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Christine A. (965 KP) rated Big Lies in a Small Town in Books
Jan 16, 2020
I was provided with a complimentary copy of this book so I could give an honest review.
Diane Chamberlain is a prolific writer who has been on my "want to read" list for years. When given the opportunity to review her latest book, Big Lies in a Small Town, I jumped at the chance. Having finished it, I am glad I did.
Morgan Christopher and Anna Dale are both strong, artistic women whose stories are told in alternating chapters. In 2018, Morgan is hired to restore a mural Anna painted in 1940. Beyond the mural, they both must deal with issues that are daunting and will test their character and resolve.
The story flowed well and the writing style made it hard to put it down. I ended up reading it in 2 sittings. There is one "surprise" that seems extremely obvious but the story is definitely worth reading.
It is marketed as women's fiction. To me, it seems to be a mystery too. Morgan makes it her mission to figure out secrets hidden in the mural. I do not want to say more than that and give anything away.
Many of her books are labeled as women's fiction. Some as mystery. I frequently skip books labeled women's fiction. After reading this, I probably will read more.
This 200-word review was published on Philomathinphila.com on 1/15/20.
Diane Chamberlain is a prolific writer who has been on my "want to read" list for years. When given the opportunity to review her latest book, Big Lies in a Small Town, I jumped at the chance. Having finished it, I am glad I did.
Morgan Christopher and Anna Dale are both strong, artistic women whose stories are told in alternating chapters. In 2018, Morgan is hired to restore a mural Anna painted in 1940. Beyond the mural, they both must deal with issues that are daunting and will test their character and resolve.
The story flowed well and the writing style made it hard to put it down. I ended up reading it in 2 sittings. There is one "surprise" that seems extremely obvious but the story is definitely worth reading.
It is marketed as women's fiction. To me, it seems to be a mystery too. Morgan makes it her mission to figure out secrets hidden in the mural. I do not want to say more than that and give anything away.
Many of her books are labeled as women's fiction. Some as mystery. I frequently skip books labeled women's fiction. After reading this, I probably will read more.
This 200-word review was published on Philomathinphila.com on 1/15/20.
David McK (3233 KP) rated Troy (2004) in Movies
Apr 28, 2020
Following the success of "Gladiator" in 2000, I was expecting Hollywood to resurrect the old sword and sandals movies of yore, and for their to be a glut of the same.
At the time of writing this review (2020), there was actually surprisingly few such films: of the top of my head, I can only really think of "Robin Hood", "Kingdom of Heaven", and this.
With quite a few big names in its cast - Brad Pitt, Sean Bean, Orlando Bloom, Peter O'Toole and Eric Bana to name a few - this retells the story of the siege of Troy (although said siege doesn't seem to last as long as originally told), following Paris (Orlando Bloom) elopement with the wife of Menelaus of Troy (Brendan Gleeson) Helen (Diane Kruger), giving an excuse for Agememnon (a scenery chewing Brian Cox) to go to war against that city.
While this does have some bruising action scenes - the beach landing, and Achilles Vs Hector are my personal favourite - unfortunately large swathes of the film are bogged down by necessary exposition, and I have to say that this version of Helen of Sparta (or Troy) face may be able to launch a dinghy or two, but not the fleet of a thousand ships that she is described as in the original texts (where she is said to be the most beautiful woman in the world).
At the time of writing this review (2020), there was actually surprisingly few such films: of the top of my head, I can only really think of "Robin Hood", "Kingdom of Heaven", and this.
With quite a few big names in its cast - Brad Pitt, Sean Bean, Orlando Bloom, Peter O'Toole and Eric Bana to name a few - this retells the story of the siege of Troy (although said siege doesn't seem to last as long as originally told), following Paris (Orlando Bloom) elopement with the wife of Menelaus of Troy (Brendan Gleeson) Helen (Diane Kruger), giving an excuse for Agememnon (a scenery chewing Brian Cox) to go to war against that city.
While this does have some bruising action scenes - the beach landing, and Achilles Vs Hector are my personal favourite - unfortunately large swathes of the film are bogged down by necessary exposition, and I have to say that this version of Helen of Sparta (or Troy) face may be able to launch a dinghy or two, but not the fleet of a thousand ships that she is described as in the original texts (where she is said to be the most beautiful woman in the world).
