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Clare Parrott (294 KP) created a post
Jul 24, 2017
Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
graveyardgremlin (7194 KP) rated Buffy the Vampire Slayer: Retreat (Season 8, Volume 6) in Books
Feb 15, 2019
<b>Sorry, this is kinda more ranty then when I started out, and probably not very well-written. You've been warned. Also, no spoilers are revealed in my <s>rant</s> review</b> (though that was hard not to do ;P)<b>.</b>
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!
Sassy Brit (97 KP) rated The Beguiled in Books
Jun 5, 2019
“A classic slice of Southern Gothic, shot through with psychological suspense, which is the basis for Sofia Coppola’s (winner of Best Director at Cannes) 2017 film of the same name starring Nicola Kidman, Colin Farrell and Kirsten Dunst”. Source: wiki/The_Beguiled_(2017_film).
The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?
After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.
I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.
The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?
If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!
The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?
After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.
I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.
The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?
If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!
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