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Hazel (1853 KP) rated The Music Shop in Books
Aug 22, 2017
Learning to listen
This eBook was provided by the publisher via NetGalley in exchange for an honest review
From the author of The Unlikely Pilgrimage of Harold Fry comes a unique and beautiful story about music and learning how to listen. The Music Shop by Rachel Joyce takes readers on a journey through the developing music world of the late 1980s when CDs are beginning to wipe out all other means of recording music – a complete disaster for someone like Frank, the owner of the music shop, who only sells vinyl.
The book begins in 1988 in a crumbling down street where shopkeepers are barely making enough money to survive. Frank’s shop is one of the few remaining and, despite everything against him, is determined to keep going. Not only does he sell vinyl records, Frank has an empathetic gift allowing him to sense exactly what a customer needs to listen to, even though they may not realise it themselves. However, one day, Frank’s world is turned upside down by the arrival of a young German woman, Ilse Brauchmann, who faints on his doorstep.
Ilse intrigues all of the shopkeepers on Unity Street, particularly Frank’s teenaged assistant, Kit. Although Frank tries to deny it, Ilse also fascinates him to the point that he is rarely thinking of anything else. But what concerns him most is that he cannot pinpoint what piece of music she ought to listen to. When questioned, Ilse admits she knows nothing about music and begs Frank to give her lessons. These lessons have nothing to do with instruments – Frank is the least qualified to teach such a thing – but about how to listen to music. How to hear the pauses in classical pieces; understand the meaning behind Beethoven’s sonatas; feel the passion behind punk music; learn to love a number of composers for the things many people miss.
The longer Frank spends around Ilse, the more he begins to fall in love. However, love is something Frank denies himself ever since the death of his mother fifteen years previously. Written in italics are flashback chapters explaining how Frank’s love of music came about, his relationship with his mother, and how he ended up as a dead-end vinyl seller. Due to his fear of intimate relationships, Frank keeps pushing Ilse away until, one day, he realises how much he needs her. But, he may have left it too late.
The Music Shop is split into four sections, or sides (a reference to vinyl records). Side A introduces the characters and settings during a wintery January when Frank is beginning to struggle with the competition caused by the recently opened Woolworths on the nearby high street. Sides B and C focus on the development of Frank and Ilse’s friendship, the secrets they hide from each other and the foreboding sense of disaster hanging over the one-of-a-kind music shop.
As Frank begins to realise how much Ilse means to him, the sudden appearance of side D will break readers’ hearts. Whilst sides A, B and C take place in 1988, side D jumps forward 21 years to 2009. It appears Frank and Ilse never got the relationship they deserved. Two unhappy decades have been and gone, demolishing any resemblance of the way life used to be. However, because there is a side D, readers can only hope it will result in a happy ending.
The Music Shop is a love story between two quiet, modest characters whose past and present circumstances get in the way of a peaceful future. However, it is not only a piece of romantic fiction. Rachel Joyce writes a message in story format about second chances and being brave. Learning to listen does not only apply to music, it applies to hearing what other people are saying and what they are not; most importantly, the book urges people to listen to themselves.
The research undertaken for this novel is phenomenal. For starters, it is set almost thirty years ago when vinyl was only beginning to go out of fashion. The quality of music and the access people had to it was extremely different to the simplicity of today where it is possible to download everything at the press of a button. The breadth of music genre is as wide as possible. Every type of music is covered from Handel’s Messiah to Aretha Franklin and The Sex Pistols. To be able to discuss such a range without falling into stereotypes is a feat worthy of congratulating.
The Music Shop far surpasses anything Rachel Joyce has written so far. The story is fragile in a beautiful way, its delicacy causing the reader to treat it with care, rather than rush through it like some mundane piece of fiction. It will interest a whole host of readers: male and female, music lovers and those with a preference for silence. Whoever you are, be prepared to take something away from this distinctive, outstanding novel.
From the author of The Unlikely Pilgrimage of Harold Fry comes a unique and beautiful story about music and learning how to listen. The Music Shop by Rachel Joyce takes readers on a journey through the developing music world of the late 1980s when CDs are beginning to wipe out all other means of recording music – a complete disaster for someone like Frank, the owner of the music shop, who only sells vinyl.
