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The Story of Us by Quinn XCII
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The Story Of Us is the debut album from Detroit-bred vocalist/songwriter Quinn XCII. The album if...
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Rises The Night (The Gardella Vampire Hunters, #2)
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The second installment in award-winning, New York Timesbestselling author Colleen Gleason's...
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FlyMaps uses 3D maps to visit cities around the world. Including more than 200 cities and places....
LeftSideCut (3778 KP) rated Don't Breathe (2016) in Movies
Feb 22, 2020 (Updated Feb 22, 2020)
For the most part, Don't Breathe is a really tight gem of a thriller with some decent horror elements throughout.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
The movie revolves around three thieves - Rocky (Jane Levy), Alex (Dylan Minnette) and Money (Daniel Zovatto) trying to steal themselves enough valuables to be able to move away from their home city of Detroit.
When they hear about a sizable stash of cash hidden in the house of a blind war veteran (Stephen Lang), they get to work on what they assume will be an easy score. Things go rapidly downhill as it becomes apparent that The Blind Man isn't as helpless as they thought, and they become Tangled in a game of cat and mouse as they try to escape with their lives.
Don't Breathe is an incredibly tense film. It's dimly lit set pieces and it's frequently silent atmosphere are hugely effective. Director Fede Alvarez provides continuously great shots throughout (there's an extended sequence around the mid point which takes place in total darkness which is a particular highlight) and utilizes the small set (95% of the film takes place in The Blind Man's house) fantastically.
The cast are pretty good as well. The three thieves are both likable and dislikable at the appropriate moments, and serve their purpose well. Jane Levy is the stand out of the three, playing the role of 'the final girl' with a satisfying mixture of being terrified, vulnerable, and a strong survivalist all at once.
Stephen Lang is the MVP here though. He steals the show as The Blind Man, and manages to portray a genuinely batshit-scary movie monster, well at the same time, being a tragic and sympathetic characters.
This is one of the main strengths if the whole movie actually. Both The Blind Man and the set of thieves are portrayed as characters we should be siding with at one point or another, and then it will flip it over and give us the reverse one point later. The moral compass of who is to root for is in constant flux, and lends the narrative a unique edge.
My main criticism here though is the films final third. After being a stupidly tense thriller and a fight for survival for an hour, Don't Breathe gets a little silly towards it's climax, and downright gratuitous in parts, (the turkey baster to the face ffs!?).
There's not a huge amount of gore in display, so it doesn't quite fall into torture-porn territory, but the vibe is quite similar, and it tarnishes what is otherwise a pretty decent horror.
Overall though, Don't Breathe is worth a watch if you have any passing interest at all in thrillers or horror. With the news of a sequel in the way, I'm excited to see where the story will go.
Bob Mann (459 KP) rated Don't Breathe (2016) in Movies
Sep 29, 2021
Here comes Little Kevin, all grown up and blinded.
“Don’t Breathe” had a concept that appealed to me. Three Detroit teens are systematically robbing houses of goods to pawn with the aim of getting Rocky (Jane “Evil Dead” Levy) out of the clutches of her deadbeat family to start a new life in California with her younger sister. Dylan Minnette plays the cautious and intellectual Alex, hiding his crush on Rocky particularly badly. Daniel Zovatto plays the fruit-loopy stoner ‘Money’ – the loose cannon of the trio and Rocky’s boyfriend.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
After a successful run, they unwisely pick on the home of a blind war veteran (“Avatar”‘s Stephen Lang). He is not just ‘Home Alone’ but ‘Neighbourhood Alone’ (reflecting, probably accurately, the demise of previously affluent suburbs in some industrially declining US cities). Blind or not, the vet (and friend) are a force to be reckoned with: with startling speed the tables are turned and the kids are fighting for their lives. And there are more surprises in store within the spooky old house.
As an audience member, there are certainly points at which the title becomes uncomfortably literal! On the tensionometer, there is a similarity here with last year’s “No Escape”. A scene where blindness is turned into a positive asset is particularly effective.
