Them
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Joyce Carol Oates s Wonderland Quartet comprises four remarkable novels that explore social class in...
Lou Grande (148 KP) rated Sorry to Bother You (2018) in Movies
Jul 17, 2018
Brilliantly shot and directed, Sorry to Bother You is a delight to watch. Every actor is on point, and the comedic timing never skips a beat. But it's not without a message, and it won't be hard to decipher. Sorry to Bother You is a satire in the purest of forms--and what is being satirized is us. After it's over, it invites you to take a moment to reflect on your own life, and what part you play in the world. Excellent, relevant film. Highly recommend.
(Also, I have to add that I saw this at a weekday afternoon matinee, and the audience was full of old white people. They looked less than pleased as we were walking out. What did you think this was??)
Touching the City: Thoughts on Urban Scale
Book
Scale in cities is relative and absolute. It has the ability to make us feel at home in the world or...
Aretha Franklin recommended track Respect by Aretha Franklin in Original Album Series, Vol. 2 by Aretha Franklin in Music (curated)
Aretha Franklin recommended Can't Get Enough by Barry White in Music (curated)
GameDay Pro Basketball Radio - Live Games, Scores, Highlights, News, Stats, and Schedules
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50% off Sale Today! The #1 NBA Radio App ***** The best NBA Radio and beats NBA League Pass ***** I...
Duchess of Mine
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Seventeenth century Highlander Michael Cameron should have been prepared for his journey to...
Mastering the Art of French Murder
Book
As Paris rediscovers its joie de vivre, Tabitha Knight, recently arrived from Detroit for an...
JT (287 KP) rated RoboCop (2014) in Movies
Mar 17, 2020
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
Storm Shield
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Named by Time.com's @Techland as one of the best weather apps for your iPhone. And now the first app...
Katie (868 KP) Jul 18, 2018