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HyruleBalverine (16 KP) rated Justice League (2017) in Movies
Jun 9, 2018
A light begins to shine on the darkness of the DC Extended Universe
After the dark brooding mess that was Batman Vs. Superman and the hot mess that was Suicide Squad, I was quite pleasantly surprised with Justice League.
With no offense intended towards Zack Snyder, who is good at what he does, I found his gritty take on the DC universe to be too dark. Whether the original intent had always been to start off dark and depressing and lead into a more light and hopeful tone with Justice League, or if it was Joss Whedon's influence once he stepped in when Snyder had to leave, or just WB/DC trying to keep up with Marvel, the shift in tone was the right choice.
While they are clearly still trying to play catch up with the MCU in setting up their cinematic universe, the build up in this movie did not feel quite as rushed as Dawn of Justice. Personally, I would have liked to see the other characters getting their own movies in order to set this up, but they're introductions in this movie seemed to have been done well. Also, while DC is certainly trying to match Marvel by using their big baddie Darkseid (the Thanos of the DC Universe), they didn't throw him into this movie in an attempt to jump into their own Infinity War type movie; rather, they used another character, tied to Darkseid, to build up to the massive enemy that Darkseid will be.
It is my hope that after the amazing film that Wonder Woman was and the great change in tone of Justice League, the DCEU will continue with this current trend of hopefulness and quippy Super Heroes.
With no offense intended towards Zack Snyder, who is good at what he does, I found his gritty take on the DC universe to be too dark. Whether the original intent had always been to start off dark and depressing and lead into a more light and hopeful tone with Justice League, or if it was Joss Whedon's influence once he stepped in when Snyder had to leave, or just WB/DC trying to keep up with Marvel, the shift in tone was the right choice.
While they are clearly still trying to play catch up with the MCU in setting up their cinematic universe, the build up in this movie did not feel quite as rushed as Dawn of Justice. Personally, I would have liked to see the other characters getting their own movies in order to set this up, but they're introductions in this movie seemed to have been done well. Also, while DC is certainly trying to match Marvel by using their big baddie Darkseid (the Thanos of the DC Universe), they didn't throw him into this movie in an attempt to jump into their own Infinity War type movie; rather, they used another character, tied to Darkseid, to build up to the massive enemy that Darkseid will be.
It is my hope that after the amazing film that Wonder Woman was and the great change in tone of Justice League, the DCEU will continue with this current trend of hopefulness and quippy Super Heroes.
Kristin (149 KP) rated Kill Ratio in Books
Dec 7, 2018
Disclaimer: I received a copy in exchange for an honest review.
It's actually happened: the zombie apocalypse is among us. Caused by a virus spreading exponentially through the population, it looks like there's no end in sight. Chad Halverson, however, is going to do his best to make it out alive. See, he knows exactly how this all started, and the government--his own co-workers, in fact--want him dead for that knowledge. Meanwhile, the President and his council are holed up in Mount Weather, ready to make some chilling decisions that will affect the entire world. Who will win, who will lose, and will we ever be the same again?
I thought this was a captivating book. The characters are intriguing; the story is one that could eventually happen, what in this day of germ warfare and other craziness; and the general tone of the book is depressing but hopeful at the same time. Jumping back and forth between Chad's group and those at Mount Weather was a very neat concept, as you could see what was REALLY going on in the world versus what the government fat-cats could see and were debating about. That group in itself was great; I felt like that's exactly what would happen in a situation like this, and the ongoing tension and escalating tempers were just perfect.
I would recommend this book to anyone who likes a good zombie story, but also for those who want to know just what the government would do in this situation. I believe it's depicted quite accurately; will you?
4 stars
P.S. I may have shortened my boyfriend's life by showing him the cover upon first waking up. =)
It's actually happened: the zombie apocalypse is among us. Caused by a virus spreading exponentially through the population, it looks like there's no end in sight. Chad Halverson, however, is going to do his best to make it out alive. See, he knows exactly how this all started, and the government--his own co-workers, in fact--want him dead for that knowledge. Meanwhile, the President and his council are holed up in Mount Weather, ready to make some chilling decisions that will affect the entire world. Who will win, who will lose, and will we ever be the same again?
I thought this was a captivating book. The characters are intriguing; the story is one that could eventually happen, what in this day of germ warfare and other craziness; and the general tone of the book is depressing but hopeful at the same time. Jumping back and forth between Chad's group and those at Mount Weather was a very neat concept, as you could see what was REALLY going on in the world versus what the government fat-cats could see and were debating about. That group in itself was great; I felt like that's exactly what would happen in a situation like this, and the ongoing tension and escalating tempers were just perfect.
I would recommend this book to anyone who likes a good zombie story, but also for those who want to know just what the government would do in this situation. I believe it's depicted quite accurately; will you?
