Search
Absolute Power (1997)
7.0
Rate It
Movie Watch
Academy Award winner Clint Eastwood directs and stars as a notorious master thief who stumbles upon...
Eleanor Luhar (47 KP) rated Batman: Gotham After Midnight in Books
Jun 24, 2019
This novel contains 12 episodes of Batman stories, each full of action and crime and excitement. It includes Man-Bat, Axe-Man, Clayface, The Joker, Killer Croc, Catwoman, Scarecrow and the new villain, Midnight. At first, Batman is trying to figure out why his villains are suddenly changing their patterns. But then Midnight comes into the scene...
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Batman becomes rather attached to a police officer, although Bruce Wayne has no success with her. But can he save her from this strange, crazy new murderer?
The detective side of this - especially toward the end, when Batman is close to discovering Midnight's identity - is fantastic. Full of suspense. Of course, his encounters with the enemies are great, too. I wasn't sure about his relationship with April, but I like how it all fit together in the end.
The inner monologue - and even the dialogue - wasn't great. The text that was chosen for this also wasn't the wisest. But the story got told and that's all that really matters in the end.
And Alfred... I love him! He's witty and smart, but also caring and wise when it comes to dealing with Batman. He often has to tell Batman to pull himself together and to stop being an idiot. I think he may be my favourite character.
The art was great and I liked the story, but the dodgy, clunky monologue was quite off-putting. Even so, it was an easy read still so it obviously wasn't that bad. I think I'll say 4 stars for this, though I may be being a little generous there.
Christine A. (965 KP) rated His and Hers in Books
Jul 29, 2020
Will keep you guessing until the big reveal
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
There are three sides to every story, his, hers, and the truth. In Alice Feeney's latest, His & Hers, there is his, hers, and a killer out for vengeance.
Narrators Richard Armitage and Stephanie Racine skillfully bring Feeney's thriller to life as a detective and his news journalist ex-wife who are separately trying to solve/report the murders of people from their past while trying to stay out of the crosshairs of a serial killer on a mission. The chapters alternate between DCI Jack Harper and Anna Andrews, which allows us to see the story from both sides as it unfolds. The killer, using a voice disguiser, breaks the fourth wall to explain his/her reasons.
Because of Feeney's clever writing, I was unable to figure out the killer until the big reveal. I switched suspects with each suspenseful chapter I read. Her red herrings were flawless.
Richard Armitage is an actor and audio-book narrator known for his role as Thorin in The Hobbit trilogy. Stephanie Racine narrated numerous novels, including Feeney's three best-sellers, Sometimes I Lie, I Know Who You Are, and His & Hers.
Goodreads lists Feeney's next novel, as of yet untitled, to be released in 2021.
This 200-word review was published on Philomathinphila.com on 7/28/20.
There are three sides to every story, his, hers, and the truth. In Alice Feeney's latest, His & Hers, there is his, hers, and a killer out for vengeance.
Narrators Richard Armitage and Stephanie Racine skillfully bring Feeney's thriller to life as a detective and his news journalist ex-wife who are separately trying to solve/report the murders of people from their past while trying to stay out of the crosshairs of a serial killer on a mission. The chapters alternate between DCI Jack Harper and Anna Andrews, which allows us to see the story from both sides as it unfolds. The killer, using a voice disguiser, breaks the fourth wall to explain his/her reasons.
Because of Feeney's clever writing, I was unable to figure out the killer until the big reveal. I switched suspects with each suspenseful chapter I read. Her red herrings were flawless.
Richard Armitage is an actor and audio-book narrator known for his role as Thorin in The Hobbit trilogy. Stephanie Racine narrated numerous novels, including Feeney's three best-sellers, Sometimes I Lie, I Know Who You Are, and His & Hers.
Goodreads lists Feeney's next novel, as of yet untitled, to be released in 2021.
This 200-word review was published on Philomathinphila.com on 7/28/20.
Shadow Ridge (Jo Wyatt Mystery #1)
Book
Death is one click away when a string of murders rocks a small Colorado town in the first...
Mystery Crime Police Procedural
The Girl Whose Luck Ran Out by Gayleen Froese
Book
Can a disillusioned former cop track down a missing girl before it’s too late? Seven years ago,...
