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Kristy H (1252 KP) rated A Cold Day in Hell in Books
Jan 29, 2018
Engaging characters (2 more)
Great courtroom scene
Strong female lead
Engaging debut mystery
Lauren Riley is a thirty-eight-year-old twice-divorced mother of two college age daughters, working cold case homicides. She has a great, younger cold case partner, Reese, and carries a torch for her ex-husband, Mark. Meanwhile, her ex, Joe Wheeler, is a Garden Valley homicide detective and a total (excuse my language) a-hole, who brazenly punches Lauren in the mouth after learning she's working against him on a case. Lauren's working two jobs -- her daytime gig on cold cases and also as a certified Private Investigator (PI). Lauren is hired by her nemesis, attorney Frank Violanti, to work the high-profile case of David, who is accused of murdering Katherine Vine, the beautiful, younger wife of Anthony Vine, who runs a successful chain of gyms. Lauren knows taking the case could stir up some issues in her department, with the DA, and with Reese. But in her gut, she feels that David is innocent. Can she and Frank make peace and prove it?
I read a lot of mysteries and while there are thankfully more strong female detectives coming on the scene (see Kristen Lepionka's Roxanne Weary and Emily Littlejohn's Gemma Monroe, for instance), they are still few and far between. While Lauren Riley may still be finding herself (there's a lot of side coverage of emotional entanglements and relationships here), I still love finding and championing a complicated, real, strong female detective.
Lauren's PI case is really the star of the show, and it's interesting and engaging throughout the entire novel. It keeps you guessing throughout, questioning whether David did it or not, and who else played a key role in Katherine and Anthony Vine lives. Nothing is cut or dried.
Also fascinating is Lauren's main cold case. While you could argue some of it ties up neatly, it doesn't go as expected, per se, if that makes sense, and the characters involved are intriguing and different. All the cases kept me interested as I read. A lot certainly happens in this novel, between Lauren's work and personal life. Nothing is boring, and there's never really a dull moment, especially once you get into the swing of things and realize that the book covers both her personal life and her work life in-depth. It also tells the story from more than Lauren's POV, even if she's the main focus, which works surprisingly well.
I don't think it's a spoiler to say that the book culminates in a trial related to Lauren's PI case, and it's a great, suspenseful, incredibly well-written piece of work. The courtroom scenes were so well-done and really had me on the edge of my seat. One of the things I loved about this novel was how I could so easily picture each of these characters-- each is well-described and fleshed out. Redmond writes darn good trial scenes (and a darn good book), and I was frantically flipping the pages to see how things would turn out.
It wasn't until I finished the book that I learned the author is a retired homicide detective, but it definitely shows as you read. The novel is written expertly in terms of police and courtroom procedure, but still enjoyable in terms of the characters. There is a lot of personal "stuff" in terms of Lauren; this will be a little different if you are used to the Bosch type of detective (the love of my life and my hero). Still, it's completely refreshing to see a complicated female lead detective, and, as mentioned, so nice to be reading more of these stories. I grew to really love Lauren.
The courtroom scenes are great, and a lot will keep you guessing. Sure, some of the cold cases wrap up what seem a little easily, but even Lauren addresses that as she works. I read some reviews that Joe Wheeler is a cliche character, and I guess I could see where people get that, but for me, society as of late seems to be showing us everyday that these sort of angry, abusive men truly exist. Everywhere. To me, Joe was a sadly realistic portrayal of a horrible man, and his slow, boiling anger only added to the tension of the entire novel.
Overall, I really enjoyed this one. It looks like it's going to be a series, and it ends with some unfinished issues that make me even more eager for book two.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
I read a lot of mysteries and while there are thankfully more strong female detectives coming on the scene (see Kristen Lepionka's Roxanne Weary and Emily Littlejohn's Gemma Monroe, for instance), they are still few and far between. While Lauren Riley may still be finding herself (there's a lot of side coverage of emotional entanglements and relationships here), I still love finding and championing a complicated, real, strong female detective.
Lauren's PI case is really the star of the show, and it's interesting and engaging throughout the entire novel. It keeps you guessing throughout, questioning whether David did it or not, and who else played a key role in Katherine and Anthony Vine lives. Nothing is cut or dried.
