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Zuky the BookBum (15 KP) rated The Keeper (DCI Antonia Hawkins, #3) in Books
Mar 15, 2018
Also read it here: http://bookbum.weebly.com/book-reviews/the-keeper-by-alastair-gunn
NOW AVAILABLE IN THE UK!
<i>No interesting quote for this book I'm afraid...</i>
This started badly, for me. Theres nothing like starting a new detective book and being planted in the middle of a therapy session. Who would have thought a senior police officer who has enough baggage to need therapy? Well I never! Thats something Ive only seen done 1 million times before <i>sigh.</i> Thank God it picked up with the excitement afterwards because I wasnt interested in Hawkins anxiety or love life.
This was by no means unique to other detective novels out there. They all have the same sort of plot and characters and themes, but this one did keep me more interested than some of the others Ive read, purely because there was a humorous side to it as well as the serious side too.
This had some really exciting moments and it had some really drawn out, drab moments where we were repeatedly updated on how the case was going, even though we already knew cause we were reading the book so I think a lot of this novel could have been cut down to make a shorter novel. 400 pages is quite a lot for a detective series novel, especially one where theres not a lot of evidence or leads to the case. This really was up and down, up and down, the whole way through. I lost interest so much in some places that I was completely distracted while reading it but then when we got onto a big reveal or breakthrough part, I rushed through it to know what happened next! There were some really great edge of the seat, nail biting moments! It was quite the hit and miss story.
As far as characters go, there werent any that I really connected with very well, but none of them were dislikable people. It could get a bit confusing to remember who was who because theyd go from their first name to their last name, back to their first name and then their last name again etc etc. It would have been nice to have some consistency with what the author called them.
This was by far a 3 star read until the twist at the end. I mean, really, I should have seen it coming, Ive read a million crime thrillers before, but I just hadnt suspected this one! Really, there were two twists at the end of this, the first one shocked me and then the second one I was expecting because of the first. The ending of this novel was really thrilling and nerve-wracking, it was a great way to finish it off.
Also, considering this is the third novel in a series (something Netgalley hadnt made me aware of when I requested it!) this did really well as a standalone novel. I didnt feel like I was missing any part of the characters stories, even when it came to the subject of Hawkins therapy sessions.
Thanks to Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE IN THE UK!
<i>No interesting quote for this book I'm afraid...</i>
This started badly, for me. Theres nothing like starting a new detective book and being planted in the middle of a therapy session. Who would have thought a senior police officer who has enough baggage to need therapy? Well I never! Thats something Ive only seen done 1 million times before <i>sigh.</i> Thank God it picked up with the excitement afterwards because I wasnt interested in Hawkins anxiety or love life.
This was by no means unique to other detective novels out there. They all have the same sort of plot and characters and themes, but this one did keep me more interested than some of the others Ive read, purely because there was a humorous side to it as well as the serious side too.
This had some really exciting moments and it had some really drawn out, drab moments where we were repeatedly updated on how the case was going, even though we already knew cause we were reading the book so I think a lot of this novel could have been cut down to make a shorter novel. 400 pages is quite a lot for a detective series novel, especially one where theres not a lot of evidence or leads to the case. This really was up and down, up and down, the whole way through. I lost interest so much in some places that I was completely distracted while reading it but then when we got onto a big reveal or breakthrough part, I rushed through it to know what happened next! There were some really great edge of the seat, nail biting moments! It was quite the hit and miss story.
As far as characters go, there werent any that I really connected with very well, but none of them were dislikable people. It could get a bit confusing to remember who was who because theyd go from their first name to their last name, back to their first name and then their last name again etc etc. It would have been nice to have some consistency with what the author called them.
This was by far a 3 star read until the twist at the end. I mean, really, I should have seen it coming, Ive read a million crime thrillers before, but I just hadnt suspected this one! Really, there were two twists at the end of this, the first one shocked me and then the second one I was expecting because of the first. The ending of this novel was really thrilling and nerve-wracking, it was a great way to finish it off.
Also, considering this is the third novel in a series (something Netgalley hadnt made me aware of when I requested it!) this did really well as a standalone novel. I didnt feel like I was missing any part of the characters stories, even when it came to the subject of Hawkins therapy sessions.
Thanks to Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this in exchange for an honest review.
Kate and her husband Ron, have a seemingly perfect life: happily married, two kids, etc. So Kate is thrown off by her attraction to another man, Peter Ash, when she meets him at a dinner party held by one of Ron's colleagues and his own wife. Peter himself is married, with twin sons. Unable to get Peter out her mind, Kate ignores the warnings of her friend Beth, and arranges an encounter. Shortly after that event, Kate and Beth are involved in a horrific terrorist attack, and it seems like nothing will ever be the same.