MM Mystery Romance
Kristy H (1252 KP) rated What You Want To See (Roxane Weary #2) in Books
May 10, 2018
The Roxane Weary mystery series is straight-up great!
Roxane Weary is hired by Arthur Ungless, owner of a print shop, to track his fiance, Marin, whom he believes is cheating on him. But her case devolves quickly, between a bounced check and Tom (Roxane's dad's former partner) and a rude cop named Sanko showing up on Roxane's doorstep with the news that Marin is dead. Not only that, they make it pretty clear that they want Roxane to stay out of it. But this is "pathologically nosy" Roxane we are talking about. Stay out of it she cannot. So Roxane continues to work Arthur's case--as the husband, he's the main suspect after all. Roxane is determined he's innocent: a perspective not shared by Tom and Sanko. As she digs deeper into Marin's life, she discovers that she led quite the double life, and Roxane finds herself lost in a world of antiques dealing, wealthy families, and a lot of danger.
I loved this book. I love the first person aspect. The Roxane Weary series is straight-up great mystery writing. No unreliable narrator, no chapters that alternate POV or time periods, no gimmicks--just an excellent protagonist and a strong plot. It makes you long for mysteries of old (think Kinsey Millhone). The ways I love Roxane cannot truly be enumerated--she's a female lead in a mystery series, for one. She's smart, witty, and sarcastic. She's bisexual, but this characteristic is just who she is, not her main defining element or the entire defining point of the novel. As a bisexual female, I cannot stress how amazing this is in literature. To have bisexual representation (and have that representation be intelligent, funny, and not portrayed as evil and deviant), well, it's wonderful. She has relationships of all kinds and works on figuring out herself, just like any other person. Gasp! Imagine that. I couldn't love Roxane more (or Kristen Lepionka for creating this character). Also, Roxane calls waffles "golden beauty" and well, what more do you need in your PI? She's the Leslie Knope of private investigators.
I was worried that the second Roxane Weary novel wouldn't stand up to the first, but I was anxious for no reason. The second book is just as wonderful and intricately crafted as the first, and we get to see Roxane both struggling and growing professionally and personally. The case is a great one--it had me frantically reading and totally shocked me at the end, which I love. So rarely can a detective novel keep me guessing to the anymore. Marin Strasser is quite the character, and her web of lies pulls in a whole host of supporting characters.
We also see Roxane navigating new territory with Tom, her former lover (and, as mentioned, her dad's ex-partner), and get appearances again from the appealing Weary brothers and Roxane's mom. Roxane is still working on her relationships--not just romantic ones, but life ones, and you'll be touched as she figures out trying to be a "surrogate aunt" to Shelby, who appeared in book one. Watching her let her guard down at times is enjoyable.
The case is still mainly the star, though, and it won't disappoint. It's complicated and intriguing and everything comes together in ways that will make you gasp and keep you riveted. I was definitely shocked several times while reading. Not to mention I love it when an author can write a character that I truly hate--you know they've done a good job when you can feel that anger viscerally through the pages!
Overall, I have nothing bad to say about this book. Maybe that it's over, and I have to wait now for a (hopeful!!) book three? I love Roxane. I feel kinship toward her for sure, this sarcastic, bisexual PI whose still navigating the world around her. The mystery in this book won't disappoint, nor will the characters. If you haven't read the first Roxane Weary novel, I do recommend reading it first (mostly because it's also so good), but this will stand on its own. Highly recommend!!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
I loved this book. I love the first person aspect. The Roxane Weary series is straight-up great mystery writing. No unreliable narrator, no chapters that alternate POV or time periods, no gimmicks--just an excellent protagonist and a strong plot. It makes you long for mysteries of old (think Kinsey Millhone). The ways I love Roxane cannot truly be enumerated--she's a female lead in a mystery series, for one. She's smart, witty, and sarcastic. She's bisexual, but this characteristic is just who she is, not her main defining element or the entire defining point of the novel. As a bisexual female, I cannot stress how amazing this is in literature. To have bisexual representation (and have that representation be intelligent, funny, and not portrayed as evil and deviant), well, it's wonderful. She has relationships of all kinds and works on figuring out herself, just like any other person. Gasp! Imagine that. I couldn't love Roxane more (or Kristen Lepionka for creating this character). Also, Roxane calls waffles "golden beauty" and well, what more do you need in your PI? She's the Leslie Knope of private investigators.
