Search
Search results
Gareth von Kallenbach (980 KP) rated 2012 (2009) in Movies
Aug 8, 2019
Disaster films and Hollywood have enjoyed a long and successful partnership over the years as box office gold has been found in fictional disasters. Irwin Allen had a string of hits such as “The Towering Inferno” and “The Poseidon Adventure” which in turn lead to the films such as “Dante’s Peak”, “Volcano”, “Deep Impact”, and “Armageddon” who kept the tried and true formula of relatable, regular people forced to cope with extraordinary situations where they must battle against all odds to survive.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
In the new film “2012” director Roland Emmerich follows up his other end-of-the world epics “Independence Day” and “The Day After Tomorrow”, with a story about the total devastation of the earth and all life upon it due to an increase of neutrinos from the sun heating the earth’s core causing the displacement of the Earth’s crust.
Keeping to the established formula of the disaster films, 2012 centers around a struggling writer named Jackson Curtis (John Cusack), who learns of the pending catastrophic events while camping at Yellowstone National Park with his children. The presence of forbidden areas and swarms of soldiers and scientists leads Jackson to believe that the local conspiracy radio host Charlie Frost (Woody Harrelson), might be right in his predictions that we are all on borrowed time, and that the increase in earthquakes and fissures along the fault lines are a very bad omen.
Unbeknownst to Jackson, and the majority of the world’s population, U.S. President Wilson (Danny Glover), and his fellow heads of state, are preparing for the coming tragedy. Carl Anheuser (Oliver Platt) and a team of geologists lead by Adrian Helmsley (Chiwetal Ojiofore) are trying to determine exactly how much time they have to save what they can of humanity. Unaware that the fate of mankind is being decided by the politicians and those with money, Jackson and his children soon find themselves rushing to stay alive, with his ex-wife Kate (Amanda Peet), and her boyfriend in tow. Jackson learns of a plan to save select members of the population and pins their very survival on being able to arrive at what they hope is their salvation before time runs out.
Spectacular effects follow as Los Angeles and other cities are swallowed up by massive sinkholes and buried under collapsing bridges and buildings in some of the most amazing sequences of mayhem and destruction ever captured on film. The movie does an amazing job of showing the absolute calamity and chaos and does a passable job with the relationships between the characters. There are some nice supporting performances from Thandie Newton and George Segal. It is just a shame they were not given a bit more to work with. The cookie cutter scenarios that many characters faced seem to have been lifted from the book of disaster film plots.
I did not go into the film expecting realism, as I fully expect the world will go on as normal on December 22, 2012. However, I did have to note some of the absurd developments that strained any semblance of credibility the film may have had. One such scene had the characters being flooded and trapped for an extended period of time by water. Since their locale was near Mt Everest, I had to assume that it was not warm spring water they were submerged in, and had to wonder if hypothermia just went the way of most of the human populace.
Then again, we were dealing with a heated core that was essentially melting the earth’s crust. So maybe the water was warm.
As with all disaster movies, I do have to remember the audience is asked to suspend all disbelief, at least for 160 minutes. While the film does take some vast leaps of logic, there is enough good action, special effects, and strained levity to make this a good distraction, as long as you are willing to check your brain at the door and just enjoy the ride.
Awix (3310 KP) rated The Meg (2018) in Movies
Apr 2, 2019
Jurassic Shark
Megashark vs Jason Statham movie has its moments but suffers a bit from lacking a clear sense of what it actually wants to be: family-oriented disaster movie, cheesy B-movie fun, or special effects blockbuster. Some people get stuck at the bottom of the sea, top diver (Statham) is recruited to get them out; in the process an enormous prehistoric shark is unleashed.
Actually feels a bit like one of those ultra-calculated Chinese blockbusters we are beginning to see (cf. Skyscraper); perhaps this explains why it is always just a bit too bland and clean to really succeed. You can easily imagine Dwayne Johnson starring in this instead. Statham manages to bring his own brand of nuttiness to the affair, far outshining the rest of a pretty nondescript cast. Script is predictable, special effects are okay, ending is unexpectedly inventive. More fun than it sounds.
Actually feels a bit like one of those ultra-calculated Chinese blockbusters we are beginning to see (cf. Skyscraper); perhaps this explains why it is always just a bit too bland and clean to really succeed. You can easily imagine Dwayne Johnson starring in this instead. Statham manages to bring his own brand of nuttiness to the affair, far outshining the rest of a pretty nondescript cast. Script is predictable, special effects are okay, ending is unexpectedly inventive. More fun than it sounds.
A masterpiece of a TV show
I didn't really know much about the whole Chernobyl incident (I was 6 years old when it happened) except what I read but this show was a real eye opener.
Its a heartbreaking story on how the disaster affected the lives of the residents and those further afield and shows how the highest authorities in the russian government tried to cover everything up.A few upsetting scenes in depicting the illnesses that occurred after the incident but for me the most heartbreaking part was showing the emotional difficulty one man had in being given the job of going round and having to shoot all the dogs and cats that were left behind and then watch them being buried in the ground and covered in concrete.
A real triumph of a show that everyone really should watch.