Also fascinating is Lauren's main cold case. While you could argue some of it ties up neatly, it doesn't go as expected, per se, if that makes sense, and the characters involved are intriguing and different. All the cases kept me interested as I read. A lot certainly happens in this novel, between Lauren's work and personal life. Nothing is boring, and there's never really a dull moment, especially once you get into the swing of things and realize that the book covers both her personal life and her work life in-depth. It also tells the story from more than Lauren's POV, even if she's the main focus, which works surprisingly well.
I don't think it's a spoiler to say that the book culminates in a trial related to Lauren's PI case, and it's a great, suspenseful, incredibly well-written piece of work. The courtroom scenes were so well-done and really had me on the edge of my seat. One of the things I loved about this novel was how I could so easily picture each of these characters-- each is well-described and fleshed out. Redmond writes darn good trial scenes (and a darn good book), and I was frantically flipping the pages to see how things would turn out.
It wasn't until I finished the book that I learned the author is a retired homicide detective, but it definitely shows as you read. The novel is written expertly in terms of police and courtroom procedure, but still enjoyable in terms of the characters. There is a lot of personal "stuff" in terms of Lauren; this will be a little different if you are used to the Bosch type of detective (the love of my life and my hero). Still, it's completely refreshing to see a complicated female lead detective, and, as mentioned, so nice to be reading more of these stories. I grew to really love Lauren.
The courtroom scenes are great, and a lot will keep you guessing. Sure, some of the cold cases wrap up what seem a little easily, but even Lauren addresses that as she works. I read some reviews that Joe Wheeler is a cliche character, and I guess I could see where people get that, but for me, society as of late seems to be showing us everyday that these sort of angry, abusive men truly exist. Everywhere. To me, Joe was a sadly realistic portrayal of a horrible man, and his slow, boiling anger only added to the tension of the entire novel.
Overall, I really enjoyed this one. It looks like it's going to be a series, and it ends with some unfinished issues that make me even more eager for book two.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
BankofMarquis (1832 KP) rated The Batman (2022) in Movies
Mar 12, 2022
Too Long Of a Setup for a Terrific Payoff
The rap on the films of the DCEU - especially the films directed by Zach Snyder - is that they are too dark, dour and a “downer”, with very little joy or sunshine in the images or themes.
The Writer and Director of the new DCEU film, THE BATMAN, Matt Reeves (CLOVERFIELD) has one simple answer for you: “Hold my beer”.
Doubling down on the dark themes, imagery and attitudes of all involved, THE BATMAN is a 3 hour epic that is unrelenting in it’s bleakness with constant rain and dark images with not a peak of sun or color in the entire film. This bleakness and the slowness of the first 5/6 of this film will turn off the average viewer and will thrill only the most diehard of fans.
And that’s too bad for the last 1/2 hour of this film is pretty terrific, paying off the long setup beforehand with a confrontation between Batman (Robert Pattinson) and The Riddler (Paul Dano) that rivals just about any confrontation scene in comic books movie history (this side of Heath Ledger’s Joker).
Let’s start with the overwhelming look and feel of this film. It is a downer. Gotham City is, yet again, a city in decay with the bad guys over-running the good guys. Which begs this question - why would anyone join the Gotham City Police Department? But Director/Writer Reeves is is sure-handed in his approach to this material and he is unwavering in his bleakness. It is a strongly directed film that knows what it wants to be and does not pretend to be anything else - nor does it apologize for being what it is.
In this world is dropped Robert Pattinson (the TWILIGHT films) as the titular Batman and he is a perfect choice for this role in this film. His Batman is morose, dour, thoughtful and razor focused on being “vengeance”. He is not interested in being a good guy or a superhero, rather this version of Batman is focused on being a really good Detective, ferreting out evil-doers and administering punishment when they are caught. This film barely mentions Batman’s alter-ego, Bruce Wayne, and when Pattinson is on the screen in the guise as Bruce Wayne he looks uninterested in being Bruce Wayne, he’d rather be Batman - and this is a compliment for that is how this movie portrays this dual role. Batman is disguising himself as Bruce Wayne (and not vica-versa).
