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Clare Parrott (294 KP) created a post
Jul 24, 2017
Acanthea Grimscythe (300 KP) rated The Windmill (The Windmill Massacre) (2016) in Movies
May 12, 2018
I spend a bit too much time on Facebook, of that there’s no doubt. As a result, I tend to pay attention to what movies my friends talk about. One such friend is horror author Edward Lorn, and one such movie that popped up in my feed because of him is The Windmill.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
Set in Holland, The Windmill is a fun film that follows the traditional “haunted locale” story. Like most movies of this nature, viewers are presented with an abandoned building (the windmill), an old legend, and a supernatural being. In this case, the windmill is considered a gateway to Hell, courtesy of a miller that, after making a deal with the devil, ground the bones of his victims rather than flour. When a group of individuals embark on a tour of Holland’s windmills, what appears to be an every day, run of the mill (pun totally intended) attraction quickly turns deadly.
The Windmill‘s cast of characters fits several different roles, from the uppity doctor to the vengeful model and even the cliché mad woman with daddy issues. These characters remain true to their personality types and don’t tend to waiver, even as things continue to spin out of control, for which I am thankful – even though it means that they’re downright horrible people. The acting is fairly well done in comparison to a lot of available horror movies, too.
One of the things that did bother me about this movie was an extremely brief lack of continuity. At the point in which the tour bus breaks down in middle of the road, an incident occurs and the bus falls over. That isn’t altogether strange, aside from the fact that it appears to have been knocked over by a bird flying into the window. Whether that was intentional or not, I did find it to be a bit amusing. Since I don’t consider this to be much of a spoiler, I figured I’d simply point it out.
While The Windmill contains several elements of the slasher genre, it appeals more to the psyche via the use of the demonic haunting and vivid hallucinations that reveal the deepest, darkest secrets of its cast. It’s not the best film out there, but it is certainly entertaining in its own right and is undoubtedly worth the watch for a bit of cheesy horror fun. The title, also known as The Windmill Massacre, can be found on Netflix in the United States.
graveyardgremlin (7194 KP) rated Buffy the Vampire Slayer: Retreat (Season 8, Volume 6) in Books
Feb 15, 2019
<b>Sorry, this is kinda more ranty then when I started out, and probably not very well-written. You've been warned. Also, no spoilers are revealed in my <s>rant</s> review</b> (though that was hard not to do ;P)<b>.</b>
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!
Why do I keep reading this series? Why do I expect it to get any better? Or even come close to resembling what the show was about in the first place? What in the Sam Hell is wrong with me that I persist in reading this travesty? Ack!
Again, the plot is ludicrous, the characters don't always feel true to form, the witty banter is nearly non-existent, and the illustrations are making the characters indistinguishable from one another, most especially the darker haired girls, such as Faith, Dawn, and Kennedy (Why exactly isn't she gone yet?). The villain, Twilight, isn't very interesting and I wonder how much longer it's going to be before the big reveal. Just get to it already, will ya? Amy and Warren also need to go. Lame is the word that comes to mind when I think of them. Old characters who have long exceeded their welcome, and Amy in particular doesn't add anything anymore; she's run her course, let's move on now. Oz was a mixed bag, I liked some of what happened to him since he left Sunnydale and some...not so much. The interactions between him and Willow were rather weird and didn't seem to fit where they had left off exactly. Willow herself was quite angsty and I don't understand how she got to that place at this time. Perhaps I've forgotten something from a previous entry.
Gone is the show I've known and loved, instead they've decided to pull out all the stops, literally, and we're left with this bizarre mess. I don't know if they made a deal with the devil or what, but everything has been thrown into this story, including the kitchen sink, with no rhyme or reason. Do they know what control is, or careful selection, or do they just not care? I don't expect graphic novels to be as detailed as a TV show, but this whole season has gotten more and more ridiculous as it has went on and I cannot fathom why I'm torturing myself. Oh, I know, it's great entertainment. I want to see how much further they can destroy the memory of a great show. Does this deserve two stars? Probably not, but I can't help myself, apparently. Bah!!
