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Suswatibasu (1701 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Alison Pink (7 KP) rated Extremely Loud and Incredibly Close in Books
Jan 15, 2018
I have never been a big fan of history. There have been events in history which have captured my attention...the Holocaust, JFK's assassination, the Civil Rights movement, the Beatles. I think my issue with history is just that, its history. I had no connection to it. All of that changed on September 11, 2001, my generation's version of the day that will live in infamy. Like most everyone who was old enough to remember, I remember that day like it were yesterday...where I was when I heard, what it was like to watch those massive building collapse, the fear, the uncertainty, the need to have those I loved close to me, how I knew it was real but just not being able to comprehend that I was watching the news & not some movie. I didn't have a personal connection with losing someone that day thank God.
Jonathan Safran Foer's book gave me that personal connection. While I know it is fiction, it felt SO incredibly real. His writing was very heartfelt...funny, depressing, hopeful, and heartbreaking all at once. It tells the story of Oskar Schell who lost his father on that horrible day. It tells the tale of the aftermath for those left behind, those who still today stuggle to get a handle on wrapping their minds around their loved one being gone, even though there is nothing to put closure to their loss.
Oskar spends months a searching for an explanation to a key he found at the bottom of a vase in his father's closet after he died. He embarks on the search hoping to feel close to his dad, if only for a little while longer. That search leads him all through New York and into the homes of a very eclectic group of people who are all dealing with some kind of tragedy. In the end, what he finds surprises Oskar, but also manages to pull him back to his mother and deal with his anger at the same time.
I'm not sure what I was expecting, but this book was a pleasant surprise. I laughed & cried, often times all from just one page of text. The story is accompanied by photos that just add to the personal nature of the story. I don't do this often if ever really, but I think this is a book I will read more than once.
Jonathan Safran Foer's book gave me that personal connection. While I know it is fiction, it felt SO incredibly real. His writing was very heartfelt...funny, depressing, hopeful, and heartbreaking all at once. It tells the story of Oskar Schell who lost his father on that horrible day. It tells the tale of the aftermath for those left behind, those who still today stuggle to get a handle on wrapping their minds around their loved one being gone, even though there is nothing to put closure to their loss.
Oskar spends months a searching for an explanation to a key he found at the bottom of a vase in his father's closet after he died. He embarks on the search hoping to feel close to his dad, if only for a little while longer. That search leads him all through New York and into the homes of a very eclectic group of people who are all dealing with some kind of tragedy. In the end, what he finds surprises Oskar, but also manages to pull him back to his mother and deal with his anger at the same time.
I'm not sure what I was expecting, but this book was a pleasant surprise. I laughed & cried, often times all from just one page of text. The story is accompanied by photos that just add to the personal nature of the story. I don't do this often if ever really, but I think this is a book I will read more than once.
graveyardgremlin (7194 KP) rated Benighted in Books
Feb 15, 2019
I've spent the last three weeks reading Benighted off and on. I have a hard time describing how I feel about this book - in one respect I feel that it is well-written and very lifelike, even if it deals with lycanthropes, but in another, I feel that the story is flawed. I think that it was hard to stick with it because the tone is so depressing and dreary that I needed breaks.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
Lola (or May) is a sympathetic character, but that does not, in any way, mean you'll like her, but I couldn't help but feel sorry for what she's been through and how those experiences have affected her. The main problem I had with the story was that the whole business of DORLA seemed odd. I would think that by this time, the organization would be obsolete and none of the Lycos would be afraid of Barebacks since they are supposedly the inferior species and there are so few of them. For me, it just doesn't make much sense.
I went to the author's website and she said that she preferred the U.K. title, Bareback. I feel that Benighted is a much more fitting title, as it isn't all just about the treatment of Barebacks, it's both. And since Benighted's definition at the beginning of the book is: 1. (adj) in a state of pitiful or contemptible intellectual or moral ignorance, typically owing to a lack of opportunity
2. (archaic) overtaken by darkness
It seems to me that both definitions can be applied to both Barebacks and Lunes in different ways. But maybe that's just the American in me talking.
