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The Devil's Glove (Salem #1)
10.0
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Northern New England, summer, 1688. Salem started here. A suspicious death. A rumor of war....
Historical Fiction Salem
The Witless Protection Program
10.0
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In the fifth Catering Hall Mystery by Agatha Award-winning author Maria DiRico, series sleuth Mia...
ClareR (5911 KP) rated The Hurricane Wars in Books
Jan 19, 2024
I think I came at this book from a completely different angle than all the 1-3 star reviews I’ve seen, because I thoroughly enjoyed it! The world building was perfectly done - I believed in these places, customs and conflicts. The magic element was exciting, and Talasyn’s journey to learning how to control and use her magic was fascinating.
And then there’s Talasyn’s love interest. Alaric uses a magic that’s the opposite to Talasyn’s - dark to her light. When their magic accidentally merges during a battle and creates a new, immensely powerful magic, Alarics interest is piqued. Talasyn hates Alaric and his kingdom - or does she?
There’s a lot of sexual tension going on in this book, and Alaric and Talasyn have a rather combative relationship. There was a part of me that just wanted them to sort it out, but there’s a lot of water under the bridge between these two, so it’s understandable.
So, I’m looking forward to the next book for a lot of reasons: there’s the “will they/ won’t they; whether Alarics father will ruin everything or not; whether the continents will survive the ensuing natural disaster; whether Talasyn will harness her powers in time; what’s going to happen to Talasyn’s friends?!
So many questions and I’m just going to have to wait!
And then there’s Talasyn’s love interest. Alaric uses a magic that’s the opposite to Talasyn’s - dark to her light. When their magic accidentally merges during a battle and creates a new, immensely powerful magic, Alarics interest is piqued. Talasyn hates Alaric and his kingdom - or does she?
There’s a lot of sexual tension going on in this book, and Alaric and Talasyn have a rather combative relationship. There was a part of me that just wanted them to sort it out, but there’s a lot of water under the bridge between these two, so it’s understandable.
So, I’m looking forward to the next book for a lot of reasons: there’s the “will they/ won’t they; whether Alarics father will ruin everything or not; whether the continents will survive the ensuing natural disaster; whether Talasyn will harness her powers in time; what’s going to happen to Talasyn’s friends?!
So many questions and I’m just going to have to wait!
The Echo Chamber
10.0
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What a thing of wonder a mobile phone is. Six ounces of metal, glass and plastic, fashioned into a...
Satire
Lighten The Load (Ghosts along the Oregon Trail, #2)
Book
After a devastating tragedy, Dorcas Moon faces brutal choices in the unforgiving wilderness. An...
Historical Western Adventure American West Pioneers
Knife River (The Ty Dawson Mysteries)
Book
A sheriff fighting to keep the peace in 1970s Oregon faces a shocking secret from his town’s past,...
Crime Thriller Series Mystery 1970s Historical
Movie Metropolis (309 KP) rated Final Destination 5 (2011) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Did we really need another Final Destination film? After the last, merely average movie, the answer on everyone’s lips was a firm and resounding no. However, a surprising return to form for the franchise has ensured that even this old goat has life in it yet.
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Gone are the cheap, cheesy shocks that littered Final Destination 3 and 4. In their place are the genuine thrills and spills from the first two films. The movie returns the guessing game element to its audience and for that I am thoroughly grateful.
Newcomer Steven Quale helms this instalment which combines excellent 3D with fantastic special effects and a dazzling set of opening credits which showcase the deaths from the films that preceded it. I wasn’t expecting much from this film, I have to admit, but the credits really are a highlight as you try and remember which film each death is from.
As with any film in the Final Destination franchise, an epic opening disaster is the norm. Whilst the motorway pileup from Final Destination 2 has been the best up until now, the bridge collapse in this film is utterly mesmerising and edge of your seat thrilling. From the flawless special effects to the scale of the production, it surpasses anything seen before in the series.
The deaths have also returned to form too. Instead of out and out cheese, they’re shocking to the point of jaw-dropping. It’ll have you checking every loose nut and bolt from now on and probably have you resisting that fashionable laser eye surgery too. Thankfully though, away from the deaths, it errs on the side of humorous without delving into slapstick.
Nicholas D’Agosto leads a small cast as they try and find a way to cheat death after surviving that epic bridge disaster. An interesting storyline this time around has the cast told that they are able to cheat death by killing someone else, therefore having their life swapped with yours. The acting from all corners leaves a lot to be desired and the dialogue and performances are unashamedly wooden but this is a small point in a film that really does shock and surprise.
However, perhaps the best part of the film and the reason why it’s so enjoyable is the final twist, a twist that will leave you shouting at the screen in dismay. It’s practically impossible to see it coming until the last 5 minutes and in these last minutes you realise just how clever director Steven Quale has been in creating this film.