The book begins in 1988 in a crumbling down street where shopkeepers are barely making enough money to survive. Frank’s shop is one of the few remaining and, despite everything against him, is determined to keep going. Not only does he sell vinyl records, Frank has an empathetic gift allowing him to sense exactly what a customer needs to listen to, even though they may not realise it themselves. However, one day, Frank’s world is turned upside down by the arrival of a young German woman, Ilse Brauchmann, who faints on his doorstep.
Ilse intrigues all of the shopkeepers on Unity Street, particularly Frank’s teenaged assistant, Kit. Although Frank tries to deny it, Ilse also fascinates him to the point that he is rarely thinking of anything else. But what concerns him most is that he cannot pinpoint what piece of music she ought to listen to. When questioned, Ilse admits she knows nothing about music and begs Frank to give her lessons. These lessons have nothing to do with instruments – Frank is the least qualified to teach such a thing – but about how to listen to music. How to hear the pauses in classical pieces; understand the meaning behind Beethoven’s sonatas; feel the passion behind punk music; learn to love a number of composers for the things many people miss.
The longer Frank spends around Ilse, the more he begins to fall in love. However, love is something Frank denies himself ever since the death of his mother fifteen years previously. Written in italics are flashback chapters explaining how Frank’s love of music came about, his relationship with his mother, and how he ended up as a dead-end vinyl seller. Due to his fear of intimate relationships, Frank keeps pushing Ilse away until, one day, he realises how much he needs her. But, he may have left it too late.
The Music Shop is split into four sections, or sides (a reference to vinyl records). Side A introduces the characters and settings during a wintery January when Frank is beginning to struggle with the competition caused by the recently opened Woolworths on the nearby high street. Sides B and C focus on the development of Frank and Ilse’s friendship, the secrets they hide from each other and the foreboding sense of disaster hanging over the one-of-a-kind music shop.
As Frank begins to realise how much Ilse means to him, the sudden appearance of side D will break readers’ hearts. Whilst sides A, B and C take place in 1988, side D jumps forward 21 years to 2009. It appears Frank and Ilse never got the relationship they deserved. Two unhappy decades have been and gone, demolishing any resemblance of the way life used to be. However, because there is a side D, readers can only hope it will result in a happy ending.
The Music Shop is a love story between two quiet, modest characters whose past and present circumstances get in the way of a peaceful future. However, it is not only a piece of romantic fiction. Rachel Joyce writes a message in story format about second chances and being brave. Learning to listen does not only apply to music, it applies to hearing what other people are saying and what they are not; most importantly, the book urges people to listen to themselves.
The research undertaken for this novel is phenomenal. For starters, it is set almost thirty years ago when vinyl was only beginning to go out of fashion. The quality of music and the access people had to it was extremely different to the simplicity of today where it is possible to download everything at the press of a button. The breadth of music genre is as wide as possible. Every type of music is covered from Handel’s Messiah to Aretha Franklin and The Sex Pistols. To be able to discuss such a range without falling into stereotypes is a feat worthy of congratulating.
The Music Shop far surpasses anything Rachel Joyce has written so far. The story is fragile in a beautiful way, its delicacy causing the reader to treat it with care, rather than rush through it like some mundane piece of fiction. It will interest a whole host of readers: male and female, music lovers and those with a preference for silence. Whoever you are, be prepared to take something away from this distinctive, outstanding novel.
Hazel (1853 KP) rated The Music Shop in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
From the author of <i>The Unlikely Pilgrimage of Harold Fry </i>comes a unique and beautiful story about music and learning how to listen. <i>The Music Shop</i> by Rachel Joyce takes readers on a journey through the developing music world of the late 1980s when CDs are beginning to wipe out all other means of recording music – a complete disaster for someone like Frank, the owner of the music shop, who only sells vinyl.
The book begins in 1988 in a crumbling down street where shopkeepers are barely making enough money to survive. Frank’s shop is one of the few remaining and, despite everything against him, is determined to keep going. Not only does he sell vinyl records, Frank has an empathetic gift allowing him to sense exactly what a customer needs to listen to, even though they may not realise it themselves. However, one day, Frank’s world is turned upside down by the arrival of a young German woman, Ilse Brauchmann, who faints on his doorstep.
