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NiMet SRP 2016
Weather
App
Nigerian Meteorological Agency (NiMet) Seasonal Rainfall Prediction for 2016. The Nigerian...
Grand Theft Auto: San Andreas
Games and Entertainment
App
***PLEASE NOTE: This game is officially supported on the following devices only: iPhone 4s, 5, 5s,...
Andrew Carnegie
Book
Celebrated historian David Nasaw, whom The New York Times Book Review has called "a meticulous...
The Midnight Peacock: The Sinclair's Mysteries
9.0
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Book
A fast-paced historical mystery adventure for readers aged 9+ years, with gorgeous Edwardian period...
young adult crime
Feral Sins (The Phoenix Pack #1)
4.0
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Book
If your inner wolf and your body react rather enthusiastically to a psychotic Alpha male who’s own...
DaveySmithy (107 KP) rated Twisters (2024) in Movies
Dec 4, 2024
A Solid Sequel That Doesn’t Fully Capture the Storm
As a long-time fan of the original Twister (1996), I went into Twisters (2024) with a mix of excitement and trepidation. How could this sequel live up to the raw, chaotic energy of its predecessor, a film that turned storm chasing into an adrenaline-fueled spectacle? The answer, for better or worse, is that it doesn’t quite match it, but it does enough to stand on its own.
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
The Meadows
10.0
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Book
"A story of pain, injustice, love, resistance, and hope, this glorious book will lodge inside you...
YA Dystopian LGBTQ+ Science Fiction
ClareR (6225 KP) rated The Startup Wife in Books
Mar 20, 2022
I really enjoyed this satirical story of love and marriage in the setting of an app startup. It’s a book of two halves, really: a love story, and how you set an app is set up and start a business.
Computer scientist Asha, meets up with her high school crush, Cyrus, they fall in love and get married. Along with Cyrus’ friend Jules, Asha develops an app based on Cyrus’ beliefs. And the app really takes off - which is where the second part of the book kicks in.
Cyrus goes from reluctant participant in the venture, to being a guru who enthrals thousands of subscribers each day with his motivational webcasts. He IS the face of WAI, and Asha’s role is almost forgotten. Even when it becomes something of a phenomenon, Asha’s development and programming expertise is pushed aside to make way for her clearly more charismatic husband. The problem is, and this is what really started to put me off his character, Cyrus buys into his own charisma. He thinks he and the app are capable of doing far more than they realistically can do, and disaster awaits. If only they’d listened to Asha.
Asha is the loyal wife, but faced with being constantly undermined at work, and not being supported by Cyrus, things are bound to come to a head. And they certainly do! Everything that can go wrong, does!
I really liked the way that the author looked at how social media and apps should have a responsibility towards their users. People get carried away online, thinking that anything is possible, and social media can reinforce this.
I also think that the way that Asha was pushed out and her role trivialised was representative of many women in the workplace. In particular, the way that their investor ignored Asha in meetings, directing technical questions (her job) to the male partners.
Parts of this book really made me laugh, other parts showed the online world as trivial and shallow. It portrayed the dangers of trusting a programme with no human perception of situations. It’s a great book which not only entertained me, but really got me thinking.
Computer scientist Asha, meets up with her high school crush, Cyrus, they fall in love and get married. Along with Cyrus’ friend Jules, Asha develops an app based on Cyrus’ beliefs. And the app really takes off - which is where the second part of the book kicks in.
Cyrus goes from reluctant participant in the venture, to being a guru who enthrals thousands of subscribers each day with his motivational webcasts. He IS the face of WAI, and Asha’s role is almost forgotten. Even when it becomes something of a phenomenon, Asha’s development and programming expertise is pushed aside to make way for her clearly more charismatic husband. The problem is, and this is what really started to put me off his character, Cyrus buys into his own charisma. He thinks he and the app are capable of doing far more than they realistically can do, and disaster awaits. If only they’d listened to Asha.
Asha is the loyal wife, but faced with being constantly undermined at work, and not being supported by Cyrus, things are bound to come to a head. And they certainly do! Everything that can go wrong, does!
I really liked the way that the author looked at how social media and apps should have a responsibility towards their users. People get carried away online, thinking that anything is possible, and social media can reinforce this.
I also think that the way that Asha was pushed out and her role trivialised was representative of many women in the workplace. In particular, the way that their investor ignored Asha in meetings, directing technical questions (her job) to the male partners.
Parts of this book really made me laugh, other parts showed the online world as trivial and shallow. It portrayed the dangers of trusting a programme with no human perception of situations. It’s a great book which not only entertained me, but really got me thinking.
Ross (3284 KP) rated The Siege of Abythos in Books
Nov 7, 2017
Poetry battle (2 more)
Poetry battle
Poetry battle
The third instalment in the Chronicles of the Black Gate series is the biggest yet, in terms of page count. The story follows the same PoV characters as previous books but their adventures are now covering so much more of the world and the storyline is becoming quite entangled.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.