As is common with this genre, the film suffers from a plot-line that at times makes no sense and involves indestructible participants (with an incident involving garden shears being particularly incomprehensible).
A particularly unpleasant sexual-threat scene towards the end of the film is also nonsensical involving a level of -ahem – ‘preparation’ that the preceding plot simply doesn’t merit.
Inevitably though, the film lives or dies on whether you feel empathy for the disreputable kids in peril. The start of the film tries to balance the empathy scales by giving Rocky her backstory, throwing in the ‘little sister’ card. It also demonstrates that “The Blind Man” is a ‘bit of a bastard’ – or perhaps that should be a ‘bit of a baste-ard’ (LOL, in-joke)). Unfortunately however I hold the peculiarly unfashionable idea that if things are “mine” they are “mine” – not anyone elses: so, on balance, I wasn’t rooting for them and would be happy to let the thieving little sh*ts all get beaten to death!
Jane Levy (channelling a young Emma Stone) acquits herself admirably as the heroine in peril. Also of particular note is the highly effective atonal score by Roque Baños that ramps up the tension extremely effectively. Directed by “Evil Dead” director, Uruguayan Fede Alverez, the film does have a certain style and is an enjoyable roller-coaster ride, provided you park your brain at the (well locked) door.
Lee (2222 KP) rated Titans - Season 1 in TV
Feb 4, 2019
Outstanding. This is DC done right
As the DC movie universe continues to struggle with consistency and quality, it is so refreshing to finally come across a DC TV show as entertaining and as epic as this one. A show which, in my opinion, manages to get the tone and style just right, restrained at times, but constantly teasing much bigger and much more exciting possibilities. I struggle with most superhero TV shows, failing to get more than a season into shows like The Flash, or more than just a handful of episodes into shows like Daredevil or Luke Cage, but this one just got me hooked. It kept me engaged and enthralled through every single episode, and managed to tweak every geeky bone in my body during its final episode. It had a decent cliffhanger finale, an interesting post-credits scene, and I absolutely loved it. What Titans manages to do extremely well is with the introduction of its main characters. It does this slowly, but enjoyably, leaving much of their character traits and abilities to be discovered throughout the season. It takes a while for them all to come together as a team, but even when they do it's more about them discovering who they all are individually and how to deal with the dangerous situations they find themselves in than just kicking bad guy ass (although they manage to do plenty of that too!). Occasionally, an episode will end on a real cliffhanger, only for the next episode to go off on a tangent, exploring another character and their past. But it just works, developing and enriching the story rather than acting as unnecessary or frustrating season filler.
We kick things off by meeting Dick Grayson, or Batman sidekick Robin as he's more usually known. He's currently working as a detective in Detroit having left Gotham City about a year ago. When asked about his reasons for leaving Gotham, he puts it down to problems with a difficult partner, but he still likes to wear the Robin suit occasionally - picking up leads as part of his day job, then dealing out swift vigilante justice as Robin by night. The criminals can't quite take him seriously though - scouring the skies, wondering whether the more terrifying Batman is going to show up to help out his little sidekick. Robin can more than handle his own though, brutally taking care of business before growling "F*** Batman". Yep, if you hadn't already gathered, Titans is a much grittier show than animated show Teen Titans! This version is much darker - we get blood, we get violence, our heroes have sex and they also have potty mouths!
Next up is Rachel Roth, a teenager with purple hair who sleeps in a locked room with crucifixes affixed to the door, fearful of a dark entity living within her. She has a vision of Dick Grayson, who she has never met, witnessing the moment from his childhood when his parents died during their acrobat act, the Flying Graysons. Rachel is being pursued by a number of individuals for reasons that are unclear for much of the season and, following the murder of her guardian, heads to Detroit where she crosses paths with Dick. Meanwhile, a fiery redhead named Koriand'r awakens in a crashed car in Austria, with no memory of who she is. She learns that she has some pretty good combat skills and some cool superhuman abilities. She also discovers that she is on the hunt for Rachel Roth, but she has no idea why. There is also a teenage boy called Gar, who is able to shape shift into a green tinged tiger, but only when he's naked!