I did at times become bored with the book, probably due to it's excessive length (not to mention again how down it is). Now I don't mind long books at all, but Benighted is 516 pages and there were many ramblings that could have used a drastic paring down. With that said, I did find it interesting and thought provoking, but I'm not sure I would read another book from Ms. Whitfield. I was looking forward to reading something a little different than the typical werewolf book and was left disappointed. Maybe, going into it, if I had known how much more a sociological study of minorities this is than a werewolf story, I would have liked the book better.
Cyn Armistead (14 KP) rated The Distance Travelled in Books
Mar 1, 2018
Just how this book ended up on my iTouch is something of a mystery to me, but it was there and I'd read everything else, and it was the middle of the night and I couldn't sleep, so I figured what the heck.
A few minutes later, I stopped, looked back at the title and author, and tried really hard to figure out where this book could have possibly come from, because, um, wtf? A guy is sitting in his kitchen, minding his own business, and a pig comes sailing through the window? A live pig? Right. Then he starts checking the thermostat and it is pretty clear that he must live in hell. Oh, and the pig sits down and helps itself to his cereal, sitting upright in the chair and using the spoon.
That's before things really get odd.
I have no objection to a few fnords, but I generally know what I'm getting into. I suppose that when a novel apparently puts itself onto your e-reader, you just deal with whatever happens.
So maybe I shouldn't be complaining about the fact that there isn't exactly a happy ending, because the ending isn't as unhappy as it could have been. But I LIKE happy endings. In fact, I have a thing about them, in that I tend to choose my reading with a very strong preference for them. That's one reason I'm unlikely to be reading any more Neil Gaiman (I know, I know, he's such a good author - but he's depressing as hell, too).
Let's be honest here: Savory is not Neil Gaiman, and there wasn't a really happy ending. The ending didn't wholly suck as much as it could have, but there wasn't any goodness and light. Or redemption. Or reward. No love. Just - blah.
So I don't know what else Brett Alexander Savory has written, but I probably won't be looking too hard at any of it. The book did keep me reading for about an hour and a half, though, so Savory did better than many other authors could. Kudos for that!
I know he put this novel, at least, out under a Creative Commmons license, according to the copy on my e-reader. I don't know if any of his other material is licensed that way or not, but I give him thumbs up for being part of the CC movement.
A few minutes later, I stopped, looked back at the title and author, and tried really hard to figure out where this book could have possibly come from, because, um, wtf? A guy is sitting in his kitchen, minding his own business, and a pig comes sailing through the window? A live pig? Right. Then he starts checking the thermostat and it is pretty clear that he must live in hell. Oh, and the pig sits down and helps itself to his cereal, sitting upright in the chair and using the spoon.
That's before things really get odd.
I have no objection to a few fnords, but I generally know what I'm getting into. I suppose that when a novel apparently puts itself onto your e-reader, you just deal with whatever happens.
So maybe I shouldn't be complaining about the fact that there isn't exactly a happy ending, because the ending isn't as unhappy as it could have been. But I LIKE happy endings. In fact, I have a thing about them, in that I tend to choose my reading with a very strong preference for them. That's one reason I'm unlikely to be reading any more Neil Gaiman (I know, I know, he's such a good author - but he's depressing as hell, too).
Let's be honest here: Savory is not Neil Gaiman, and there wasn't a really happy ending. The ending didn't wholly suck as much as it could have, but there wasn't any goodness and light. Or redemption. Or reward. No love. Just - blah.
So I don't know what else Brett Alexander Savory has written, but I probably won't be looking too hard at any of it. The book did keep me reading for about an hour and a half, though, so Savory did better than many other authors could. Kudos for that!