Mark @ Carstairs Considers (2097 KP) rated Buyer, Beware in Books
Jan 14, 2020
Is Samantha in Danger Taking a Dead Buyer’s Job?
Samantha Kidd is excited about another fashion store opening up in her hometown of Ribbon, Pennsylvania. She and some friends attend the opening night party, but the party ends abruptly when Samantha stumbles on the body of a dead woman in the handbag department. The woman was the store’s handbag buyer, and the police quickly rule it a murder. Then Samantha gets another shock – the store’s owner asks Samantha to take over the dead woman’s job and use her position to help figure out what happened. But is Samantha putting herself in danger by taking a dead woman’s job?
I might not normally have picked up this book because of the fashion theme, but I already knew that author Diane Vallere can craft a great cozy mystery. Yes, fashion is certainly an aspect of the book, and even plays into the plot, but it never overwhelmed the story or bored me since the book never loses sight of the fact that it is a mystery first and foremost. And what a mystery! The suspects are all outstanding and do a great job of misleading us. Samantha has to deal with twists and red herrings galore until she finally figures things out. I did feel a few of the details could have been smoothed into the story better, but that’s a minor complaint overall. I enjoyed this book and need to make time to visit with Samantha again soon.
I might not normally have picked up this book because of the fashion theme, but I already knew that author Diane Vallere can craft a great cozy mystery. Yes, fashion is certainly an aspect of the book, and even plays into the plot, but it never overwhelmed the story or bored me since the book never loses sight of the fact that it is a mystery first and foremost. And what a mystery! The suspects are all outstanding and do a great job of misleading us. Samantha has to deal with twists and red herrings galore until she finally figures things out. I did feel a few of the details could have been smoothed into the story better, but that’s a minor complaint overall. I enjoyed this book and need to make time to visit with Samantha again soon.
Mike Wilder (20 KP) rated The Outsiders (1983) in Movies
May 30, 2018
A very hard hitting and moving story
Contains spoilers, click to show
A very hard hitting and moving story about rival gangs and the effect it has on the lives of the people in and around the gangs. The story follows two of the younger greasers after one of them accidentally kills a rival gang member in self defence. They leave town and believe they will have to remain on the run forever.
With a cast to die for, The Outsiders is an incredible, hard hitting film. Portrayed in a believable and moving way, the cast includes Matt Dillon, Emilio Estevez, Diane Lane, Patrick Swayze, Tom Cruise, C. Thomas Howell and Rob Lowe. But Ralph Macchio stands out in this film as Johnny Cade.
The direction of Francis Ford Coppola along with stunning performances from the cast bring this film to life. You feel for the characters as they take you on an emotional roller-coaster. You laugh along with them and share in the anguish and feel the pain they all go through just to survive. It is hard not to watch the film now without comparing other films the cast have made since this film. But for many of the cast, it is up there with the finest performances of their career.
The film is an adaption of a classic novel by S.E. Hinton who was just 16 when the novel was first published in 1967. It was also her first novel. The book has become part of school English curriculum
With a cast to die for, The Outsiders is an incredible, hard hitting film. Portrayed in a believable and moving way, the cast includes Matt Dillon, Emilio Estevez, Diane Lane, Patrick Swayze, Tom Cruise, C. Thomas Howell and Rob Lowe. But Ralph Macchio stands out in this film as Johnny Cade.
The direction of Francis Ford Coppola along with stunning performances from the cast bring this film to life. You feel for the characters as they take you on an emotional roller-coaster. You laugh along with them and share in the anguish and feel the pain they all go through just to survive. It is hard not to watch the film now without comparing other films the cast have made since this film. But for many of the cast, it is up there with the finest performances of their career.
