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Benedick Lewis (3001 KP) rated Nothing Lasts Forever (Die Hard, #1) in Books
Sep 30, 2020
Good to see origins to a great film (1 more)
Quick read - less than 250 pages
Only one perspective- feels like it needs more character viewpoints (1 more)
Prose can be difficult to follow
Surprising: film better than book
Nothing Lasts Forever was the framework for the great film Die Hard. Being a massive fan of the film as well as putting it under academic scrutiny, it was interesting to see the similarities and differences between book and film.
However, having seen Die Hard multiple times, it was sometimes difficult to picture the protagonist, Joe Leland, doing the John McClane things. Further more, the book only depicts Leland’s point of view and the story could have benefited from being told from multiple perspectives: Leland’s, the terrorists and the hostages. Unfortunately, the terrorists’ motive is summed up in one page and it doesn’t wholly satisfy, especially given in the film, the plot is more devious and fiendishly clever giving cinema one of its all time greatest villains.
To talk more about the comparisons is doing literature an injustice. Time and again, it needs to be reminded that they are two different mediums with different requirements. That said, there is definitely one big major difference that really distinguishes the two products of this idea and the only thing that can be said is that it is towards the end. Those that know the film and decide to read this book will know when you get to that part but it is one that really sets it apart.
Frank Sinartra played Leland in the prequel to this book, The Detective. It’s not essential that you read that book first to understand this one. Author Roderick Thorp plays catch up in the opening chapters. He does however spoil that story so if you are looking to read that, best put this to one side.
Thorp’s style is a little all over the place, especially regarding the set pieces and it can be difficult to imagine the scenes he is trying to depict. Leland is not the most likeable of heroes either and it can be difficult to root for him but it is a short story and can be done in one sitting so it’ll be over before you have the time to really dislike him.
Read this if you haven’t seen Die Hard. Read this but make sure you watch Die Hard rather adjacent to that. It would be surprising if you found the book better. In this case, the film is superior. A rare case indeed.
However, having seen Die Hard multiple times, it was sometimes difficult to picture the protagonist, Joe Leland, doing the John McClane things. Further more, the book only depicts Leland’s point of view and the story could have benefited from being told from multiple perspectives: Leland’s, the terrorists and the hostages. Unfortunately, the terrorists’ motive is summed up in one page and it doesn’t wholly satisfy, especially given in the film, the plot is more devious and fiendishly clever giving cinema one of its all time greatest villains.
To talk more about the comparisons is doing literature an injustice. Time and again, it needs to be reminded that they are two different mediums with different requirements. That said, there is definitely one big major difference that really distinguishes the two products of this idea and the only thing that can be said is that it is towards the end. Those that know the film and decide to read this book will know when you get to that part but it is one that really sets it apart.
Frank Sinartra played Leland in the prequel to this book, The Detective. It’s not essential that you read that book first to understand this one. Author Roderick Thorp plays catch up in the opening chapters. He does however spoil that story so if you are looking to read that, best put this to one side.
Thorp’s style is a little all over the place, especially regarding the set pieces and it can be difficult to imagine the scenes he is trying to depict. Leland is not the most likeable of heroes either and it can be difficult to root for him but it is a short story and can be done in one sitting so it’ll be over before you have the time to really dislike him.
Read this if you haven’t seen Die Hard. Read this but make sure you watch Die Hard rather adjacent to that. It would be surprising if you found the book better. In this case, the film is superior. A rare case indeed.
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Root is a game of adventure and war in which 2 to 4 (6 with the 'Riverfolk' expansion) players...
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Purple Phoenix Games (2266 KP) rated Tiny Epic Galaxies: BLAST OFF! in Tabletop Games
Mar 30, 2021
Yes, we have reviewed Tiny Epic Galaxies in the past. We loved it. It’s close to being a Golden Feather Award recipient. It has earned a spot on my Top 10 Games of All Time list. I cannot say enough great things about the game. But wait, a newer updated version has recently hit the scene. Is it just new art on the same game? Nope. Read on.
I will not be explaining the entire game in this review as indeed it is mostly the same game as before. However, I will be visiting some differences between this version and the original.
Firstly, the art is most certainly different. The card layouts are all different. The components are completely different. It is markedly improved for me, but I will save my gushings until the end.