Assisting Batman in his Detective work is Lt. James Gordon (the always terrific Jeffrey Wright), the only honest cop in a corrupt Police Department. These 2 work as a Detective team, and this film often-times feels like a Detective procedural, some liken it to SEVEN with Brad Pitt/Morgan Freeman, I look at it more like the first season of TRUE DETECTIVE(the one with Matthew McConaughey and Woody Harrelson), dark and interesting in their search for the bad guys.
As is typical of these types of films, we have a rogues gallery of villains. Some fair well - an unrecognizable Colin Farrel as Oz (the Penguin) and John Torturro as mob boss Carmine Falcone. While others fair less well - Peter Sarsgaard as corrupt District Attorney Gil Colson and, unfortunately, Zoe Kravitz as Selina Kyle (Catwoman). Both of these roles are not fleshed out well. Kravitz hits the screen looking good in her cat suit and while there is unmistakable sexual chemistry between Catwoman and Batman (not, it should be noted, between Selina Kyle and Bruce Wayne), but this only takes the character so far and Selina really wasn’t the bad-ass conflicted villain/hero that one would expect.
A pleasant surprise was the performance of the always interesting Paul Dano as the Riddler. He underplays this character in much the same way that most have overplayed him. Clearly, this is a smart, if mentally off, person who talks through riddles but has an overall plan to bring down “The Bat’ and the City. Not to spoil this film, but it didn’t really grab my attention until after the masked Riddler was unmasked and that was very late in the game - almost too late.
And that’s the problem with this film. The last 1/2 hour is TERRIFIC, but one has to sit through 2 1/2 hours of dark, dour setup to get there and for most, that journey will not be worth the payoff.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The Writer and Director of the new DCEU film, THE BATMAN, Matt Reeves (CLOVERFIELD) has one simple answer for you: “Hold my beer”.
Doubling down on the dark themes, imagery and attitudes of all involved, THE BATMAN is a 3 hour epic that is unrelenting in it’s bleakness with constant rain and dark images with not a peak of sun or color in the entire film. This bleakness and the slowness of the first 5/6 of this film will turn off the average viewer and will thrill only the most diehard of fans.
And that’s too bad for the last 1/2 hour of this film is pretty terrific, paying off the long setup beforehand with a confrontation between Batman (Robert Pattinson) and The Riddler (Paul Dano) that rivals just about any confrontation scene in comic books movie history (this side of Heath Ledger’s Joker).
Let’s start with the overwhelming look and feel of this film. It is a downer. Gotham City is, yet again, a city in decay with the bad guys over-running the good guys. Which begs this question - why would anyone join the Gotham City Police Department? But Director/Writer Reeves is is sure-handed in his approach to this material and he is unwavering in his bleakness. It is a strongly directed film that knows what it wants to be and does not pretend to be anything else - nor does it apologize for being what it is.
In this world is dropped Robert Pattinson (the TWILIGHT films) as the titular Batman and he is a perfect choice for this role in this film. His Batman is morose, dour, thoughtful and razor focused on being “vengeance”. He is not interested in being a good guy or a superhero, rather this version of Batman is focused on being a really good Detective, ferreting out evil-doers and administering punishment when they are caught. This film barely mentions Batman’s alter-ego, Bruce Wayne, and when Pattinson is on the screen in the guise as Bruce Wayne he looks uninterested in being Bruce Wayne, he’d rather be Batman - and this is a compliment for that is how this movie portrays this dual role. Batman is disguising himself as Bruce Wayne (and not vica-versa).
Assisting Batman in his Detective work is Lt. James Gordon (the always terrific Jeffrey Wright), the only honest cop in a corrupt Police Department. These 2 work as a Detective team, and this film often-times feels like a Detective procedural, some liken it to SEVEN with Brad Pitt/Morgan Freeman, I look at it more like the first season of TRUE DETECTIVE(the one with Matthew McConaughey and Woody Harrelson), dark and interesting in their search for the bad guys.
As is typical of these types of films, we have a rogues gallery of villains. Some fair well - an unrecognizable Colin Farrel as Oz (the Penguin) and John Torturro as mob boss Carmine Falcone. While others fair less well - Peter Sarsgaard as corrupt District Attorney Gil Colson and, unfortunately, Zoe Kravitz as Selina Kyle (Catwoman). Both of these roles are not fleshed out well. Kravitz hits the screen looking good in her cat suit and while there is unmistakable sexual chemistry between Catwoman and Batman (not, it should be noted, between Selina Kyle and Bruce Wayne), but this only takes the character so far and Selina really wasn’t the bad-ass conflicted villain/hero that one would expect.
