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Hannah and Her Sisters (1986)
Hannah and Her Sisters (1986)
1986 | Comedy, Drama, Romance

"I guess I’m gonna have to say Hannah and her Sisters because I only recently saw that in the last year and, I mean, Dianne Wiest… All the female characters are amazing. It’s like before they’re all, before everybody’s…"

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I Care a Lot (2020)
I Care a Lot (2020)
2020 | Comedy, Crime, Thriller
8
5.6 (7 Ratings)
Movie Rating
Rosamund Pike - what Gone Girl did next (1 more)
Supporting cast: Peter Dinklage, Eiza Gonzáles and Dianne Wiest
Initial darkness might put sensitive people off (0 more)
An inky black comedy thriller
Maria Grayson (Rosamund Pike) and her colleague-cum-lover Fran (Eiza González) are running an extensive con. Through the manipulation of the Boston legal and medical systems, Maria arranges to be appointed the legal guardian for numerous older people. Packing them away to a drugged up life in a care home, the pair then plunder the estates of their wards, turning a tidy profit. The weatlhy and unattached Jennifer Peterson (Dianne Wiest) appears to be a "cherry" that can take their fortunes to a completely different level. But all is not as it seems, and Maria and Fran's evil but comfortable lives are about to be turned on their heads.

Positives:
- When I say the comedy is inky black, I mean it. It's unusual to find a movie without a single character that you can relate to or even remotely like. For some reason, it reminded me of the Michael Douglas / Kathleen Turner vehicle "The War of the Roses" in that regard. And yet, once you let the evilness of it sink in, it becomes a rip-roaring story that delights to the very end.
- Rosamund Pike delivers yet again another superb performance, making Maria an icy cold villain. The role could be summed up as "What Gone Girl did next".
- Peter Dinklage delights in portraying an evil character which, for reasons of spoiler avoidance, I shall say nothing further about. But it's a cracking performance and brilliant to see a script that steadfastly ignores his physical characteristics.
- Dianne Wiest ("The Mule") and Eiza González ("the sexy one" from "Baby Driver") also deliver strong supporting roles.
-J Blakeson - who did "The Disappearance of Alice Creed" - directs with style, and hopefully his truly novel screenplay will be suitably recognised through awards. There are some clever twists: one near the end which (Smug McSmuggerson from the University of Smugchester) I saw coming, and another one soon after that I didn't!
- Mark Canham - not a composer I know - delivers a really engaging and bouncy score that's top notch. Loved it.


Negatives:
- The plot is just SO inky black at the beginning, that some may get through the first 15 minutes and think "Nope, not for me". You should stick with it: after Peter Dinklage appears, the movie shifts up a gear and changes in tone.
- The plot occasionally stretches credibility beyond breaking point. In particular, all the characters seem to be wholly incompetent at 'dispatching people' when they have the opportunity to do so. The repetition of these failures I found to be a bit tiresome.


Summary: Finding a movie with a novel storyline is an unusual thing these days, and one that combines that with a taut and engrossing screenplay is a gem indeed. It's probably not one recommended for very elderly people to watch.... then again, perhaps with so many evil scammers around in real life, it might be considered required viewing! But, if you have one, you'll probably want to have a chat with your granny after watching this.

(For the full graphical review, check out the full review at One Mann's Movies here - https://bob-the-movie-man.com/2021/02/27/i-care-a-lot-an-inky-black-comedy-thriller/. Thanks).
  
DO
Dancing on Broken Glass
Ka Hancock | 2012
10
10.0 (1 Ratings)
Book Rating
I think this is the best book I've read in a really long time.

Let's start with a critical analysis and break down the text: First, the writing was really good. Like, Dianne Dixon good, or JK Rowling good. It was filled with flowing and descriptive prose and beautiful metaphors. I could probably write a ten-page paper on some of the literary themes in this novel. It wasn't just fiction for the sake of the story: There was so much beauty about the meaning of life and love and commitment and… well, I'll let you read it.

The pacing was excellent. The very first sentence caught me by the hair and dragged me the whole way through the book. I read most of it in one setting, stopping only to readjust the pillow behind my back.

Now for the really important stuff:

The characters in Dancing on Broken Glass were so epic that I truly didn't want this book to end. They were so wonderful, but so terribly and humanly flawed, just like real people are, that I feel like if I saw Mickey or Lily on the street, I'd recognize them right away.

And boy did I relate to some of these characters!

The ending was just superb. It was heartbreaking, but I knew it was destined from the moment I started reading. It was so perfect and fulfilling that it was worth all the emotional turmoil the rest of the novel put me through.