Its a heartbreaking story on how the disaster affected the lives of the residents and those further afield and shows how the highest authorities in the russian government tried to cover everything up.A few upsetting scenes in depicting the illnesses that occurred after the incident but for me the most heartbreaking part was showing the emotional difficulty one man had in being given the job of going round and having to shoot all the dogs and cats that were left behind and then watch them being buried in the ground and covered in concrete.
A real triumph of a show that everyone really should watch.
Mark @ Carstairs Considers (2434 KP) rated Going, Going, Ganache (Cupcake Bakery Mystery, #5) in Books
Mar 9, 2018
When a photo shoot for Southwest Style turns into a disaster, Mel and Angie find themselves hosting a cupcake boot camp as a team building exercise for the fractured magazine staff. The second morning, Mel finds out of the staff members murdered behind her shop. With the prime suspects in her bakery, can Mel figure out who the killer is?
This is a wonderful addition to the series, and it is easy to see why the series has so many fans. The characters, main and new, are all strong. The mystery provides plenty of tension, suspects, and red herrings, and a couple of sub-plots involving the main characters will keep series fans engrossed as well. Add to that delicious cupcake recipes in the back, and you’ve got a winner.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/11/book-review-going-going-ganache-by-jenn.html">Carstairs Considers</a>.
This is a wonderful addition to the series, and it is easy to see why the series has so many fans. The characters, main and new, are all strong. The mystery provides plenty of tension, suspects, and red herrings, and a couple of sub-plots involving the main characters will keep series fans engrossed as well. Add to that delicious cupcake recipes in the back, and you’ve got a winner.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2015/11/book-review-going-going-ganache-by-jenn.html">Carstairs Considers</a>.
Awix (3310 KP) rated Left Behind (2014) in Movies
Feb 12, 2018 (Updated Feb 12, 2018)
Rapture with a capital C
Relatively lavish faith-based disaster movie which has somehow managed to land the services of a few people you may actually have heard of. Panic and chaos ensue when millions of people vanish in the blink of an eye; Nicolas Cage is stuck flying a plane looking for a place to land, on the ground his daughter runs around trying to work out what's happening. The final revelation (sorry) is telegraphed very early on by endless discussions of sin and religion.
Like most faith-based movies this is crippled by its own earnestness and didacticism; some ultra-low-budget action does not help much, and is strikingly poorly directed given Vic Armstrong is (in his own words) 'the world's greatest stuntman'. Unlikely to convince the undecided of either the essential truth of Christianity or the long-term prospects of Nicolas Cage's acting career.
Like most faith-based movies this is crippled by its own earnestness and didacticism; some ultra-low-budget action does not help much, and is strikingly poorly directed given Vic Armstrong is (in his own words) 'the world's greatest stuntman'. Unlikely to convince the undecided of either the essential truth of Christianity or the long-term prospects of Nicolas Cage's acting career.
Dean (6927 KP) rated The Day the Earth Stood Still (2008) in Movies
Nov 7, 2018
A potentially great story about alien contact was really let down by the plot more than anything. I have seen the original and while that would be regarded as well ahead of it's time made in 1951 this will shortly be forgotten. This has the big budget modern effects otherwise the main difference of this and the original is the reason for the alien contact. The original made after WW2 was all about living in peace or risk destruction for our violent actions. This is all about the environment if we can't change our ways we risk killing the earth and ourselves. Oh and John Cleese is always worthy of more than a few minutes cameo?!
Great start but a missed opportunity. If you want a good action, drama or disaster film on a similar them watch Independence day, War of the Worlds, or The day after tomorrow instead.
Great start but a missed opportunity. If you want a good action, drama or disaster film on a similar them watch Independence day, War of the Worlds, or The day after tomorrow instead.
Micky Barnard (542 KP) rated How to Walk Away in Books
Jan 26, 2019
A fresh story
HOW TO WALK AWAY was a fresh story, it felt new and unpredictable. There’s a jerk, actually he’s the jerk of jerks who I wanted to silence forever. There’s a heroine to admire, get behind and cheer, she rocked my reading experience. There’s a physical therapist, a Scot (more on that later) who had the whole strong, silent-type thing going on. Then there’s family, an eclectic family but they brought technicolour to this read. I loved the story, it floated my boat and I just want to read more by this author.
This was an audiobook and the main narration was going great until a Scottish accent was required and frankly it was a disaster. Every time she did Ian’s dialogue my nerves jangled. Those who aren’t UK natives probably won’t struggle as much as I did but it’s worth knowing.
This was an audiobook and the main narration was going great until a Scottish accent was required and frankly it was a disaster. Every time she did Ian’s dialogue my nerves jangled. Those who aren’t UK natives probably won’t struggle as much as I did but it’s worth knowing.
The Meaning of Cricket: Or How to Waste Your Life on an Inconsequential Sport
Book
Cricket does strange things to you. It is a team game that is almost entirely dependent on...
The Physics of Finance: Predicting the Unpredictable: How Science Has Taken Over Wall Street
Book
After the economic meltdown of 2008, many pundits placed the blame on "complex financial...