A pleasant surprise was the performance of the always interesting Paul Dano as the Riddler. He underplays this character in much the same way that most have overplayed him. Clearly, this is a smart, if mentally off, person who talks through riddles but has an overall plan to bring down “The Bat’ and the City. Not to spoil this film, but it didn’t really grab my attention until after the masked Riddler was unmasked and that was very late in the game - almost too late.
And that’s the problem with this film. The last 1/2 hour is TERRIFIC, but one has to sit through 2 1/2 hours of dark, dour setup to get there and for most, that journey will not be worth the payoff.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Midge (525 KP) rated The Playing Card Killer in Books
Feb 19, 2019
A Fantastic, Creepy Thriller!
Well, I have to say that I enjoyed every minute of this cracking crime/thriller!
I loved that, straight-away, Russell James introduces Brian Sheridan, who is currently on medication for anxiety-related problems. Brian decides to stop taking his medication as he thinks that he is living life through fog and haze which he hates. As a result, he is tormented by dreams of women being strangled, then left with a playing card tucked in their corpse. When he sees an apparent victim on the news, dead, Brian fears he may be the unwitting killer. Detective Eric Weissbard thinks the same thing and starts to build a case to get Brian convicted. But there's so much more to these murders…
Brian discovers that he has a brother, Tyler, with a penchant for murder. Tyler is willing to frame Brian for the crimes unless Brian wants to join Team Playing Card Killer.
Russell James’ sympathetic portrayal of the immensely likeable Brian was wonderful to read as his neuroses and delusions were laid bare and there was no hidden side to him. Brian is a troubled young man with an adoptive family with whom he barely has any sort of relationship. His girlfriend, Daniela, by contrast, is confident, and self -assured and she delivers Brian an ultimatum - either he continues with his medication or she will leave him.
I also liked Russell James’ fantastic character portrayal of Detective Weissbard who is talented, analytical and operates mostly and very successfully on gut instinct. However, he is disrespected by his colleagues and is assigned to chasing all the non-eventful leads and red herrings. That is until a jittery young guy arrives at the station, claiming to have detailed knowledge of the investigation that hasn’t been revealed.
For me, THE PLAYING CARD KILLER explores some freaky imaginings and is full of creepy vibes. It's a fantastic thriller that surprised me with a mystery that borders on a grim horror novel. I was never quite sure exactly how far off the rails Brian had gone or where the author was going next with this disturbing but exciting story. The suspense was so great that I was on the edge of my seat because I was so absorbed with Brian and Detective Weissbard.
THE PLAYING CARD KILLER held my interest from start to finish and the way in which Russell James brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author. I would recommend THE PLAYING CARD KILLER to anyone who likes this genre.
[Thank you to NetGalley, Flame Tree Press and Russell James for a free ARC of this book in exchange for a voluntary, honest review.]
I loved that, straight-away, Russell James introduces Brian Sheridan, who is currently on medication for anxiety-related problems. Brian decides to stop taking his medication as he thinks that he is living life through fog and haze which he hates. As a result, he is tormented by dreams of women being strangled, then left with a playing card tucked in their corpse. When he sees an apparent victim on the news, dead, Brian fears he may be the unwitting killer. Detective Eric Weissbard thinks the same thing and starts to build a case to get Brian convicted. But there's so much more to these murders…
Brian discovers that he has a brother, Tyler, with a penchant for murder. Tyler is willing to frame Brian for the crimes unless Brian wants to join Team Playing Card Killer.
Russell James’ sympathetic portrayal of the immensely likeable Brian was wonderful to read as his neuroses and delusions were laid bare and there was no hidden side to him. Brian is a troubled young man with an adoptive family with whom he barely has any sort of relationship. His girlfriend, Daniela, by contrast, is confident, and self -assured and she delivers Brian an ultimatum - either he continues with his medication or she will leave him.
