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Jessica - Where the Book Ends (15 KP) rated Relative Strangers in Books
Jan 30, 2019
I received this book from NetGalley and Candlewick Press in exchange for an honest review.
Relative Strangers is an amazing coming of age tale that tackles all the feelings that come with trying to figure out who you are, where you fit in, and unrequited love. Garner tackles important topics like alcoholism, addiction, loss of a parent, sexuality, and abandonment issues. It is a big challenge to stuff that many topics and issues into one book and Garner does it with finesse and grace; and most importantly not leaving any loose ends.
The whole story happens within the course of Jules’ senior year of high school. She discovers something about her past that her mother has kept a secret from her for her entire life. Through detective work, support from her friends, and Facebook, she finds the one person that might be can tell her everything that is missing from her history. Jules’ embarks on a quest to find herself, her past, and her way back to reconnecting emotionally with her mother.
Not only does Paula Garner write such a wonderful story but she creates characters that suck you into the intricate weavings of the story. You feel like you’re one of the girls. I felt like Jules, Gab, and Leila were some of my closest friends. I laughed with them, cried with them, and I cheered for them. One thing I often find difficult when you have so many characters is how to make them grow as the book goes on. Garner did this without making it feel forced. Each of the characters grew in their own way as they took on the rights of passage set in their paths.
Relative Strangers is a story that I think all people will be able to relate to in one way or another. I also think that it’s a great book for teens to read that teaches about appreciating and enjoying the relationships you have with the people around you. Garner kept the emotional twists coming, the pages turning, and the tears flowing well into the night. I highly recommend checking out this book if you’re into Contemporary Coming of Age stories.
Relative Strangers is an amazing coming of age tale that tackles all the feelings that come with trying to figure out who you are, where you fit in, and unrequited love. Garner tackles important topics like alcoholism, addiction, loss of a parent, sexuality, and abandonment issues. It is a big challenge to stuff that many topics and issues into one book and Garner does it with finesse and grace; and most importantly not leaving any loose ends.
The whole story happens within the course of Jules’ senior year of high school. She discovers something about her past that her mother has kept a secret from her for her entire life. Through detective work, support from her friends, and Facebook, she finds the one person that might be can tell her everything that is missing from her history. Jules’ embarks on a quest to find herself, her past, and her way back to reconnecting emotionally with her mother.
Not only does Paula Garner write such a wonderful story but she creates characters that suck you into the intricate weavings of the story. You feel like you’re one of the girls. I felt like Jules, Gab, and Leila were some of my closest friends. I laughed with them, cried with them, and I cheered for them. One thing I often find difficult when you have so many characters is how to make them grow as the book goes on. Garner did this without making it feel forced. Each of the characters grew in their own way as they took on the rights of passage set in their paths.
Relative Strangers is a story that I think all people will be able to relate to in one way or another. I also think that it’s a great book for teens to read that teaches about appreciating and enjoying the relationships you have with the people around you. Garner kept the emotional twists coming, the pages turning, and the tears flowing well into the night. I highly recommend checking out this book if you’re into Contemporary Coming of Age stories.
Ross (3284 KP) rated The Paris Mysteries in Books
Dec 27, 2019
Crime fiction stripped bare - all tell
"Show, don't tell" is the mantra of many authors. It means give the reader the information so they can decipher the plot at their own pace, with various tidbits of information scattered throughout a book. It doesn't mean long rambling sections of exposition.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
This phrase was clearly coined after Poe's demise, as he doesn't seem to have ever heard it.
Yes, he is undoubtedly the first and most important writer of detective/crime fiction. This by no means suggests it is any good.
The three stories are really just a setting out of a mysterious crime with some facts/suspicions, with a lengthy monologue where C August Dupin solves the mystery. That's it. No suspense. No character development. No real scene setting. Just a slightly puzzling crime followed by a smartarse giving the solution.
The main thing to take away from these three Poe stories is that the police and detectives used to be rubbish and looked for the wrong evidence, or were sidetracked by what they wanted to see. There are many crimes and stories with apparently impossible solutions which can't seem to be unravelled. This idea absolutely was the genesis of the rich and varied crime genre we have today. The idea that a strange set of circumstances can arise where an apparently normal crime can be committed but with the evidence so obscure and tangled that unravelling it would take a genius.