I know he put this novel, at least, out under a Creative Commmons license, according to the copy on my e-reader. I don't know if any of his other material is licensed that way or not, but I give him thumbs up for being part of the CC movement.
LilyLovesIndie (123 KP) rated Red Sky in Morning in Books
Nov 5, 2018
Check out the review on my blog, Lily Loves Indie, here http://lilylovesindie.co.uk/?p=27
I received this book through NetGalley in return for an honest review, and that I am very grateful for this opportunity to broaden my reading experience. This is a very different book to what I would usually read, with a different style of writing and plot development. Nevertheless, I did find it somewhat enjoyable, even if it was lacking in a couple of places.
The story follows the harsh life of Coll Coyle, a young Irish man struggling to keep his home for his family from a vile landlord. It seems things can only get worse as the saga progresses, with John Faller, a formidable gentleman, following him all the way around the world. Although he meets a good friend, his heart never truly leaves the loved ones left behind in Ireland.
Initially, this story is rather tough to get into, and that isn't something that changes much over the course of the book. Written in a strong Irish brogue, at times it can be quite difficult to read, however this becomes easier as you go further through the book. It does help you feel more immersed in the story though as it strangely flows quite naturally when you're reading.
The plot is something that, if I'm totally honest, needs a little work. It's just rather plodding and slow at times, and even after finishing it, I don't feel like the story really went anywhere and was never aiming for a conclusion. In addition, at times it was very depressing to read, and I had to put it down in favour of something a little more light-hearted.
All that as it was, there is one major redeeming feature in this book that had me reading to the end. The imagery is truly exquisite - Lynch really does have great skill at weaving the description through the story. This was a delight to read as the images just appeared with minimal effort from myself straight into my head.
Overall, I enjoyed this book, but it probably wouldn't be one I'd read over and over again. The description is by far it's greatest feature but it is, on the whole, something I'm glad I've read.
I received this book through NetGalley in return for an honest review, and that I am very grateful for this opportunity to broaden my reading experience. This is a very different book to what I would usually read, with a different style of writing and plot development. Nevertheless, I did find it somewhat enjoyable, even if it was lacking in a couple of places.
The story follows the harsh life of Coll Coyle, a young Irish man struggling to keep his home for his family from a vile landlord. It seems things can only get worse as the saga progresses, with John Faller, a formidable gentleman, following him all the way around the world. Although he meets a good friend, his heart never truly leaves the loved ones left behind in Ireland.
Initially, this story is rather tough to get into, and that isn't something that changes much over the course of the book. Written in a strong Irish brogue, at times it can be quite difficult to read, however this becomes easier as you go further through the book. It does help you feel more immersed in the story though as it strangely flows quite naturally when you're reading.
The plot is something that, if I'm totally honest, needs a little work. It's just rather plodding and slow at times, and even after finishing it, I don't feel like the story really went anywhere and was never aiming for a conclusion. In addition, at times it was very depressing to read, and I had to put it down in favour of something a little more light-hearted.
All that as it was, there is one major redeeming feature in this book that had me reading to the end. The imagery is truly exquisite - Lynch really does have great skill at weaving the description through the story. This was a delight to read as the images just appeared with minimal effort from myself straight into my head.
Overall, I enjoyed this book, but it probably wouldn't be one I'd read over and over again. The description is by far it's greatest feature but it is, on the whole, something I'm glad I've read.
Merissa (12051 KP) rated Driving Me to You in Books
Dec 17, 2018
This heart-warming story is based around only a few characters but trust me when I say with characters this full of life, you don't need many. Sam has just come back from India after being severely ill but it has changed how she views life and she has a lot of ideas on how to share this with others. Verlaine is down on his luck after being out of work for four months and has applied for his dream job - renovating classic cars. Gemma is struggling to keep the business her late father started afloat and has asked (but paying for) the help of an old friend, Marcus. Marcus is Sam's ex-boyfriend but he has decided that he will have her back, after all, who could resist him? And then you have Paul and Scott, a couple that definitely belong together, that complement each other and work well together. The one you don't hear much of is Jack, Verlaine's flat mate, who seems a bit grumpy but that is understandable as he is worried about where they will live if things don't work out between Verlaine and the boss' sister! So there are the characters, let the story commence.