This was a slightly bizarre novel with an interesting premise: a sort of anti-adultery treatise, in a way. The novel confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). I enjoyed her character and while it's been noted that this was a standalone novel for Lescroart, I could see another book featuring her.
Beth is perplexed as she tries to solve Peter Ash's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel-- I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in.
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
This was a slightly bizarre novel with an interesting premise: a sort of anti-adultery treatise, in a way. The novel confounded me slightly with its two different tracks: one of personal angst and murder (I don't think it's a spoiler to state that shortly after the terrorist attack, Peter Ash winds up murdered) and then the terrorist attack, which seems somewhat oddly inserted into the novel's plot. Kate's friend Beth is a police detective, and for me, Beth was driving force of the book (and seriously, practically the only sane person in this story). I enjoyed her character and while it's been noted that this was a standalone novel for Lescroart, I could see another book featuring her.
Beth is perplexed as she tries to solve Peter Ash's murder. For us: not really. I felt as if the suspect was fairly easily identifiable the whole time. Lescroart did a fairly good job as casting suspicions on someone else; at one point, I finally thought, oh, ok, maybe I really am wrong (but I wasn't). There's a whole host of characters in the novel and they are interesting, but not really as complex or intricate as Beth. Overall, I enjoyed this novel-- I haven't read anything by Lescroart since some of his early Dismas Hardy books ages ago-- but I didn't find it to have an amazing "wow" factor or anything. It was an interesting, if somewhat predictable thriller, with some strange plot points thrown in.
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Suswatibasu (1703 KP) rated Force of Nature in Books
Mar 17, 2018
Slow burner, slightly disappointing
As a fan of Jane Harper's debut novel @The Dry, this definitely felt like a sub-par sequel. Detective Aaron Falks returns with another case in the Australian wilderness, this time following the disappearance of a woman who went on a work retreat in the outback but never came back.
Four of the women who went with her all have motives to want to see her gone, so Falks attempts to understand what secrets she may have had about them.
The story, as described, felt underwhelming even though I appreciate the straightforward simplicity of Harper's writing. There is no massive conspiracy similar to the first but it may have lacked too much in this instance.
Four of the women who went with her all have motives to want to see her gone, so Falks attempts to understand what secrets she may have had about them.
The story, as described, felt underwhelming even though I appreciate the straightforward simplicity of Harper's writing. There is no massive conspiracy similar to the first but it may have lacked too much in this instance.
Murder Must Advertise
Book
The tenth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by bestselling...
Kristy H (1252 KP) rated A Cold Day in Hell in Books
Jan 29, 2018
Engaging characters (2 more)
Great courtroom scene
Strong female lead
Engaging debut mystery
Lauren Riley is a thirty-eight-year-old twice-divorced mother of two college age daughters, working cold case homicides. She has a great, younger cold case partner, Reese, and carries a torch for her ex-husband, Mark. Meanwhile, her ex, Joe Wheeler, is a Garden Valley homicide detective and a total (excuse my language) a-hole, who brazenly punches Lauren in the mouth after learning she's working against him on a case. Lauren's working two jobs -- her daytime gig on cold cases and also as a certified Private Investigator (PI). Lauren is hired by her nemesis, attorney Frank Violanti, to work the high-profile case of David, who is accused of murdering Katherine Vine, the beautiful, younger wife of Anthony Vine, who runs a successful chain of gyms. Lauren knows taking the case could stir up some issues in her department, with the DA, and with Reese. But in her gut, she feels that David is innocent. Can she and Frank make peace and prove it?
I read a lot of mysteries and while there are thankfully more strong female detectives coming on the scene (see Kristen Lepionka's Roxanne Weary and Emily Littlejohn's Gemma Monroe, for instance), they are still few and far between. While Lauren Riley may still be finding herself (there's a lot of side coverage of emotional entanglements and relationships here), I still love finding and championing a complicated, real, strong female detective.
Lauren's PI case is really the star of the show, and it's interesting and engaging throughout the entire novel. It keeps you guessing throughout, questioning whether David did it or not, and who else played a key role in Katherine and Anthony Vine lives. Nothing is cut or dried.