On that note, it wasn't one of those books that are so hard to read that you can only take it in small doses or that it makes you cry, or extremely emotional readers can't handle it. Nor did it have any offensive language or sex scenes (okay there was some mention of sex, but it wasn't explicit in any way). In fact, it was one of the least offensive novels I've read in a very long time. We're talking years.

The romance was better than anything I've read in any teen novel. The relationships were true and realistic to the core. The flawed characters were just as real to me as I am to myself. The message of hope and grief and dedication and sacrifice will stay with me forever. I hope I never forget this story.

Dancing on Broken Glass was an absolutely beautiful novel. Ka Hancock is going on my Author Watch, and this novel is staying on my "re-read" bookshelf. I recommend it to absolutely anyone willing to hear a really good story.
  
CA
Creepy and Maud
4
4.0 (1 Ratings)
Book Rating
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).


I wanted to love this book, I really did. The blurb made me think of Rainbow Rowell's Eleanor & Park. However, this book just fell a bit flat for me.

The title did catch my attention especially since it had the word Creepy in it.

I like the cover of the book. It's just so simple, yet interesting. I think it definitely fits in with the book since the two characters converse from their bedroom windows.

The world building was believable. Most of the story takes place within the confines of Creepy's window and sometimes from Maud's window. It's a very believable setting.

The pacing was really slow. I kept hoping it would pick up at some point, but it never did. At no point, did it pick up even a little bit.

I think the plot had the potential to be interesting. Creepy watches Maud from his bedroom window. Eventually, Maud notices, and they start writing notes to each other and put them in their bedroom window. Maud has a disorder where she pulls out the hair on her body. Creepy is just a strange teen. I just felt that their was no plot development. I kept waiting for some action or plot twist to happen, but nothing did. It's just two teens conversing from their windows.

I liked Maud and Creepy. They have their problems, but they are still likable enough. However, I felt there was no character development either. It would've been nice to have a bit more back story on both characters. All we're told is that Maud and Creepy's families hate each other. It is explained a little bit as to why at least.

Some of the wording is Australian phrasing which I had a hard time understanding. However, it only happens now and again, so the book is easy to understand for other cultures. There is some swearing, but nothing too bad. There is a little bit of violence but no sex or sexual references.

Overall, Creepy & Maud by Dianne Touchell just falls flat from lack of character and plot development. The writing itself wasn't bad though.

Personally, I wouldn't recommend this book unless it has some tweaking when it comes to the characters and the plot.


(I won this book from a competition. I was not required to write a review).
  
Love the Coopers (2015)
Love the Coopers (2015)
2015 | Comedy
7
5.0 (3 Ratings)
Movie Rating
Love the Coopers is a new movie directed by Jessie Nelson and released
through the collaborative efforts of CBS Films, Groundswell Productions
and Imagine Entertainment.

It has a large and recognizable cast of characters, including Dianne
Keaton (Charlotte), John Goodman (Sam), Ed Helms (Hank), Alan Arky
(Bucky), Marisa Tomei (Emma), Olivia Wilde (Eleanor), June Squibb (Aunt
Fishy) and Steve Martin (the dog, Rags!).

Based on the previews and trailers that I saw, I expected more laugh out
loud comedy than I got out of the film. There was plenty of laugh out
loud comedy, don’t get me wrong, but what I expected out of the trailers
was a “dumb” comedy, rather than a poignant, rather touching (and at
times tragic) love story wrapped up in a comedy.

The basic premise is that Mom Charlotte and dad Sam want to have “one
last” family holiday full of happiness and good cheer and wonderful
memories, before they drop the bombshell on their family that they will
be splitting up after 40 years of marriage.

Charlotte has spent her whole marriage keeping the family together,
making sure everyone is “ok” and of course, as frequently happens, has
grown distant from her spouse Sam in the midst of that.

The story is told from the point of view of Rags the family dog (voiced
by Steve Martin) who has watched the family grow together and then
apart, through the years.

I thoroughly enjoyed the movie, and thought that it was a good story
that showed how a family dynamic can change over the years and how it
isn’t always in the best of ways. It also portrayed how family
relationships are perceived from the point of view of the people that
are actually IN the relationship, as well as from an outsiders’ view.
Some parts were “cheesy” but for the most part, I was really able to
connect with the story as a whole. Even though some of the intertwining
story lines by themselves were a little dis-jointed, when they all came
together under the umbrella of the main story line, somehow, it just
worked.

