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    Thank You by Diana Ross

    Thank You by Diana Ross

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    Album

    Thank You is the twenty-fifth studio album by American singer Diana Ross, released through Decca...

    Extras - Season 2

    Extras - Season 2

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    TV Season

    Extras follows the lives of Andy Millman (Gervais), his platonic friend Maggie Jacobs (Ashley...

Motown: The Musical
Motown: The Musical
2013 | Musical
10
9.0 (2 Ratings)
Show Rating
I loved this musical. My auntie who I went with said she didn't like the actor who played Berry Gordy (on our night, the main actor was sick so they used the understudy) she said he didn't sing the songs right. But as someone who is too young to have known Motown in its golden years, this was the best I could get. And it really was the best. All the songs are covers so i knew a lot of them and could sing along. And the actors who played the singers were so fantastic! Stevie Wonder was the spitting double of the real deal and it honestly could have been the real Diana Ross singing.... so believable! They even did this cute little bit were they let the audience sing. They picked some lady who was a bit shy but turned out to be amazing! And some over confident young fellow who is lucky we were too polite to laugh at his futile attempt at Stop In The Name Of Love...

Overall, fantastic play! Up there in my top 5 for sure!
  
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Adam Ant recommended What's Going On by Marvin Gaye in Music (curated)

 
What's Going On by Marvin Gaye
What's Going On by Marvin Gaye
1971 | Rhythm And Blues
8.2 (5 Ratings)
Album Favorite

"I would imagine many babies were conceived to this album. If you think you're a singer or you want to do a bit of singing, it's a must listen album. Even when he's just scatting the lyrics and singing along to a melody – which is the way he apparently used to write a lot of stuff, by just going to the mic and ad libbing – he's amazing. I'm not very interested in politics as a musician – never have been – but he managed to incorporate what was going on in US politics at that time in a highly poetic way. I got to meet him and perform on a show with him at the Motown 25 concert in 1983. That was Marvin's last performance. I did 'Where Did Our Love Go' and Diana Ross came on stage when I was doing it, which was quite an event. She just danced around me and then went off. There was a knock on my dressing room door before the show and I opened the door and he said, ""Hi I'm Marvin Gaye"" and I said, ""I know you are!"" He just came to say thanks for doing the show. He was a really nice guy. And when I came off the stage, him and Smokey Robinson were waiting for me and they put their arms round me and all that. It was nice to meet him; he was such a gentle soul. Berry Gordy's No 2 was a woman called Suzanne de Passe who was the MD of the company and she'd seen my videos and heard my stuff, and Berry liked it. The theme of the show was 'Yesterday, Today, Forever', and he wanted something that was in the future style. I think I performed with all my heroes and heroines that night. I'd been listening to their songs all my life. I had the unenviable task of following Michael Jackson. He sang 'Billie Jean' and did the moonwalk for the first time. I was ten feet away from him when he did that. It was quite a memorable evening."

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Dreamgirls (2006)
Dreamgirls (2006)
2006 | Drama, Music, Musical
7
6.3 (6 Ratings)
Movie Rating
The rise of Motown records is one of the music industries greatest tales. Berry Gordy Jr. in 1959 established the record label that not only made stars of numerous talents such as Diana Ross and the Supremes and the Jackson 5, but helped African American talents finds success in other markets and mainstream radio.

In the film Dreamgirls, Director/Screenwriter Bill Condon brings the book and musical of the same name to the big screen with style and energy, and tells an inspired and entertaining story.

Though the names have been changed, it does not take much effort to discover that many parts in the film are indeed based upon actual people, and situations, which only ads to the story and characters, as though seeing a work of fiction, there is some factual basis to what is being shown.

Beyonce’ Knowles stars as Deena Jones, who is the lead singer in a female trio who hope to get noticed at a local talent show. While the group fails to win, they do attract the attention of Curtis Taylor Jr. (Jaime Foxx), a local manager who runs a car dealership during the day.

Curtis takes the girls under his management and soon begins a relationship with Effie, (Jennifer Hudson), as the band begins to get notice. Curtis uses bribes to get the girls played on white radio stations and soon has a hit on his hands and forms his own record label in order for his talent.

While on tour with R&B legend James Thunder Early (Eddie Murphy), the decision is made to make Deena sing lead over Effie which leads to tensions in the band despite their growing success.

What follows is a tale full of love, loss, success, failure, redemption, and laughs as the dynamic tale of the girls and their career is told over the passage of several years.

While much has been made of the singing of Beyonce’ and Jennifer Hudson, Eddie Murphy was clearly the star of the film as he brought a dynamic energy to the film whenever he was on screen. Murphy amazingly blended comedy and music as he performed his own material as well as generated sympathy as the troubled singer, who is trying to hold onto fleeting fame amongst changing times and gives and Oscar worthy performance.

The songs of the film are very well done, though at times, some of them dragged on to long for my taste, and at times hampered the narrative portion of the film.

That being said, Dreamgirls is one of the best musical to hit the screen and if for no reason other than Murphy’s performance is must see film.
  
The United States vs. Billie Holiday (2021)
The United States vs. Billie Holiday (2021)
2021 | Biography, Drama, Music
6
6.5 (2 Ratings)
Movie Rating
Strong Central Performance...The Rest Of The Film Is A Scattered Mess
Lee Daniels is a passionate filmmaker and his passion for bringing the story of Billie Holiday to the screen as the embodiment of the African American struggle against White Officials who are trying to mute her is evident in every frame of THE UNITED STATES VS. BILLIE HOLIDAY.

Unfortunately, he tries to do so much with this film, that he accomplishes very little.

Let’s start with what works in this film: the TERRIFIC performance of Andra Day as the titular character. Day embodies the troubled artist strongly and she does all of the singing of this world renowned performer. It is a superb performance and she rightfully deserves her Oscar nomination.

What doesn’t work? Pretty much the rest of the film.

Daniels has so much material to work with - and a terrific actress at the center of it - that he tried to cram EVERYTHING into this film, consequently, the film is scattered and doesn’t know what it wants to be.

Is it a biopic? A look at an artist who overcame a horrific childhood? A look at an artist that is battling demons? A look at an artist that has toxic relationships with men? Or…is it about the United States Government trying to suppress free speech in order to keep the African American from rising up in the 1950’s?

The answer is…it is all of that…and none of that. Just when you think the film has it’s footing in one direction, it pivots in another and rarely gets back to tie off the other.

For example, look at the title of the film - THE UNITED STATES VS. BILLIE HOLIDAY. So, it must be about the United States (in this instance, the Federal Drug Agents) trying to bring Billie Holiday to justice. And…at the beginning it IS about that…namely in the guise of stopping her from singing STRANGE FRUIT and trying to frame her for her drug use. So…you would think that the film will, eventually, get Holiday on stage to sing a triumphant FULL version of Strange Fruit.

You would think that, wouldn’t you.

Now…to be fair to Daniels and this film, there is about a 15 minute portion of this film in the middle that shows Holiday’s heartbreaking childhood, followed by a haunting song sung by Day. It is a very effective portion of the film, and that (and Day’s performance) are worth wading through the “highlights and lowlights” of Holiday’s life that is the rest of this film.

I have not seen the lauded 1972 LADY SINGS THE BLUES that is a more straightforward Bio-pic of the singer (starring Diana Ross), after watching this film, I think I will.

Letter Grade: B- (because of Day’s performance and that 15 minute segment)

6 stars (out of 10) and you can take that to the Bank(ofMarquis)