Also fascinating is Lauren's main cold case. While you could argue some of it ties up neatly, it doesn't go as expected, per se, if that makes sense, and the characters involved are intriguing and different. All the cases kept me interested as I read. A lot certainly happens in this novel, between Lauren's work and personal life. Nothing is boring, and there's never really a dull moment, especially once you get into the swing of things and realize that the book covers both her personal life and her work life in-depth. It also tells the story from more than Lauren's POV, even if she's the main focus, which works surprisingly well.
I don't think it's a spoiler to say that the book culminates in a trial related to Lauren's PI case, and it's a great, suspenseful, incredibly well-written piece of work. The courtroom scenes were so well-done and really had me on the edge of my seat. One of the things I loved about this novel was how I could so easily picture each of these characters-- each is well-described and fleshed out. Redmond writes darn good trial scenes (and a darn good book), and I was frantically flipping the pages to see how things would turn out.
It wasn't until I finished the book that I learned the author is a retired homicide detective, but it definitely shows as you read. The novel is written expertly in terms of police and courtroom procedure, but still enjoyable in terms of the characters. There is a lot of personal "stuff" in terms of Lauren; this will be a little different if you are used to the Bosch type of detective (the love of my life and my hero). Still, it's completely refreshing to see a complicated female lead detective, and, as mentioned, so nice to be reading more of these stories. I grew to really love Lauren.
The courtroom scenes are great, and a lot will keep you guessing. Sure, some of the cold cases wrap up what seem a little easily, but even Lauren addresses that as she works. I read some reviews that Joe Wheeler is a cliche character, and I guess I could see where people get that, but for me, society as of late seems to be showing us everyday that these sort of angry, abusive men truly exist. Everywhere. To me, Joe was a sadly realistic portrayal of a horrible man, and his slow, boiling anger only added to the tension of the entire novel.
Overall, I really enjoyed this one. It looks like it's going to be a series, and it ends with some unfinished issues that make me even more eager for book two.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
I read a lot of mysteries and while there are thankfully more strong female detectives coming on the scene (see Kristen Lepionka's Roxanne Weary and Emily Littlejohn's Gemma Monroe, for instance), they are still few and far between. While Lauren Riley may still be finding herself (there's a lot of side coverage of emotional entanglements and relationships here), I still love finding and championing a complicated, real, strong female detective.
Lauren's PI case is really the star of the show, and it's interesting and engaging throughout the entire novel. It keeps you guessing throughout, questioning whether David did it or not, and who else played a key role in Katherine and Anthony Vine lives. Nothing is cut or dried.
Also fascinating is Lauren's main cold case. While you could argue some of it ties up neatly, it doesn't go as expected, per se, if that makes sense, and the characters involved are intriguing and different. All the cases kept me interested as I read. A lot certainly happens in this novel, between Lauren's work and personal life. Nothing is boring, and there's never really a dull moment, especially once you get into the swing of things and realize that the book covers both her personal life and her work life in-depth. It also tells the story from more than Lauren's POV, even if she's the main focus, which works surprisingly well.
I don't think it's a spoiler to say that the book culminates in a trial related to Lauren's PI case, and it's a great, suspenseful, incredibly well-written piece of work. The courtroom scenes were so well-done and really had me on the edge of my seat. One of the things I loved about this novel was how I could so easily picture each of these characters-- each is well-described and fleshed out. Redmond writes darn good trial scenes (and a darn good book), and I was frantically flipping the pages to see how things would turn out.
It wasn't until I finished the book that I learned the author is a retired homicide detective, but it definitely shows as you read. The novel is written expertly in terms of police and courtroom procedure, but still enjoyable in terms of the characters. There is a lot of personal "stuff" in terms of Lauren; this will be a little different if you are used to the Bosch type of detective (the love of my life and my hero). Still, it's completely refreshing to see a complicated female lead detective, and, as mentioned, so nice to be reading more of these stories. I grew to really love Lauren.
The courtroom scenes are great, and a lot will keep you guessing. Sure, some of the cold cases wrap up what seem a little easily, but even Lauren addresses that as she works. I read some reviews that Joe Wheeler is a cliche character, and I guess I could see where people get that, but for me, society as of late seems to be showing us everyday that these sort of angry, abusive men truly exist. Everywhere. To me, Joe was a sadly realistic portrayal of a horrible man, and his slow, boiling anger only added to the tension of the entire novel.
Overall, I really enjoyed this one. It looks like it's going to be a series, and it ends with some unfinished issues that make me even more eager for book two.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
BankofMarquis (1832 KP) rated A Haunting in Venice (2023) in Movies
Sep 30, 2023
Well Crafted
Famed Agatha Christie Belgian Sleuth Hercule Poirot is a familiar figure on the screen - both large and small. He has been played numerous times by numerous performers, each one riffing on the famed mustached Detective and his “little grey cells” and and any performer who takes on this character must bear the weight of those who played the role before him.
