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LeftSideCut (3778 KP) rated the PlayStation 4 version of Dead by Daylight in Video Games
Jun 20, 2019
A hugely enjoyable, and often frustrating, horror multiplayer
I'll admit first off, that I've put a truly unhealthy amount of hours into Dead By Daylight - I imagine at this point, it's probably around the 700-800 hour mark - certainly enough to have a pretty solid idea of how the game works, and I'll say this - this game is as fun as you make it, and the most important part of that statement is friends.
Communication in DBD is key, and unfortunately, the game is subject to very douchebag-ways of playing (on both the killer and the survivor side).
Playing as one of four survivors can be incredibly frustrating, so jumping in with three friends is an easy fix - and when you're having fun, DBD is an absolute blast, a nice blend of scares, tension, action and teamwork.
Playing as a killer can also be heaps of fun, especially since a number of horror icons have been added as DLC (Michael Myers, Freddy Krueger, Leatherface, The Pig from Saw, Ghostface), and they sit nicely alongside a humble roster of original killer characters, all with unique powers and perks, that make playing as them, and surviving against them, into an exciting mix of tactics and gameplay.
DBD does seem to have issues with bugs and glitches fairly regularly, but on the flip side, there are also regular patches and updates, from a Dev team that listen to their player base more often than not.
If you love horror games, the I implore you to get involved.
Communication in DBD is key, and unfortunately, the game is subject to very douchebag-ways of playing (on both the killer and the survivor side).
Playing as one of four survivors can be incredibly frustrating, so jumping in with three friends is an easy fix - and when you're having fun, DBD is an absolute blast, a nice blend of scares, tension, action and teamwork.
Playing as a killer can also be heaps of fun, especially since a number of horror icons have been added as DLC (Michael Myers, Freddy Krueger, Leatherface, The Pig from Saw, Ghostface), and they sit nicely alongside a humble roster of original killer characters, all with unique powers and perks, that make playing as them, and surviving against them, into an exciting mix of tactics and gameplay.
DBD does seem to have issues with bugs and glitches fairly regularly, but on the flip side, there are also regular patches and updates, from a Dev team that listen to their player base more often than not.
If you love horror games, the I implore you to get involved.
Gareth von Kallenbach (971 KP) rated The Second Best Exotic Marigold Hotel (2015) in Movies
Aug 6, 2019
The Second Best Exotic Marigold Hotel has a cast including Judi Dench (Evelyn), Maggie Smith (Muriel), Bill Nighy (Douglas), Dev Patel (Sonny), and Richard Gere (Guy Chambers).
It is a sequel to the 2011 film ‘The Best Exotic Marigold Hotel’, which I never saw, nor even knew existed.
The idea is that a hotel in India becomes a permanent residence for elderly retirees at their last stopping point before their journey to ‘the great beyond’.
We follow their relationships and interactions, all wrapped up in the hotel proprietors (Sonny) desire to expand his hotel into another additional location, and his pitch to the (supposedly) undercover Hotel evaluator (Guy Chambers).
Sonny is willing to go to almost any length, up to and including sending his mother as an ‘offering’ to Chambers, in an attempt to secure the financing for the expansion.
In the meantime Sonny sacrifices a bit of his relationship with his fiancé,
Sunaina (played by Tena Desae), because she is wanting him to focus more on their upcoming wedding, than his business plans.
I thought the movie was ok, it had some funny parts. My husband almost fell asleep twice during it because it moved along pretty slowly.
It wouldn’t have been my pick to see ‘on the big screen’, to me, it just doesn’t need a movie screen to tell its story.
My guess is folks in the older generation will appreciate it and enjoy it much more than we did.
It certainly wasn’t ‘horrible’, it was just slow and rambling, without enough funny parts to hold our interest.
It is a sequel to the 2011 film ‘The Best Exotic Marigold Hotel’, which I never saw, nor even knew existed.
The idea is that a hotel in India becomes a permanent residence for elderly retirees at their last stopping point before their journey to ‘the great beyond’.
We follow their relationships and interactions, all wrapped up in the hotel proprietors (Sonny) desire to expand his hotel into another additional location, and his pitch to the (supposedly) undercover Hotel evaluator (Guy Chambers).