Ilse intrigues all of the shopkeepers on Unity Street, particularly Frank’s teenaged assistant, Kit. Although Frank tries to deny it, Ilse also fascinates him to the point that he is rarely thinking of anything else. But what concerns him most is that he cannot pinpoint what piece of music she ought to listen to. When questioned, Ilse admits she knows nothing about music and begs Frank to give her lessons. These lessons have nothing to do with instruments – Frank is the least qualified to teach such a thing – but about how to listen to music. How to hear the pauses in classical pieces; understand the meaning behind Beethoven’s sonatas; feel the passion behind punk music; learn to love a number of composers for the things many people miss.
The longer Frank spends around Ilse, the more he begins to fall in love. However, love is something Frank denies himself ever since the death of his mother fifteen years previously. Written in italics are flashback chapters explaining how Frank’s love of music came about, his relationship with his mother, and how he ended up as a dead-end vinyl seller. Due to his fear of intimate relationships, Frank keeps pushing Ilse away until, one day, he realises how much he needs her. But, he may have left it too late.
<i>The Music Shop</i> is split into four sections, or sides (a reference to vinyl records). Side A introduces the characters and settings during a wintery January when Frank is beginning to struggle with the competition caused by the recently opened Woolworths on the nearby high street. Sides B and C focus on the development of Frank and Ilse’s friendship, the secrets they hide from each other and the foreboding sense of disaster hanging over the one-of-a-kind music shop.
As Frank begins to realise how much Ilse means to him, the sudden appearance of side D will break readers’ hearts. Whilst sides A, B and C take place in 1988, side D jumps forward 21 years to 2009. It appears Frank and Ilse never got the relationship they deserved. Two unhappy decades have been and gone, demolishing any resemblance of the way life used to be. However, because there is a side D, readers can only hope it will result in a happy ending.
<i>The Music Shop</i> is a love story between two quiet, modest characters whose past and present circumstances get in the way of a peaceful future. However, it is not only a piece of romantic fiction. Rachel Joyce writes a message in story format about second chances and being brave. Learning to listen does not only apply to music, it applies to hearing what other people are saying and what they are not; most importantly, the book urges people to listen to themselves.
The research undertaken for this novel is phenomenal. For starters, it is set almost thirty years ago when vinyl was only beginning to go out of fashion. The quality of music and the access people had to it was extremely different to the simplicity of today where it is possible to download everything at the press of a button. The breadth of music genre is as wide as possible. Every type of music is covered from Handel’s <i>Messiah</i> to Aretha Franklin and The Sex Pistols. To be able to discuss such a range without falling into stereotypes is a feat worthy of congratulating.
<i>The Music Shop</i> far surpasses anything Rachel Joyce has written so far. The story is fragile in a beautiful way, its delicacy causing the reader to treat it with care, rather than rush through it like some mundane piece of fiction. It will interest a whole host of readers: male and female, music lovers and those with a preference for silence. Whoever you are, be prepared to take something away from this distinctive, outstanding novel.
From the author of <i>The Unlikely Pilgrimage of Harold Fry </i>comes a unique and beautiful story about music and learning how to listen. <i>The Music Shop</i> by Rachel Joyce takes readers on a journey through the developing music world of the late 1980s when CDs are beginning to wipe out all other means of recording music – a complete disaster for someone like Frank, the owner of the music shop, who only sells vinyl.
The book begins in 1988 in a crumbling down street where shopkeepers are barely making enough money to survive. Frank’s shop is one of the few remaining and, despite everything against him, is determined to keep going. Not only does he sell vinyl records, Frank has an empathetic gift allowing him to sense exactly what a customer needs to listen to, even though they may not realise it themselves. However, one day, Frank’s world is turned upside down by the arrival of a young German woman, Ilse Brauchmann, who faints on his doorstep.
Ilse intrigues all of the shopkeepers on Unity Street, particularly Frank’s teenaged assistant, Kit. Although Frank tries to deny it, Ilse also fascinates him to the point that he is rarely thinking of anything else. But what concerns him most is that he cannot pinpoint what piece of music she ought to listen to. When questioned, Ilse admits she knows nothing about music and begs Frank to give her lessons. These lessons have nothing to do with instruments – Frank is the least qualified to teach such a thing – but about how to listen to music. How to hear the pauses in classical pieces; understand the meaning behind Beethoven’s sonatas; feel the passion behind punk music; learn to love a number of composers for the things many people miss.