4 stars
P.S. I may have shortened my boyfriend's life by showing him the cover upon first waking up. =)
Gareth von Kallenbach (980 KP) rated 500 Days of Summer (2009) in Movies
Aug 9, 2019
The ever-quirky Zooey Deschanel stars alongside Joseph Gordon-Levitt reemerging from “10 Things I Hate About You” in the odd tale “(500) Days of Summer”.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
Sarah (7798 KP) rated Trainspotting in Books
Mar 28, 2020
Bleak yet ultimately rather good
When I first started this book, I didn't think I'd manage to get all the way through it. The entire book, aside from a few sections, are written completely in Scottish. I have nothing against the Scottish, however trying to read a book that is written and spelt in a Scottish accent is a rather trying experience. Fortunately after a couple of chapters I managed to settle into a decent rhythm and began to enjoy the story for what it really was.
My biggest criticism of this book is the Scottish. It's a great idea and actually works well with the story, but it is a little difficult to decipher at times although it does add to the realism. Once you learn to accept the Scottish, what you get is a rather bleak and depressing story of a group of drug addicts, alcoholics and general all round bad people from Edinburgh. This isn't a happy story and virtually every character featured isn't particularly likeable (and some are downright despicable), but for me this is why I enjoyed the book so much. There is a slight issue with the passage of time, it seems to jump around quite a lot and whilst i think it took place over the period of a few months, it was a little confusing at times. I do think as well that now having read the book, that the film actually stays fairly close to the source material.
This isn't a book to read if you're looking for something happy and upbeat. However if you're looking for a starkly realistic dark story yet is still enjoyable, you can't go wrong with this.
My biggest criticism of this book is the Scottish. It's a great idea and actually works well with the story, but it is a little difficult to decipher at times although it does add to the realism. Once you learn to accept the Scottish, what you get is a rather bleak and depressing story of a group of drug addicts, alcoholics and general all round bad people from Edinburgh. This isn't a happy story and virtually every character featured isn't particularly likeable (and some are downright despicable), but for me this is why I enjoyed the book so much. There is a slight issue with the passage of time, it seems to jump around quite a lot and whilst i think it took place over the period of a few months, it was a little confusing at times. I do think as well that now having read the book, that the film actually stays fairly close to the source material.
This isn't a book to read if you're looking for something happy and upbeat. However if you're looking for a starkly realistic dark story yet is still enjoyable, you can't go wrong with this.
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ClareR (5726 KP) rated When the Lights Go Out in Books
Nov 17, 2020
When the Lights Go Out is not just about climate change and the disaster that we seem to be hurtling towards. It’s also about a marriage: Emma and Chris’ marriage. I seem to be having a really good run with books lately. This is a book where not overly much happens on the surface, but it’s packed full of action if you look at the way that it’s scrutinising Emma and Chris’ marriage. These are two people who have a lot going on. They have both been pushed to their limits, and whilst Emma seems to be dealing with the changes in her life, Chris is really struggling. He is constantly plagued by thoughts of ‘worst case scenarios’. He stockpiles food and fuel in the garage, he buys fish antibiotics just in case the human version is unobtainable. And he tests his family’s resourcefulness by turning off the electricity in their home to make sure they can cope - and leads them to believe it’s a power cut. Chris is unhappy. Work is very slow - no one needs a gardener if it rains non-stop and the garden is submerged, or if it gets so hot that nothing survives to tend to. Money is tight since Emma lost her job when the library where she worked closed, and she works part time in a school, supplementing her income with her craft work.
Everything comes to a dramatic head on Christmas Eve - and I don’t think I was capable of breathing properly for the last couple of chapters.
This sounds like a morose, depressing read, but it really wasn’t. There are some really quite funny bits interspersed with the more serious aspects - I thought it was really well balanced, and I loved reading it.
Everything comes to a dramatic head on Christmas Eve - and I don’t think I was capable of breathing properly for the last couple of chapters.
This sounds like a morose, depressing read, but it really wasn’t. There are some really quite funny bits interspersed with the more serious aspects - I thought it was really well balanced, and I loved reading it.
Edgar Wright recommended Head (1968) in Movies (curated)
LoganCrews (2861 KP) rated Impractical Jokers: The Movie (2020) in Movies
Sep 21, 2020
As someone who's been an "Impractical Jokers" fan since the very first episode aired way back on December 15th, 2011 (and still to this day) - I'm not sure how *this* big of a downgrade was managed going from a TruTV show to a major motion picture. The narrative framing device is un-fucking-watchable and the best bits from the pranks themselves are less convincingly faked than even some of the more middling episodes of the show. I - with the general consensus - vote this should have just been a ~90 minute episode rather than this pat material padding out a small handful of pranks. Not 100% sure if this just isn't really isn't good overall or if its chintziness in the extreme let it down; the "Drake & Josh" movies are seriously more well built than this. I think these four very original guys are hilarious, each brim with distinct personality, and have some of the best comedic timing of the 2010s decade (and there still is a lot of funny stuff in here delivered with that same knack) - so it is confusing to see them flounder so hard in just about every other thing they try besides the show. The (still staged) broken-down car bit and Paula Abdul saying she has more power than the cartel are high points, much of everything else is a depressing low for this IP. Even the admittedly awesome in theory ending punishment falls flat. A dud, honestly not awful but there's literally no point in paying to see this in a theater even despite being able to watch more high quality entertainment from these guys on YouTube or home television. Tonight's biggest loser: the audience. Sidenote: they didn't censor fuck or shit, but did so for pussy? Twice?
