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Batman v Superman: Dawn of Justice (2016)
5.7
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Bruce Wayne and Lex Luthor believe that Superman's actions should not be left unchecked, leading...
DC Comics Batman Superman Wonder Woman DCEU
Judge Dredd (1995)
6.4
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In the crime-plagued future, the only thing standing between order and chaos is Judge Joseph Dredd...
Russ Troutt (291 KP) rated Let Him Go (2020) in Movies
Feb 6, 2021
I've come here to help, help you decide what movie to watch this weekend. If there's two things I love it's family and good story telling, and you better saddle up and hold on tight for one thrilling ride of a family story in Let Him Go. I don't have to tell you how great Diane Lane and Kevin Costner are in it because they're always amazing, as is the supporting cast, but this the first movie I've seen from Writer/Director Thomas Bezucha and I'm now a fan. While technically listed as a 2020 release we know not much really got proper releases last year, and it's a shame this movie isn't getting proper promotion, but I'm calling this a 2021 release; my favorite of the year so far.
LoganCrews (2861 KP) rated Untraceable (2008) in Movies
Sep 21, 2020
๐๐ฏ๐ธ๐ข๐ต๐ค๐ฉ๐ข๐ฃ๐ญ๐ฆ. Wants to be a ๐๐ช๐ญ๐ฆ๐ฏ๐ค๐ฆ ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐๐ข๐ฎ๐ฃ๐ด x Saw hybrid, ends up being ๐๐ฆ๐ข๐ณ๐๐ฐ๐ต๐๐ฐ๐ฎ with most of the fun stuff subtracted, and if it were a piece of tacky CBS cybercrime dross. There's some real heat to the torture porn here but it's undercut by the fact that they consciously choose to rarely show it at all and overedit it to hell and back when they do (both fronts offended even worse than ๐๐ฐ๐ด๐ต๐ฆ๐ญ: ๐๐ข๐ณ๐ต ๐๐) - instead opting to be a rote procedural where everyone dumps heavy bouts of cheesy exposition about things that it's clear no one actually knows what they're talking about, until its final moments where it takes a dumbass pivot where it decides to be a preachy, hypocritical, defanged commentary about technology which is about as non-knowledgeable as your average "Black Mirror" episode. Diane Lane gives it an honest try but it saves absolutely nothing from this lifeless white noise. One of the only positives is that it's unpredictable, but only in the sense that there's nothing to predict. At least it's one of the precious few of these things to make realistic online comments - and Lane very seriously repeats the full acronym for 'rofl' during a live snuff film. Still sucks though.
Zack Snyder's Justice League (2021)
8.5
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Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne...
Susan (45 KP) rated Under the Tuscan Sun (2003) in Movies
Jul 3, 2017
Everyone who's ever just had enough of life and all it's problems will love the courage of Francis as she chooses to give up everything for an inspiring and sometimes hilarious new life. (3 more)
Diane Lane and Sandra O give wonderful performances.
It's a multi textured and woven script with richly developed characters
A reminder that the scariest part of life is taking chances, so take every chance you get
A tribute to all of us who just want to pack up and run away..except Francis did it!
Contains spoilers, click to show
Romanic comedy dramas aren't necessarily my thing and yet I can watch this over and over again. We've all been Francis at some point in our lives..hurt, overwhelmed, desperate to feel normal again. So she takes us on her own journey where we find ourselves there with her at the Tucan villla she purchased on a whim. Now alone in a new country, surrounded by an unusual cast of characters, she rebuilds the aged villa along with her broken life and learns that hold truly is where the heart is.
Sarah (7798 KP) rated Serenity (2019) in Movies
Mar 7, 2019 (Updated Mar 7, 2019)
Not what I expected
I really donโt see what they were trying to do with this film. From the trailer it looks like it should be a dark and gritty thriller with a fantastic cast, and it all honesty it probably should have stuck with that. Instead it has such a bizarre and unexpected twist that really throws off the balance of the entire film. Itโs unpredictable (which is unusual for a twist), but it is just so odd and out of place that I spent the rest of the film trying to figure out whether I actually liked the twist or not. In the end, I decided I didnโt.
And as great as the cast are, some of the acting felt a little too over the top and some are a little underused (Djimon Hounsou and Diane Lane). There are also parts of this film where Matthew McConaughey is driving past corn fields in a pickup truck that made me feel like I was watching Interstellar. I really wish I had been watching that instead.