The film is an adaption of a classic novel by S.E. Hinton who was just 16 when the novel was first published in 1967. It was also her first novel. The book has become part of school English curriculum
Mark @ Carstairs Considers (2097 KP) rated Saturn Night Fever in Books
Jan 16, 2019
Race to Rescue Pika
It's been a few months since we last saw Sylvia, and in that time, she's been living on Neptune's compound, training with him and her friend, smuggler Mattix. One day, Mattix's ship arrives back at Neptune's place on autopilot. Inside, Neptune and Sylvia find a message from Pika, the little Gremlon who has also been living with them, asking for help. Then they find Mattix's body. Naturally, Neptune and Sylvia do the only thing they can, steal a Moon Unit Corporation ship, hire a small crew, and set out to reach Saturn and figure out what has happened to Pika. But can their crew be trusted? Will they survive the flight?
I was anxious to pick up this book to find out what happened after the revelation that ended the previous book. We definitely get more on that here. In fact, we get plenty on that as Sylvia is also trying to resolve her latest troubles. There are plenty of twists and turns there as well since Sylvia doesn't really know who she can trust. I did feel that in the midst of the twists the original premise got hurt a little, but I may be overthinking things, and it was definitely a minor issues. Author Diane Vallere does a great job of making the science fiction setting and alien characters relatable. Cozy mystery fans like myself will feel right at home here. The alien characters allow for a few more over the top characters, but I loved that, and overall, I still found them to be relatable characters.
I was anxious to pick up this book to find out what happened after the revelation that ended the previous book. We definitely get more on that here. In fact, we get plenty on that as Sylvia is also trying to resolve her latest troubles. There are plenty of twists and turns there as well since Sylvia doesn't really know who she can trust. I did feel that in the midst of the twists the original premise got hurt a little, but I may be overthinking things, and it was definitely a minor issues. Author Diane Vallere does a great job of making the science fiction setting and alien characters relatable. Cozy mystery fans like myself will feel right at home here. The alien characters allow for a few more over the top characters, but I loved that, and overall, I still found them to be relatable characters.
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
Mark @ Carstairs Considers (2097 KP) rated Murky Waters in Books
Mar 14, 2020
Kyra is the youngest of the three mermaid sisters we are learning about in Diane Vallere’s Mermaid Mystery novellas. She has been coddled and babied her entire life. Known for her beauty and her singing voice, she plays into both of those roles, flirting with every merman who shows interest. On her way to music lessons one morning, she finds the Nautilus Vault opened and several squid tied up near the entrance. She frees them, but she can tell someone has been inside the vault. Can she figure out who is responsible?
In many ways, this novella feels like a coming of age tale since Kyra really grows as the story progresses. No, she doesn’t start out as shallow as she may at first appear. I really enjoyed getting to know her and watching the growth happen over the course of the story. Now, this isn’t to say that we don’t get a mystery as well with plenty to keep us engaged. The growth comes directly from the events of the story, and it all feels very natural. There isn’t quite as much background on mermaid culture as there was in the first story, but we do get enough that if you jumped in with this story you wouldn’t be lost. The other characters are interesting, and we see some other sides of them than we did in the first novella. More than anything, I had fun imaging I lived in the ocean as well.
NOTE: This story, along with the stories of Kyra’s sisters, are included in the Mermaid Mysteries anthology. Buy them individually or as a set, but there is no need to buy both.
In many ways, this novella feels like a coming of age tale since Kyra really grows as the story progresses. No, she doesn’t start out as shallow as she may at first appear. I really enjoyed getting to know her and watching the growth happen over the course of the story. Now, this isn’t to say that we don’t get a mystery as well with plenty to keep us engaged. The growth comes directly from the events of the story, and it all feels very natural. There isn’t quite as much background on mermaid culture as there was in the first story, but we do get enough that if you jumped in with this story you wouldn’t be lost. The other characters are interesting, and we see some other sides of them than we did in the first novella. More than anything, I had fun imaging I lived in the ocean as well.
NOTE: This story, along with the stories of Kyra’s sisters, are included in the Mermaid Mysteries anthology. Buy them individually or as a set, but there is no need to buy both.