Mechanics-wise, the differences are slight, but perfectly altered. For starters, many of the benefits of using planet powers have been streamlined, simplified, and make a lot of sense. Much of this has to do with iconography on the cards, but also the powers are mostly brand new. Additionally, this version rids players of the Secret Mission cards from the original. Now, I enjoyed that aspect of OG TEG, but I did not find myself pining for it whilst playing BLAST OFF! Also removed from this version is the seventh action die; BLAST OFF! comes complete with six dice total. Again, it reduces the number of actions that can be completed on a turn, but I haven’t missed that extra die. One of the greatest changes in this version is the Converter tweak. In the original game a player would need to sacrifice two inactive dice to convert a third die to whichever face was needed. In the new version, only one die is needed for sacrifice along with either one Energy or one Culture value. The Converter was always neglected in the older version, and now it’s a real option during play.
I do wish certain aspects of the older version were included, however. What has been eliminated in the streamlining process is the Solo mode and the fifth player. BLAST OFF! can accommodate two to four players now instead of one to five players, with the black components being axed from this version. I will miss the Solo mode mostly because I used to love breaking out the game later at night once the kids were asleep to try to conquer the Red rival (I almost never play Red). I do understand that a Solo mode may still be created in the future by Gamelyn directly or by another gamer.
All of these changes are minor, but equate to a much better gameplay overall. I do want to speak more on components, so let’s away with them.
Components. Okay, BLAST OFF! boasts improvements on the original game on every facet of components. Yes, the materials are similar quality, so it’s a wash there, but everything else is so much better. The dice are bigger, and ORANGE (great choice btw)! The iconography is much easier to understand and decipher throughout the game. The planets now have two new alignments: Life (plant icon) and Tech (gear icon). I feel the iconography and terminology in the first version could be confusing to new players, but plants vs gears is easy to distinguish. The ships are more stylized now, and the inclusion of this new Galaxy Slider to move up the Galaxy Track on the mats is most excellent. All of these improvements definitely cater to new Tiny Epic Galaxies players, and are most welcome as I try to convince my brother that this is one of the best games out there.
Obviously I am keeping this version and am seriously considering weeding out my original version of TEG with all expansions in favor for this. I just feel better playing it. It is more streamlined, easier to play and teach, and I love the way it looks on the table much more. One minor wish I have for the game is different player colors. This game could have been a triumph with just four different player colors from the original. Now, there’s nothing wrong with tried and true blue, yellow, green, and red, but I’m much more interested in playing a game with fuscia, purple, volt (like our green color we use throughout our branding), and aqua. Maybe it has to do with colorblindness, I don’t know, but take on the colors like are found in Seasons or something, and this game would blast off higher on my Top 10 Games of All Time list for sure.
That said, Purple Phoenix Games still gives this one a rocket of a GOLDEN FEATHER AWARD! If you are a fan of the original but wish new players to the game would enjoy it more, check out BLAST OFF! Nearly everything that has been changed caters to newer players and giving all players a more aesthetically-pleasing experience over the original. I will definitely be playing my copy a TON. Maybe if I ask nicely Gamelyn Games will make me some different player colors. Maybe.
I will not be explaining the entire game in this review as indeed it is mostly the same game as before. However, I will be visiting some differences between this version and the original.
Firstly, the art is most certainly different. The card layouts are all different. The components are completely different. It is markedly improved for me, but I will save my gushings until the end.
Mechanics-wise, the differences are slight, but perfectly altered. For starters, many of the benefits of using planet powers have been streamlined, simplified, and make a lot of sense. Much of this has to do with iconography on the cards, but also the powers are mostly brand new. Additionally, this version rids players of the Secret Mission cards from the original. Now, I enjoyed that aspect of OG TEG, but I did not find myself pining for it whilst playing BLAST OFF! Also removed from this version is the seventh action die; BLAST OFF! comes complete with six dice total. Again, it reduces the number of actions that can be completed on a turn, but I haven’t missed that extra die. One of the greatest changes in this version is the Converter tweak. In the original game a player would need to sacrifice two inactive dice to convert a third die to whichever face was needed. In the new version, only one die is needed for sacrifice along with either one Energy or one Culture value. The Converter was always neglected in the older version, and now it’s a real option during play.
I do wish certain aspects of the older version were included, however. What has been eliminated in the streamlining process is the Solo mode and the fifth player. BLAST OFF! can accommodate two to four players now instead of one to five players, with the black components being axed from this version. I will miss the Solo mode mostly because I used to love breaking out the game later at night once the kids were asleep to try to conquer the Red rival (I almost never play Red). I do understand that a Solo mode may still be created in the future by Gamelyn directly or by another gamer.
All of these changes are minor, but equate to a much better gameplay overall. I do want to speak more on components, so let’s away with them.