I was worried that the second Roxane Weary novel wouldn't stand up to the first, but I was anxious for no reason. The second book is just as wonderful and intricately crafted as the first, and we get to see Roxane both struggling and growing professionally and personally. The case is a great one--it had me frantically reading and totally shocked me at the end, which I love. So rarely can a detective novel keep me guessing to the anymore. Marin Strasser is quite the character, and her web of lies pulls in a whole host of supporting characters.
We also see Roxane navigating new territory with Tom, her former lover (and, as mentioned, her dad's ex-partner), and get appearances again from the appealing Weary brothers and Roxane's mom. Roxane is still working on her relationships--not just romantic ones, but life ones, and you'll be touched as she figures out trying to be a "surrogate aunt" to Shelby, who appeared in book one. Watching her let her guard down at times is enjoyable.
The case is still mainly the star, though, and it won't disappoint. It's complicated and intriguing and everything comes together in ways that will make you gasp and keep you riveted. I was definitely shocked several times while reading. Not to mention I love it when an author can write a character that I truly hate--you know they've done a good job when you can feel that anger viscerally through the pages!
Overall, I have nothing bad to say about this book. Maybe that it's over, and I have to wait now for a (hopeful!!) book three? I love Roxane. I feel kinship toward her for sure, this sarcastic, bisexual PI whose still navigating the world around her. The mystery in this book won't disappoint, nor will the characters. If you haven't read the first Roxane Weary novel, I do recommend reading it first (mostly because it's also so good), but this will stand on its own. Highly recommend!!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com/.
Movie Metropolis (309 KP) rated The Snowman (2017) in Movies
Jun 10, 2019
No, not that one
Nordic noir is big business at the moment, but with the incredible scenery of the locations lending themselves perfectly to film, is there any wonder?
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
Kristy H (1252 KP) rated Girl Last Seen in Books
Feb 13, 2018
Lainey was ten when she was taken. She spent three horrible years in her kidnapper's basement, enduring horrible things. Lainey is supposed to be "lucky," since she escaped, but it's hard for her to see it that way sometimes. Her entire life has been formed by that awful period in her life. And now, another girl has gone missing. Olivia Shaw, who looks exactly like Lainey did thirteen years ago. Lainey's kidnapper was never found: the police say because she could never give strong enough evidence to identify him. So Lainey has spent these years afraid, living in a haze of pills and booze, and waiting for something bad to happen. Well, something bad has happened. How exactly is Lainey involved, and is she ever going to be safe again?
I definitely have some mixed feelings about this one. <i>It certainly grabs you from the beginning and has some moments that make you go "what?!"</i> Parts of the story are very unique--I enjoyed the plot of two young women/girls aligned by a potential kidnapper--but the story was marred somewhat by the focus on Lainey's drinking and drugs. She's presented as an unreliable narrator, which I understand, and as a flawed heroine. Some of the scenes with her nearly make you cringe: you feel a mix of such sympathy and frustration, because she's such a stressful protagonist. The trend toward these frustrating, unreliable narrators lately has grown a bit old for me.
My other issue was Lainey's strange dynamic with the detective investigating Olivia's disappearance, Sean: the same detective, coincidentally, who found Lainey thirteen years ago as she stumbled helplessly along the road after escaping her horrible fate in the basement. Their dynamic, frankly, is just odd, and I found it almost distracting from the main story. Romance? Just a side story? Is he involved? It was less a bit of intrigue though and, as I mentioned, a distraction. And honestly, a little confusing. After a while, I started to get a little bored with Lainey's helplessness, her interactions with Sean, and the overall lack of things moving forward.
That changed about 3/4 in, when things picked up and became interesting again. There are definitely some fascinating moments in the book, and I did find it engaging overall, despite some stumbles along the way. This is a first novel and I see room from improvement, for sure. I'm going for a 3-star rating -- this is based on a combination of 2.5 stars for some stilted/cheesy writing combined with 3.5 stars for some exciting plot twists, including one near the end that pretty much made it all worth it. I would certainly be intrigued to read Laurin's next book. Don't let my review scare you from this one: I read a lot of thrillers, so I get bit jaded reading some similar plot devices. There's still plenty of pieces to like here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 07/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I definitely have some mixed feelings about this one. <i>It certainly grabs you from the beginning and has some moments that make you go "what?!"</i> Parts of the story are very unique--I enjoyed the plot of two young women/girls aligned by a potential kidnapper--but the story was marred somewhat by the focus on Lainey's drinking and drugs. She's presented as an unreliable narrator, which I understand, and as a flawed heroine. Some of the scenes with her nearly make you cringe: you feel a mix of such sympathy and frustration, because she's such a stressful protagonist. The trend toward these frustrating, unreliable narrators lately has grown a bit old for me.