Sadly, Poe didn't put the story around the bare bones of these crimes. So all we have is three exam questions with a know-it-all giving the answer, with no charm, no suspense, no thrilling conclusion. One of them barely even concludes the murderer, just spends an age picking holes in the logic applied by various newspapers in trying to document the crime.
I might be interested in reading a retelling of these stories (except the one where a letter has simply gone missing and is found my looking somewhere obvious), where someone actually weaves a narrative around the bare bones.
I appreciate Poe's efforts because of what followed, but not for what they themselves are.
Phil Leader (619 KP) rated Hunt for the Troll in Books
Nov 14, 2019
Get ready to immerse yourself in the world of virtual reality gaming and tech startups. The unnamed narrator, a computer genius, is bored after being made moderately rich after starting a company. When his business partner tells him about a new opportunity he agrees to meet but his partner doesn't show. Taking a stop-gap job at a gaming company he starts to get used to his new life when he dreams about the Troll, a dream that may be all too real.
Deciding to pursue the Troll to find out who he really is involves digging into the past and future of Silicon Valley and draws both wanted and unwanted attention. Who is the Troll and what exactly does he want? And more the point, how can he be found?
The narrative for the books runs very much like a somewhat noir detective novel, but without the fedora (although there is a femme fatale and it does rain...) rather than a techo thriller. The main character is very much the sort of person who relishes a new challenge and embraces the search rather more enthusiatically than his work, even though that work involves spending all day in a virtual reality online game.
The plot progresses at pace with interesting characters appearing to cast light and shadows on various aspects of life at the cutting edge of computer technology. There are coincidences that help move the plot along but a lot of the time the reader will be as frustrated as the narrator that the Troll is proving so elusive. There are sub-plots as well and by the end everything has worked itself out to a satisfying conclusion.
It wasn't entirely without flaw for me; I didn't find the narrator particularly sympathetic or easy to identify with as he has a certain selfishness, self-indulgence and lack of empathy but I suppose that is part of his make up as a fundamental part of tech start ups. Some of the other character motivations are a little opaque too.
But these were minor points and didn't detract from what is ultimately an enjoyable and interesting read and definitely shows foresight on where the computer industry is headed right now.
Deciding to pursue the Troll to find out who he really is involves digging into the past and future of Silicon Valley and draws both wanted and unwanted attention. Who is the Troll and what exactly does he want? And more the point, how can he be found?
The narrative for the books runs very much like a somewhat noir detective novel, but without the fedora (although there is a femme fatale and it does rain...) rather than a techo thriller. The main character is very much the sort of person who relishes a new challenge and embraces the search rather more enthusiatically than his work, even though that work involves spending all day in a virtual reality online game.
The plot progresses at pace with interesting characters appearing to cast light and shadows on various aspects of life at the cutting edge of computer technology. There are coincidences that help move the plot along but a lot of the time the reader will be as frustrated as the narrator that the Troll is proving so elusive. There are sub-plots as well and by the end everything has worked itself out to a satisfying conclusion.
It wasn't entirely without flaw for me; I didn't find the narrator particularly sympathetic or easy to identify with as he has a certain selfishness, self-indulgence and lack of empathy but I suppose that is part of his make up as a fundamental part of tech start ups. Some of the other character motivations are a little opaque too.
But these were minor points and didn't detract from what is ultimately an enjoyable and interesting read and definitely shows foresight on where the computer industry is headed right now.
Mark @ Carstairs Considers (2314 KP) rated Murder on Bank Street in Books
Jan 12, 2020
Solving the Murder of Dr. Tom Brandt
In the spring of 1897, New York City Detective Sergeant Frank Malloy has been given permission by NYPD Commissioner Theodore Roosevelt to focus solely on solving Dr. Tom Brandt’s murder. However, since people are expecting Teddy Roosevelt to be called to Washington to serve in the new administration at any moment, Malloy knows he must act quickly to solve the case. He has three good suspects and a description of the murder weapon, but he is facing the fact that Tom died over four years ago. He can’t establish alibis, and the killer might have gotten rid of the weapon over the years. He’ll only have one shot at confronting the suspects as well since his best weapon is the element of surprise. Can he gather enough evidence to get the killer to confess? Will Sarah Brandt, Tom’s widow and Frank’s friend, be happy with what Frank learns along the way?