Along the way, as these core characters all come together, we're introduced to a variety of other weird and wonderful characters from comic book history. Some, such as Hawk and Dove, have a recurring and increasingly important role, earning one of the more enjoyable episodes later on in the season when we delve into their backstory. Other characters, such as Doom Patrol and The Nuclear Family are briefly introduced, only to disappear for now - although I'm sure we'll be seeing them all again in future seasons (hopefully). But it's when new Robin Jason Todd appeared on the scene, and then Wonder Woman sidekick Wonder Girl, that I really started geeking out. New Robin is younger and much more sadistic than his predecessor (Robin 2.0 as he puts it), while Wonder Girl now leads a much quieter life. Her and Dick also share a past, with both of them being sidekicks, and we get a brief glimpse of her abilities a couple of times throughout the season. Hopefully with a lot more to come next season.
And then we come to the finale, with things coming to a head and with a serious threat to our planet looming. Dick heads back to Gotham where Commissioner Gordon has been murdered, the streets are rife with crime and Batman has gone off the rails - on a mission to kill The Joker and all of his enemies in Arkham Asylum. I loved this episode. The Joker, Batman, Wayne Manor, the Batcave - all of these things we're so used to seeing in countless movies and TV shows over the years, but in this context and as part of this world, this huge story that's been unfolding over 11 episodes, there was something about it that just blew me away. As mentioned before, the show also ends on a fantastic cliffhanger and teases some interesting additions post credits. I cannot wait for more of this!
We kick things off by meeting Dick Grayson, or Batman sidekick Robin as he's more usually known. He's currently working as a detective in Detroit having left Gotham City about a year ago. When asked about his reasons for leaving Gotham, he puts it down to problems with a difficult partner, but he still likes to wear the Robin suit occasionally - picking up leads as part of his day job, then dealing out swift vigilante justice as Robin by night. The criminals can't quite take him seriously though - scouring the skies, wondering whether the more terrifying Batman is going to show up to help out his little sidekick. Robin can more than handle his own though, brutally taking care of business before growling "F*** Batman". Yep, if you hadn't already gathered, Titans is a much grittier show than animated show Teen Titans! This version is much darker - we get blood, we get violence, our heroes have sex and they also have potty mouths!
Next up is Rachel Roth, a teenager with purple hair who sleeps in a locked room with crucifixes affixed to the door, fearful of a dark entity living within her. She has a vision of Dick Grayson, who she has never met, witnessing the moment from his childhood when his parents died during their acrobat act, the Flying Graysons. Rachel is being pursued by a number of individuals for reasons that are unclear for much of the season and, following the murder of her guardian, heads to Detroit where she crosses paths with Dick. Meanwhile, a fiery redhead named Koriand'r awakens in a crashed car in Austria, with no memory of who she is. She learns that she has some pretty good combat skills and some cool superhuman abilities. She also discovers that she is on the hunt for Rachel Roth, but she has no idea why. There is also a teenage boy called Gar, who is able to shape shift into a green tinged tiger, but only when he's naked!
Along the way, as these core characters all come together, we're introduced to a variety of other weird and wonderful characters from comic book history. Some, such as Hawk and Dove, have a recurring and increasingly important role, earning one of the more enjoyable episodes later on in the season when we delve into their backstory. Other characters, such as Doom Patrol and The Nuclear Family are briefly introduced, only to disappear for now - although I'm sure we'll be seeing them all again in future seasons (hopefully). But it's when new Robin Jason Todd appeared on the scene, and then Wonder Woman sidekick Wonder Girl, that I really started geeking out. New Robin is younger and much more sadistic than his predecessor (Robin 2.0 as he puts it), while Wonder Girl now leads a much quieter life. Her and Dick also share a past, with both of them being sidekicks, and we get a brief glimpse of her abilities a couple of times throughout the season. Hopefully with a lot more to come next season.