I also liked Russell James’ fantastic character portrayal of Detective Weissbard who is talented, analytical and operates mostly and very successfully on gut instinct. However, he is disrespected by his colleagues and is assigned to chasing all the non-eventful leads and red herrings. That is until a jittery young guy arrives at the station, claiming to have detailed knowledge of the investigation that hasn’t been revealed.
For me, THE PLAYING CARD KILLER explores some freaky imaginings and is full of creepy vibes. It's a fantastic thriller that surprised me with a mystery that borders on a grim horror novel. I was never quite sure exactly how far off the rails Brian had gone or where the author was going next with this disturbing but exciting story. The suspense was so great that I was on the edge of my seat because I was so absorbed with Brian and Detective Weissbard.
THE PLAYING CARD KILLER held my interest from start to finish and the way in which Russell James brought everything to a conclusion was just fabulous. I loved it and it has left me eager to read more from this author. I would recommend THE PLAYING CARD KILLER to anyone who likes this genre.
[Thank you to NetGalley, Flame Tree Press and Russell James for a free ARC of this book in exchange for a voluntary, honest review.]
Kristy H (1252 KP) rated Inherit the Bones (Detective Gemma Monroe, #1) in Books
Feb 13, 2018
Gemma Monroe is a police detective in a small town nestled in the mountains of Colorado. Early in her career, while skiing, Gemma found the long-buried bodies of two young boys who disappeared in the mid-1980s. The boys were murdered; their killer never found; and their disappearance and the subsequent crime has haunted the town. Now, in the present day, Gemma is called upon to investigate the gruesome murder of a teenage circus worker who was part of a circus traveling through town. Soon though, Gemma will come to realize that this murder is connected to the disappearance of the boys. She'll uncover a dark past that haunts her town--and discover that someone desperately wants her to leave the past alone.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
This was an excellent and well-plotted mystery novel. The story reels you in immediately and never lets you go with its strong, complex narrative. Gemma is a likeable, fairly deep, and interesting lead character. I took to her quickly and found myself wrapped up in her life. Gemma is six months pregnant - something you don't always find in detective novels, and you see her grappling with not only the case, but her personal life. Working in a small town, she finds quickly that she can't really trust anyone, and Littlejohn gives us good insight into her squad dynamics. She also captures small town living fairly well. This is a town wrapped up in its past, unable to move on from a web of secrets and lies that have tormented it for years.
Indeed, the secrets continue to unfold, but in a completely believable manner, which I really appreciated. I guessed a part of the plot early on, but there were still so many pieces to the story that I was very much riveted until the very end. There's a strong supporting cast here as well, without the usual simple stock characters who sometimes support a rural detective. Goodreads is telling me that this is the first in a Gemma Monroe series, which I hope is true. While I think the series could hit a wall--as many others do--with the small town aspect (only so much murder and mayhem can happen in a small town: see Linda Castillo's excellent Kate Burkholder series, where you eventually start to fear for the poor townspeople of Painter's Mill), but I would certainly love to see more of Gemma.
Overall, a well-done mystery. Originally rated at 3.5 stars, but pushing up to 4 as I write this review and realize how much I enjoyed it. Always nice to have a new face in the mystery world.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 11/01/2016.
Ross (3284 KP) rated Altered Carbon in Books
Jun 28, 2018
Hated it
The world in which this story takes place is very intriguing - nobody ever really dies; everyone is put "on stack" when they die, i.e. their digitised brain is stored electronically, and they can have it put back into a new "sleeve", i.e. a body, when their family pay for it. The details of this were pretty scant originally, but emerged over the first 100 pages or so (though sadly piecemeal in glib, throw-away comments where the detail was taken for granted). The ideas filled me with hope - all prisons were digital (people held on stack in created scenarios), travel across large distances was electronic (if you could afford to have a sleeve waiting for you) etc.
Sadly, none of this was explored very well. There was a very clichéd, basic detective story overlaid on to this world. A billionaire claims he was murdered, but the authorities ruled his death as a suicide. This on the surface (someone being a witness for their own murder!) filled me with excitement for what lay ahead. However this quickly ebbed away as the story changed into a detective (Takeshi Kovacs - one of the most bland, one dimensional characters ever created) wandering around Earth, where he has never been, and annoying drug dealers and pimps.
