BookInspector (124 KP) rated The Other Twin in Books
Sep 24, 2020
I had a chance to read many great reviews about this book, so I was very excited to receive it from publisher. After reading it, I noticed, that even though this book is not very long, it carries a very important message, and I am very glad the author shared it with the world.
The main character in this book was Poppy, a sister of a girl who killed herself by jumping from the bridge. She has to come back to Brighton, and is trying to figure out ,why India jumped from that bridge. I really enjoyed, that this story was sister’s investigation and no detectives were participating. I found this novel really realistic and believable, just a sister trying to find out the truth. Nevertheless, all characters in this book where very realistic, just like ordinary people you would meet in the street, with their flaws and strengths. I found the characters really well thought through and interesting. They had really mysterious personalities, and I loved the way Poppy was trying to figure everything out.
The narrative of this book was very smartly created, jumping between two different stories, the one of Poppy’s investigation and the other one, mysterious one, which kept me guessing and very intrigued, and I will admit, that outcome really surprised me. I really enjoyed the way L.V. Hay described Brighton in this book, I loved the details and the described spirit of this great place. Even though it is a crime novel, I admired the way L.V. Hay incorporated her message, by showing what struggles some LGBT communities people are facing. I would love to talk more about it, but it would spoil the reading experience.
The writing style of this book is easy to read and those lovely short chapters makes this book a quick and pleasant read for those naughty rainy summer days. Every chapter opened up a new clue and made this book really fast paced read. There were plenty of turns and twists and very unexpected climax. So, to conclude, I would strongly recommend this intense crime thriller, full of difficult family relations, unforgotten love and surprising outcome.
Was given this book by publisher for honest review.
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Ross (3284 KP) rated Slow Motion Ghosts in Books
Jan 8, 2019
Jeff Noon is a writer of speculative fiction who has been on my reading list for some time (not through recommendation, but through finding his books in discount shops and liking the sound of them). Here he travels somewhat less speculative ground, telling the tale of a murder investigation during the aftermath of the Brixton riots of the early 80s.
The body of Brendan Clarke is found in unusual circumstances, with his face mutilated in certain odd patterns and with no apparent signs of struggle. The investigation into his murder leads the detectives to look into the earlier suicide of a Bowie-esque rock star as the links between the two are too big to ignore. There then follows an investigation into the cult-like group of misfit teenagers set up in Hastings and the cult status of King Lost, aka Lucas Bell.
There is the usual conflict within the investigative team - one jaded, opinionated DS, one DS that is hard-working and reliable and one DC that is off-screen most of the time researching things. An added element is the recent controversy surrounding DI Hobbes, as he recently shopped in his colleagues for battering a young black man in retaliation for the Brixton riots.
The main storyline is good, with enough mystery and emerging evidence to keep the interest. The link in to the past suicide of the cult figure adds an extra element. However it feels Noon went a little too far out of his way to make there a reasonable number of plausible suspects, all of whom are fairly interchangeable if I'm honest (I still can't remember which one of two characters died and which didn't).
It was interesting to read a crime book written about pre-Google times, so there really was a need for more hard work, door-knocking and evidence gathering.
There were some early incongruous events that came across as quite needlessly jarring, for example when someone says they can't remember what someone looked like, it was only a quick glimpse, can't remember anything at all and then somehow when asked about facial markings (apropos of nothing) suddenly remembered a facial tattoo. A couple of instances like that really took me out of the book.
All in all, this was a reasonably well-told crime book with a decent setting, but not exactly a ground-breaking storyline.
JT (287 KP) rated The Sweeney (2012) in Movies
Mar 10, 2020
Regan (Winstone) and Carter (Drew) are a pair of detectives on the flying squad, they don’t play nice or appreciate authority and when it comes to nicking thieves they go in armed with an array of unique weapons including pick axe handles. Quite simply put they “do the things you can only dream of”.
The plot is a little thin on the ground at times, and centres on former villain Allen (Paul Anderson) making a return to Regan’s patch, of which he doesn’t take too kindly when he has to let Allen go after having pulled him in for questioning in relation to a bank job that ends with an execution.
Regan himself is under the watchful eye of not just his boss Frank Haskins (Damian Lewis) but internal watchdog Ivan Lewis (Steven Mackintosh) who has a greater reason than anyone to note Regan’s movements, with Regan sharing more than coffee with Lewis’s wife Nancy.
The action is well choreographed from the opening heist to a shootout through Trafalgar Square (of which annoyingly they can only hit innocent bystanders), the film’s climactic car chase is a bit of a let down however. After all that proceeded before it I was expecting something a little better than a blast around a caravan park.
The chemistry between Regan and Carter is good, a father and son styled relationship is pushed to breaking point at times, but beneath the hardened exterior lies a mutual respect for each other that is followed through to the very end.
Winstone looks battle weary and sounds more cockney than ever (if that could be at all possible), he’s like a bulldog that won’t let go of a bone or come when called. Drew is a fresh casting choice and I enjoyed his performance in Harry Brown, but here he seems to deliver his lines in a slow and laborious manner.
The sweeping landscape of London is painted in cold grey light, panels of sun laying across pavements and car windows trying to brighten the mood. It’s a violent mood, twinned with colourful dialogue that is more than to be expected. It’s a decent enough effort and certainly Love’s best film to date.