It may not be the most original movie to ever grace the big screen and the cast aren’t going to trouble the Oscars but Final Destination 5 returns a lifeless franchise to what it once was, bloody good fun and as such it is by far, the best in the series.
So, the question now is; do we need Final Destination 6?
https://moviemetropolis.net/2011/09/21/review-final-destination-5-2011/
Alice (12 KP) rated Twist (Dive Bar, #2) in Books
Jul 3, 2018
This review can be found on my blog <a href="https://raptureinbooks.com/2017/03/13/arc-review-twist-by-kylie-scott/">here</a href>
<i>I received an ARC copy of this book from the publisher in exchange for an honest review</i>
Twist is the second instalment in the Dive Bar series from Kylie Scott and it was much better than the first one Dirty. Twist follows Joe Collins and Alex Parks (a new character that we’re introduced to in this book) as they right their wrongs – or rather, Joe rights his wrong and Alex does her utmost to make things hard for him.
The story begins with Alex Parks appearing at the Dive Bar on a random to meet Eric Collins, Joe’s brother. It appears that judging from the beginning of the book that Eric and Alex have been conversing via online dating for a while before she takes a leap of faith and goes to meet Eric for his birthday.
Disaster.
But this was expected, as to be fair, there wouldn’t be a book if there wasn’t at least one disaster to be fixed!
What follows is one of the best written contemporary novels I’ve read in a long time; there was plenty of humour and drama, characters to fall in love with and a storyline of catfish proportions. There was a perfect balance between the two main characters and the secondary characters with little friction but with a quick & wicked sense of camaraderie between all the Dive Bar and Alex.
You know how a book is generally considered good when part of the plot gives you a sucker punch to the gut like no other? Twist had this and it had it in spades. I was already feeling poorly and receiving this ARC made my week; that one section though. Kylie – no word of a lie, brought a little tear to my eye. Such a hard hitting side arc.
At first I was a little off put by Alex as she seemed really uncomfortable in the situation but as the story progressed Kylie explained the whys and wherefores and it made her reactions to certain things make all the more sense. Joe was just as mysteriously bearded as he was in Dirty and it was lovely to see the other side to Joe that we see in this book.
It was a little shorter than I expected – length wise – but it was incredibly fast paced and before I knew it I’d blasted through 20% in under 15 minutes which is another sure fire sign of a great book.
Kylie’s writing has done nothing but improve over the course of her books and another great part about Twist? The Stage Dive boys & girls were back in town! The ending was perfect and I mean that in all the ways. I need the next book Chaser ASAP.
It’s hard reviewing this book without giving away any crucial details.
<i>I received an ARC copy of this book from the publisher in exchange for an honest review</i>
Twist is the second instalment in the Dive Bar series from Kylie Scott and it was much better than the first one Dirty. Twist follows Joe Collins and Alex Parks (a new character that we’re introduced to in this book) as they right their wrongs – or rather, Joe rights his wrong and Alex does her utmost to make things hard for him.
The story begins with Alex Parks appearing at the Dive Bar on a random to meet Eric Collins, Joe’s brother. It appears that judging from the beginning of the book that Eric and Alex have been conversing via online dating for a while before she takes a leap of faith and goes to meet Eric for his birthday.
Disaster.
But this was expected, as to be fair, there wouldn’t be a book if there wasn’t at least one disaster to be fixed!
What follows is one of the best written contemporary novels I’ve read in a long time; there was plenty of humour and drama, characters to fall in love with and a storyline of catfish proportions. There was a perfect balance between the two main characters and the secondary characters with little friction but with a quick & wicked sense of camaraderie between all the Dive Bar and Alex.
You know how a book is generally considered good when part of the plot gives you a sucker punch to the gut like no other? Twist had this and it had it in spades. I was already feeling poorly and receiving this ARC made my week; that one section though. Kylie – no word of a lie, brought a little tear to my eye. Such a hard hitting side arc.
At first I was a little off put by Alex as she seemed really uncomfortable in the situation but as the story progressed Kylie explained the whys and wherefores and it made her reactions to certain things make all the more sense. Joe was just as mysteriously bearded as he was in Dirty and it was lovely to see the other side to Joe that we see in this book.
It was a little shorter than I expected – length wise – but it was incredibly fast paced and before I knew it I’d blasted through 20% in under 15 minutes which is another sure fire sign of a great book.
Kylie’s writing has done nothing but improve over the course of her books and another great part about Twist? The Stage Dive boys & girls were back in town! The ending was perfect and I mean that in all the ways. I need the next book Chaser ASAP.
It’s hard reviewing this book without giving away any crucial details.
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
BankofMarquis (1832 KP) rated Greenland (2020) in Movies
Jul 1, 2021
It Doesn't Work
While surfing through my various streaming services looking for something to get swallowed up into my couch while watching, I encountered GREENLAND a film about a “planet killing” comet hurtling towards Earth starring that noted thespian Gerard Butler.
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)