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BookInspector (124 KP) rated The Key in Books
Sep 24, 2020
I really like reading books which has an interesting setting, and what could be more intriguing than a mental hospital in 60ies. That was what kindled my interest to read this book. There is always something sinister behind those closed doors…
This novel didn’t disappoint me with the originality of its characters. I loved this wide variety of amusing characters with different states of mind. The main characters in this novel were Ellen, Amy and Sarah. Amy was a patient in the hospital where Ellen was working. And Sarah was the person from the present, investigating, what happened in Ambergate all those years ago. I absolutely adored Ellen and Amy’s story in this novel. It was very indulging, absolutely absorbing and heartbreaking. I adored Ellen’s kindness and the constant fight for making patient’s lives better. I really enjoyed reading multiple perspectives in this novel, I think it opened up the characters wonderfully.
It is obvious from the blurb, that narrative was switching between past and present events, bringing different stories and different findings, and Hughes has done amazing transitions between these parts. I really liked that author was telling multiple stories in this novel, constantly bringing in turns and twists to keep the reader entertained and hooked. K. Hughes touched really sensitive topics in this novel, such as mental health, loss in a family, teenage homelessness, family relationships, disability and many more.
The writing style of this novel was absolutely beautiful and the whole book very well rounded up. It has pleasant short chapters and the pages just flew through my fingers. I really liked the way author ended this book. I think it was very deserved and heartwarming finish to the story, and I appreciate that author kept it realistic. So, to conclude, this is a very intriguing and full of surprises story, with plenty of original characters, which kept me hooked, and I savoured this book till the last page. I do strongly recommend it and I hope you will enjoy it as much as I did.
This novel didn’t disappoint me with the originality of its characters. I loved this wide variety of amusing characters with different states of mind. The main characters in this novel were Ellen, Amy and Sarah. Amy was a patient in the hospital where Ellen was working. And Sarah was the person from the present, investigating, what happened in Ambergate all those years ago. I absolutely adored Ellen and Amy’s story in this novel. It was very indulging, absolutely absorbing and heartbreaking. I adored Ellen’s kindness and the constant fight for making patient’s lives better. I really enjoyed reading multiple perspectives in this novel, I think it opened up the characters wonderfully.
It is obvious from the blurb, that narrative was switching between past and present events, bringing different stories and different findings, and Hughes has done amazing transitions between these parts. I really liked that author was telling multiple stories in this novel, constantly bringing in turns and twists to keep the reader entertained and hooked. K. Hughes touched really sensitive topics in this novel, such as mental health, loss in a family, teenage homelessness, family relationships, disability and many more.
The writing style of this novel was absolutely beautiful and the whole book very well rounded up. It has pleasant short chapters and the pages just flew through my fingers. I really liked the way author ended this book. I think it was very deserved and heartwarming finish to the story, and I appreciate that author kept it realistic. So, to conclude, this is a very intriguing and full of surprises story, with plenty of original characters, which kept me hooked, and I savoured this book till the last page. I do strongly recommend it and I hope you will enjoy it as much as I did.
ClareR (5721 KP) rated The Bookbinder of Jericho in Books
Nov 5, 2023
The Bookbinder of Jericho follows the lives of Peggy, Maude and their friends during the years of the First World War. Peggy and Maude work in the bindery of the Oxford university press. Peggy has promised their now dead mother to always care for the vulnerable Maude (she has a learning disability) and isn’t capable of taking care of herself. She does work in the bindery with Peggy though, and is able to do repetitive tasks. Peggy, on the other hand, is ambitious. She has always loved reading and learning from what she reads, and she is desperate to do more with her life.
As the First World War begins, and refugees from a stricken Belgium start to arrive in Oxford, life begins to change for Peggy, and possibilities start to open up for her. She meets two people in particular: she falls in love with a wounded Belgian soldier, and she meets Gwen, a woman studying at Oxford, whilst they’re both volunteering. Life seems to be on the up for Peggy, but at the same time it becomes more complicated.
This book has a lot to say about the women’s suffrage movement, and how the war opened up more possibilities to women generally - although it certainly helped if you were in the upper classes. Maude and Peggy live on a canal boat (the Calliope), and whilst this may seem idyllic, its far from easy. It does give insight into the different ways that people lived and how people helped one another (Peggy’s boat neighbours often help out with Maude, as she can’t be left on her own).