This story is full of bumps and bends as Sam and Verlaine learn about each other, make friends with each other and the others in the small circle, and let the sparks fly between them. Sam is also trying to find a way of mending her relationship with Gemma, is it really broken beyond repair? The things you find out about Marcus will make your toes curl but I won't say whether that's in a good or bad way.
The thing that I love about Julie Farrell's stories is that although you have the main characters, you also get taken along on the side stories of the other characters. This makes the book simply a delight to read and they are never boring! They are realistic but not depressing. Julie's heroines have backbone, a sense of humour and wit, and yes, slightly kooky in a good way. Her hero's are not perfect, they have their flaws which just makes them more loveable.
If you are looking for a modern romance with a hint of suspense and mystery, then check out this book. I honestly can't see how you would be disappointed.
This story is full of bumps and bends as Sam and Verlaine learn about each other, make friends with each other and the others in the small circle, and let the sparks fly between them. Sam is also trying to find a way of mending her relationship with Gemma, is it really broken beyond repair? The things you find out about Marcus will make your toes curl but I won't say whether that's in a good or bad way.
The thing that I love about Julie Farrell's stories is that although you have the main characters, you also get taken along on the side stories of the other characters. This makes the book simply a delight to read and they are never boring! They are realistic but not depressing. Julie's heroines have backbone, a sense of humour and wit, and yes, slightly kooky in a good way. Her hero's are not perfect, they have their flaws which just makes them more loveable.
If you are looking for a modern romance with a hint of suspense and mystery, then check out this book. I honestly can't see how you would be disappointed.
Ivana A. | Diary of Difference (1171 KP) rated It's a Bright World to Feel Lost In in Books
Feb 3, 2020
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<b><i>I love cute little books, especially when they contain something emotional or motivating around them.</i></b>
This book was one of those cute little books that you pick up now and then, have a quick read through and then go on with your life. And that is the reason why I chose to review it.
The book is supposedly written by a bear called Mawson that gives life advice. And it's meant for adults, not children. It doesn’t follow any particular story - in fact - it all seems to be a bit of randomly places throughout the pages, with a lot of adorable pictures of a teddy bear doing things. However, I was having some troubles understanding this book.
The teddy bear is so cute and the images are indeed adorable, but I found the text depressing, rather than motivating. Yes - it is a bright world to feel lost in, and we do find ourselves lost all the time. But what can we do about it? What is the teddy bear doing about it? I just didn’t get it. I don’t think the messaging was there. I am not sure the author delivered everything that he wanted to say in this book.
The words had random capital letters, a few spelling errors, and they were also randomly places on the pages, alongside the images, which to some people might be appealing, but to me - it just puts me off. I understand this is the bear typing..... but as I said - definitely annoyed me and I found it ridiculous.
<b>I know I am supposed to love this book, because it has a teddy bear on the cover - but I just didn’t. </b>
Thank you to the author (bear's guardian) Mark O'Dwyer for sending across this book to me in exchange for an honest review.
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<b><i>I love cute little books, especially when they contain something emotional or motivating around them.</i></b>
This book was one of those cute little books that you pick up now and then, have a quick read through and then go on with your life. And that is the reason why I chose to review it.
The book is supposedly written by a bear called Mawson that gives life advice. And it's meant for adults, not children. It doesn’t follow any particular story - in fact - it all seems to be a bit of randomly places throughout the pages, with a lot of adorable pictures of a teddy bear doing things. However, I was having some troubles understanding this book.
The teddy bear is so cute and the images are indeed adorable, but I found the text depressing, rather than motivating. Yes - it is a bright world to feel lost in, and we do find ourselves lost all the time. But what can we do about it? What is the teddy bear doing about it? I just didn’t get it. I don’t think the messaging was there. I am not sure the author delivered everything that he wanted to say in this book.