Gareth von Kallenbach (971 KP) rated Morning Glory (2010) in Movies
Aug 8, 2019 (Updated Aug 8, 2019)
Suddenly fired from a job she worked incredibly hard at, Becky finds herself hitting the mean streets of New York to continue to pursue her dream of producing a television show. The odds are stacked against her when she finds herself producing a failing morning show with challenging anchors, a boss who doubts her skills, and a new romance threatening to distract her already splintered focus.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Kristy H (1252 KP) rated Half Of What You Hear in Books
Mar 20, 2019
Captivating characters and story
Bess and Cole Warner arrive in Greyhill, Virginia from Washington, DC. Ostensibly they've come to take over the local inn from Cole's parents, Diane and Bradley, but they are also fleeing the city. Bess is leaving behind her job as a social secretary at the White House, which she left in disgrace. Greyhill, meanwhile, is a beautiful town, but also one of old money, tradition, and gossip. Bess literally lives across the stress from her in-laws, allowing Diane to pop in anytime, bringing with her her trademark mixture of judgement and condescension. Bess soon realizes that it's not easy to assimilate into Greyhill if you're deemed an "outsider." Her husband seems happy among his old friends--many of whom are more than glad to spread gossip about Bess. Her twin children are figuring out their way at the local private school--a challenge that seems harder for her daughter than son. When she's offered a chance to write an article on a local figure, Susannah Greyhill Lane, Bess jumps at the chance. She soon realizes Susannah is a bit of a kindred spirit: the town doesn't seem to like her much either. Susannah also has a lot of secrets, some of which involve Bess' in-laws. As Bess learns more about Greyhill's past, she starts to wonder exactly what she's gotten herself and her family into.
This was a really engaging, easy-to-read book that expertly captured the small town dynamic. Bess was a likeable character, struggling as an outsider in her husband's town. She's trying to put a mistake behind her at her former job, giving her even more trust issues. The novel is told mainly from Bess' point of view, but we also get snippets of town gossip, too. Ugh, having lived in such a town, I can tell you that Lewis really gets it right. I was wrapped up in the story from the beginning and felt awfully sorry for Bess--moving away from all she knew and having to deal with those hateful small town busybodies (sometimes there's nothing worse, really).
"It's like living in Stars Hollow, the charming small town on Gilmore Girls... Although honestly, so far, Greyhill feels a little more Desperate Housewives. The star character being me."
I was initially drawn to reading this book because the fake town of Greyhill, as written, is practically in my backyard. It frequently mentions my hometown of Madison (which, believe me, *never* shows up in books - it's not that big), as well as where I currently live. Even better, Lewis captures both quite well, as well as the moneyed, snobby atmosphere of Greyhill that will be intimately familiar to anyone who lives in Virginia. There's always something fun about reading about a place (or places) you know. My favorite sports team even gets a mention!
Bess is also a very realistic mother. The book does an excellent job of capturing how hard it is being a mom when your kid is going through a hard time, for example. Honestly, it does a good job of portraying parenthood in general--it's real and true throughout. I very much appreciated that. None of the sugarcoated parent/child relationships we get in some books.
This one was not completely what I expected. While it's character-driven and portrays Bess' struggle to fit in in Greyhill, it is almost a mystery at times. You can't really trust what you read and it's twisty, with some surprises thrown in. It makes for a fast, interesting read that delves into the history of Greyhill and Bess' family.
Overall, this was a really captivating book. I enjoyed the characters and the story--and the setting was a real bonus. This is the first book I've read by Krusek Lewis, but I definitely would like to read more.
I received a copy of this book from the publisher, Harper Collins, via LibraryThing in return for an unbiased review - thank you!
This was a really engaging, easy-to-read book that expertly captured the small town dynamic. Bess was a likeable character, struggling as an outsider in her husband's town. She's trying to put a mistake behind her at her former job, giving her even more trust issues. The novel is told mainly from Bess' point of view, but we also get snippets of town gossip, too. Ugh, having lived in such a town, I can tell you that Lewis really gets it right. I was wrapped up in the story from the beginning and felt awfully sorry for Bess--moving away from all she knew and having to deal with those hateful small town busybodies (sometimes there's nothing worse, really).
"It's like living in Stars Hollow, the charming small town on Gilmore Girls... Although honestly, so far, Greyhill feels a little more Desperate Housewives. The star character being me."
I was initially drawn to reading this book because the fake town of Greyhill, as written, is practically in my backyard. It frequently mentions my hometown of Madison (which, believe me, *never* shows up in books - it's not that big), as well as where I currently live. Even better, Lewis captures both quite well, as well as the moneyed, snobby atmosphere of Greyhill that will be intimately familiar to anyone who lives in Virginia. There's always something fun about reading about a place (or places) you know. My favorite sports team even gets a mention!
