"He's the best frontman of all time. Iggy Pop and Nick Cave are up there for me in different ways, but Nick Cave didn't invent the stage dive. I could have picked any Stooges, but Raw Power has everything. I picked this mainly because of my love for Iggy Pop. When Post Pop Depression came out last year I fell in love with it, a collaboration between two of my favourite artists [Pop and Josh Homme], and to see this man play the Royal Albert Hall and stage diving is pretty fucking next level. It was a monumental moment. I was quite young when I first heard The Stooges. I had a couple of weird mixtapes my uncle had made. He was into stuff like The Specials but there were a few random tracks on there and the Stooges were one of them. Now, any time I have to DJ I mainly just play Iggy. He's got so many classic songs that you don't have to think about it, you can just turn to him first, a decent 40 minutes of Iggy Pop, then fill it out with whatever else you need to put in. Iggy's hits are a bit stretched out over his entire career, but Raw Power's got my favourite lyrics he's ever written. It's got the song 'Raw Power' which is just next fucking level and it's got 'Search and Destroy'. ""I'm a street walking cheetah with a heart full of napalm"". If you want to sum up how a man feels walking down a Hollywood street feeling like a badass, it doesn't get any better than that. The name of the album says everything you need to, it's where I took inspiration from when I was trying to come up with Modern Ruin."

"This is between Frank Capra’s It’s a Wonderful Life and Mr. Deeds Goes to Town. Hmm, I’m going to go with Mr. Deeds. Gary Cooper, Jean Arthur. It’s just an amazing film. It’s very funny. Longfellow Deeds is the main character, Gary Cooper plays him and he’s so appealing. I think it’s the definition of appeal. So Longfellow Deeds is this guy who lives in this tiny town, he’s makes a living writing greeting cards. Just a sweet guy. There’s a distant relative who’s this gigantic millionaire. Has a huge fortune. So this industrialist dies in New York City and they trace [him] down, he’s the only heir to this huge fortune. So they bring him to New York and now he runs this company. [But] this really ace reporter for the local paper wants to get the dirt on him, and [she’s played by] Jean Arthur. So she waits for him to come out and she acts like she’s starving, like she’s a homeless woman during the Depression. So he picks her up and feeds her some food and they start doing things together. And he absolutely falls in love with her. But, so, there’s all this dirt that’s coming out in the newspapers and they don’t know how it’s happening. But the scene…it starts very funny, but, again, it’s that heart, it’s balancing humor and heart that Frank Capra did so well, the scene in which he finds out the woman he’s fallen in love with is actually the one who’s doing all the dirt is one of the most emotional scenes in the film. And it’s so underplayed. So beautifully underplayed. He gets behind this column but you know he’s crying. And he can’t bear anyone to see him. It’s so incredibly moving and touching."