Sassy Brit (97 KP) rated The Beguiled in Books
Jun 5, 2019
“A classic slice of Southern Gothic, shot through with psychological suspense, which is the basis for Sofia Coppola’s (winner of Best Director at Cannes) 2017 film of the same name starring Nicola Kidman, Colin Farrell and Kirsten Dunst”. Source: wiki/The_Beguiled_(2017_film).
The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?
After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.
I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.
The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?
If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!
The book was originally written with the title A Painted Devil and some of you eagle-eyed readers and film fanatics may also remember this was a film starring Clint Eastwood and Geraldine Page in the ’70s. The maid in the latter film and this 1966 novel, was black and there was also another bi-racial character, too. However, in the new film, mentioned above, this bi-racial character was played by Kirsten Dunst. This totally ruined the whole point of the book that the black woman was really a slave in their household and the bi-racial woman (who was a free woman) could not seem to see that she herself was not truly white. And that, dear readers, is a very relevant part of the original book, why change it? (Rolls eyes). Is it so wrong to portray this black woman exactly how the author intended her to be? The way I see it, what she did in that house was her way of surviving. It’s an integral part of the story. Why hide it?
After all, if you look at the underage sex and the way the main male character acts by taking advantage of his position in a household full of young girls who are basically shut away from society, should he also be seen as wrong? These young girls are easy prey, but some, are also very willing to learn… Incidentally, I must say the heat and sexual tension within the book is superbly done.
I found parts of the way this was written to be a little repetitive and confusing in style, despite this, it was still a great story. It’s only told from the girls’ perspective, which in many ways adds to this atmospheric, hothouse of lies and deceit the further into the story you delve.
The Beguiled is chock full with a Gothic sense of foreboding and unease, set against a backdrop of the Civil War, which made for some serious, ghostly tension. Who is this injured solider who turns up on their doorstep? How can these girls protect themselves from this seductive man when they have no idea what life is like outside the four walls of the house they live in?
If you read right to the end you’ll find out the brilliant twist of fate this story has in store for you. A devious surprise!
Ancient Aliens And Other Strange Unsolved Mysteries
Book and Reference
App
What if history books are wrong? What if it's time for the truth to be discovered? **** This app...
Kristy H (1252 KP) rated 29 Seconds in Books
Sep 26, 2019
Sarah's life is ruled by her horrible boss. Yet he's untouchable due to a sizable grant and his famous TV show. Driving to get her children from school one day, Sarah rescues a young girl from harm. She does it out of the kindness of her heart, expecting nothing in return. But her act puts a very powerful man in her debt, and he decides that it must be repaid in his own way. He offers Sarah a 72-hour deal: he can make someone disappear with a simple phone call. No traces to her, no repercussions. Sarah's life with her boss is nearly intolerable, but can she really make that call?
"You give me one name. One person. and I will make them disappear. For you."
I went in to this one a little dubious about its premise, and yes, it's wild and crazy and implausible, but it's also one of those fun, addictive reads that you get caught up in and can't put down for hours. It was a whirlwind read, and I totally loved it. The book's story is very timely--Sarah's boss, Dr. Hawthorne is a terrible, despicable character: a poster child for the #metoo movement. Her success and livelihood are tied into sleeping with him. He sexually harasses her, threatens her, and basically does everything awful thing he could do. Your blood will boil when you read this story, and it was honestly stressful at times. Yet the man is untouchable thanks to protective male colleagues and the money he brings in.
"What happened is that it's a business and they've got too much invested in their prime asset to let him go. People like us are just the collateral damage."
Once Sarah is offered her "deal," it seems like the book will go a certain way, but there's nothing predictable about this novel. It's mesmerizing and completely addictive. There are a ton of twists and turns that keep you completely off guard. It's really easy to root for Sarah, as our bad guy stands in stark contrast to her, even if you question a few of her decisions. (And she's awfully lucky to have her father, who sure takes her kids on with no complaints.)