And as great as the cast are, some of the acting felt a little too over the top and some are a little underused (Djimon Hounsou and Diane Lane). There are also parts of this film where Matthew McConaughey is driving past corn fields in a pickup truck that made me feel like I was watching Interstellar. I really wish I had been watching that instead.
Bob Mann (459 KP) rated Let Him Go (2020) in Movies
Dec 23, 2020
Feud for Thought
After a family tragedy for the Blackledge family, grandparents George (Kevin Costner) and Margaret (Diane Lane) are left to bring up baby Jimmy (Bram and Otto Hornung) with mother/daughter-in-law Lorna (Kayli Carter). But a few years later, Lorna marries bad-un Donnie Weboy (Will Brittain) and disappears back to Donnie's hillbilly extended family in the wilds of North Dakota, led by the fearsome Blanche Weboy (Lesley Manville). Fearing for the child's wellbeing, Margaret drags retired Sheriff George on a dangerous journey to rescue the child.
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
There are strong similarities in this story with a sub-plot of the excellent "Ozark", where the psychopathic Darlene Snell (Lisa Emery) is intent on having a child to grow up with on her remote ranch. The sense of tension there is recreated here, exacerbated by the movie's extremely slow (read "glacial") pace in its early stages. It's the same sort of rising dread that I felt with "Nocturnal Animals". This reaches its peak at a tense standoff over lamb chops at the Weboy ranch, but we are probably half-way into the film by then.
The slow pace however is broken by a couple of extremely violent scenes that earn the movie its UK-15 certificate. One (no spoilers here!) harks back to another Kevin Costner blockbuster where he was a bit luckier! And the finale turns a slightly sleepy tale of "two old folks" into an 'all guns blazing' action western that's highly unexpected. Although you could argue that this is tonally extremely uneven, it works and makes the movie a lot more memorable than it otherwise would be.
The standout leading performance here is the one from Diane Lane as the mentally tortured Granny pursuing her convictions across the country. Here writer/director Thomas Bezucha gives the character full rein. It's a memorable 'strong female' part, that would have been dominated by the male lead in the writing of films a few years back. Lane delivers a dramatic and rock-solid performance that has Oscar nomination written all over it.
I'm also a big fan of Kevin Costner, not just because he's a solid and reliable actor over many years. I always remember him gamely appearing as "The Postman"/'propeller-guy' in Billy Crystal's hilarious montage opening for the 70th Academy Awards. Anyhow, here he has his meatiest dramatic role in many years, and delivers fully on it. Top job, although I suspect this may not be his year for his elusive Best Actor award.
Finally, rounding out the Oscar hopefuls is the brilliant Lesley Manville as Blanche Weboy. It's a dream of a role for the Brighton-born star, nominated of course for the Best Supporting Actress two years ago for "Phantom Thread". And she is genuinely chilling here, firing on all cylinders like some sort of deranged Bette Davis on speed. She's used sparingly in the movie, but that makes her scenes all the more memorable. Another nomination perhaps? I'd predict so, yes.
I found this to be an uncomfortable watch, since I found myself in a moral quandary with the storyline. It's clear that Margaret is genuinely concerned for the safety of Jimmy (and less so, Lorna). Yet, what she is ultimately prepared to do is consider child abduction, when the law if probably on the side of the other party. Sure, the lifestyle and attitudes of the Weboys are alien to this more traditional "Granny". But although Blanche rules with a Victorian-level of grit, isn't she - at least before any of her more vicious tendencies emerge - entitled to do that? The film firmly roots itself behind the Blackledge's as "the good guys", but the script cleverly has you questioning that at various points,
Two technical categories in "Let Him Go" are also worthy of note. The cinematography is by Guy Godfree, and the sweeping vistas of Montana and North Dakota (actually Alberta in Canada!) are gloriously delivered. And the music by Michael Giacchino - one of my favourite composers - is cello-heavy and fitting for the sombre storyline. I always assess the quality of a score by whether I annoy the cinema cleaners by sitting until the last of the end credits have rolled, and this is one I did that to.
As the last movie I see before Christmas, "Let Him Go" is not exactly a feelgood festive offering. It's a well-crafted and thoughtful story, but not one to make you feel good inside, for the reasons outlined above. If you are a movie-lover though, then it's an interesting watch, if only for the fine acting performances on offer.
(For the full graphical review, please check out the "Bob the Movie Man" review on the web here - https://bob-the-movie-man.com/2020/12/23/let-him-go-is-not-a-joyous-affair-but-delivers-oscar-worthy-performances/. Thanks.)
