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Alice (12 KP) rated Twist (Dive Bar, #2) in Books
Jul 3, 2018
This review can be found on my blog <a href="https://raptureinbooks.com/2017/03/13/arc-review-twist-by-kylie-scott/">here</a href>
<i>I received an ARC copy of this book from the publisher in exchange for an honest review</i>
Twist is the second instalment in the Dive Bar series from Kylie Scott and it was much better than the first one Dirty. Twist follows Joe Collins and Alex Parks (a new character that we’re introduced to in this book) as they right their wrongs – or rather, Joe rights his wrong and Alex does her utmost to make things hard for him.
The story begins with Alex Parks appearing at the Dive Bar on a random to meet Eric Collins, Joe’s brother. It appears that judging from the beginning of the book that Eric and Alex have been conversing via online dating for a while before she takes a leap of faith and goes to meet Eric for his birthday.
Disaster.
But this was expected, as to be fair, there wouldn’t be a book if there wasn’t at least one disaster to be fixed!
What follows is one of the best written contemporary novels I’ve read in a long time; there was plenty of humour and drama, characters to fall in love with and a storyline of catfish proportions. There was a perfect balance between the two main characters and the secondary characters with little friction but with a quick & wicked sense of camaraderie between all the Dive Bar and Alex.
You know how a book is generally considered good when part of the plot gives you a sucker punch to the gut like no other? Twist had this and it had it in spades. I was already feeling poorly and receiving this ARC made my week; that one section though. Kylie – no word of a lie, brought a little tear to my eye. Such a hard hitting side arc.
At first I was a little off put by Alex as she seemed really uncomfortable in the situation but as the story progressed Kylie explained the whys and wherefores and it made her reactions to certain things make all the more sense. Joe was just as mysteriously bearded as he was in Dirty and it was lovely to see the other side to Joe that we see in this book.
It was a little shorter than I expected – length wise – but it was incredibly fast paced and before I knew it I’d blasted through 20% in under 15 minutes which is another sure fire sign of a great book.
Kylie’s writing has done nothing but improve over the course of her books and another great part about Twist? The Stage Dive boys & girls were back in town! The ending was perfect and I mean that in all the ways. I need the next book Chaser ASAP.
It’s hard reviewing this book without giving away any crucial details.
<i>I received an ARC copy of this book from the publisher in exchange for an honest review</i>
Twist is the second instalment in the Dive Bar series from Kylie Scott and it was much better than the first one Dirty. Twist follows Joe Collins and Alex Parks (a new character that we’re introduced to in this book) as they right their wrongs – or rather, Joe rights his wrong and Alex does her utmost to make things hard for him.
The story begins with Alex Parks appearing at the Dive Bar on a random to meet Eric Collins, Joe’s brother. It appears that judging from the beginning of the book that Eric and Alex have been conversing via online dating for a while before she takes a leap of faith and goes to meet Eric for his birthday.
Disaster.
But this was expected, as to be fair, there wouldn’t be a book if there wasn’t at least one disaster to be fixed!
What follows is one of the best written contemporary novels I’ve read in a long time; there was plenty of humour and drama, characters to fall in love with and a storyline of catfish proportions. There was a perfect balance between the two main characters and the secondary characters with little friction but with a quick & wicked sense of camaraderie between all the Dive Bar and Alex.
You know how a book is generally considered good when part of the plot gives you a sucker punch to the gut like no other? Twist had this and it had it in spades. I was already feeling poorly and receiving this ARC made my week; that one section though. Kylie – no word of a lie, brought a little tear to my eye. Such a hard hitting side arc.
At first I was a little off put by Alex as she seemed really uncomfortable in the situation but as the story progressed Kylie explained the whys and wherefores and it made her reactions to certain things make all the more sense. Joe was just as mysteriously bearded as he was in Dirty and it was lovely to see the other side to Joe that we see in this book.
It was a little shorter than I expected – length wise – but it was incredibly fast paced and before I knew it I’d blasted through 20% in under 15 minutes which is another sure fire sign of a great book.
Kylie’s writing has done nothing but improve over the course of her books and another great part about Twist? The Stage Dive boys & girls were back in town! The ending was perfect and I mean that in all the ways. I need the next book Chaser ASAP.
It’s hard reviewing this book without giving away any crucial details.