"She saw it now for what it was: a deal with the Devil."
If you're looking for a fun, unpredictable escape, this thriller is for you. It's really an awesome read, and I, for one, loved the ending. 4+ stars.
"You give me one name. One person. and I will make them disappear. For you."
I went in to this one a little dubious about its premise, and yes, it's wild and crazy and implausible, but it's also one of those fun, addictive reads that you get caught up in and can't put down for hours. It was a whirlwind read, and I totally loved it. The book's story is very timely--Sarah's boss, Dr. Hawthorne is a terrible, despicable character: a poster child for the #metoo movement. Her success and livelihood are tied into sleeping with him. He sexually harasses her, threatens her, and basically does everything awful thing he could do. Your blood will boil when you read this story, and it was honestly stressful at times. Yet the man is untouchable thanks to protective male colleagues and the money he brings in.
"What happened is that it's a business and they've got too much invested in their prime asset to let him go. People like us are just the collateral damage."
Once Sarah is offered her "deal," it seems like the book will go a certain way, but there's nothing predictable about this novel. It's mesmerizing and completely addictive. There are a ton of twists and turns that keep you completely off guard. It's really easy to root for Sarah, as our bad guy stands in stark contrast to her, even if you question a few of her decisions. (And she's awfully lucky to have her father, who sure takes her kids on with no complaints.)
"She saw it now for what it was: a deal with the Devil."
If you're looking for a fun, unpredictable escape, this thriller is for you. It's really an awesome read, and I, for one, loved the ending. 4+ stars.
Debbiereadsbook (1300 KP) rated The Devil in Books
Mar 6, 2022
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
A rare male Omega, Skylar becomes The Devil, an outlaw. Horace, an Alpha, is the Pinkerton tasked to capture him, and bring him in, dead or alive.
So, first things first.
This book is translated from Italian. English is my first (and only!) language and in places, it comes across as very proper. There is no slang, or abbreviations. Its all very correct, mind, just very PROPER. It does make for a slow read, for me, cos my mind was making it more . . .what's the word . . . . .common? I suppose that's the best fit. I kept translating the very proper English, into everyday.
It was, however, a very good read! I liked it, quite a lot.
Horace is Alpha, and a Pinkerton, and needs to bring in Skylar. But something about Sky's picture and then his scent throws Horace. He can't give the man up. Sky doesn't want an Alpha for his heat, he'll ride it out like always. But this heat is particularly bad, and Horace arrives at the right time. It's primal, their first mating.
I liked that things with Sky's gang aren't fully explained at first. It all comes out, just not in one go. It does take a little bit of time for things to fully be explained though, and I did manage to put some of the clues together correctly (for a change!)
I liked the world building, that Alphas and Omegas (both male and female) were dying out, given how the female Omegas were now treated. Betas are the dominant type. I liked that the war ran sorta along side the American civil war, that sort of time line.
It's well written and, proper speak aside, well delivered. It's short and steamy and both Horace and Sky get a say.
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
I should mention, but it in no way affected my reading, is the formatting is slightly different to a standard form. It just looks different, is all. I know that some people have issues with stuff like that, and so I thought knowing ahead of time would make it easier. It certainly helped that I was given a heads up.
First I've read of these two authors, I will certainly read more.
4 good, but very proper, stars
*same worded review will appear elsewhere
A rare male Omega, Skylar becomes The Devil, an outlaw. Horace, an Alpha, is the Pinkerton tasked to capture him, and bring him in, dead or alive.
So, first things first.
This book is translated from Italian. English is my first (and only!) language and in places, it comes across as very proper. There is no slang, or abbreviations. Its all very correct, mind, just very PROPER. It does make for a slow read, for me, cos my mind was making it more . . .what's the word . . . . .common? I suppose that's the best fit. I kept translating the very proper English, into everyday.
It was, however, a very good read! I liked it, quite a lot.