Dr. Brandt’s murder has been an ongoing storyline since the first book, so I was happy to finally see it solved. Ironically, Sarah doesn’t play an active part in solving it, but she is still an active part of the book as she reacts to what Frank is learning and her scenes are just as compelling. We get to see a different side of several characters, including Frank’s new sleuthing partner, but Sarah gets the most development, which only makes sense. We have three viewpoint characters over the course of the book, but the changes are always easy to follow. The plot is strong and kept me confused until we reached the satisfying ending. It did seem a bit repetitive early on, but that was a minor issue overall. If you are new to the series, you could jump in here without missing too much since everything you need to know is explained. As always, I felt like I was in 1897 with the little details and character’s attitudes acting like a time machine. I’m curious to see how the series will progress without this storyline an active part of things, but I am satisfied with how this storyline was wrapped up.
Dr. Brandt’s murder has been an ongoing storyline since the first book, so I was happy to finally see it solved. Ironically, Sarah doesn’t play an active part in solving it, but she is still an active part of the book as she reacts to what Frank is learning and her scenes are just as compelling. We get to see a different side of several characters, including Frank’s new sleuthing partner, but Sarah gets the most development, which only makes sense. We have three viewpoint characters over the course of the book, but the changes are always easy to follow. The plot is strong and kept me confused until we reached the satisfying ending. It did seem a bit repetitive early on, but that was a minor issue overall. If you are new to the series, you could jump in here without missing too much since everything you need to know is explained. As always, I felt like I was in 1897 with the little details and character’s attitudes acting like a time machine. I’m curious to see how the series will progress without this storyline an active part of things, but I am satisfied with how this storyline was wrapped up.
Kristy H (1252 KP) rated The Night Fire in Books
Mar 19, 2020
Harry Bosch is one of my favorite characters ever, and I wait with much anticipation for the release of every new Michael Connelly novel. The Night Fire is the third book that features both Bosch and Detective Renee Ballard, who works the LAPD night shift. I’m really loving their partnership now and have grown to care for Ballard in her own right. (Bosch will always be my true love, though.)
This is another well-researched book from Connelly, as Bosch and Ballard work a series of intriguing cases—some of which will intersect. The story starts with Bosch receiving an old murder book from the widow of his former mentor. He pulls Ballard in to investigate and off we go! There are some great twists, and the cases are fascinating. I love Bosch to death and how he and Ballard play off each other. Mickey Haller makes an appearance, and Bosch struggles with a rare moment where he’s helping the defense.
The plot, as usual, is great--you can always count on Connelly for gripping cases that are timely and interesting. He manages to do this even as our two heroes are solving a cold case: quite a feat. I'm always astonished at how Connelly can somehow have Bosch and Ballard juggle two, three, four cases at time and somehow it all works. I always think I'll be confused and lost among the plot points, yet it always comes together.
The characters, however, are what keep you coming back. I love that we get to see Bosch interacting more with his half-brother, Haller. And there are some great scenes with Bosch and Maddie, his daughter, including one involving "FOMO" that is just priceless. As Bosch ages, each book seems to have more poignant moments tucked in between mysteries and bad guys. It's Ballard pushing the limits now, and Bosch reminding her to sleep.
Definitely a gripping read even as we have to grapple with the fact that our beloved Bosch is getting older. The ending gave me some hope, though, and I hope Bosch and Ballard are around for quite some time. 4+ stars.
This is another well-researched book from Connelly, as Bosch and Ballard work a series of intriguing cases—some of which will intersect. The story starts with Bosch receiving an old murder book from the widow of his former mentor. He pulls Ballard in to investigate and off we go! There are some great twists, and the cases are fascinating. I love Bosch to death and how he and Ballard play off each other. Mickey Haller makes an appearance, and Bosch struggles with a rare moment where he’s helping the defense.
The plot, as usual, is great--you can always count on Connelly for gripping cases that are timely and interesting. He manages to do this even as our two heroes are solving a cold case: quite a feat. I'm always astonished at how Connelly can somehow have Bosch and Ballard juggle two, three, four cases at time and somehow it all works. I always think I'll be confused and lost among the plot points, yet it always comes together.
The characters, however, are what keep you coming back. I love that we get to see Bosch interacting more with his half-brother, Haller. And there are some great scenes with Bosch and Maddie, his daughter, including one involving "FOMO" that is just priceless. As Bosch ages, each book seems to have more poignant moments tucked in between mysteries and bad guys. It's Ballard pushing the limits now, and Bosch reminding her to sleep.
Definitely a gripping read even as we have to grapple with the fact that our beloved Bosch is getting older. The ending gave me some hope, though, and I hope Bosch and Ballard are around for quite some time. 4+ stars.