The longer Frank spends around Ilse, the more he begins to fall in love. However, love is something Frank denies himself ever since the death of his mother fifteen years previously. Written in italics are flashback chapters explaining how Frank’s love of music came about, his relationship with his mother, and how he ended up as a dead-end vinyl seller. Due to his fear of intimate relationships, Frank keeps pushing Ilse away until, one day, he realises how much he needs her. But, he may have left it too late.
<i>The Music Shop</i> is split into four sections, or sides (a reference to vinyl records). Side A introduces the characters and settings during a wintery January when Frank is beginning to struggle with the competition caused by the recently opened Woolworths on the nearby high street. Sides B and C focus on the development of Frank and Ilse’s friendship, the secrets they hide from each other and the foreboding sense of disaster hanging over the one-of-a-kind music shop.
As Frank begins to realise how much Ilse means to him, the sudden appearance of side D will break readers’ hearts. Whilst sides A, B and C take place in 1988, side D jumps forward 21 years to 2009. It appears Frank and Ilse never got the relationship they deserved. Two unhappy decades have been and gone, demolishing any resemblance of the way life used to be. However, because there is a side D, readers can only hope it will result in a happy ending.
<i>The Music Shop</i> is a love story between two quiet, modest characters whose past and present circumstances get in the way of a peaceful future. However, it is not only a piece of romantic fiction. Rachel Joyce writes a message in story format about second chances and being brave. Learning to listen does not only apply to music, it applies to hearing what other people are saying and what they are not; most importantly, the book urges people to listen to themselves.
The research undertaken for this novel is phenomenal. For starters, it is set almost thirty years ago when vinyl was only beginning to go out of fashion. The quality of music and the access people had to it was extremely different to the simplicity of today where it is possible to download everything at the press of a button. The breadth of music genre is as wide as possible. Every type of music is covered from Handel’s <i>Messiah</i> to Aretha Franklin and The Sex Pistols. To be able to discuss such a range without falling into stereotypes is a feat worthy of congratulating.
<i>The Music Shop</i> far surpasses anything Rachel Joyce has written so far. The story is fragile in a beautiful way, its delicacy causing the reader to treat it with care, rather than rush through it like some mundane piece of fiction. It will interest a whole host of readers: male and female, music lovers and those with a preference for silence. Whoever you are, be prepared to take something away from this distinctive, outstanding novel.
Clare Parrott (294 KP) created a post
Jul 24, 2017
Rachel King (13 KP) rated Abandon (Abandon, #1) in Books
Feb 11, 2019
Though I have been familiar with the name of Meg Cabot for awhile, this is the first book by her that I have actually read. I am a sucker for Greek mythology, and a retelling of Hades and Persephone has great potential. With a great cover and an even better premise to the book, I had pretty high hopes for the plot itself.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
The way the book begins throws me -- told through the eyes of Pierce Oliviera, which is not that great of a name for a girl (instead of Persephone?), the author refrains from giving away hardly anything about Pierce's circumstances, what happened to her, what motivates her, etc. While it can be considered good writing to hold back on the major revelations as long as possible to build the suspense and draw in the reader, for me it was rather frustrating to read almost the entire book before Pierce finally realized who and what John Hayden is(also a crummy name for a death deity). Much of the actual events of the book are Pierce's memories, and what happens in real time is the culmination of these memories.
While I disliked the way that Meg Cabot chose to string all of these separate events together, I do like what the actual events create when put together. A girl who has a Near-Death Experience, or NDE, meets for the second time the man who runs her personal Underworld, instantly making her his consort thanks to a rare diamond necklace, though she does not yet know it. Her ability to skirt death makes her a target for the bad guys in the book, the Furies (not the same as the Furies of Greek mythology), who blame John for their lot in life after death. In addition, Pierce also has a host of quirks that alternately set her up for disaster or save her life, such as her addiction to soda and her paranoia that tassels are Evil.
While Pierce has a vast array of personality and behavioral problems that make the act of living difficult for her, I do think that this book fits well in the Young Adult category. Pierce does not have everything figured out, does not always know how to handle herself, and does not even recognize when she is in love. She is protective of her feelings, can be just as detached as the next person from those around her, and has to work at not being too self-absorbed. Sometimes an imperfect heroine makes for a better book. I look forward to the next installment in the trilogy, Underworld.