Horace is Alpha, and a Pinkerton, and needs to bring in Skylar. But something about Sky's picture and then his scent throws Horace. He can't give the man up. Sky doesn't want an Alpha for his heat, he'll ride it out like always. But this heat is particularly bad, and Horace arrives at the right time. It's primal, their first mating.
I liked that things with Sky's gang aren't fully explained at first. It all comes out, just not in one go. It does take a little bit of time for things to fully be explained though, and I did manage to put some of the clues together correctly (for a change!)
I liked the world building, that Alphas and Omegas (both male and female) were dying out, given how the female Omegas were now treated. Betas are the dominant type. I liked that the war ran sorta along side the American civil war, that sort of time line.
It's well written and, proper speak aside, well delivered. It's short and steamy and both Horace and Sky get a say.
Passed a very enjoyable, if slightly longer than usual for this page length book, couple of hours.
I should mention, but it in no way affected my reading, is the formatting is slightly different to a standard form. It just looks different, is all. I know that some people have issues with stuff like that, and so I thought knowing ahead of time would make it easier. It certainly helped that I was given a heads up.
First I've read of these two authors, I will certainly read more.
4 good, but very proper, stars
*same worded review will appear elsewhere
Ryan Hill (152 KP) rated Spider-Man: Homecoming (2017) in Movies
May 11, 2019
"if you are nothing without the suit then you shouldn't have it."
A John Hughes-esque coming-of-age movie, disguised as a friendly neighborhood adventure from the MCU; Spider-Man: Homecoming is more about growing up, and less about saving the world.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Tom Holland is great as Spider-man. His Spidey is different, and in a way, refreshing. I like how the origin story is skipped, and instead, we dive head into the day-to-day adventures of a semi-awkward, fifteen-year-old. I'm more interested in the growth of Peter Parker, than the development of Holland's Spider-Man Spidey-Powers. I'm still undecided about the way Spidey looks in his costume. To me, he looks more like a CGI goofnut, than an Avenger. But, how many kids get to have Jennifer Connelly on standby, whenever they need a helpful voice?
Homecoming might not feel and act like your typical MCU movie, but it does prove we still need Tony Stark, Happy Hogan and Pepper Potts in our lives. I smiled with all the screen time Happy has. He's truly an underrated character in the MCU. Plus, Tony plays the "cool uncle" spot-on.
One of the biggest criticisms with the MCU people have is the boring villain. Not in this case. Michael Keaton plays reverse-Batman, and his character actually has depth, an interesting storyline and a surprise twist. Bookem Woodbine plays a fun henchman, and all movies benefit from the presence of Donald Glover. The bad guys are not a snore nor a bore at this Homecoming Dance with the Devil.
I hope I wasn't the only one laughing at the casting of Tony Revolori as Flash the Bully. He's about as intimidating as a can of ravioli. Zendaya is way underused, but she shines in her scenes. I wish Ned was my best friend, but the poor fella will probably be typecast for life. However, he's a hilarious guy. How can you not like him?
Did you think I forgot about Aunt May? Of course not! Marisa Tomei is smokin' and brings honest energy to her supporting role.
The final boss battle is fun. So are the scenes on a ferry and a national monument. There's action, and there's a lot of growing up for Peter Parker and his friends. I'm not MCU fatigued after watching, but I do have a sudden urge to revisit Pretty in Pink.
Movie Metropolis (309 KP) rated Ricki And The Flash (2015) in Movies
Jun 11, 2019
The iron lady goes all iron maiden
Meryl Streep has always been one of our most reliable actresses. The three-time Oscar winner has starred in some iconic films, from Sophie’s Choice to The Devil Wears Prada and from Kramer vs Kramer to The Iron Lady, she can turn her hand to almost anything.
However, her latest role sees the fan favourite star as an ageing rock star who must heal the voids in her family after an incident. But does Ricki & the Flash do Meryl proud?
The film sees Streep play Ricki Rendazzo, aka Linda, a musician playing in the pubs of California, estranged from her family after years of absence. Suddenly, she’s thrown back into the mix after her daughter Julie, played superbly by Meryl’s real-life offspring Mamie Gummer, faces a personal crisis.