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
In A HAUNTING IN VENICE, Kenneth Branagh’s 3rd go around as Poirot, Branagh has finally shaken off the Ghosts of Poirot’s Past and has made the part his own.
Based on the 1969 novel by Agatha Christie, HALLOWE’EN PARTY, Branagh (who also directed the film) imbues horror elements and the macabre to the whoddunit detective genre - largely to positive results.
As stated above, Branagh has finally made this version of Hercule Poirot his own, giving the detective (who, at the beginning of this film/novel, is in self-imposed retirement) some self-doubt and self-retrospection which helps drive the story, plot and intrigue of the story.
Branagh has populated this murder-mystery with strong performers from recent Oscar-winner Michelle Yeoh (EVERYTHING, EVERYWHERE, ALL AT ONCE) to Jamie Dornan (Branagh’s BELFAST) to YELLOWSTONE’s Kelly Reilly. Each brings mystery and star power to their roles.
Special notice needs to be made of Comedienne Tina Fey who is tackling her first non-comedic role and largely sticks the landing. As a friend of the Detective from NYC, Fey more than holds her own in the many, many scenes she shares with Branagh. As is often the case with comediennes, there is more to be mined in Fey’s acting chops and here’s hoping she dives deeper into more serious roles.
Director Branagh smartly uses the setting and mood of this piece to craft a film experience that is eerie, spooky and claustrophobic. While it is being billed as a HORROR film, it is not. It is a tense, taught, macabre film, filled with fish-eye lens and blurred-focus shots, which makes the set design and cinematography complimentary to the story.
Which is important for this is, in the end, a drawing room murder-mystery and the audience’s enjoyment of this film will be in direct alignment with how the mystery plays out…and this mystery plays out well (enough). What it lacks in surprises, it more than makes up for in mood, atmosphere and character
And that makes for a very entertaining time at the Cinema.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis).
Dead like you (Roy Grace book 6)
8.5
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The Metropole Hotel, Brighton. After a heady New Year's Eve ball, a woman is brutally raped as she...
Christine A. (965 KP) rated The Boy: Broussard and Fourcade Book 2 in Books
Mar 28, 2019
2nd novel in Tami Hoag's Broussard and Fourcade series
I was provided with a complimentary copy of this book so I could give an honest review.
The Boy by Tami Hoag is the 2nd novel in her series about Broussard and Fourcade, a husband and wife team who are detectives in Bayou Breaux, a little town in Louisiana. I often read detective fiction and enjoyed the pairing of Detectives Nick Fourcade and Annie Broussard. The novel focuses mostly on their police pairing but does have some sections about their home life. The dynamics of the relationships of the people surrounding the investigative team are well formed but not the main focus of the story. The boy is. Well, the murder of the boy is.
Hoag shows her characters' flaws but she does not make them the focus of the characters. Broussard and Fourcade are like every married couple and have difficult days. Again, Hoag does not make those days the focus of the story. The boy is. The story has twists and turns. Some of the reveals were expected but not all of them. Hoag surprised me with several details.
I have had Tami Hoag on my "want to read" list for years but never got around to reading any of her work. After reading The Boy, I am disappointed I have not read her sooner.
Review published on Philomathinphila.com on 3/27/19.
The Boy by Tami Hoag is the 2nd novel in her series about Broussard and Fourcade, a husband and wife team who are detectives in Bayou Breaux, a little town in Louisiana. I often read detective fiction and enjoyed the pairing of Detectives Nick Fourcade and Annie Broussard. The novel focuses mostly on their police pairing but does have some sections about their home life. The dynamics of the relationships of the people surrounding the investigative team are well formed but not the main focus of the story. The boy is. Well, the murder of the boy is.
Hoag shows her characters' flaws but she does not make them the focus of the characters. Broussard and Fourcade are like every married couple and have difficult days. Again, Hoag does not make those days the focus of the story. The boy is. The story has twists and turns. Some of the reveals were expected but not all of them. Hoag surprised me with several details.
I have had Tami Hoag on my "want to read" list for years but never got around to reading any of her work. After reading The Boy, I am disappointed I have not read her sooner.
Review published on Philomathinphila.com on 3/27/19.
SM
Shutter Man
Book
Face your fears in the latest terrifying novel by the hugely acclaimed, bestselling master of the...