I really liked how Peggy wasn’t prepared to give up on her dream of being accepted in the women’s college. Somerville, at Oxford. She perseveres, even if she does lose her way and has to decide what is most important to her.
This was such an enjoyable book, and I’d recommend it.
As the First World War begins, and refugees from a stricken Belgium start to arrive in Oxford, life begins to change for Peggy, and possibilities start to open up for her. She meets two people in particular: she falls in love with a wounded Belgian soldier, and she meets Gwen, a woman studying at Oxford, whilst they’re both volunteering. Life seems to be on the up for Peggy, but at the same time it becomes more complicated.
This book has a lot to say about the women’s suffrage movement, and how the war opened up more possibilities to women generally - although it certainly helped if you were in the upper classes. Maude and Peggy live on a canal boat (the Calliope), and whilst this may seem idyllic, its far from easy. It does give insight into the different ways that people lived and how people helped one another (Peggy’s boat neighbours often help out with Maude, as she can’t be left on her own).
I really liked how Peggy wasn’t prepared to give up on her dream of being accepted in the women’s college. Somerville, at Oxford. She perseveres, even if she does lose her way and has to decide what is most important to her.
This was such an enjoyable book, and I’d recommend it.
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jun 8, 2018
This was excellent! First, all the diversity here - between the bisexual main character, his best friend, who is biracial, has an "invisible" disability, and also likes men (or at least likes Monty!) and his seemingly asexual sister - the book covers so many facets, it's great.
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Kaz (232 KP) rated The Dead Ex in Books
Nov 5, 2019
‘The Dead Ex’ was a buddy read, I had never read anything by Jane Corry before. To be quite honest with you, it will possibly be the last book I will read by this author.
Firstly, this book is split into several threads of story. We have the main character Vicki’s point of view, a little girl named Scarlett and a woman named Helen. Lately, whenever I have read a book which had more than one story thread running through it, I’ve been frustrated that one plot was good and the others, disappointing. With ‘The Dead Ex’, this was the same. I liked Scarlett’s story line and found it particularly moving. The power of this story was let down, by the weaker threads running along side it.
The characters were mostly ok, but I found some of their behaviors to be too exaggerated. This book would have been a good read for this month’s ‘Disability Read-a-thon’ (I read this just before the beginning of October), because the main character in this book, has Epilepsy. The sad thing for me though, was that this book would have been the perfect example of how NOT to portray a person with this condition.
I felt annoyed that, whenever anyone discovered that the main character had Epilepsy, she was instantly treated with suspicion. To me, this didn’t highlight the condition, but in some ways, demonized people who have to deal with Epilepsy and this wasn’t fair.
The plot of this novel was, for the most part, intriguing and I wanted to continue reading to find out what was going to happen. Whilst the many threads of story were tied up in a satisfactory way, there were a couple plot twists, which I felt to be weak, or really silly.
Overall, I think that this book was trying to highlight many social issues. Unfortunately, this need to cram a lot into the pages of this book, resulted in a weak and messy read.
This book was ok, but nothing that I would recommend rushing out to read.
My Rating: ** 1/2 Stars
Firstly, this book is split into several threads of story. We have the main character Vicki’s point of view, a little girl named Scarlett and a woman named Helen. Lately, whenever I have read a book which had more than one story thread running through it, I’ve been frustrated that one plot was good and the others, disappointing. With ‘The Dead Ex’, this was the same. I liked Scarlett’s story line and found it particularly moving. The power of this story was let down, by the weaker threads running along side it.
The characters were mostly ok, but I found some of their behaviors to be too exaggerated. This book would have been a good read for this month’s ‘Disability Read-a-thon’ (I read this just before the beginning of October), because the main character in this book, has Epilepsy. The sad thing for me though, was that this book would have been the perfect example of how NOT to portray a person with this condition.
I felt annoyed that, whenever anyone discovered that the main character had Epilepsy, she was instantly treated with suspicion. To me, this didn’t highlight the condition, but in some ways, demonized people who have to deal with Epilepsy and this wasn’t fair.
The plot of this novel was, for the most part, intriguing and I wanted to continue reading to find out what was going to happen. Whilst the many threads of story were tied up in a satisfactory way, there were a couple plot twists, which I felt to be weak, or really silly.