And then we come to the finale, with things coming to a head and with a serious threat to our planet looming. Dick heads back to Gotham where Commissioner Gordon has been murdered, the streets are rife with crime and Batman has gone off the rails - on a mission to kill The Joker and all of his enemies in Arkham Asylum. I loved this episode. The Joker, Batman, Wayne Manor, the Batcave - all of these things we're so used to seeing in countless movies and TV shows over the years, but in this context and as part of this world, this huge story that's been unfolding over 11 episodes, there was something about it that just blew me away. As mentioned before, the show also ends on a fantastic cliffhanger and teases some interesting additions post credits. I cannot wait for more of this!
Being You Is Great, I Wish I Could Be You More Often by Quelle Chris
4.5
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Quelle Chris fucks with himself. Most of the time. Honestly, it might depend on when and where you...
hip-hop
Kristy H (1252 KP) rated Once You Go This Far in Books
Jul 9, 2020
Probably my favorite book in the series and that's saying *a lot.*
Private investigator Roxane Weary is out for a stroll when another hiker, Rebecca Newsome, falls to her death on a nearby trail. Her daughter, Maggie, doesn't think it was an accident, and she hires Roxane to look into the the incident, believing strongly that Rebecca's ex-husband, Keir, a former cop, was responsible. Roxane learns quickly that Keir is a bit of a jerk, but did he kill his ex? Roxane soon finds herself driving between Detroit and Canada, following the path of Rebecca's last days. Soon she's embroiled in the Fellowship, a mega-church founded by Joel Creedle and talking to Constance Archer, a wealthy businesswoman who is now running for office. Roxane's running herself so ragged she can barely make time for herself, let alone Tom, her sometimes romantic interest. Not to mention, things are heating up in her case, and she may find herself in danger, yet again.
"Only bad things happened when it was cold out, as it was becoming now."
This is one of the best detective serious out there, hands down, and I wish that Kristen Lepionka and Roxane Weary were household names. I adore these books and this one may be my favorite yet, which is high praise, as I've loved every book since the first.
"That was the thing about mysteries--no one ever deviated from the routine until the moment they did."
Roxane is her own person--a witty, intelligent private investigator who, oh yeah, just happens to be bisexual (and not a side character or the villain of our tale). Book four finds her working on a perplexing case, but also dealing with some personal growth: having to confront emotions and relationships, dreaded words in Roxane's world. I loved the balance of the mystery and Roxane's personal life in this one.
"Not knowing was hard for me. It always was."
Reading these books is like falling back with familiar friends--Lepionka captures Roxane and her crew perfectly: her brothers and mom; her on again/off again boyfriend Tom and ex-girlfriend, Catherine; her work partners; and more. She expertly portrays Roxane's wonderful sarcasm and her inability to commit. Here, we see Roxane dealing with a bombshell about her father's past--poor Roxane: she can never quite escape the shadow of her father, a former cop.
But, of course, we also read for the mystery, and this is a great one--Lepionka takes us in the world of an Evangelical church while delving into Rebecca Newsome's past, her relationship with her daughter, Maggie, and the many secrets Roxane uncovers. She also throws in Rebecca's wonderful spunky elderly neighbor who keeps things lively. This was an excellent mystery that kept me guessing (and worrying for Roxane's safety)--it's timely, interesting, and suspenseful.
Highly recommend this book and the entire Roxane Weary series. 4.5 stars.
Private investigator Roxane Weary is out for a stroll when another hiker, Rebecca Newsome, falls to her death on a nearby trail. Her daughter, Maggie, doesn't think it was an accident, and she hires Roxane to look into the the incident, believing strongly that Rebecca's ex-husband, Keir, a former cop, was responsible. Roxane learns quickly that Keir is a bit of a jerk, but did he kill his ex? Roxane soon finds herself driving between Detroit and Canada, following the path of Rebecca's last days. Soon she's embroiled in the Fellowship, a mega-church founded by Joel Creedle and talking to Constance Archer, a wealthy businesswoman who is now running for office. Roxane's running herself so ragged she can barely make time for herself, let alone Tom, her sometimes romantic interest. Not to mention, things are heating up in her case, and she may find herself in danger, yet again.