Starring alongside the Academy Award winner is the ever-reliable Kevin Kline as Linda’s ex-wife Pete. His scenes with her show real chemistry and the relationship they share is completely believable.
Having Streep’s daughter on the screen with her was a masterstroke by director Jonathan Demme (The Silence of the Lambs) and they share more than just a familiar face. Their mannerisms are completely in sync and match up together in more ways than any acting class could have taught.
Unfortunately, the clichéd script and predictable story really let Ricki & the Flash down. There’s not an ounce of originality here, despite the great casting, and the ending is signposted not only in the film itself, but in the trailers – the cardinal sin of movie marketing.
What is a pleasant surprise however is Meryl’s cracking vocal performance. With her belting out hits like Lady GaGa’s Bad Romance and Pink’s Get the Party Started left, right and centre, the soundtrack is positively sizzling and a real highlight throughout the film.
Nevertheless, Demme’s usual visual flair, for which he won an Oscar back in 1991 with The Silence of the Lambs, is nowhere to be found here. The cinematography is inoffensive enough but lacking in any real punch, a disappointment given the film’s bursting energy.
I feel that Streep too is aware of these shackles and her characterisation, whilst capable, lacks the finesse of some of her other work. Let’s remember though, that Streep at her worst is many other actresses at their best.
Overall, Ricki & the Flash is a capable film led by a pleasant and inoffensive cast. Meryl Streep is always reason enough to give any movie a go, but this somewhat muddled comedy drama is towards the bottom end of her work.
https://moviemetropolis.net/2015/09/06/the-iron-lady-goes-all-iron-maiden-ricki-the-flash-review/
However, her latest role sees the fan favourite star as an ageing rock star who must heal the voids in her family after an incident. But does Ricki & the Flash do Meryl proud?
The film sees Streep play Ricki Rendazzo, aka Linda, a musician playing in the pubs of California, estranged from her family after years of absence. Suddenly, she’s thrown back into the mix after her daughter Julie, played superbly by Meryl’s real-life offspring Mamie Gummer, faces a personal crisis.
Starring alongside the Academy Award winner is the ever-reliable Kevin Kline as Linda’s ex-wife Pete. His scenes with her show real chemistry and the relationship they share is completely believable.
Having Streep’s daughter on the screen with her was a masterstroke by director Jonathan Demme (The Silence of the Lambs) and they share more than just a familiar face. Their mannerisms are completely in sync and match up together in more ways than any acting class could have taught.
Unfortunately, the clichéd script and predictable story really let Ricki & the Flash down. There’s not an ounce of originality here, despite the great casting, and the ending is signposted not only in the film itself, but in the trailers – the cardinal sin of movie marketing.
What is a pleasant surprise however is Meryl’s cracking vocal performance. With her belting out hits like Lady GaGa’s Bad Romance and Pink’s Get the Party Started left, right and centre, the soundtrack is positively sizzling and a real highlight throughout the film.
Nevertheless, Demme’s usual visual flair, for which he won an Oscar back in 1991 with The Silence of the Lambs, is nowhere to be found here. The cinematography is inoffensive enough but lacking in any real punch, a disappointment given the film’s bursting energy.
I feel that Streep too is aware of these shackles and her characterisation, whilst capable, lacks the finesse of some of her other work. Let’s remember though, that Streep at her worst is many other actresses at their best.
Overall, Ricki & the Flash is a capable film led by a pleasant and inoffensive cast. Meryl Streep is always reason enough to give any movie a go, but this somewhat muddled comedy drama is towards the bottom end of her work.
https://moviemetropolis.net/2015/09/06/the-iron-lady-goes-all-iron-maiden-ricki-the-flash-review/
Bookapotamus (289 KP) rated Baby Teeth in Books
Jun 8, 2018
CREEP AF and FANTASTIC!
This book is CREEPY AF! And I gobbled up every deliciously freaky disturbing morsel of it.