My other issue was Lainey's strange dynamic with the detective investigating Olivia's disappearance, Sean: the same detective, coincidentally, who found Lainey thirteen years ago as she stumbled helplessly along the road after escaping her horrible fate in the basement. Their dynamic, frankly, is just odd, and I found it almost distracting from the main story. Romance? Just a side story? Is he involved? It was less a bit of intrigue though and, as I mentioned, a distraction. And honestly, a little confusing. After a while, I started to get a little bored with Lainey's helplessness, her interactions with Sean, and the overall lack of things moving forward.
That changed about 3/4 in, when things picked up and became interesting again. There are definitely some fascinating moments in the book, and I did find it engaging overall, despite some stumbles along the way. This is a first novel and I see room from improvement, for sure. I'm going for a 3-star rating -- this is based on a combination of 2.5 stars for some stilted/cheesy writing combined with 3.5 stars for some exciting plot twists, including one near the end that pretty much made it all worth it. I would certainly be intrigued to read Laurin's next book. Don't let my review scare you from this one: I read a lot of thrillers, so I get bit jaded reading some similar plot devices. There's still plenty of pieces to like here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 07/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
BookInspector (124 KP) rated The Chosen Ones in Books
Sep 24, 2020
Police detective Ian Bradshaw is assigned a case where it is believed, that five women are missing. He calls two journalists, Tom and Helen, to help him solve this case. I really liked that the author doesn’t leave these cases only to the police but also involves other people to help. I think, that there is no single main character in this book, Ian, Tom and Helen are equally important in this novel. I really loved that this book is told from multiple perspectives, allowing to understand the characters and to have a glimpse into different minds and lives. Even though it is told by multiple people, the mystery and suspense were very well kept throughout the book. I don’t think I could single out my favourite character, I think they all have very intriguing personalities, and I quickly warmed up to all the important characters in this book.
The narrative is very well developed in this novel. There is more than one investigation happening, and I think that made the whole book even richer and more absorbing. I really liked all the twists and turns this story had to offer, and I believe, the author really knows how to sidetrack the reader. The narrative kept changing continuously, depending on the character, that is why this book was a real page turner to me.
The writing style was very creative, but at the same time enjoyable and easy to read. The chapters are very well constructed and have a decent length, so for me, the pages just flew by. This book is fourth in the series, and it does carry quite a bit of information from the previous books, and I wish I read them before this one, however, I was able to understand of what was going on. So, you can read it as a stand alone, but I would recommend reading the previous books first. I really liked the way this book ended, it answered all my questions and gave a glimpse of what to come in the next book, which I will be looking out for.
So, to conclude, this book is dark, claustrophobic, and very gripping, filled with very well developed characters, absorbing plot and plenty of twists. I thoroughly enjoyed it, and I hope you will give it a try and will like it as much as I did.
The narrative is very well developed in this novel. There is more than one investigation happening, and I think that made the whole book even richer and more absorbing. I really liked all the twists and turns this story had to offer, and I believe, the author really knows how to sidetrack the reader. The narrative kept changing continuously, depending on the character, that is why this book was a real page turner to me.
The writing style was very creative, but at the same time enjoyable and easy to read. The chapters are very well constructed and have a decent length, so for me, the pages just flew by. This book is fourth in the series, and it does carry quite a bit of information from the previous books, and I wish I read them before this one, however, I was able to understand of what was going on. So, you can read it as a stand alone, but I would recommend reading the previous books first. I really liked the way this book ended, it answered all my questions and gave a glimpse of what to come in the next book, which I will be looking out for.
So, to conclude, this book is dark, claustrophobic, and very gripping, filled with very well developed characters, absorbing plot and plenty of twists. I thoroughly enjoyed it, and I hope you will give it a try and will like it as much as I did.