Components. Okay, BLAST OFF! boasts improvements on the original game on every facet of components. Yes, the materials are similar quality, so it’s a wash there, but everything else is so much better. The dice are bigger, and ORANGE (great choice btw)! The iconography is much easier to understand and decipher throughout the game. The planets now have two new alignments: Life (plant icon) and Tech (gear icon). I feel the iconography and terminology in the first version could be confusing to new players, but plants vs gears is easy to distinguish. The ships are more stylized now, and the inclusion of this new Galaxy Slider to move up the Galaxy Track on the mats is most excellent. All of these improvements definitely cater to new Tiny Epic Galaxies players, and are most welcome as I try to convince my brother that this is one of the best games out there.
Obviously I am keeping this version and am seriously considering weeding out my original version of TEG with all expansions in favor for this. I just feel better playing it. It is more streamlined, easier to play and teach, and I love the way it looks on the table much more. One minor wish I have for the game is different player colors. This game could have been a triumph with just four different player colors from the original. Now, there’s nothing wrong with tried and true blue, yellow, green, and red, but I’m much more interested in playing a game with fuscia, purple, volt (like our green color we use throughout our branding), and aqua. Maybe it has to do with colorblindness, I don’t know, but take on the colors like are found in Seasons or something, and this game would blast off higher on my Top 10 Games of All Time list for sure.
That said, Purple Phoenix Games still gives this one a rocket of a GOLDEN FEATHER AWARD! If you are a fan of the original but wish new players to the game would enjoy it more, check out BLAST OFF! Nearly everything that has been changed caters to newer players and giving all players a more aesthetically-pleasing experience over the original. I will definitely be playing my copy a TON. Maybe if I ask nicely Gamelyn Games will make me some different player colors. Maybe.
Connor Sheffield (293 KP) rated The Raven (2012) in Movies
Apr 27, 2017
A brilliant crime thriller (4 more)
Gory
Connections to the work of Edgar Allan Poe
Great Cast
Watchable over and over again
Would love to know what happens in the end (1 more)
Not as exhilirating after the first watch
Quote the Raven, Nevermore.
First of all let me say this;
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
I am a poet and a writer, and my biggest inspiration as a writer has always been Edgar Allan Poe. I love the gothic horror, the tragedy, the macabre, and everything that makes Edgar Allan Poe the legend he is today.
With that said, let me tell you why I love this movie. It involves connections to some of Poe's greatest work, and not his poetry necessarily, it's actually more about his stories. Telltale Heart, Pit and the Pendulum and others that are all combined into the twisted mind of our antagonist who uses these stories to commit his crimes and leave evidence behind that only Poe himself would be able to figure out.
It's a brilliant crime thriller that delves into the mind of someone who is essentially Poe's biggest fan, but in a very dark and twisted way that gives us a fictional story about what happened during Poe's last days before he was found dead on a park bench. It's a known fact that Poe's last days remain a mystery and so this film had the opportunity to really play with some great ideas and they were executed brilliantly.
Speaking of execution this film is very grim and gory. One scene involving the story of The Pit and the Pendulum has us watch as a Pendulum drops lower and lower before slicing through a man's stomach like a warm knife through butter. It doesn't leave a lot to the imagination which gives this film some charm and makes it stand out from the rest of the Poe Film adaptations.
John Cusack plays the lengend himself, Edgar Allan Poe and brings a very interesting performance, that seems to suggest Poe thought himself as a higher intelligence to those around him, and he isn't shy to announce it.
Sharing the screen with Cusack, includes names such as Luke Evans who portrays Detective Fields, the detective I mentioned earlier that seeks Poe's assistance in the murder case. Brendan Gleeson portrays a very protective father named Charles Hamilton, who despises Poe being anywhere near his daughter Emily Hamilton, portrayed by Alice Eve. However there differences are put aside as the hunt for the missing Emily continues.
The story transitions well from scene to scene and story to story as each clue leads to the next, and eventually we discover the culprit who I shall not name here because I wish to leave the tension and suspense for you as you watch this film.
This book takes a Biblical viewpoint of how the modern woman can lead the best life she can attain while still following the guidelines of the Bible and living up to her personal potential. It uses the personal examples of the two authors, as well as the examples of numerous others that these two have interacted with over the course of writing the book. A systematic approach is taken to break down the history, statistics, and advantages of the modern woman before studiously approaching the Biblical model of the female.
One of the main focuses of the book is the Biblical mandate to "be fruitful and multiply" and how modern culture has both minimized and scorned this. The authors also focus on the differences between males and females, as well as their different purposes in life. Marriage is also a central theme in the book, with the authors providing lots of advice, as well as suggestions to study other resources, in order to find a husband and maintain a healthy marriage.
To stress certain points throughout the book, the authors provide a visual illustration of the concepts discussed. They summarize the lessons taught in certain sections in a "Wise Steps" box, and they fill the book with sections that invite the reader to journal his own thoughts according to a certain topic.