"Only bad things happened when it was cold out, as it was becoming now."
This is one of the best detective serious out there, hands down, and I wish that Kristen Lepionka and Roxane Weary were household names. I adore these books and this one may be my favorite yet, which is high praise, as I've loved every book since the first.
"That was the thing about mysteries--no one ever deviated from the routine until the moment they did."
Roxane is her own person--a witty, intelligent private investigator who, oh yeah, just happens to be bisexual (and not a side character or the villain of our tale). Book four finds her working on a perplexing case, but also dealing with some personal growth: having to confront emotions and relationships, dreaded words in Roxane's world. I loved the balance of the mystery and Roxane's personal life in this one.
"Not knowing was hard for me. It always was."
Reading these books is like falling back with familiar friends--Lepionka captures Roxane and her crew perfectly: her brothers and mom; her on again/off again boyfriend Tom and ex-girlfriend, Catherine; her work partners; and more. She expertly portrays Roxane's wonderful sarcasm and her inability to commit. Here, we see Roxane dealing with a bombshell about her father's past--poor Roxane: she can never quite escape the shadow of her father, a former cop.
But, of course, we also read for the mystery, and this is a great one--Lepionka takes us in the world of an Evangelical church while delving into Rebecca Newsome's past, her relationship with her daughter, Maggie, and the many secrets Roxane uncovers. She also throws in Rebecca's wonderful spunky elderly neighbor who keeps things lively. This was an excellent mystery that kept me guessing (and worrying for Roxane's safety)--it's timely, interesting, and suspenseful.
Highly recommend this book and the entire Roxane Weary series. 4.5 stars.
Gareth von Kallenbach (980 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 2, 2021
Racism has all too often reared its ugly head in recent years with the rise of extremist groups who felt emboldened by recent political climates. As violence leads to protests which can themselves become violent; the perpetual cycle seems unending.
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5
In the new film “Judas and the Black Messiah”, audiences are told the real-life story of Fred Hampton (Daniel Kaluuya) who runs a local chapter of The Black Panthers in Illinois in the 1960s.
The rise of what is perceived as militant groups in the wake of the killings of Malcolm X and Dr. Martin Luther King has caused increased police and Federal actions which have caused many in Hampton’s community to feel they are at war with the authorities and fighting for their very survival against a system of injustice and systemic racism.
When car thief William O’Neal is arrested, FBI agent Roy Mitchell (Jesse Plemons); offers O’Neal a chance to avoid prison and earn some money by becoming an informant. Despite his reservations; O’Neal works his way into Hampton’s inner circle and develops a friendship with the man as he learns of his plans to unify the various factions in their communities.
O’Neal sees how there is more to the Black Panthers as they feed, educate, and assist members of their community and work to contain more extreme elements that look to make statements through bombings and extreme actions.
The threat posed by Hampton draws the attention of FBI Director J Edgar Hoover (Martin Sheen), and plans are developed to take down Hampton and his organization which in turn puts even more pressure on Mitchell and O’Neal.
The movie is a gripping, disturbing, and sure to be controversial look into the lives of the key figures as well as the ongoing debates on racial injustice, police violence, hate groups, and violence in the community.
Director Shaka King attempts to find a balance in the film as there are moments where party members draw their weapons against the police and kill wounded officers. There are also numerous scenes where police beat and shoot unarmed individuals or use excessive force which underscores Hampton’s stance that his community is at war and this is a life or death struggle.
The last time I was so disturbed by a film of this genre was “Detroit” which shocked me with the horrific true crimes that were portrayed and how those involved escaped justice. I thought if as a Caucasian I could be so disturbed and disgusted by the terrifying events portrayed in the film; then they would be truly the stuff of nightmares for people of color.
The cast is very strong and gives memorable performances that show the complexity of their characters. They are not simply a militant and a snitch, but rather complex individuals trying to survive.
“Judas and the Black Messiah” is a very well-crafted film that is equally informative and disturbing and does what good cinema does best; educate, entertain, and inform.
4.5 stars out of 5