The words had random capital letters, a few spelling errors, and they were also randomly places on the pages, alongside the images, which to some people might be appealing, but to me - it just puts me off. I understand this is the bear typing..... but as I said - definitely annoyed me and I found it ridiculous.
<b>I know I am supposed to love this book, because it has a teddy bear on the cover - but I just didn’t. </b>
Thank you to the author (bear's guardian) Mark O'Dwyer for sending across this book to me in exchange for an honest review.
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Dale Lawson (13 KP) rated The Stranger in TV
Mar 1, 2020 (Updated Mar 1, 2020)
Cliffhanger endings (1 more)
Mysterious plot twists
Shocking acting (2 more)
Incomplete plot
Character motivations
What started as an addictive watch, left me deflated...
This show has recently been released on Netflix and has a lot of buzz surrounding it. I was recommended it by three different people in the space of a few days. Even when I started to watch the series, I was quick to suggest it to friends. However, having finished the series and reflecting on the show, I wondered how I enjoyed it so much. It was full of plot holes, lost character motivations and had a selection of poor actors.
The premise of the show is that a stranger visits Richard Armitage’s character and unveils some unexpected and life changing news. As the series develops various crimes, including murder, end up being committed and they fuel a lot of the ‘twists’ or cliffhangers that end each episode.
These endings are what make the show enjoyable to watch, I think. They keep you wanting more. We watched three episodes in one evening because of the desire to ‘find out more’. Whilst the writers have done an excellent job in this regard and for the sub-plots, the content of each episode is often rushed, to progress the plot or just simply poorly written.
But it is the actors that let this show down the most; regularly, they are even laughable. The cast that play the children are extremely rough around the edges and provide much of the unintended humour. This said, the blame is not solely down to them. Many of the other supporting adult cast come across flat and dry, which is partly down to the poor writing.
Richard Armitage does the best he can with the script he has, yet it was good to see him on screen again after a large hiatus. The two main police officers also provide quality performances, and thankfully are on screen for much of the time to hold this show together. Stephen Rhea’s character is also very likeable for the first half of the story. It’s a shame to see a cast of strong actors struggling to provide quality performances.
With an ending that felt wrong and depressing, to the poorly acted episodes, The Stranger proves to be an addictive watch that leaves you feeling a little underwhelmed and deflated upon its conclusion.
The premise of the show is that a stranger visits Richard Armitage’s character and unveils some unexpected and life changing news. As the series develops various crimes, including murder, end up being committed and they fuel a lot of the ‘twists’ or cliffhangers that end each episode.
These endings are what make the show enjoyable to watch, I think. They keep you wanting more. We watched three episodes in one evening because of the desire to ‘find out more’. Whilst the writers have done an excellent job in this regard and for the sub-plots, the content of each episode is often rushed, to progress the plot or just simply poorly written.
But it is the actors that let this show down the most; regularly, they are even laughable. The cast that play the children are extremely rough around the edges and provide much of the unintended humour. This said, the blame is not solely down to them. Many of the other supporting adult cast come across flat and dry, which is partly down to the poor writing.
Richard Armitage does the best he can with the script he has, yet it was good to see him on screen again after a large hiatus. The two main police officers also provide quality performances, and thankfully are on screen for much of the time to hold this show together. Stephen Rhea’s character is also very likeable for the first half of the story. It’s a shame to see a cast of strong actors struggling to provide quality performances.
With an ending that felt wrong and depressing, to the poorly acted episodes, The Stranger proves to be an addictive watch that leaves you feeling a little underwhelmed and deflated upon its conclusion.
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Seasons in the Sun: The Battle for Britain, 1974-1979
8.0
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Dominic Sandbrook's magnificent account of the late 1970s in Britain - the book behind the major BB2...