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Beckie Shelton (40 KP) rated The One in Books

Feb 8, 2018

The One

John Marrs | 2017 | Fiction & Poetry

8.6

(8 Ratings)

Book Rating

This is what I love about reviewing books, it takes you out of your comfort zone and you get to experience author's that perhaps might never cross your radar and what a shame that would be as, The One by John Marrs was one of those gems that I may have passed by, an utterly brilliant captivating phycological thriller which kept me entranced till the final pages.

How to adequately convey this story and do it justice, as it truly is a unique concept. I have read an abundance of fiction over the years and the subject expressed in The One, A Gene that matches you with another individual romantically, a soul mate. is truly a unique idea.

In The One, we have what seems like five different stories all wrapped up in a shared Tale, Five Love matches all separate but also intertwined in a bigger picture. The unique writing style of John Marrs makes this very addictive reading, each chapter focusing on a gene match playing in an enthralling loop that makes you want to keep reading.

we have,

Mandy & Richard
Christopher & Amy
Jade & Kevin
Nick & Sally
Ellie & Tim

Finding the love of your life, the other half of you may seem an amazing and wonderous thing. But in reality, the obstacles this can throw at you if you think on this logically are truly shocking, What if your match is married or old, dead or disabled. He or she could be a criminal when you ponder deeper on this matter all sorts of shockingly crazy scenarios spring to mind.The one explores these situations giving us an insight into what could happen when we ask the question WHAT IF?

In conclusion, this book is a breathtaking phycological thriller that keeps you gripped throughout. I've tried to convey a sense of what The one gives you without giving too much away as this is one of those stories you really need to go in blind to truly appreciate the sheer brilliance of its storyline. Love doesn't always run smoothly, in fact in this tale don't expect the ordinary it abounds with twists and turns that keep you guessing throughout.

I Received a free copy of this e-book from NetGalley in return for a review and this is my own honest opinion.

https://www.beckiebookworm.com/
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Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies

Oct 17, 2020

The Body Snatcher (1945)

1945 | Drama, Horror, Mystery

7.0

(2 Ratings)

Movie Rating

Boris Karloff (1 more)

Bela Lugosi

Invasion

The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.

The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.

It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.

The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).

Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.

Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.

Its a excellent film.