Sheridan (209 KP) rated Mindhunter - Season 1 in TV
Apr 28, 2019
The Content (1 more)
The Concept
Slow Yet Twisted
I had a friend recommend this show to me and I thought, alright I'm constantly attempting to figure out why people's minds work the way they do, this could be interesting. Let me tell you right off the bat, push through that first episode, I promise you it gets more interesting. The first episode is a disaster, there's too much shoved in there (one second Ford is an active agent, then suddenly he's teaching, straight after he's at college, then he's working in the BSU) it was dull at best and dead confusing at worst. While the content is interesting, the characters and the relationships are odd and strained. Ford comes across like an actual serial killer (especially when he does that creepy wide-eyed stare *shivers*), he's socially awkward, his mannerisms feel stunted and strange and overall he is not a likeable character. I like to feel connected in some way to the characters I'm watching and at this stage Ed is more relatable than Ford (which is terrifying because - actual murderer there ?). The girlfriend is even worse, they both feel just - forced (and what's with the weirdly placed sex scenes?! They don't add anything to the story at all!) There's oddly placed scenes which are weird and don't make sense (Carr and the tuna/invisible cat - why - just why was that in there? It wasn't necessary and what was the point of that? Was it supposed to be creepy? Unsettling? Because for me it was just random and pointless). Tench is the only consistant, interesting character (who, bless him, smokes waaaay too much). Overall the show is slow, which admittedly can be a good thing, especially because at first they see so much resistance to the idea that people aren't always just 'born bad', but it never really picks up speed (like you're kind of expecting it to). The last episode is very odd, Ford becomes confusing and erratic, which is a complete 360 from his dead-eyed emotionally inept character in the first episodes. Is he having a breakdown? Is he realising he shares traits with the violent killers he's interviewing? The ending didn't make sense to me at all. I give the show an 8 for content because it is super fascinating, and appropriately disturbing but character wise it's definitely a 5, you just never really 'connect' with anyone. That being said, I will watch the next season, because it's still an interesting show, though it will be at the bottom of my 'to watch' list.
Carma (21 KP) rated Bad Reputation (Bad Bachelors, #2) in Books
Jun 17, 2019
Bad Reputation by Stefanie London is the first book Ive read by this author after meeting her briefly at a reader event in June 2018. Bad Reputation is the 2nd book in this series but not having read the first one before diving into this one hasnt really affected my enjoyment of this novel. The theme of the first 2 books centers around an app called Bad Bachelor, which essentially allows people to rate and review dates online. The first book set the stage for this continuation of story with Wes being the target of reviews online.
Wes is the son of famous dance parents. He has lived in the world of ballet and dance his entire life. He wants to break free of his family name and legacy and start something on his own, he leaves the family business much to the chagrin of his very opinionated mother. He comes up with an idea for an off-off broadway show that will engage the audience right into the middle of the show. Now all he needs are investors and a star dancer for the female lead. With a website posting reviews about his manhood threatening to derail any hope of funding he needs to find a way to get his show off the ground.
Remi is an ex ballerina currently living in New York teaching ballet class at her friends studio. She has dream of opening her own studio now that her career in the dance world looks to be over. A chance meeting at one of her parent/kid classes has her reconsidering giving up on her dream. But can she put her past mistakes behind her and not head down the same ruining road of disaster.
I really enjoyed the dynamic of Wes and his mother, his father was pretty much talked about not actually to during this novel. Wes was trying his hardest to show his mother that he can make it on his own, without being a disappointment to the family name, while waiting for her to dish out an I told you so.
I wasnt sure I liked the gossip articles, review blurbs etc that were at the beginning of each new chapter. At the beginning they were very distracting, but as the story went on they really added to and became part of the story. I received an advance copy from the publishers without any expectation for review. Any and all opinions expressed are solely my own. I cant wait to read many more books from Stefanie London, starting with Bad Bachelor (Book 1 in this series)
Wes is the son of famous dance parents. He has lived in the world of ballet and dance his entire life. He wants to break free of his family name and legacy and start something on his own, he leaves the family business much to the chagrin of his very opinionated mother. He comes up with an idea for an off-off broadway show that will engage the audience right into the middle of the show. Now all he needs are investors and a star dancer for the female lead. With a website posting reviews about his manhood threatening to derail any hope of funding he needs to find a way to get his show off the ground.