There then follows a great deal of nonsense sex scenes, utterly drivel narrative (Morgan seems to think he has to take a whole page to describe each new location and has some very obscure turns of phrase - I actually speed-read the last 150 pages out of pure frustration with how long and boring the experience was - everything is contained in the dialogue so I recommend just reading that and skimming any action scenes), sci-fi jargon which means nothing to the reader, and very little plot development. In fact, pretty much the whole plot is outlined, by the perpetrator, in one chapter near the end - the "detective" didn't solve the case, he just worked out someone was involved and they filled in the details for him. Utterly clumsy storytelling.
Some people might enjoy taking a long time to read this, the futuristic setting, the overly-described settings, trying to work out what the sci-fi mumbo jumbo means. I am not one of those people. The world-building was there, but was under-used. The plot was basic and only really relevant in the first and last 50 pages. The characters were all forgettable, one-dimensional and clichéd (so much so that I frequently had to search back to find out who the person referred to was and why I should care).
That Takeshi Kovacs survived and went on to star in two follow-up books was a depressing revelation for me.
Sadly, none of this was explored very well. There was a very clichéd, basic detective story overlaid on to this world. A billionaire claims he was murdered, but the authorities ruled his death as a suicide. This on the surface (someone being a witness for their own murder!) filled me with excitement for what lay ahead. However this quickly ebbed away as the story changed into a detective (Takeshi Kovacs - one of the most bland, one dimensional characters ever created) wandering around Earth, where he has never been, and annoying drug dealers and pimps.
There then follows a great deal of nonsense sex scenes, utterly drivel narrative (Morgan seems to think he has to take a whole page to describe each new location and has some very obscure turns of phrase - I actually speed-read the last 150 pages out of pure frustration with how long and boring the experience was - everything is contained in the dialogue so I recommend just reading that and skimming any action scenes), sci-fi jargon which means nothing to the reader, and very little plot development. In fact, pretty much the whole plot is outlined, by the perpetrator, in one chapter near the end - the "detective" didn't solve the case, he just worked out someone was involved and they filled in the details for him. Utterly clumsy storytelling.
Some people might enjoy taking a long time to read this, the futuristic setting, the overly-described settings, trying to work out what the sci-fi mumbo jumbo means. I am not one of those people. The world-building was there, but was under-used. The plot was basic and only really relevant in the first and last 50 pages. The characters were all forgettable, one-dimensional and clichéd (so much so that I frequently had to search back to find out who the person referred to was and why I should care).
That Takeshi Kovacs survived and went on to star in two follow-up books was a depressing revelation for me.
Kristy H (1252 KP) rated Let Me Lie in Books
Mar 14, 2018
Slow-building shocking thriller
Anna Johnson is still reeling from the suicide of her father, Tom, when her mother, Caroline, dies as well, in a suicide that copies that of Tom's. A year later, Anna is grief-stricken, parenting a young baby, and trying to put together the pieces of her life. She lives in her parents' old home, surrounded by memories of their life together. On the anniversary of her mother's death, Anna receives a suspicious note that prompts her to dig into her parents' past and their deaths. She quickly discovers that nothing is as it seems--not their suicides, nor the happy childhood memories she holds so dear.
I really love Clare Mackintosh; her first novel, I Let You Go, is one of my favorites, and she's one of those authors I follow on Twitter and find very relatable. So I was very excited to finally get a chance to read this one. I'm still in awe of Mackintosh--who spent twelve years in the police force--and her writing talent. She has such a talent for creating some of her characters. And boy, can she really shock you with a plot twist.
I must first preface that if you have issues or triggers with suicide, this might be one to skip. Having lost a loved one to suicide, I can tell you that this can be a little hard to read. But Mackintosh treats the subject very delicately; she also presents us with a character with BPD, and I thought her treatment of mental illness was very well-done.
The novel is told mainly from Anna's point of view and that of a former police detective, Murray, who gets involved with her case. We do get snippets from someone else--we are left to imagine to try to figure out who it is, when they are speaking, and what has happened to them. Once Anna receives the note questioning her mother's suicide, she takes it to the police, where Murray--an investigator/detective now relegated to desk duty post-retirement--starts looking into it, which is a bit against the rules. This doesn't matter to us, because unless you have no heart, you'll immediately love Murray. He was the star of the story, to me, and I immediately adored him. He's also a great detective and a wonderful force in the book. (Can we have another story with Murray, please, Ms. Mackintosh?)