Lee (2222 KP) rated Last Christmas (2019) in Movies
Nov 16, 2019
I guess I’m not exactly the target audience for a Christmas rom-com, but I don’t usually mind them. Providing the leads have believable chemistry, there’s a good story behind it all, a few laughs and something that gives you that Christmas feel good feeling, I’m happy to watch them. Sadly though, for the most part, Last Christmas struggles to tick most of those boxes.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
Emilia Clarke stars as Kate (short for Katerina, her original Yugoslav name), a 26 year old who’s struggling at life right now. Her nights are filled with one-night stands and sleeping over at friends houses, dragging her suitcase behind her the next morning as she either heads to work in a Covent Garden Christmas shop or off to an audition for a West end show. She’s also currently ignoring calls from her mum (Emma Thomson), disappointing her boss (Michelle Yeoh) and coming across as selfish and not really very likeable. It’s safe to say, she’s lost her way - “Why is my life so shit?!” she exclaims after yet another disaster happens.
And then one day, Kate notices a man gazing up at a bird outside the Christmas shop and goes outside to see what he’s doing. His name is Tom (Henry Golding) and he’s handsome and charming (but a bit wooden) and despite them turning out to have zero chemistry together, they strike up a relationship - because, y’know, this is a rom-com after all. Tom takes Kate on spontaneous walks down alleyways and into nearby pocket parks, making her look up regularly so that she can appreciate the world around her. He rides a bike everywhere, doesn’t have a mobile phone and disappears for days on end. Yet his presence and friendship appear to have a positive effect on Kate, who begins to start turning her life around.
The first half of the movie is just terrible. Badly written dialogue and characters in an attempt to try and recapture some kind of Love Actually spirit, but just failing. It even tries to cram in some Brexit references and a little bit of racism to highlight the plight of immigrants. Written by Emma Thomson and directed by Paul Feig, Last Christmas is said to be inspired by the music of George Michael although, aside from its namesake, not very much of it actually ends up featuring much in the movie.
If you’ve seen the trailer, then you may well have figured out the twist that comes towards the end of the movie. If not, then you’ll probably work it out pretty early on anyway. However, I’d be lying if I said that Last Christmas didn’t manage to hit me emotionally when the time came. It also managed to invoke some warm Christmas feels and spirit too, so not quite the complete disaster it started out as.
BankofMarquis (1832 KP) rated Greenland (2020) in Movies
Jul 1, 2021
It Doesn't Work
While surfing through my various streaming services looking for something to get swallowed up into my couch while watching, I encountered GREENLAND a film about a “planet killing” comet hurtling towards Earth starring that noted thespian Gerard Butler.
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
“Great”, I thought, “a disaster flick starring the guy from another cheesy disaster flick GEOSTORM, this should be fun, mindless entertainment”.
It wasn’t mindless and it wasn’t - most definitely - fun.
GREENLAND takes a “realistic” approach to the “what would happen if a killer comet starts barreling towards the Earth”. Because of this “realistic” approach, the mood throughout the film is pretty somber while the characters stand around and talk about the implications/consequences of this event.
There are 3 BIG issues with this film and it’s approach
1). The “realism” of what happens only occurs in service to the plot, when our heroes need to get from “Point A” to “Point B”, the freeways and roadways are, magically, empty - and a vehicle (completely full of gas) is conveniently awaiting them.
2). Gerard Butler is not even close enough of a good actor to carry the dialogue-heavy scenes.
3). Butler and his estranged wife (is there any other type of couple in these types of films) played by the “good enough” Morena Baccarin (DEADPOOL) are saddled with one of the most annoying, whiny kids (badly acted by Roger Dale Floyd) in the history of movies. At one point the child disappears from the plot (it would be a spoiler to explain why), I was really hoping that this character would not come back.
About the only thing that works in this film is a brief, extended cameo by Scott Glenn as Baccarin’s father, it lifts the middle of this sagging film at a time that it desperately needed it, giving me hope for the last 1/2 of the movie - a hope that was not realized.
I’m not sure I can lay all the blame of this failed film on Director Ric Roman Waugh (Angel Has Fallen), but he didn’t help himself here, either. He lingers way to long on events, dialogue and scenes, with the standard “light piano” underscore that emphasizes the importance of what is going on.
I blame the Producers of this film who, originally, had Neill Blomkamp (DISTRICT 9) lined up to Direct and Chris Evans to star in his first post-Avengers role. Both ended up dropping out and I can only imagine that the Producers cut the Director, Casting and Special Effects budgets, but kept the seriousness and realism of the tone.
It didn’t work.
