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Not Thomas
Not Thomas
Sara Gethin | 2017 | Fiction & Poetry
10
10.0 (1 Ratings)
Book Rating
This is such a sad story I often struggled to bring myself to read it. The novel is written as if it were a true story told by the central character, 5-year-old Tomos. Tomos has just moved in with his birth mother, following a long period of foster care which came to an end when the foster parent died.

The language with which it’s written, is very much like that of its protagonist, with common wording, present tense, short sentences, and childlike enthusiasm clearly conveyed. In spite of this, you may argue it’s not necessarily easy to read, as I shall explain.

In the beginning of the book, the neglect endured by Tomos is more commonplace, such as: occasionally having crisps instead of a cooked meal, making do with a removable ladder to on and off his bed, and his mum missing his nativity play. Later a teacher spots there’s an issue and starts bringing food and uniform for him to school.

However, after each let-down, the author must have thought “Right, what’s the worst thing that can happen next?” By the end of the book, there’s a rape, an arrest, and a murder. Eventually the teacher forges a rescue of sorts for Tomos, but things may never be the same again for poor Tomos.

Reading a book where the dialogue is in my own Welsh valley dialect made the story feel all the more real to me. In the first half of the book, the dialogue amongst the adults provides more depth, context and complexity to the story, which would otherwise only be hinted at.

In the end, it’s the realism of the story that makes it such a hard read.

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The Lighthouse (2019)
The Lighthouse (2019)
2019 | Drama, Horror
What the eff was that?
MINOR SPOILERS ONLY!!!!

I am trying to recall a time recently I left the theatre (I also don't go much any more) as bewildered as I did after watching The Lighthouse? My thought of comparing to Mother! would probably be the most appropriate. There is a lot of symbolism which I didn't really get right away or even events and characters which could be interpreted in different ways or having different points of view. I am sure I continue to digest the film over the next few days and remember details I cannot recall or am able to discuss here.

The film had such a unique look not only being black and white (although the white in the theatre I watched it in was more of a subtle yellow color)but also the aspect ratio was only 1.19:1 while most modern films are around 1:85:1 meaning this movie appeared as an almost perfect square. Much of the film was also dark, scratchy or whitewashed making it really appear as if you were watching a silent film or early "talkie".

Like writer/director Robert Eggers' freshman film and my recent 1st time watch, The Witch, I did find some of the dialect hard to follow at times (for The Witch, I actually turned the subtitles on). This is not a criticism, I was just concerned while watching I was going to miss some important plot point and since I was at the theatre, I couldn't stop and rewind it.

I can't say too much about the plot or even what the symbolism might be; however, I would love to discuss with anyone after viewing so let me know what you think as well.

Really loved it!

  
40x40

Erika (17789 KP) Nov 4, 2019

I'm glad you like it! The mythological reference were so abundant, my little nerd heart loved it! Especially the fate of Pattinson's character....

40x40

Andy K (10823 KP) Nov 4, 2019

I couldn't believe he was dead the whole time and didn't know it!

Greek Music From The Underground by Various
Greek Music From The Underground by Various
2006
(0 Ratings)
Album Favorite

"There are many compilations of Greek Rembetiko music, but I chose this one because it has some classics on it that I’ve been aware of for a long time. In the early 20th-century, after the First World War after Kemal Atatürk came to power in Turkey, there was an exchange – to put it politely – an exchange of population between Greece and Turkey and was extremely unpleasant at the time for both countries. At that time, a lot of Greeks who had lived in what’s now Turkey for a really long time, moved over and came to Piraeus as refuges and brought this music with them which was a mixture of Greek central European and Asian or western Asian sort of music and it evolved into this form of street music played by these guys called Mangas – the wide boy, gangsters, hoodlums of Piraeus in the 20s. It’s funny in Greece still today; some people don’t like to be reminded of that side of Greek history. It’s seen as anti-bourgeois – it’s the only way I can put it. The songs were about whores, smoking dope, stabbing your mates or being done over or sticking up for your mates – these classic themes – but because they were sung not only in Greek but in an impenetrable dialect that most modern Greeks would find hard to get their head around, though it didn’t really get that far past Greece itself. The history is fascinating but the music is like nothing else that I know. Also, even though I grew up in Scotland, I still feel this strong connection to the Greek side of my background, and when I listen to this music I feel I can connect with this history that I know preceded me and I don’t have a direct contact with myself, it’s a way I can understand a little bit of where I came from."

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