The book is ominous, creepy, and and tense, as the story slowly builds to its conclusion. It's not a fast-paced thriller, per se, but I was definitely fascinated in what had happened to Anna's parents. I was kept guessing for good chunks of the book, which I certainly appreciated. There are a bunch of twists and turns, several of which had me quite surprised. I just love how Mackintosh can throw you off track and then shock you quite convincingly.
For me, part of this book was a little far-fetched, and I thought Anna acted a little odd at times -- though in her defense, the poor girl is put through a lot. The book is best if you roll with the surprises and just enjoy them. Even better, you have Murray, who offers a touching character (his interactions with his wife are beyond lovely and show a deftness in writing that is quite impressive) as well as superbly-written detective. The book was compelling; nearing the end, I kept going "what? what did he find? who?!" so I know it was effective in creating suspense. It's also creepy at times and surprising until the end. Well-done. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
I really love Clare Mackintosh; her first novel, I Let You Go, is one of my favorites, and she's one of those authors I follow on Twitter and find very relatable. So I was very excited to finally get a chance to read this one. I'm still in awe of Mackintosh--who spent twelve years in the police force--and her writing talent. She has such a talent for creating some of her characters. And boy, can she really shock you with a plot twist.
I must first preface that if you have issues or triggers with suicide, this might be one to skip. Having lost a loved one to suicide, I can tell you that this can be a little hard to read. But Mackintosh treats the subject very delicately; she also presents us with a character with BPD, and I thought her treatment of mental illness was very well-done.
The novel is told mainly from Anna's point of view and that of a former police detective, Murray, who gets involved with her case. We do get snippets from someone else--we are left to imagine to try to figure out who it is, when they are speaking, and what has happened to them. Once Anna receives the note questioning her mother's suicide, she takes it to the police, where Murray--an investigator/detective now relegated to desk duty post-retirement--starts looking into it, which is a bit against the rules. This doesn't matter to us, because unless you have no heart, you'll immediately love Murray. He was the star of the story, to me, and I immediately adored him. He's also a great detective and a wonderful force in the book. (Can we have another story with Murray, please, Ms. Mackintosh?)
The book is ominous, creepy, and and tense, as the story slowly builds to its conclusion. It's not a fast-paced thriller, per se, but I was definitely fascinated in what had happened to Anna's parents. I was kept guessing for good chunks of the book, which I certainly appreciated. There are a bunch of twists and turns, several of which had me quite surprised. I just love how Mackintosh can throw you off track and then shock you quite convincingly.
For me, part of this book was a little far-fetched, and I thought Anna acted a little odd at times -- though in her defense, the poor girl is put through a lot. The book is best if you roll with the surprises and just enjoy them. Even better, you have Murray, who offers a touching character (his interactions with his wife are beyond lovely and show a deftness in writing that is quite impressive) as well as superbly-written detective. The book was compelling; nearing the end, I kept going "what? what did he find? who?!" so I know it was effective in creating suspense. It's also creepy at times and surprising until the end. Well-done. 4 stars.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
Dean (6927 KP) rated Anon (2018) in Movies
May 12, 2018 (Updated May 12, 2018)
Ambitious Sci-Fi Thriller
A classy Neo-Noir detective Thriller. From the same director as @In Time (2011) @Gattaca (1997) This is set in the near future where Humans have a minds eye tech. They can record memories, or anything from their point of view, or even make a type of video call all through the "ether". A kind of online, cloud system for data.
The technology ideas are very impressive and clearly touch on current issues around personal data and privacy laws. Despite this it doesn't have a big blockbuster feel to the film. The Sfx are kept quite simple overall. The film does have a certain visual style to it, including some impressive sets and locations.
A very interesting film that touches on some current issues whilst also being an enjoyable thriller. Short of being excellent but possibly a future cult classic!
The technology ideas are very impressive and clearly touch on current issues around personal data and privacy laws. Despite this it doesn't have a big blockbuster feel to the film. The Sfx are kept quite simple overall. The film does have a certain visual style to it, including some impressive sets and locations.