Remi is an ex ballerina currently living in New York teaching ballet class at her friends studio. She has dream of opening her own studio now that her career in the dance world looks to be over. A chance meeting at one of her parent/kid classes has her reconsidering giving up on her dream. But can she put her past mistakes behind her and not head down the same ruining road of disaster.
I really enjoyed the dynamic of Wes and his mother, his father was pretty much talked about not actually to during this novel. Wes was trying his hardest to show his mother that he can make it on his own, without being a disappointment to the family name, while waiting for her to dish out an I told you so.
I wasnt sure I liked the gossip articles, review blurbs etc that were at the beginning of each new chapter. At the beginning they were very distracting, but as the story went on they really added to and became part of the story. I received an advance copy from the publishers without any expectation for review. Any and all opinions expressed are solely my own. I cant wait to read many more books from Stefanie London, starting with Bad Bachelor (Book 1 in this series)
Gareth von Kallenbach (980 KP) rated Geostorm (2017) in Movies
Jun 19, 2019
I have written many times in the past how the Disaster movie has long been a staple of Hollywood. We had the Irwin Allen classics of the 70s that were loaded with stars and in recent years, we had Volcano and Asteroids to contend with along with a new wave of monsters and alien invasions.
In the new movie “Geostorm” we are given a threat lifted directly from the headlines, the weather. It is revealed that a series of natural disasters ranging from flooding, heat waves, and climate change have left humanity in serious peril. As such the leaders of the world agree on a costly and ambitious plan to save humanity.
The resulting program is called “Dutch Boy” and it is the brainchild of Jake Lawson (Gerard Butler), and his team of international scientists and technicians.
The project is a global satellite system that controls the weather, and when a threat is detected, it is able to stop it in its tracks.
All has gone well for years under the program and humanity is now safe from weather related threats and continues on as usual. Jake has run afoul of the politicians overseeing the project and is removed from it by his brother Max (Jim Sturgess), who is tasked as his replacement.
Years later as the U.S. prepares to hand over control of Duty Boy to the international community, a series of odd things happen from unexplained weather incidents to an accident on the space station overseeing the system.
With the clock ticking before the handoff and Election Year politics playing a factor, Jake is tasked with going to the space station and getting to the bottom of the system issues.
The film cleverly switches gears at this point as it soon becomes clear there is a conspiracy at work that wants the system to fail and when it is learned that this may result in a mega-storm called a Geostorm, Jake and Max must put aside their differences and find out who is turning the salvation of humanity into a weapon of ultimate destruction.
The film has some really good effects and the weather disasters bring out some impressive visuals as do the scenes set in space.
The film does take some serious leaps of logic and science that requires the audience to simply follow along for the good of the story, but the strong cast and winning effects make the film more enjoyable than I expected it to be and I was entertained from start to finish.
http://sknr.net/2017/10/20/geostorm/
In the new movie “Geostorm” we are given a threat lifted directly from the headlines, the weather. It is revealed that a series of natural disasters ranging from flooding, heat waves, and climate change have left humanity in serious peril. As such the leaders of the world agree on a costly and ambitious plan to save humanity.
The resulting program is called “Dutch Boy” and it is the brainchild of Jake Lawson (Gerard Butler), and his team of international scientists and technicians.
The project is a global satellite system that controls the weather, and when a threat is detected, it is able to stop it in its tracks.
All has gone well for years under the program and humanity is now safe from weather related threats and continues on as usual. Jake has run afoul of the politicians overseeing the project and is removed from it by his brother Max (Jim Sturgess), who is tasked as his replacement.
Years later as the U.S. prepares to hand over control of Duty Boy to the international community, a series of odd things happen from unexplained weather incidents to an accident on the space station overseeing the system.
With the clock ticking before the handoff and Election Year politics playing a factor, Jake is tasked with going to the space station and getting to the bottom of the system issues.
The film cleverly switches gears at this point as it soon becomes clear there is a conspiracy at work that wants the system to fail and when it is learned that this may result in a mega-storm called a Geostorm, Jake and Max must put aside their differences and find out who is turning the salvation of humanity into a weapon of ultimate destruction.