Overall, I think that this book was trying to highlight many social issues. Unfortunately, this need to cram a lot into the pages of this book, resulted in a weak and messy read.
This book was ok, but nothing that I would recommend rushing out to read.
My Rating: ** 1/2 Stars
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ClareR (5721 KP) rated Kololo Hill in Books
Apr 20, 2021
Kololo Hill is a moving story that centres around a family and their lives before, during and after the rise of Idi Amin in Uganda.
Asha is newly married to Pran, and lives with his parents, Jaya and Motichand, and his brother Vijay. The family don’t take Idi Amin’s threats seriously when he initially says that all Ugandan Asians must leave Uganda within ninety days, with nothing except for what they can carry, or face the consequences. But when the soldiers arrive and the violence starts, there can be no denying what they must do. Except they all have different passports. Motichand and Pran have Indian passports, Asha, Jaya and Vijay’s are British. And the British won’t allow them to stay together.
It isn’t just Asians whose lives are in danger. December, the family’s houseboy, is in hiding in their house, as the area he comes from is exterminated by the military.
The danger and fear were tangible when I was reading this book. It’s dangerous to even leave their houses or open their doors, and there is an ever present fear of violence and rape. Even when leaving for the airport, soldiers set up checkpoints so that they can extort as much money as possible form people before they leave.
And then there is the stark contrast between their lives in Uganda and England. Jaya, Asha and Vijay are initially given accommodation in an army barracks before they are placed in houses in (in their case) London.
They go from sunshine, warmth, comfort and colour, to cold, dreary, grey England, where the locals are hostile and accuse them of taking their jobs, or in the case of Vijay, who has part of his arm missing, won’t give him a job because of disability, even though he wants to work.
I was riveted to this book and really didn’t want to put it down. It poses the questions: what is home? Is it the place where you were born? The place where you live? Is home the people who you are with?
There were so many gasp out loud moments in this book. It deserves all the hype around it - and more.
Many thanks to Picador for providing me with an e-copy through NetGalley.
Asha is newly married to Pran, and lives with his parents, Jaya and Motichand, and his brother Vijay. The family don’t take Idi Amin’s threats seriously when he initially says that all Ugandan Asians must leave Uganda within ninety days, with nothing except for what they can carry, or face the consequences. But when the soldiers arrive and the violence starts, there can be no denying what they must do. Except they all have different passports. Motichand and Pran have Indian passports, Asha, Jaya and Vijay’s are British. And the British won’t allow them to stay together.
It isn’t just Asians whose lives are in danger. December, the family’s houseboy, is in hiding in their house, as the area he comes from is exterminated by the military.
The danger and fear were tangible when I was reading this book. It’s dangerous to even leave their houses or open their doors, and there is an ever present fear of violence and rape. Even when leaving for the airport, soldiers set up checkpoints so that they can extort as much money as possible form people before they leave.
And then there is the stark contrast between their lives in Uganda and England. Jaya, Asha and Vijay are initially given accommodation in an army barracks before they are placed in houses in (in their case) London.
They go from sunshine, warmth, comfort and colour, to cold, dreary, grey England, where the locals are hostile and accuse them of taking their jobs, or in the case of Vijay, who has part of his arm missing, won’t give him a job because of disability, even though he wants to work.
I was riveted to this book and really didn’t want to put it down. It poses the questions: what is home? Is it the place where you were born? The place where you live? Is home the people who you are with?
There were so many gasp out loud moments in this book. It deserves all the hype around it - and more.
Many thanks to Picador for providing me with an e-copy through NetGalley.