What I found the most interesting about the book was how the authors broke down the multiple purposes of any woman into three categories: our purpose as humans (Core Callings), our purpose as women (Feminine Callings), and our purpose as unique individuals (Personal Callings). Each of these are further broken down, with the Core Callings having the most emphasis throughout the book: Leave and Cleave, Be Fruitful and Multiply, and Subdue and Rule.
I had a difficult time getting through this book, partly because I felt that some of the information provided simply did not apply to me and I did not find it particularly useful. I did agree with most of what the authors interpreted from Biblical scriptures, though I disliked the broad usage of many different Biblical translations. As with any Biblically-based self-help book, the Bible should be the first source and the book should be secondary. I also felt that Feldhahn used the book somewhat as a self-promotional tool, since she often refers to her previously-written book, For Women Only: What You Need to Know about the Inner Lives of Men.
All the same, I appreciated the Biblical perspective and the support of marriage-minded women and stay-at-home moms. There is much wisdom in the pages of this book.
One of the main focuses of the book is the Biblical mandate to "be fruitful and multiply" and how modern culture has both minimized and scorned this. The authors also focus on the differences between males and females, as well as their different purposes in life. Marriage is also a central theme in the book, with the authors providing lots of advice, as well as suggestions to study other resources, in order to find a husband and maintain a healthy marriage.
To stress certain points throughout the book, the authors provide a visual illustration of the concepts discussed. They summarize the lessons taught in certain sections in a "Wise Steps" box, and they fill the book with sections that invite the reader to journal his own thoughts according to a certain topic.
What I found the most interesting about the book was how the authors broke down the multiple purposes of any woman into three categories: our purpose as humans (Core Callings), our purpose as women (Feminine Callings), and our purpose as unique individuals (Personal Callings). Each of these are further broken down, with the Core Callings having the most emphasis throughout the book: Leave and Cleave, Be Fruitful and Multiply, and Subdue and Rule.
I had a difficult time getting through this book, partly because I felt that some of the information provided simply did not apply to me and I did not find it particularly useful. I did agree with most of what the authors interpreted from Biblical scriptures, though I disliked the broad usage of many different Biblical translations. As with any Biblically-based self-help book, the Bible should be the first source and the book should be secondary. I also felt that Feldhahn used the book somewhat as a self-promotional tool, since she often refers to her previously-written book, For Women Only: What You Need to Know about the Inner Lives of Men.
All the same, I appreciated the Biblical perspective and the support of marriage-minded women and stay-at-home moms. There is much wisdom in the pages of this book.
Whatchareadin (174 KP) rated Beautiful Bad in Books
Apr 3, 2019
Maddie is a wife and a mother who would do anything to protect her family and those she loves. After college Maddie decides she is going to to go Bulgaria to write and tutor. She isn't quite alone as her friend Joanna, is not too far away in Macedonia. When she visits Joanna it's always a good time, even though they are in a war-torn country. When Maddie meets Ian, there is an instant connection, but time and opportunity are never on their side, so they see each other when they can, and are friends for a very long time. Eventually, they are able to get together and build a life and start a family. But everything isn't as it seems. Ian is suffering from PTSD from his many years serving as protection in Iraq, Bosnia, and other countries. And Maddie has anxiety about it all. Will their relationship last, or will the events of their pasts be too much for their future to handle.
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960
Thank you to NetGalley and Harlequin-Park Row for the opportunity to read and review this book.
The story starts with a call to 911 and you can hear a woman and child in distress. The book takes you back and forth from Maddie's time in Bulgaria, to the days and weeks leading up to this 911 call. I will admit the very beginning drew me in, but then all the in between felt very unnecessary. Until you get to the end and you see everything unfold. I definitely did not see the end coming and I was pleasantly surprised.
Beautiful Bad drew me in from the beginning with the 911 call. I was disappointed a few chapters in when it seems as though the whole incident was forgotten. Then when it popped back up, I didn't even remember the characters from that time. So that is why I gave the book the lower rating. I would like to see the finished book to see if there were any differences. I read an interview with the author that said that this book started off as a memoir, but her editor convinced her to change it into fiction. I think the middle parts where the memoir that got thrown out.
Overall, I enjoyed the book and I stayed up way past my bedtime once I reached the 60% mark to finish it. The ending was really good and it made up for the slow middle. I look forward to reading more by Annie Ward.
Here is an interview that Shelf Awareness did with Annie Ward. It gives you insight on the book that I believe is valuable.
https://www.shelf-awareness.com/readers-issue.html?issue=796#m13960