is to come.
Written and Co-Directed by Qui Nguyen (and directed by Don Hall) - both of whom are responsible for the criminally under-rated RAYA AND THE LAST DRAGON - Strange World stumbles out of the gate and spends the first 1/2 (maybe even the first 2/3) trying to recover from that stumble.
It finally does get it’s legs under itself and the end is worth the patience one must have to get through the beginning.
The voice cast is steady - but unspectacular. Jake Gyllenhaal (Searcher), Gabrielle Union (Meridian Clade - the Mom and pilot), Jaboukie Young-White (Ethan, the Grandson), Lucy Liu (explorer Callisto Mal) and Dennis Quaid (Jaeger, the Grandfather) all put in “professional” work, but none of them stick out - which is especially disappointing in Quaid’s case, for his character looks like it was written to be the quirky, different, interesting character.
Disney animation has had a mixed bag with “action/adventure” animated films. For every BIG HERO 6, there are TREASURE PLANET attempts that seemed earnest and well-meaning, but just don’t hit the mark.
If you are in the mood for a good Disney/Animated adventure that comes from Hall and Nguyen, skip STRANGE WORLD and, instead, check out RAYA AND THE LAST DRAGON.
Letter Grade: C+
5 1/2 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated The Express (2008) in Movies
Aug 13, 2020
I Tried
I was rooting something fierce for The Express. Sure the trailer looked cheesy, but I wanted to give it a chance. And give it a chance I did. I gave it every chance in the book and it got more painful with every second. It follows the true story of Ernie Davis and his journey to make it to the NFL .
Acting: 7
There are some solid performances for the most part but it’s unfortunately sprinkled in with what I call Hallmark Acting. It’s painfully obvious that not everyone is on the same wavelength here. Fortunately, Rob Brown is strong as Ernie Davis which makes things a bit more bearable throughout the movie.
Beginning: 3
Very slow start, mainly because I didn’t really understand what they were trying to establish with the story. Ernie is narrating, but there are a jumble of images to start and you have to make a push to piece things together. It’s also a very cliche start to a story.
Characters: 10
I did really enjoy Ernie’s character which made the movie better for me since he was the focal point. I also really appreciate his grandparents in the story, particularly his grandfather played by Charles S. Dutton. They are full of love as they make a push to steer Ernie in the right direction. Shout out to Dennis Quaid as well playing the role of the gruff coach Ben Schwartzwalder. He had a few scenes that were definitely made brighter because of him.
Cinematography/Visuals: 5
Conflict: 3
Even without knowing the story (as I didn’t) you can kind of guess and see where things are going. I didn’t feel like they did a solid enough job of showing the obstacles Ernie had to overcome. According to this, he was a beast early on and basically never looked back from there. That’s all good and fine but it takes away from the conflict needed to drive the story.
Entertainment Value: 6
Memorability: 5
Out of all the sports movies I’ve watched, this one doesn’t even hold a candle. I get sleepy just thinking about it at times. The story is ultimately memorable, but there are no real moments or scenes that stand out above the rest.
Pace: 6
Plot: 4
Resolution: 8
Given the rest of the movie, the ending actually wasn’t all that bad. Without giving anything away it was quality closure for the story. It made me wonder why they couldn’t pull this off in the rest of the movie.
Overall: 57
The Express was doing ok for a bit and then it just got really weird. There is a scene where Ernie is out on the field and there are these strange heat shimmers. This, like a number of other things, just had no place in the movie. Given a do over of some sort, this wouldn’t be a bad story to see unfold on the screen.
Acting: 7
There are some solid performances for the most part but it’s unfortunately sprinkled in with what I call Hallmark Acting. It’s painfully obvious that not everyone is on the same wavelength here. Fortunately, Rob Brown is strong as Ernie Davis which makes things a bit more bearable throughout the movie.
Beginning: 3
Very slow start, mainly because I didn’t really understand what they were trying to establish with the story. Ernie is narrating, but there are a jumble of images to start and you have to make a push to piece things together. It’s also a very cliche start to a story.