2.5 Stars
I was intrigued with The Widow. From the beginning, the suspicion was so focused on Glen, I was curious to find out if the real suspect was, in fact, someone else entirely. I had my options: Mike Doonan, the mother herself, or even Jean. Even as the evidence piled up against Glen, I held a sliver of doubt, because I don't like to leave any possible scenario unexplored. For a good while, I seriously thought Dawn had been involved somehow - I was extremely relieved when I discovered she wasn't. Mike was a momentary thought but, even though I didn't believe his disability claim for even a moment, I didn't dwell on his involvement for long. It was quite easy to be biased, with all the evidence and the fact the police continued to zero in on Glen. When the scrapbooks of baby pictures were mentioned, I began to consider Jean might actually be a suspect. I mean, she's telling the story, so she could twist and change anything she wanted to; she was desperate enough for a child, I figured maybe she just blocked it all out or maybe her medication had resulted in some kind of split personality. However, it was difficult to keep up with the different perspectives. First there's Jean ("The Widow"), Kate ("The Reporter"), DI Sparkes ("The Detective"), and even Dawn ("The Mother"). There was even one chapter written from Glen's perspective. I also had a hard time keeping the timeline straight, because even during the present, Jeanie would look back on a memory - that was pretty confusing, even with the dates. To be honest, I skimmed through most of Kate's and Sparke's chapters, briefed over Dawn's, and looked for interesting pieces of information in Jean's. Had I known Glen was the kidnapper the whole time, I doubt I would have read this book in its entirety. Like I said, I was hoping the suspect was another character and that Fiona was deliberately misleading her readers. I was disappointed in the story as a whole, because the majority of it was slow going and kind of boring. It didn't feel fast paced or "edge of your seat" exciting.
I was intrigued with The Widow. From the beginning, the suspicion was so focused on Glen, I was curious to find out if the real suspect was, in fact, someone else entirely. I had my options: Mike Doonan, the mother herself, or even Jean. Even as the evidence piled up against Glen, I held a sliver of doubt, because I don't like to leave any possible scenario unexplored. For a good while, I seriously thought Dawn had been involved somehow - I was extremely relieved when I discovered she wasn't. Mike was a momentary thought but, even though I didn't believe his disability claim for even a moment, I didn't dwell on his involvement for long. It was quite easy to be biased, with all the evidence and the fact the police continued to zero in on Glen. When the scrapbooks of baby pictures were mentioned, I began to consider Jean might actually be a suspect. I mean, she's telling the story, so she could twist and change anything she wanted to; she was desperate enough for a child, I figured maybe she just blocked it all out or maybe her medication had resulted in some kind of split personality. However, it was difficult to keep up with the different perspectives. First there's Jean ("The Widow"), Kate ("The Reporter"), DI Sparkes ("The Detective"), and even Dawn ("The Mother"). There was even one chapter written from Glen's perspective. I also had a hard time keeping the timeline straight, because even during the present, Jeanie would look back on a memory - that was pretty confusing, even with the dates. To be honest, I skimmed through most of Kate's and Sparke's chapters, briefed over Dawn's, and looked for interesting pieces of information in Jean's. Had I known Glen was the kidnapper the whole time, I doubt I would have read this book in its entirety. Like I said, I was hoping the suspect was another character and that Fiona was deliberately misleading her readers. I was disappointed in the story as a whole, because the majority of it was slow going and kind of boring. It didn't feel fast paced or "edge of your seat" exciting.
Gareth von Kallenbach (980 KP) rated Come Play (2020) in Movies
Oct 29, 2020
One of the more interesting and fresh horror films since “It Follows” has arrived and “Come Play” is a creepy film that captures childhood fears and captivates.
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5
The film follows Oliver (Azhy Robertson); a non-verbal autistic boy living with his mother Sarah (Gillian Jacobs), and his father Marty (John Gallagher Jr.). Oliver communicates via an app on his phone and he awakens one evening to find a story called “Larry the Misunderstood Monster” on his phone. While he attempts to read it, unusual things start to happen such as lights going out on their own and the belief that there is something in the room.
When morning arrives we see that Oliver is picked on at school due to his disability and a past incident where he struck another student. The fact that his parents are strained does not help but Oliver continues to experience unusual events especially in the evening.
Oliver starts to believe that Larry from his story is indeed real and is attempting to enter his world and take him. Unable to communicate this clearly, Oliver soon has his concerns confirmed when students come to his home and he sees Larry via a camera on a found tablet.
As the situation unfolds, the tension mounts Larry begins to manifest himself more and more in our world forcing Oliver and his parents to confront Larry who has become more and bolder in his manifestations.
While the film is shot in darkness for several parts of the movie which makes some things harder to see; it does add to the tension and the story is a nice deviation from the usual killer monster on the loose and provides a more restrained but suspenseful take on the monster on the loose film. The smaller cast works well as it is at the core a story about family and the extent parents will go for their children as well as a look at the problems of loneliness amongst children; especially those with disabilities.
In the end “Come Play” is a creepy, memorable, and refreshing horror /suspense film that stays with you long after the movie ends.
3.5 stars out of 5