I liked that I connected emotionally with Charlotte and could FEEL her
connection to her kids and how she loved them “bigger than anything” and
just wanted what was best for them, even though it didn’t always come
out that way, and even though it distanced her from her husband. I think
that happens “in the real world”, a lot more than people realize or
think about.

The movie made me laugh, and it made me cry… It occasionally made me
groan in a “Really?! Did they have to do THAT??” sort of way, too, but
overall I really enjoyed it.
I would give the movie 3.5 out of 5 stars.
  
LG
Let's Go Play At The Adams'
8
8.0 (1 Ratings)
Book Rating
<b><i>Warning, this review is kind-of spoilery.</i></b>

I’m not even sure where to start with this review… what a disturbing, strange, and violent novel.

I had so many different thoughts running through my head with this novel, that I actually had to start myself a little review notebook where I could put all my thoughts on paper. This is going to be a long review… I can already feel it.

I should start by saying, this book turned out to be nothing like I thought it would be, but that hasn’t let me down. This is a very uncomfortable 4 star read. Where American Psycho was 5 stars because I enjoyed the reading experience and Patrick Bateman’s deranged, dorky character (in the least sadistic way possible), this is the complete opposite. This was an unenjoyable 4 stars because it was just so dark and disturbing… am I making sense?

What struck me about this novel at the beginning was that I disliked our victim, Barbara. She awoke gagged and tied up, and was merely annoyed, if not amused by the children’s “game”. Even later, when she realised that she really was a prisoner, she was snooty and still thought herself better than the children. Obviously, as the torture progressed and got worse, my opinion of her did change, as she changed too.

While this book sounds like it’s going to be a quick, dark story about the kidnapping and torture of a babysitter, it’s actually a lot slower than that and there isn’t a huge amount of the torture in front of our eyes. It goes on behind closed doors and is only hinted towards – this doesn’t make it any less skin crawling, however! This novel is largely focused on the characters and their thoughts throughout the week-long crime.

A lot of people’s reviews mentioned how the characters in this weren’t believable, but I think otherwise. Yes, maybe the idea that 5 kids all come together and mutually agree to kidnap and torture an adult is a little strange, but as individual people, I think it’s easy to assume they all really exist.

The eldest of the group is Dianne, at the age of 17, and I personally think she was the least likable but also least believe character. Her involvement in the kidnapping went no further than “just because” – she was in charge of all the children simply because she was the oldest and she let them do whatever they wanted. She had no motive to want to hurt Barbara, she was simply cruel for cruelty’s sake.

Secondly, there’s John, aged 16, and his involvement in the kidnapping went a lot further and was a lot more controversial. He had a motive, and that was simply lust. A sexually frustrated teenager is definitely easy to imagine and while only a teeny tiny amount go on to commit sex crimes, it’s totally plausible.

Afterwards comes Paul, aged 12, whose presence in the story is very strange. He’s not really got any motive other than his own dark desires. A weirdo 12 year old with violent tendencies is really nothing new – Paul was just a little more over the top!

Next is Bobby, aged 10, the only kid of the bunch who shows any remorse at what they’ve done. I personally feel that Bobby was the subject of peer-pressure. He thought kidnapping an adult would be fun, and as a young child, couldn’t comprehend the consequences of his actions. Other reviewers didn’t feel sorry for Bobby, but in a way, I did.

Lastly is Cindy, the youngest of the group at 9 years old. Cindy doesn’t feature in the novel an awful lot, but when she does she’s simply a bored young girl who doesn’t fully understand the reality of what’s happening. Even at the end, when things are getting more and more violent, Cindy doesn’t care. She’s just going along with the rest of her friends.

As I mentioned before, there isn’t a huge amount of “on screen” torture and violence, but when it is there, it’s grotesque and nightmarish. Johnson really did know how to write horrifying descriptions. Reading bits and pieces got really dark and at times I felt pretty squeamish.

One quick thing to say about the writing is that it really would have been nice to have more paragraph breaks! When the story is so dark and heavy, you need a bit of a breather sometimes, and you didn’t get much of that with this novel.

Right, sorry this review has been a bit of a long, messy ramble! I really wasn’t sure how to go about reviewing this weird, sinister book. If you like horrible books that are going to make you feel uncomfortable, and you can get your hands on this for cheap, I think it’s worth reading – even just to be able to say you’ve read it! But it’s definitely, definitely not for everyone – not even every horror reader.

<i>Thanks to Virginia on Goodreads for lending me her copy to read!</i>