Skip GREENLAND. If you want to check out “comets hitting the Earth” films, I would steer you towards the 1990’s duo of ARMAGEDDON and DEEP IMPACT.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(OfMarquis)
Whatchareadin (174 KP) rated Sometimes I Lie in Books
Apr 9, 2019
Amber is in a coma. She can hear the people around her, but there is nothing she can do. The book travels back to the events leading up to the coma and the diary of a young girl with a lot of troubles. This book is full of shocking events. Is her husband to blame for the accident that put Amber in a coma? Will her sister be able to find out what is going on before Amber wakes up? Will Amber ever wake up? How will the events of her past shape her future if/when she does wake up?
Thank you to NetGalley and Flatiron Book for the opportunity to read and review this book.
I must say that I'm just as confused now as when I was reading the book. Usually for me it is because the book travels back and forth through time, but this time, the story itself was confusing. You think you may know what is going on, but then a curve in thrown into the story and you have no idea what is going on. The story held my attention and I was able to finish it rather quickly, but even days after finishing it, it has left me with questions.
Is Amber really as bad as you think? What about her sister Claire? Who is the real culprit in all the disaster that has happened in their lives?
Thank you to NetGalley and Flatiron Book for the opportunity to read and review this book.
I must say that I'm just as confused now as when I was reading the book. Usually for me it is because the book travels back and forth through time, but this time, the story itself was confusing. You think you may know what is going on, but then a curve in thrown into the story and you have no idea what is going on. The story held my attention and I was able to finish it rather quickly, but even days after finishing it, it has left me with questions.
Is Amber really as bad as you think? What about her sister Claire? Who is the real culprit in all the disaster that has happened in their lives?
LeftSideCut (3776 KP) rated Jurassic World (2015) in Movies
Jun 7, 2019 (Updated Dec 4, 2019)
The thing that annoys me most about Jurassic World is how good it could have been. There was a long break between movies here - almost taking time to regroup a bit - and the trailers looked good enough.
Unfortunately, the finished product was underwhelming for me.
There's a lot of stupid going on throughout, but the movie takes itself too seriously to get away with it
(Especially the villains plot to take raptors and use them in Afghanistan - wtf)
The set up to the inevitable disaster is riddled with product placement, and an average script (and a weird sub plot about the two kids parents getting divorced), and then when all hell breaks loose, it just descends into Hollywood nonsense (the scenes with Chris Pratt riding alongside raptors on a motorbike is one of the many times I rolled my eyes), it's a far cry from the original.
Another thing - the main dinosaur threat comes in the shape of a super crazy lab created hybrid dinosaur, which just seems a little... unnecessary - just regular dinosaurs are pretty damn scary!
I like both Chris Pratt, and Bryce Dallas-Howard, unfortunately the chemistry between the two doesn't quite connect. The rest of the cast are fine, and mostly likable.
It's not an awful film by any means, it's just... Ok. I'm sure I'll find myself watching it again at some point, I guess I just wanted more!
Unfortunately, the finished product was underwhelming for me.
There's a lot of stupid going on throughout, but the movie takes itself too seriously to get away with it
(Especially the villains plot to take raptors and use them in Afghanistan - wtf)
The set up to the inevitable disaster is riddled with product placement, and an average script (and a weird sub plot about the two kids parents getting divorced), and then when all hell breaks loose, it just descends into Hollywood nonsense (the scenes with Chris Pratt riding alongside raptors on a motorbike is one of the many times I rolled my eyes), it's a far cry from the original.
Another thing - the main dinosaur threat comes in the shape of a super crazy lab created hybrid dinosaur, which just seems a little... unnecessary - just regular dinosaurs are pretty damn scary!
I like both Chris Pratt, and Bryce Dallas-Howard, unfortunately the chemistry between the two doesn't quite connect. The rest of the cast are fine, and mostly likable.
It's not an awful film by any means, it's just... Ok. I'm sure I'll find myself watching it again at some point, I guess I just wanted more!
Nicole Hadley (380 KP) rated Cats Aloft (Anton and Cecil #3) in Books
Jun 18, 2018
Anton and Cecil, Book 3, by Lisa Martin, and Valerie Martin is the third book in the Anton and Cecil historical fiction series. After traveling by ship and train in the first two books, they get an opportunity to travel in the air in this outing. Anton and Cecil hook up with a bloodhound, Ruby LaNez in Chicago, to try a solve the mystery of the stolen white puppies. After helping to capture a bank robber, they head off to the fair to track down half a dozen missing white puppies. When they think they know who the culprits are, Cecil accidentally ends up in a hot air balloon. After a disaster in the sky, he ends up at the circus where he locates the missing puppies. With the help of some of the circus animals and a group of overgrown rats, he comes up with a plan to free a Siberian tiger and rescue the puppies. Anton and Ruby follow their noses and also end up at the circus.