Sonny is willing to go to almost any length, up to and including sending his mother as an ‘offering’ to Chambers, in an attempt to secure the financing for the expansion.
In the meantime Sonny sacrifices a bit of his relationship with his fiancé,
Sunaina (played by Tena Desae), because she is wanting him to focus more on their upcoming wedding, than his business plans.
I thought the movie was ok, it had some funny parts. My husband almost fell asleep twice during it because it moved along pretty slowly.
It wouldn’t have been my pick to see ‘on the big screen’, to me, it just doesn’t need a movie screen to tell its story.
My guess is folks in the older generation will appreciate it and enjoy it much more than we did.
It certainly wasn’t ‘horrible’, it was just slow and rambling, without enough funny parts to hold our interest.
Gareth von Kallenbach (971 KP) rated The Man Who Knew Infinity (2016) in Movies
Aug 6, 2019
In 1914, Srinivasa Ramanujan (Dev Patel) traveled from his poverty-stricken existence in Madras, India to Trinity College, Cambridge in the hope that he would have his theories published and be recognized for the mathematical genius he was. While there, despite facing racism, hostility and severe illness, he formed an important relationship with G.H. Hardy (Jeremy Irons) that would lead to breakthroughs in mathematics that are still relevant today.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
It would be easy to prattle on about the tremendous talent onscreen in The Man Who Knew Infinity and with a supporting cast that features some of Britain’s best; we get exactly what we’d expect from the likes of Jeremy Irons, Toby Jones and Kevin McNally. All at the top of their game, they serve the story well with nuanced and well-rounded performances, and I’m certainly not going to take anything away from the exceptional jobs they’ve all done here. All the praise this film deserves however, needs to be directed at Dev Patel. In his role as Ramanujan, he’s completely stepped out of the shadow of his big-screen debut in Slumdog Millionaire and has proved his worth as a leading man capable of carrying the weight of an entire feature. Distancing himself also from the lovable, bumbling hotel owner in The Best Exotic Marigold movies, with Ramanujan he is allowed the room to display an incredible range, from quiet intensity to outspoken, unbridled passion and determination. Kudos also to the writers for not going The Big Short route (e.g. talking down to the uninitiated with ridiculous cutaways), but by using simple logic and examples to help convey complex information relevant to the plot.
For the performances alone, this is a solid entry in the biopic genre, but structurally speaking, it’s the editing that lets the film down. This very easily could have emerged as the next A Beautiful Mind, but between a bloated first act, a middling and wandering second act and a truncated final third, The Man Who Knew Infinity falls just short of greatness. Not only is no attention paid to Ramanujan’s achievements as a child, but too much time is given to details and subplots that are arguably inconsequential to the main narrative. This is especially evident in the inclusion of Bertrand Russell (who lived such a rich and fascinating life himself, it would take several films to do that story justice) and his being here feels like just a hollow excuse to include a cameo from another figure of historical importance. The biggest disservice though comes with the ending where we are denied a much needed catharsis and are left to suffer through a slap-dash, halfhearted montage. A restructuring from a more seasoned hand would have undoubtedly led to stronger word-of-mouth and perhaps a wider release. I also wouldn’t be surprised to learn that this is a case of “too many cooks” as the film has a staggering 43 credited producers. I get that independent features can be forced to source their funding from many places, but you can’t tell me that with all those opinions flying about that some of the original intent didn’t get lost in the noise.
As an aside, what Stephen Fry is doing here is beyond me. He’s given two scenes with perhaps a half a dozen lines, leaving his incomparable persona entirely wasted on a completely throwaway character. It’s a pity he wasn’t given a meatier role as one of Ramanujan’s antagonists.
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Gareth von Kallenbach (971 KP) rated The Personal History of David Copperfield (2019) in Movies
Oct 8, 2020
This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.
We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.
The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.
David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.
Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.
The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.
David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.
Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.
Holy Potatoes! A Weapon Shop?!
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Sexy Video Chat : Prank Box
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The App You All have been waiting for is here NOW! Don't miss your chance and grab it while it is...
Dean (6925 KP) Jun 21, 2019
LeftSideCut (3778 KP) Jun 21, 2019