A very interesting film that touches on some current issues whilst also being an enjoyable thriller. Short of being excellent but possibly a future cult classic!
Awix (3310 KP) rated The Medusa Touch (1978) in Movies
Feb 10, 2019 (Updated Feb 10, 2019)
Rather ropey Omen rip-off with Richard Burton, Lino Ventura and Lee Remick (told you so). A French detective seconded to the London police (zis is ze co-production, bien sur) investigates the life of a writer and noted grump who has just had his head bashed in (Burton); the victim believed he had the power to cause disasters and gradually le inspecteur comes to agree with him.
Some genuinely interesting ideas, but a peculiar narrative structure and obviously low budget are definite limiting factors. Film makes good use of its biggest asset, Richard Burton, who gives his various misanthropic rants 110% and seems to be genuinely off his head (one wonders if he spent most of the shoot wrecked). Playing spot the cameo is also somewhat entertaining. Climax is a bit disappointing though; the whole film is never quite as chilling, powerful, or convincing as it thinks it is.
Some genuinely interesting ideas, but a peculiar narrative structure and obviously low budget are definite limiting factors. Film makes good use of its biggest asset, Richard Burton, who gives his various misanthropic rants 110% and seems to be genuinely off his head (one wonders if he spent most of the shoot wrecked). Playing spot the cameo is also somewhat entertaining. Climax is a bit disappointing though; the whole film is never quite as chilling, powerful, or convincing as it thinks it is.
Cori June (3033 KP) rated Shivers in the Night in Books
May 27, 2019
Clever twists (1 more)
plot
From Campfire type to suspense this ten story book has a little something for almost any fan of the diverse horror genre.
In 'The Baby' you learn how hard it can be trying to be brave in front of an older brother walking at night in the dark of rural Oklahoma. Not all gifts are what they seem as you will learn in 'Mr. Sweater's Gift'. The Law will never be the same in 'Revenger' as a small town judge goes to the extremes of having the punishment fit the crime. Detective Clint Mahan has his work cut out for him as he juggles his serial killer case with an aggressive FBI agent in the who done it story 'In Stitches'.
Shivers in the Night is independently published by the Yukon Writer's Society, it includes stories from beginner authors to published authors.
In 'The Baby' you learn how hard it can be trying to be brave in front of an older brother walking at night in the dark of rural Oklahoma. Not all gifts are what they seem as you will learn in 'Mr. Sweater's Gift'. The Law will never be the same in 'Revenger' as a small town judge goes to the extremes of having the punishment fit the crime. Detective Clint Mahan has his work cut out for him as he juggles his serial killer case with an aggressive FBI agent in the who done it story 'In Stitches'.
Shivers in the Night is independently published by the Yukon Writer's Society, it includes stories from beginner authors to published authors.
Fruit Bat (42 KP) rated The Strange Case of Caroline Maxwell in Books
Mar 1, 2018
Recommended reading "The Strange Case of Caroline Maxwell "Paperback – 12 Sep 2014 by Amanda Harvey Purse.
This book has all the ingredients that makes a great mystery novel. The question is what is there not to love history mixed with fiction, Sherlock Holmes, Jack the Ripper with a great references to Agatha Christie and a famous little Belgian detective.
Amanda's book deserves so much more then the twos reviews it has on Amazon .
The book is truly well researched and comes across as a great labour of love , I loved spotting the historical cases that where mixed among the fiction. If you have the opportunity to read this book I recommend you do it's not to be missed.
Amanda I loved this book from start to finish thank you for the opportunity to read it I hope to see more of this wonderful character
This book has all the ingredients that makes a great mystery novel. The question is what is there not to love history mixed with fiction, Sherlock Holmes, Jack the Ripper with a great references to Agatha Christie and a famous little Belgian detective.
Amanda's book deserves so much more then the twos reviews it has on Amazon .
The book is truly well researched and comes across as a great labour of love , I loved spotting the historical cases that where mixed among the fiction. If you have the opportunity to read this book I recommend you do it's not to be missed.
Amanda I loved this book from start to finish thank you for the opportunity to read it I hope to see more of this wonderful character