Characters: 10
I did really enjoy Ernie’s character which made the movie better for me since he was the focal point. I also really appreciate his grandparents in the story, particularly his grandfather played by Charles S. Dutton. They are full of love as they make a push to steer Ernie in the right direction. Shout out to Dennis Quaid as well playing the role of the gruff coach Ben Schwartzwalder. He had a few scenes that were definitely made brighter because of him.
Cinematography/Visuals: 5
Conflict: 3
Even without knowing the story (as I didn’t) you can kind of guess and see where things are going. I didn’t feel like they did a solid enough job of showing the obstacles Ernie had to overcome. According to this, he was a beast early on and basically never looked back from there. That’s all good and fine but it takes away from the conflict needed to drive the story.
Entertainment Value: 6
Memorability: 5
Out of all the sports movies I’ve watched, this one doesn’t even hold a candle. I get sleepy just thinking about it at times. The story is ultimately memorable, but there are no real moments or scenes that stand out above the rest.
Pace: 6
Plot: 4
Resolution: 8
Given the rest of the movie, the ending actually wasn’t all that bad. Without giving anything away it was quality closure for the story. It made me wonder why they couldn’t pull this off in the rest of the movie.
Overall: 57
The Express was doing ok for a bit and then it just got really weird. There is a scene where Ernie is out on the field and there are these strange heat shimmers. This, like a number of other things, just had no place in the movie. Given a do over of some sort, this wouldn’t be a bad story to see unfold on the screen.
Gareth von Kallenbach (962 KP) rated Midway (2019) in Movies
Nov 7, 2019
The events of December 7th 1941 left an indelible mark on the psyche of America and became a date that truly has lived in infamy. Though historians, authors, and filmmakers have attempted to analyze the events during and leading to the attack on Pearl Harbor; there is still a great deal of interest about the attack and the aftermath.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
While Pearl Harbor was for many the opening shots of the U.S. entry into World War II; some would say that the stage was set earlier when the United States attempted to curtail what they saw as an aggressive and Imperialistic Japan by placing restrictions on their vital resources such as oil and the tonnage of their Navy.
In the new film “Midway” we are given a glimpse into this when four years before the attack, when Edwin Layton (Patrick Wilson) meets with Admiral Nagumo (Jun Kunimura) who lets him know that hardline factions in his government have been buoyed by their invasion of China and will do what is needed to make sure the vital oil that is supplied by the U.S. remains constant.
Flash forward to the day of the attack and Layton who has warned that an attack was possible at Pearl Harbor is seeing his worst predictions come true. In the aftermath he is assigned to Admiral Nimitz (Woody Harrelson); who has been given the thankless task of taking charge of what is left of the Pacific Fleet and finding a way to stop the Japanese fleet.
The U.S. finds themselves outnumbered, outgunned, and waging war with ships and planes that are inferior to the Japanese but they must find a way to overcome the great obstacles before them and defeat a relentless enemy.
Layton and a team of code breakers are convinced the Japanese intend to attack the island of Midway and go all in to set a trap with the goal of destroying the enemy carriers so the U.S. can gain an aerial advantage in the Pacific.
With a strong cast which features Luke Evans, Dennis Quaid, Mandy Moore, Aaron Eckhart, Nick Jonas and a fine supporting cast, Director Roland Emmerich has given audiences a gripping war movie that despite the impressive visual effects; never loses site of the fact that this is a story of real people who found themselves in pivotal moments of history.
The film also shows how the Japanese commanders had differing views of the Americans they fought. Some considered them to lack braveness while others admired their tenacity and were grateful that they had what they saw as inferior and outdated planes to attack them in.
The film also does a great job showing the Doolittle Raid and how what from a military standpoint caused minor damage yet was a huge psychological boost as Japan believed they were immune from attack yet the American forces found a way to bomb Tokyo by the impossible task of using land based bombers off a carrier.
The film is a great mix of human drama that shows not only the terrible toll of war but how a group of extraordinary individuals gave their all.