Bess is also a very realistic mother. The book does an excellent job of capturing how hard it is being a mom when your kid is going through a hard time, for example. Honestly, it does a good job of portraying parenthood in general--it's real and true throughout. I very much appreciated that. None of the sugarcoated parent/child relationships we get in some books.
This one was not completely what I expected. While it's character-driven and portrays Bess' struggle to fit in in Greyhill, it is almost a mystery at times. You can't really trust what you read and it's twisty, with some surprises thrown in. It makes for a fast, interesting read that delves into the history of Greyhill and Bess' family.
Overall, this was a really captivating book. I enjoyed the characters and the story--and the setting was a real bonus. This is the first book I've read by Krusek Lewis, but I definitely would like to read more.
I received a copy of this book from the publisher, Harper Collins, via LibraryThing in return for an unbiased review - thank you!
LeftSideCut (3778 KP) rated Finding Dory (2016) in Movies
Apr 19, 2020
Finding Dory taught me this - Pixar are a company who can sell you the same film twice, and then annoyingly get away with it by making said film pretty damn good.
There is no denying that during the first 15 minutes, all I could think about was how everything unfolding was strikingly similar to Finding Nemo, almost as if they were making little effort to hide the fact.
By the time the opening act is over, and the main plot is set in motion, I was successfully drawn in and had forgotten my initial reservations.
The main factor in this is the great cast of characters. This time around, Dory takes centre stage, on a journey to find her parents after years of being separated. The film flits between the main narrative, and (ridiculously adorable) flashbacks to when Dory was a child. We get to see a fair number of new characters, most notably Hank, a suitably grumpy octopus whose irritable personality works great alongside the oblivious nature of Dory. The two of them provide a steady stream of humour. Also Bailey, a beluga whale has a running gag that never once gets old. It's all very well crafted and genuinely funny.
Of course, Nemo and Marlin return from the first film, and although they have a big part to play, Finding Dory resists the urge to turn the narrative too much much towards them, something that would have been easy to do considering the success of Finding Nemo.
There's also a fantastic voice cast attached, including Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Idris Elba, Eugene Levy (absolute legend), Dominic West, Bill Hader - even Sigourney Weaver appears, in one of my favourite running jokes of the film.
The animation is predictably stunning, managing to appeal to both younger and older audiences, and the narrative easily weaves between witty humour, and emotional gut punches - this is Pixar after all.
Finding Dory is a sequel that can stand proudly by it's terrific predecessor.
There is no denying that during the first 15 minutes, all I could think about was how everything unfolding was strikingly similar to Finding Nemo, almost as if they were making little effort to hide the fact.
By the time the opening act is over, and the main plot is set in motion, I was successfully drawn in and had forgotten my initial reservations.
The main factor in this is the great cast of characters. This time around, Dory takes centre stage, on a journey to find her parents after years of being separated. The film flits between the main narrative, and (ridiculously adorable) flashbacks to when Dory was a child. We get to see a fair number of new characters, most notably Hank, a suitably grumpy octopus whose irritable personality works great alongside the oblivious nature of Dory. The two of them provide a steady stream of humour. Also Bailey, a beluga whale has a running gag that never once gets old. It's all very well crafted and genuinely funny.
Of course, Nemo and Marlin return from the first film, and although they have a big part to play, Finding Dory resists the urge to turn the narrative too much much towards them, something that would have been easy to do considering the success of Finding Nemo.
There's also a fantastic voice cast attached, including Ellen DeGeneres, Albert Brooks, Ed O'Neill, Kaitlin Olson, Ty Burrell, Diane Keaton, Idris Elba, Eugene Levy (absolute legend), Dominic West, Bill Hader - even Sigourney Weaver appears, in one of my favourite running jokes of the film.
The animation is predictably stunning, managing to appeal to both younger and older audiences, and the narrative easily weaves between witty humour, and emotional gut punches - this is Pixar after all.
Finding Dory is a sequel that can stand proudly by it's terrific predecessor.