What an enjoyable adventure for a pair of adventurous cats. The illustrations are scattered throughout this early chapter book and add just enough visual appeal that children will enjoy. For readers who love animal adventurers this is a fun series. This is an early chapter book that would be great for those late primary, junior readers to enjoy.
I received an advanced copy this book via NetGalley and Algonquin Young Readers. Thanks so much.
What an enjoyable adventure for a pair of adventurous cats. The illustrations are scattered throughout this early chapter book and add just enough visual appeal that children will enjoy. For readers who love animal adventurers this is a fun series. This is an early chapter book that would be great for those late primary, junior readers to enjoy.
I received an advanced copy this book via NetGalley and Algonquin Young Readers. Thanks so much.
Phil Leader (619 KP) rated Captain Disaster: The Damaris Touch in Books
Nov 11, 2019
Captain Disaster, inept spacefaring star of video games and short stories gets his own novella. After answering a distress call, things become rather too exciting for our erstwhile hero. Be prepared for the series of unlikely comedic events that ensue as he faces (almost) certain death.
There are books that take themselves seriously and there are those that don't. This is as firmly in the second group as the author's tongue is in his cheek. Filled with throwaway jokes galore, terrible groan out loud puns and slapstick antics this is a story to read for a good laugh.
The style is best described as 'free', Seaman swerving off at tangents to deliver a simple gag before returning to the story at hand. And that is the charm - there will be no deep introspection for the reader into what motivates the characters, just a vain attempt to keep ahead of the flow of jokes. Okay, not all of them hit, but like a rapid fire comedy routine that doesn't matter because if you didn't like that one there will be another one along in a minute. And yes perhaps there could be some tightening of the prose or plot here and there but that would definitely alter its character, perhaps too far towards serious. And that would never do.
So kick back, relax, set the lighting to 'mood' and the ship to autopilot. You've got some laughing to do
There are books that take themselves seriously and there are those that don't. This is as firmly in the second group as the author's tongue is in his cheek. Filled with throwaway jokes galore, terrible groan out loud puns and slapstick antics this is a story to read for a good laugh.
The style is best described as 'free', Seaman swerving off at tangents to deliver a simple gag before returning to the story at hand. And that is the charm - there will be no deep introspection for the reader into what motivates the characters, just a vain attempt to keep ahead of the flow of jokes. Okay, not all of them hit, but like a rapid fire comedy routine that doesn't matter because if you didn't like that one there will be another one along in a minute. And yes perhaps there could be some tightening of the prose or plot here and there but that would definitely alter its character, perhaps too far towards serious. And that would never do.
So kick back, relax, set the lighting to 'mood' and the ship to autopilot. You've got some laughing to do
Mark @ Carstairs Considers (2425 KP) rated Let’s Fake a Deal in Books
Jul 31, 2019
My Enthusiasm for This Book Is Not Fake
Sarah Winston’s latest garage sale turns into a disaster when the police show up just after she has opened. It turns out Sarah is selling stolen goods, and the people who hired her have vanished without a trace, making it look even more like she is guilty. That night, Sarah meets up with her friend Michelle at a local bar. Michelle, who is up for a promotion in the Air Force, is facing a bogus discrimination complaint. The next morning, one of the men Michelle thinks is behind her complaint is found dead in her car. Can Sarah clear her friend while keeping herself out of jail?
With two strong mysteries, I’m sure it is no surprise to say that this is a fast-paced book. Sarah is always working on one case or the other, and author Sherry Harris balances them perfectly, so we can easily follow what is happening in both cases. I had a hard time putting the book down, which is standard for this series, and I was satisfied when I reached the ending. The characters are great as always; I’m especially enjoying getting to know Sarah’s brother Luke. This book highlights another issue that career military people face without forgetting that it is a mystery novel first, something I especially enjoy about this series. Now comes the wait for the next time I get to visit Sarah.
With two strong mysteries, I’m sure it is no surprise to say that this is a fast-paced book. Sarah is always working on one case or the other, and author Sherry Harris balances them perfectly, so we can easily follow what is happening in both cases. I had a hard time putting the book down, which is standard for this series, and I was satisfied when I reached the ending. The characters are great as always; I’m especially enjoying getting to know Sarah’s brother Luke. This book highlights another issue that career military people face without forgetting that it is a mystery novel first, something I especially enjoy about this series. Now comes the wait for the next time I get to visit Sarah.
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