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Driving home to Utah to see her dying mother, college student Darby Thorne gets stuck in a terrible snowstorm. It forces her to stop at a rest area in Colorado. There she finds four other strangers stranded as well. When going back out to her car to try to get a cell signal, Darby makes a horrible discovery: in the van next to her vehicle, there's a little girl locked in a crate. Darby has no cell signal, there's no phone at the rest stop, and no way of knowing which of the four strangers has abducted this child. She's trapped and must find a way to rescue the kid. But how?
When I first picked up this book, I found it a little slow. Honestly, I think it's just because it stressed me out completely. One young college student trapped in the snow, trying to save a kid. It's a lot. I will say that Darby Thorne is a total badass (much like my hero, Darby Shaw, of The Pelican Brief).
This book is basically just a horror show, filled with violence, terror, and suspense. You don't know who Darby can trust, or what on earth will happen next. Adams packs a lot of tension into a book set in a rest area, and into a story that spans over less than half a day. It's pretty impressive.
Overall, while I can't say I completely enjoyed this book, because I was constantly worried, it's very well-done and suspenseful. 3.5 stars, rounded to 4 here.

Matthew Krueger (10051 KP) rated Horror Express (1972) in Movies
Nov 23, 2020
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.