Haley Mathiot (9 KP) rated It's Not Summer Without You (Summer, #2) in Books
Apr 27, 2018
Everything changed after Susannah died. Her two sons, both of whom Belly loves in different ways, have changed. Jeremiah is older. Conrad is empty. Belly's mother is different. And Belly is different, too. After her painful break-up with Conrad, she isn't expecting to enjoy summer, she just wants to get through it. But when Jeremiah calls her and tells her that Conrad has vanished from summer school, she goes with him to find him… and try to make things write. But Conrad has his own agenda, and his own idea of what is right. Belly has to decide if she's willing to let her heart get torn and healed by Conrad's ever-changing emotions in relation to her—as changing as the sea at her summer house—or if she's ready to let go.
After having just finished It's Not Summer Without You, I'm not sure if I feel like smiling, or if I feel smug, or if I want to kill Conrad—or at least hit him—or maybe I want to kill Jeremiah, or maybe I want to cry. I think I feel like Belly. I feel sorry for her, that's for sure.
It's Not Summer Without You is beautiful in a painful kind of way. I loved the way the story was woven, but I'm not sure I liked the way it turned out. It's the kind of story that starts looking scary, because you know that in the end everyone is going to get hurt, and that someone is going to have to choose between two good things, and you'll never be completely satisfied with the choice. But then, maybe that's the way it is in the real world. That's what makes this story good: it's real.
I read it in one sitting, on the same day I got it, and I couldn't put it down. Just like The Summer I Turned Pretty, the main aspect of the book is the characters. They are what keep you reading, they are what makes you care about the book. I care about Belly, I care about Conrad, I care about Jeremiah. I just don't care about them in the same ways I used to.
The writing felt smooth, poetic, and lyric, but the entire book had a negative energy to it. It felt depressing to read. I don't feel like I just read a summer romance, I feel like I just read a sad book and I need a light summer romance to cheer me up. That's not to say I didn't like it, but it was rather depressing to read.
The whole thing, from start to finish, felt like a lost cause with a possible hopeful end—meaning Belly and Conrad would never be together again, everything is falling apart after Susannah's death, and nothing will ever be good again…unless, unless, unless—and I'm not quite sure if it had that end. It wasn't enough of an ending for me. There wasn't enough closure between the characters, I'm still not exactly sure what happened and where everyone stands, and the epilogue wasn't enough to decode what was being said. Hopefully, more was added to the epilogue in the finished copy of the book. That's the only reason I gave it four stars and not five: I didn't enjoy it enough. It was good, it was just hard to read and hard to enjoy.
All in all, I did like it, I liked most of what happened, and I liked how real it was. It's Not Summer Without You evokes real emotions because it plays out in the real world.
Content: Some language
Recommendation: Ages 16+
After having just finished It's Not Summer Without You, I'm not sure if I feel like smiling, or if I feel smug, or if I want to kill Conrad—or at least hit him—or maybe I want to kill Jeremiah, or maybe I want to cry. I think I feel like Belly. I feel sorry for her, that's for sure.
It's Not Summer Without You is beautiful in a painful kind of way. I loved the way the story was woven, but I'm not sure I liked the way it turned out. It's the kind of story that starts looking scary, because you know that in the end everyone is going to get hurt, and that someone is going to have to choose between two good things, and you'll never be completely satisfied with the choice. But then, maybe that's the way it is in the real world. That's what makes this story good: it's real.
I read it in one sitting, on the same day I got it, and I couldn't put it down. Just like The Summer I Turned Pretty, the main aspect of the book is the characters. They are what keep you reading, they are what makes you care about the book. I care about Belly, I care about Conrad, I care about Jeremiah. I just don't care about them in the same ways I used to.
The writing felt smooth, poetic, and lyric, but the entire book had a negative energy to it. It felt depressing to read. I don't feel like I just read a summer romance, I feel like I just read a sad book and I need a light summer romance to cheer me up. That's not to say I didn't like it, but it was rather depressing to read.
The whole thing, from start to finish, felt like a lost cause with a possible hopeful end—meaning Belly and Conrad would never be together again, everything is falling apart after Susannah's death, and nothing will ever be good again…unless, unless, unless—and I'm not quite sure if it had that end. It wasn't enough of an ending for me. There wasn't enough closure between the characters, I'm still not exactly sure what happened and where everyone stands, and the epilogue wasn't enough to decode what was being said. Hopefully, more was added to the epilogue in the finished copy of the book. That's the only reason I gave it four stars and not five: I didn't enjoy it enough. It was good, it was just hard to read and hard to enjoy.
All in all, I did like it, I liked most of what happened, and I liked how real it was. It's Not Summer Without You evokes real emotions because it plays out in the real world.
Content: Some language
Recommendation: Ages 16+