Hanna is Looney Tunes - she's like the Poltergeist girl, Firestarter and The Shining twins all wrapped into one with a hearty dash of Chucky. I loved every minute. What is creepier than a cute little kid who wants to kill her mom? I dare you to find something more disturbingly fantastic. Serious anxiety and massive doses of weird are peppered throughout in just the right amounts. I didn't want it to end, but I thought it was flawless from start to finish.
Suzette and Alex seem to be super cool modern parents. I picture them as hipster artists, living in a gorgeous modern home designed by Swedish green architect Alex. Suzette's incredible drawings hung on the walls and her beautiful interior design skills evident throughout. They are so in love and seem to have a perfect little beautiful girl named Hanna. She's adorable and so smart and oh, maybe just a smidge of BAT SH*T CRAZY.
Her "quirks" start pretty tame - she doesn't speak. And 6 years old - not a peep. Cue the creepy child music... soon, she's writing weird, angry messages to her mom, and getting kicked out of schools. Her mom has taken her to endless doctor appointments and had her development skills tested to no avail, but is still convinced there is something wrong with her child. And slowly, with every act of rebellion towards her, Hanna is beginning to scare her. Like, a lot.
The fact that Hanna ADORES Alex, and will do anything for him, is Suzette's biggest struggle. How does she get it through to her husband that the child he thinks as a sweet loving little girl, is trying to kill her? Everything Hanna does is when it's just the two of them. She is calculated, and devious. Is she a witch? Possessed by the devil? Psychopathic? Suzette is losing the battle trying to figure out what is wrong with her child. It's only a matter of time before she plunges a knife through her mother's heart!
There's a lot of talk about this book. I think if you don't like creepy murderous kids, it's probably not the book for you. But this books takes risks, and for us thriller/horror fans, they are applauded. Zoje Stage is at the top of my list of new favorite writers. The marketing campaign behind this book is smart and you can even follow one of the 'characters' adventures on Zoje's Instagram - which is hysterical!
I loved every minute of this book. I will be first in line when Zoje Stage writes the next one.
Hanna is Looney Tunes - she's like the Poltergeist girl, Firestarter and The Shining twins all wrapped into one with a hearty dash of Chucky. I loved every minute. What is creepier than a cute little kid who wants to kill her mom? I dare you to find something more disturbingly fantastic. Serious anxiety and massive doses of weird are peppered throughout in just the right amounts. I didn't want it to end, but I thought it was flawless from start to finish.
Suzette and Alex seem to be super cool modern parents. I picture them as hipster artists, living in a gorgeous modern home designed by Swedish green architect Alex. Suzette's incredible drawings hung on the walls and her beautiful interior design skills evident throughout. They are so in love and seem to have a perfect little beautiful girl named Hanna. She's adorable and so smart and oh, maybe just a smidge of BAT SH*T CRAZY.
Her "quirks" start pretty tame - she doesn't speak. And 6 years old - not a peep. Cue the creepy child music... soon, she's writing weird, angry messages to her mom, and getting kicked out of schools. Her mom has taken her to endless doctor appointments and had her development skills tested to no avail, but is still convinced there is something wrong with her child. And slowly, with every act of rebellion towards her, Hanna is beginning to scare her. Like, a lot.
The fact that Hanna ADORES Alex, and will do anything for him, is Suzette's biggest struggle. How does she get it through to her husband that the child he thinks as a sweet loving little girl, is trying to kill her? Everything Hanna does is when it's just the two of them. She is calculated, and devious. Is she a witch? Possessed by the devil? Psychopathic? Suzette is losing the battle trying to figure out what is wrong with her child. It's only a matter of time before she plunges a knife through her mother's heart!
There's a lot of talk about this book. I think if you don't like creepy murderous kids, it's probably not the book for you. But this books takes risks, and for us thriller/horror fans, they are applauded. Zoje Stage is at the top of my list of new favorite writers. The marketing campaign behind this book is smart and you can even follow one of the 'characters' adventures on Zoje's Instagram - which is hysterical!
I loved every minute of this book. I will be first in line when Zoje Stage writes the next one.