LeftSideCut (3776 KP) rated Detroit: Become Human in Video Games
Jul 30, 2019
Leaves Heavy Rain in the dust
The only other Quantic Dream game I have played is 2010s 'Heavy Rain' - a game that I kind of enjoyed, but to me always felt like it was in the cusp of being so much more.
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
LeftSideCut (3776 KP) rated Sonic the Hedgehog (2020) in Movies
Feb 14, 2020
I'm pretty sure everyone will be going into Sonic the Hedgehog expecting the worse. I definitely did, but by the end, I found myself grinning from ear to ear.
When Sonic accidentally creates a coast wide blackout, he finds himself the subject of a government manhunt, lead by the criminally insane Dr. Robotnik, and employs the help of Montana Sheriff Tom Wachowski, to help him escape Earth.
The film serves as an introduction to Sonic, shying away (although not completely) from the wider game universe, and concentrating on the titular character, and the human characters he meets along the way.
The relationship formed between Sonic and Tom (James Marsden) is sweet, and pretty convincing.
The dialogue between the two is full of quips and jokes, and honestly, a fair few of them don't land too well. Combine this with the odd fart joke, and I had to remind myself that this is a film aimed at kids (who were all laughing, so mission accomplished), and there's just enough funny to buy into their friendship. Thank goodness then for Jim Carrey. I have a deep rooted live for Jim Carrey, growing up with films such as Ace Ventura and The Mask, and it's absolutely joyous to see him having a blast playing Robotnik. He's genuinely menacing, and pretty damn funny throughout, perfect casting when it comes to capturing the not-to-serious attitude of the games.
The plot is ok, there's not a huge amount going on, and it seems fairly throw away, but the characters and visuals are enough to carry the film to a satisfying degree.
Sonic looks great, a far cry from what we saw in the original trailer, and the cartoony look of him, and Robitnik's machines work suprisingly well with the real world setting.
Sonic the Hedgehog is a genuinely good time, don't take it too seriously, and I'm sure you'll have a blast too. With the passable Rampage, and the great Detective Pikachu, could it be that Hollywood is slowly starting to crack video game movies?? Let's hope so!
When Sonic accidentally creates a coast wide blackout, he finds himself the subject of a government manhunt, lead by the criminally insane Dr. Robotnik, and employs the help of Montana Sheriff Tom Wachowski, to help him escape Earth.
The film serves as an introduction to Sonic, shying away (although not completely) from the wider game universe, and concentrating on the titular character, and the human characters he meets along the way.
The relationship formed between Sonic and Tom (James Marsden) is sweet, and pretty convincing.
The dialogue between the two is full of quips and jokes, and honestly, a fair few of them don't land too well. Combine this with the odd fart joke, and I had to remind myself that this is a film aimed at kids (who were all laughing, so mission accomplished), and there's just enough funny to buy into their friendship. Thank goodness then for Jim Carrey. I have a deep rooted live for Jim Carrey, growing up with films such as Ace Ventura and The Mask, and it's absolutely joyous to see him having a blast playing Robotnik. He's genuinely menacing, and pretty damn funny throughout, perfect casting when it comes to capturing the not-to-serious attitude of the games.
The plot is ok, there's not a huge amount going on, and it seems fairly throw away, but the characters and visuals are enough to carry the film to a satisfying degree.
Sonic looks great, a far cry from what we saw in the original trailer, and the cartoony look of him, and Robitnik's machines work suprisingly well with the real world setting.
Sonic the Hedgehog is a genuinely good time, don't take it too seriously, and I'm sure you'll have a blast too. With the passable Rampage, and the great Detective Pikachu, could it be that Hollywood is slowly starting to crack video game movies?? Let's hope so!
HM
Henry Mancini: Reinventing Film Music
Book
Henry Mancini, the first publicly successful and personally recognizable film composer in history,...
The Dragon Behind the Glass: A True Story of Power, Obsession, and the World's Most Coveted Fish
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A riveting journey into the bizarre world of the Asian arowana or "dragon fish" the world's most...
Leanne Crabtree (480 KP) rated Mine to Keep (Mine, #2) in Books
Jan 6, 2021
I received this ARC in exchange for an honest review.
This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…
This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.
We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.
Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.
I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.
It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!
I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!
If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.
This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…
This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.
We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.
Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.
I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.
It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!
I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!
If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.