The film has some really good effects and the weather disasters bring out some impressive visuals as do the scenes set in space.
The film does take some serious leaps of logic and science that requires the audience to simply follow along for the good of the story, but the strong cast and winning effects make the film more enjoyable than I expected it to be and I was entertained from start to finish.
http://sknr.net/2017/10/20/geostorm/
Gareth von Kallenbach (980 KP) rated Mike and Dave Need Wedding Dates (2016) in Movies
Jun 19, 2019
Mike (Adam Devine), and his brother Dave (Zac Efron), are a couple of easy going and fun loving guys who make their living as liquor salesman, often using some elaborate schemes.
One evening their parents greet them with an ultimatum, they must bring dates to their sister’s wedding in Hawaii. The reason for this is that in their exuberance, Mike and Dave have been known to go overboard in trying to impress the ladies, which has resulted in some epic disasters at numerous family events.
Desperate to appease their Sister Jeanie (Sugar Lyn Beard), the duo turn to the internet to try to find nice girls who will go with them to Hawaii. Naturally they are flooded with thousands of e-mails from girls hoping to score a free trip and their efforts soon get them on a talk show, where they tell their story.
Enter Alice (Anna Kendrick) and Tatiana (Aubrey Plaza); two lifelong friends who have just lost their jobs after Alice was brutally left at the altar on her wedding day. The two see Mike and Dave on television and devise a plan to pass themselves off as decent ladies to score the free trip. The plan works and in no time they are in Hawaii and getting ready for the events.
Unfortunately for Mike and Dave, the two girls are not what they appear as they are actually foul mouthed party girls with a passion for wild and reckless behavior and who lack any sort of internal censor.
Combine this with the internal family tensions that can arise at such events it is no surprise that this wedding is on a fast path to disaster.
What follows is a series of crude, outrageous, and hilarious events as Mike and Dave clash with the girls, family, each other and learn more about life, love and family.
The cast works well with one another and there are some truly funny sequences such as the relaxing massage and musical number. The cast works very well with one another and you will want to watch the outtakes during the final credits as they add even more laughs to the film.
While it is mainly a comedy that uses every bit of its R rating, there are enough laughs for those who are willing to overlook some of the issues with the film’s pacing and basic premise, but remember it is a comedy, and if you do not mind this type of humor, you will find yourself laughing along frequently.
http://sknr.net/2016/07/07/mike-dave-need-wedding-dates/
One evening their parents greet them with an ultimatum, they must bring dates to their sister’s wedding in Hawaii. The reason for this is that in their exuberance, Mike and Dave have been known to go overboard in trying to impress the ladies, which has resulted in some epic disasters at numerous family events.
Desperate to appease their Sister Jeanie (Sugar Lyn Beard), the duo turn to the internet to try to find nice girls who will go with them to Hawaii. Naturally they are flooded with thousands of e-mails from girls hoping to score a free trip and their efforts soon get them on a talk show, where they tell their story.
Enter Alice (Anna Kendrick) and Tatiana (Aubrey Plaza); two lifelong friends who have just lost their jobs after Alice was brutally left at the altar on her wedding day. The two see Mike and Dave on television and devise a plan to pass themselves off as decent ladies to score the free trip. The plan works and in no time they are in Hawaii and getting ready for the events.
Unfortunately for Mike and Dave, the two girls are not what they appear as they are actually foul mouthed party girls with a passion for wild and reckless behavior and who lack any sort of internal censor.
Combine this with the internal family tensions that can arise at such events it is no surprise that this wedding is on a fast path to disaster.
What follows is a series of crude, outrageous, and hilarious events as Mike and Dave clash with the girls, family, each other and learn more about life, love and family.
The cast works well with one another and there are some truly funny sequences such as the relaxing massage and musical number. The cast works very well with one another and you will want to watch the outtakes during the final credits as they add even more laughs to the film.
While it is mainly a comedy that uses every bit of its R rating, there are enough laughs for those who are willing to overlook some of the issues with the film’s pacing and basic premise, but remember it is a comedy, and if you do not mind this type of humor, you will find yourself laughing along frequently.
http://sknr.net/2016/07/07/mike-dave-need-wedding-dates/